They take walks in the park together, visit county fairs, museums, and zoos, and eat together overlooking the lake. Some might say the father is a little too accommodating given the lack of discipline when the child loses his temper in public. Some might say he spoils his son by allowing him to set his own bedtimes and eat candy whenever he wants. Some might say that such leniency is starting to take its toll on the father, given how his health has declined.What no one knows is that Phil is a prisoner, and that up until a few weeks ago and a chance encounter at a grocery store, he had never seen the child before in his life.

    Armed only with crucifixes, holy water, and a rifle, he prays to survive a single night, the longest of his life. Desperate to record what he has witnessed, Bram scribbles down the events that led him here...A sickly child, Bram spent his early days bedridden in his parents' Dublin home, tended to by his caretaker, a young woman named Ellen Crone. When a string of strange deaths occur in a nearby town, Bram and his sister Matilda detect a pattern of bizarre behavior by Ellen--a mystery that deepens chillingly until Ellen vanishes suddenly from their lives. Years later, Matilda returns from studying in Paris to tell Bram the news that she has seen Ellen--and that the nightmare they've thought long ended is only beginning.

    Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood.Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.

    So when a stranger appears on her doorstep with a job offer, she finds herself accepting the mysterious yet unique position: caretaker to his mother, Amaris Sinclair, the famous and rather eccentric horror novelist whom Julia has always admired…and who the world believes is dead.When she arrives at the Sinclairs' enormous estate on Lake Superior, Julia begins to suspect that there may be sinister undercurrents to her "too-good-to-be-true" position. As Julia delves into the reasons of why Amaris chose to abandon her successful writing career and withdraw from the public eye, her search leads to unsettling connections to her own family tree, making her wonder why she really was invited to Havenwood in the first place, and what monstrous secrets are still held prisoner within its walls.

    For fans of the classics—Holmes, Dickens, and Abfab.In 1842, two drunken sisters debate their future. Business at the family chocolate shop has ground to a halt, and change is needed. For once, domineering elder sister Maggie doesn't get her way, and a month later Judy, Maggie, and Netta Walters—a medium with big hair and a bigger secret—open their séance parlor. The locals are shocked, but soon the shop is crammed with people wanting to contact the dead. Despite their change in fortune, a rift grows between the sisters, as Judy gets her gothic novel published, finds a man, and proves to be more capable of contacting spirits than Maggie, who can only read tea leaves. Spurred on by jealousy, Maggie tries harder, and soon her talents surpass those of her smug sister. She fills halls with folk wishing to witness her powers, and is even consulted by the Queen. As word spreads, the Church decides that Maggie must be stopped, and Maggie is tricked into a carriage—destination Bedlam Hospital. She then has to choose between publicly declaring herself a fake and returning to obscurity, or being incarcerated forever with the insane.

    Her charge, Mary, is a troubled child. Distracted and secretive, she hasn't uttered a word since the sudden death of her twin, William—just days after their former nanny disappeared.With Mary defiantly silent, Elspeth turns to the islanders. But no one will speak of what happened to William. Just as no one can explain the hypnotic lullabies sung in empty corridors. Nor the strange dolls that appear in abandoned rooms.Nor the faint whistling that comes in the night...As winter draws in and passage to the mainland becomes impossible, Elspeth finds herself trapped.But is this house haunted by the ghosts of the past?OR THE SECRETS OF THE LIVING..?Chilling, twisty and emotionally gripping, The Whistling is an atmospheric page-turner with shades of the classics, yet a unique character of its own. Perfect for fans of Susan Hill and Laura Purcell.

    It is the first in a series of gothic m/m romance anthologies called gothika. The stories in this volume are:Made For Aaron by Sue BrownAs a teenager, Aaron Fox was sent to an asylum by his parents because he was gay, leaving him emotionally fragile after the treatment. However it gave him Damon Fox, the nurse he later married. For over twenty years, Damon’s devotion and strength has never faltered. When Damon is killed in a car accident, Aaron’s devastation soon gives way to confusion when he is shown Damon walking away from the hospital. Despite a desperate search, Damon isn’t seen again, and if Aaron can’t live with Damon, he may not want to live at all. But forces beyond Aaron’s understanding work behind the scenes, and if he can find the courage to unveil the secrets, he might get a second chance at happiness.Watchworks by Jamie FessendenHarland Wallace made his name as one of the premiere watchmakers in Victorian London, so he isn’t surprised when a handsome young gentleman named Luke Prescott comes to his townhouse to hire him for a repair job. He is apprehensive when he discovers it is not a watch Mr. Prescott wants repaired, but a complex prosthesis he has in place of a hand.As further repairs are needed, Harland begins to wonder how much of Mr. Prescott is real and how much is mechanical, but he cannot deny the growing attraction he feels toward him. When he learns Prescott’s household servants pose a threat to the man they see as a monster, Harland must choose between what his culture tells him is wrong and what his heart tells him is right.The Golem of Mala Lubovnya by Kim FieldingIn a small, 17th-century Eastern European town, a rabbi creates a man of clay—a golem—to protect the Jewish people from the threat of pogrom. Awaiting a call to duty, the golem spends a long time confined to an attic, lonely and sad. His only joys are watching the stonemason at work across the street and listening to a lovely voice singing prayers. When the golem meets the mason, Jakob, the two become friends, and Jakob names the golem Emet. But devout Jakob struggles with his attraction to Emet, and Emet dreads being used as an instrument for violence. Though Emet’s name means truth, honest love between a faithful man and a golem will only survive if they risk everything for a miracle.Reparation by Eli EastonOn the harsh planet of Kalan, weakness is not tolerated. When young spore farmer Edward suffers an carriage accident that kills his mail-order bride and his factory manager, Edward has little chance of survival, until Knox—an enormous “reconstitute” labor slave—plucks him from disaster. Recons are part machine, part human remains from executed Federation prisoners. But Knox is different from other recons. He can read and has flashes of brilliance. With no one else to rely on over the bleak winter, Edward forms an alliance with Knox, and against social taboos, they become friends. Edward struggles against his growing lust for the large humanoid, and while Knox thrives in his new life, memories of his past torment him.A twist of fate brought Knox and Edward together, but there will be a price to pay in blood when they learn how deeply their lives truly intersect.

