But not for everyone. Unsolved Australia: Lost Boys, Gone Girls tells thirteen stories of people whose luck ran out in the most mysterious of circumstances.It's a journalistic deep-dive into Australia's dark heart by one of Australia's premier true crime writers, Justine Ford, the acclaimed bestselling author of Unsolved Australia and The Good Cop .Why are four people missing from a Western Australian doomsday cult? Who abducted and murdered beauty queen Bronwynne Richardson on pageant night? And why is a cooked chook important evidence in the outback disappearance of Paddy Moriarty?Key players are interviewed, evidence laid out and suspects assessed. Never-before-published information is revealed. Can you help crack the case and solve these mysteries?Hold tight as Unsolved Australia: Lost Boys, Gone Girls takes you on a chilling yet inspiring true crime rollercoaster ride where the final destination is hope.

    But her world changed forever when her troubled ex-partner, Greg Anderson, killed Luke in an horrendous attack at the local cricket ground in February that year. Rosie had suffered years of family violence, and had intervention orders in place in an effort to protect herself and her son. She believes the killing was Greg's final act of power and control over her. But Rosie would not be silenced. Since the events of last February, she has become an outspoken crusader against family violence, winning hearts and minds all over Australia with her compassion and her courage. In January 2015, she was named Australian of the Year.

    When Stephanie Wood meets a sweet man who owns a farm and property, she embarks on an exhilarating romance with him. He seems compassionate, truthful and loving. He talks about the future with her. She falls in love. She also becomes increasingly beset by anxiety at the lavish three-act plays he offers her in the form of excuses for frequent cancellations and no-shows. She begins to wonder, who is this man?When she ends the relationship Stephanie switches back on her journalistic nous and uncovers a story of mind-boggling duplicity and manipulation. She also finds she is not alone; that the world is full of smart, sassy women who have suffered at the hands of liars, cheats, narcissists, fantasists and phonies, men who are enormously skilled at deception.In this brilliantly acute and broad-ranging book, Wood, an award-winning writer and journalist, has written a riveting, important account of contemporary love, and the resilience of those who have witnessed its darkest sides.

    Lost Girls is a portrait of unsolved murders in an idyllic part of America, of the underside of the Internet, and of the secrets we keep without admitting to ourselves that we keep them.

    You take the Princes Highway past Geelong, and keep going west in the direction of Colac. Late in August 2006, soon after I had watched a magistrate commit Robert Farquharson to stand trial before a jury on three charges of murder, I headed out that way on a Sunday morning, across the great volcanic plain. On the evening of 4 September 2005, Father's Day, Robert Farquharson, a separated husband, was driving his three sons home to their mother, Cindy, when his car left the road and plunged into a dam. The boys, aged ten, seven and two, drowned. Was this an act of revenge or a tragic accident? The court case became Helen Garner's obsession. She followed it on its protracted course until the final verdict. In this utterly compelling book, Helen Garner tells the story of a man and his broken life. She presents the theatre of the courtroom with its actors and audience, all gathered for the purpose of bearing witness to the truth, players in the extraordinary and unpredictable drama of the quest for justice. This House of Grief is a heartbreaking and unputdownable book by one of Australia's most admired writers. Helen Garner's first novel, Monkey Grip won the 1978 National Book Council Award, and was adapted for film in 1981. Since then she has published novels, short stories, essays, and feature journalism. In 1995 she published The First Stone, a controversial account of a Melbourne University sexual harassment case. Joe Cinque's Consolation (2004) was a non-fiction study of two murder trials in Canberra. In 2006 Helen Garner received the inaugural Melbourne Prize for Literature. Her most recent novel, The Spare Room (2008), won the Victorian Premier's Literary Award for Fiction, the Queensland Premier's Award for Fiction and the Barbara Jefferis Award, and has been translated into many languages. Helen Garner lives in Melbourne.

    However, very rarely do we hear from the women he left behind—the ones forgotten as mere footnotes in this tragedy. This updated and expanded reissue of Elizabeth Kendall’s 1981 book The Phantom Prince chronicles her intense, six-year relationship with Ted Bundy and its eventual unraveling. Featuring a new introduction and a new afterword by the author, never-before-seen photos, and a new chapter from the author’s daughter, Molly, this gripping account presents a remarkable examination of obsession, intrigue, and the darkness that love can mask.

    They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women.For more than a century, newspapers have been keen to tell us that ‘the Ripper’ preyed on prostitutes. Not only is this untrue, as historian Hallie Rubenhold has discovered, it has prevented the real stories of these fascinating women from being told. Now, in this devastating narrative of five lives, Rubenhold finally sets the record straight, revealing a world not just of Dickens and Queen Victoria, but of poverty, homelessness and rampant misogyny. They died because they were in the wrong place at the wrong time – but their greatest misfortune was to be born a woman.

    Her Crime Files volumes, based on fascinating case histories, have assured her reputation as our premier chronicler of crime. Now the former Seattle policewoman brings us the horrific account of a charismatic man adored by beautiful and brilliant women who always gave him what he wanted...sex, money, their very lives.... When attorney Cheryl Keeton's brutally bludgeoned body was found in her van in the fast lane of an Oregon freeway, her husband, Brad Cunningham, was the likely suspect. But there was no solid evidence linking him to the crime. He married again, for the fifth time, and his stunning new wife, a physician named Sara, adopted his three sons. They all settled down to family life on a luxurious estate. But gradually, their marriage became a nightmare.... In this gripping account of Cheryl's murder, Ann Rule takes us from Brad's troubled boyhood to one of the most bizarre trials in legal history, uncovering multiple marriages, financial manipulations, infidelities, and monstrous acts of harassment and revenge along the way. Dead By Sunset is Ann Rule at her riveting best.