    This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through.  Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget.  Also included is the appendix, 'The Ten Minute Film Course,” a tell-all on how to save thousands of dollars on film school and teach yourself the ropes of film production, directing, and screenwriting.

    As war raged on in Vietnam and the cold war continued to escalate, Hollywood began to heat up, recovering from its commercial crisis with box-office successes such as Star Wars, Jaws, The Exorcist, and The Godfather. Thanks to directors like Spielberg and Lucas, American cinema gave birth to a new phenomenon: the blockbuster. Meanwhile, across the Atlantic, while the Nouvelle Vague died out in France, its influence extended to Germany, where the New German Cinema of Fassbinder, Wenders, and Herzog had its heyday. The sexual revolution made its way to the silver screen (cautiously in the US, more freely in Europe) most notably in Bertolucci's steamy, scandalous Last Tango in Paris. Amidst all this came a wave of nostalgic films (The Sting, American Graffiti) and Vietnam pictures (Apocalypse Now, The Deer Hunter), the rise of the anti-hero (Robert De Niro, Al Pacino, Dustin Hoffman), and the prestigious short-lived genre, blaxploitation.

    At first, the quaint, rural ways of their new neighbors seem to be everything they wanted. But there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of Savoyard still stand. Where a longstanding debt of blood has never been forgotten. A debt that has been waiting patiently for Frank Nichols's homecoming...

    Finally, a ghost story that reminds you why the basement is so terrifying!’ Brett McNeill of Rue Morgue Magazine ‘Ashforth does Edgar Allen Poe and Bram Stoker proud delivering a solid contribution to the literary movement. It is time that the ghost story made a comeback. With writers like Benedict Ashforth writing Abbot’s Keep, a revival just might be at hand.’ Matthew J. Barbour of Horror Novel Reviews ‘A really entertaining read with a delightful frisson of fear.’ Simon Ball of Horror Hothouse ‘Ashforth builds on the tension and the feeling of unease with each page to revel in a wonderfully tense and unnerving finale.’ Jim Mcleod of Ginger Nuts of Horror ‘Reminiscent of Poe, Abbot's Keep by Benedict Ashforth is a haunting novella with unique form and beautiful prose.’ Michael Bailey (HWA Bram Stoker Award Nominee) ‘. . . an eerie, atmospheric ghost story . . . has a gentle eeriness that keeps the reader wanting to find out more.' Julie K Top 50 Reviewer ‘Perfect ghost story.’ Christine Waddington 'Ashforth successfully builds a dark and relentless dread that steadily creeps through the text. Extremely accomplished.’ L Sharif ‘A gripping read right from the beginning. Couldn't put it down.’ D Boydell ‘I just could not put this story down. I wanted to know what happened as soon as I picked up my kindle. Strongly recommend.’ Mr Tony Cordon ‘The actual writing is wonderful, beautifully descriptive.’ Fiona White ‘I could not stop reading! it was as though I was in a trance, the story is captivating and very original.’ Safa R ‘A fantastic read, lots of twists and turns. Would recommend this to all Mystery readers. A book that is hard to put down.' Ms P Frain ‘. . . great plot and a well developed storyline. It is elegantly told with well built atmosphere and tension . . . a well conceived idea and would make excellent viewing were it ever to be dramatized.’ Cate Hamilton Read over 190 more reviews on amazon.co.uk

    Beginning with a helpful introduction that places each essay in context, specially commissioned chapters examine the following topics:philosophical issues surrounding love, friendship, affirmation and repetitionthe role of memory (and the emotions) in personal identity and decision-makingthe morality of imagination and ethical importance of memoryphilosophical questions about self-knowledge and knowing the minds of othersthe aesthetics of the film considered in relation to Gondry's other works and issues in the philosophy of perceptionIncluding a foreword by Michel Gondry and a list of further reading, this volume is essential reading for students interested in philosophy and film studies.

    The House On Gable Street is a fast-paced supernatural story about 30,000 words long, almost a novella. Stephen Leather is one of the UK's most successful thriller writers, an ebook and Sunday Times bestseller and author of the critically acclaimed Dan “Spider’ Shepherd series and the Jack Nightingale supernatural detective novels.

    Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.