    Reporters flocked to the scene. Well-known columnists took up conspicuous seats in the courtroom. The defendant was relentlessly scrutinized for signs of guilt or innocence. Everyone—rich and poor, suffragists and social conservatives, legal scholars and laypeople—had an opinion about Lizzie Borden’s guilt or innocence.The popular fascination with the Borden murders and its central, enigmatic character has endured for more than a hundred years, but the legend often outstrips the story. Based on transcripts of the Borden legal proceedings, contemporary newspaper articles, previously withheld lawyer's journals, unpublished local reports, and recently unearthed letters from Lizzie herself, The Trial of Lizzie Borden is a definitive account of the Borden murder case and offers a window into America in the Gilded Age, showcasing its most deeply held convictions and its most troubling social anxieties.

    The backpackers - the innocent victims of a brutal murderer. Belanglo - a place that became synonymous with pure evil.It was the biggest and most complex manhunt in Australian history, an investigation that gripped a nation. Behind the many false leads and dead ends, precious clues emerged that pointed to one man.This is the story of how Ivan Milat was caught. Clive Small takes us inside the operation he led as his team painstakingly pieced together the evidence that put Milat behind bars. But questions remain. Did he act alone? Were there other victims? How much did his family know? And what of his great-nephew, who brutally killed a young man in 2010?Chilling, forensic, compassionate - this is the definitive story that could only be told by someone at the centre of the police operation. It is also a powerful argument for the investigation of more than a hundred unsolved murders.

    If a single punch kills someone because of their thin skull, that victim's weakness cannot mitigate the seriousness of the crime. But what if it also works the other way? What if a defendant on trial for sexual crimes has to accept his 'victim' as she comes: a strong, determined accuser who knows the legal system, who will not back down until justice is done?Bri Lee began her first day of work at the Queensland District Court as a bright-eyed judge's associate. Two years later she was back as the complainant in her own case. This is the story of Bri's journey through the Australian legal system; first as the daughter of a policeman, then as a law student, and finally as a judge's associate in both metropolitan and regional Queensland-where justice can look very different, especially for women. The injustice Bri witnessed, mourned and raged over every day finally forced her to confront her own personal history, one she'd vowed never to tell. And this is how, after years of struggle, she found herself on the other side of the courtroom, telling her story.Bri Lee has written a fierce and eloquent memoir that addresses both her own reckoning with the past as well as with the stories around her, to speak the truth with wit, empathy and unflinching courage. Eggshell Skull is a haunting appraisal of modern Australia from a new and essential voice.

    Even back then, she was a mystery that I wanted to solve.The lead homicide investigator in a rural town, Detective Sergeant Gemma Woodstock is deeply unnerved when a high school classmate is found strangled, her body floating in a lake. And not just any classmate, but Rosalind Ryan, whose beauty and inscrutability exerted a magnetic pull on Smithson High School, first during Rosalind's student years and then again when she returned to teach drama. As much as Rosalind's life was a mystery to Gemma when they were students together, her death presents even more of a puzzle. What made Rosalind quit her teaching job in Sydney and return to her hometown? Why did she live in a small, run-down apartment when her father was one of the town's richest men? And despite her many admirers, did anyone in the town truly know her? Rosalind's enigmas frustrate and obsess Gemma, who has her own dangerous secrets—an affair with her colleague and past tragedies that may not stay in the past.

    But when the cab arrived, she'd already gone.Sarah was never seen again.Four months later, on June 9, 1996, 23-year-old Jane Rimmer disappeared from the same area, her body later found in bushland south of Perth. When the body of a third young woman, 27-year-old Ciara Glennon, was found north of the city, having vanished from Claremont in August 1997, it was clear a serial killer was on the loose, and an entire city lived in fear he would strike again.A massive manhunt focused first on taxi drivers, then the outspoken local mayor and a quiet public servant. However, almost 20 years later, Australia's longest and most expensive investigation had failed to make an arrest, until forensic evidence linked the murders to two previous attacks - and an unlikely suspect.Stalking Claremont, by local newsman Bret Christian, is a riveting story of promising young lives cut short, a city in panic, an investigation fraught by oversights and red herrings, and a surprising twist that absolutely no one saw coming.

    A funny and frank look at the way Australia used to be - and just how far we have come. "It was simpler time". We had more fun back then". "Everyone could afford a house". There's plenty of nostalgia right now for the Australia of the past, but what was it really like? In The Land Before Avocado, Richard Glover takes a journey to an almost unrecognisable Australia. It's a vivid portrait of a quite peculiar land: a place that is scary and weird, dangerous and incomprehensible, and, now and then, surprisingly appealing. It's the Australia of his childhood. The Australia of the late '60s and early '70s. Let's break the news now: they didn't have avocado. It's a place of funny clothing and food that was appalling, but amusingly so. It also the land of staggeringly awful attitudes - often enshrined in law - towards anybody who didn't fit in. The Land Before Avocado will make you laugh and cry, be angry and inspired. And leave you wondering how bizarre things were, not so long ago. Most of all it will make you realise how far we've come - and how much further we can go.

    government. You have to remember because Harvard doesn't let you forget.1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment.   Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.