No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress--only to resurface with a crooked smile on its face in "Mad "magazine. The story of the rise and fall of those comic books has never been fully told--until "The Ten-Cent Plague." David Hajdu's remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority. When we picture the 1950s, we hear the sound of early rock and roll. "The Ten-Cent Plague "shows how--years before music--comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.

    More significantly, he created much of the visual language for fantasy and adventure comics. There were comics before Kirby, but for the most part their page layout, graphics, and visual dynamic aped what was being done in syndicated newspaper strips. Almost everything that was different about comic books began in the forties on the drawing table of Jack Kirby. This is his story by one who knew him well—the authorized celebration of the one and only “King of Comics” and his groundbreaking work.“I don’t think it’s any accident that . . . the entire Marvel universe and the entire DC universe are all pinned or rooted on Kirby’s concepts.” —Michael Chabon

    Here, burning figures roam the streets, men in brightly colored costumes scale the glass and concrete walls, and creatures from space threaten to devour our world. This is the Marvel Universe, where the ordinary and fantastic interact daily. This is the world of Marvels.Witness the birth of this fantastic universe from the inside. See the world's greatest heroes in a different light, with a new awe and a touch of fear.For the first time, experience the Marvel Universe from a whole new perspective — yours. Collects Marvels #1-4 and Marvels #0.

    Originally serialized on the hugely popular website Boing Boing, The Hip Hop Family Tree is now collected in a single volume cleverly presented and packaged in a style mimicking the Marvel comics of the same era. Piskor's exuberant yet controlled cartooning takes you from the parks and rec rooms of the South Bronx to the night clubs, recording studios, and radio stations where the scene started to boom, capturing the flavor of late-1970s New York City in panels bursting with obsessively authentic detail. With a painstaking, vigorous and engaging Ken Burns meets- Stan Lee approach, the battles and rivalries, the technical innovations, the triumphs and failures are all thoroughly researched and lovingly depicted. plus the charismatic players behind the scenes like Russell Simmons, Sylvia Robinson and then-punker Rick Rubin. Piskor also traces graffiti master Fab 5 Freddy's rise in the art world, and Debbie Harry, Keith Haring, The Clash, and other luminaries make cameos as the music and culture begin to penetrate downtown Manhattan and the mainstream at large. Like the acclaimed hip hop documentaries Style Wars and Scratch, The Hip Hop Family Tree is an exciting and essential cultural chronicle and a must for hip hop fans, pop-culture addicts, and anyone who wants to know how it went down back in the day.

    Spider-Man, the Fantastic Four, Captain America, the Incredible Hulk, the Avengers, Iron Man, Thor, the X-Men, Daredevil—these superheroes quickly won children's hearts and sparked the imaginations of pop artists, public intellectuals, and campus radicals. Over the course of a half century, Marvel's epic universe would become the most elaborate fictional narrative in history and serve as a modern American mythology for millions of readers.Throughout this decades-long journey to becoming a multibillion-dollar enterprise, Marvel's identity has continually shifted, careening between scrappy underdog and corporate behemoth. As the company has weathered Wall Street machinations, Hollywood failures, and the collapse of the comic book market, its characters have been passed along among generations of editors, artists, and writers—also known as the celebrated Marvel "Bullpen." Entrusted to carry on tradition, Marvel's contributors—impoverished child prodigies, hallucinating peaceniks, and mercenary careerists among them—struggled with commercial mandates, a fickle audience, and, over matters of credit and control, one another.For the first time, Marvel Comics reveals the outsized personalities behind the scenes, including Martin Goodman, the self-made publisher who forayed into comics after a get-rich-quick tip in 1939; Stan Lee, the energetic editor who would shepherd the company through thick and thin for decades; and Jack Kirby, the World War II veteran who'd co-created Captain America in 1940 and, twenty years later, developed with Lee the bulk of the company's marquee characters in a three-year frenzy of creativity that would be the grounds for future legal battles and endless debates.Drawing on more than one hundred original interviews with Marvel insiders then and now, Marvel Comics is a story of fertile imaginations, lifelong friendships, action-packed fistfights, reformed criminals, unlikely alliances, and third-act betrayals— a narrative of one of the most extraordinary, beloved, and beleaguered pop cultural entities in America's history.

    At stake - one man's immortal, indestructible soul.

    The Marvel Universe is no more! The interdimensional Incursions have eliminated each and every dimension one by one - and now, despite the best eff orts of the scientists, sages and superhumans of both dimensions, the Marvel Universe and Ultimate Universe have collided with one another...and been destroyed! Now, all that exists in the vast empty cosmos is a single titanic patchwork planet, made of the fragmented remains of hundreds of devastated dimensions: Battleworld! And the survivors of this multiversal catastrophe must learn to survive in this strange new realm! What strange creatures inhabit this world? Which familiar faces will make their return? And what happens when the various realms go to war? The Marvel Universe is dead...and the victors of the Secret Wars will determine what comes next!Collecting: Secret Wars 1-9 & materiel from FCBD 2015: Secret Wars 0

    Trashed, Derf Backderf's follow-up to the critically acclaimed, award-winning international bestseller My Friend Dahmer, is an ode to the crap job of all crap jobs--garbage collector. Anyone who has ever been trapped in a soul-sucking gig will relate to this tale. Trashed follows the raucous escapades of three 20-something friends as they clean the streets of pile after pile of stinking garbage, while battling annoying small-town bureaucrats, bizarre townfolk, sweltering summer heat, and frigid winter storms. Trashed is fiction, but is inspired by Derf's own experiences as a garbage­man. Interspersed are nonfiction pages that detail what our garbage is and where it goes. The answers will stun you. Hop on the garbage truck named Betty and ride along with Derf on a journey into the vast, secret world of garbage. Trashed is a hilarious, stomach-churning tale that will leave you laughing and wincing in disbelief.

    Readers will learn the basic anatomy, fundamentals of storycraft and how the medium works as a means of expression.

    until they die! Also featuring the first apperance of Alpha Flight, the return of the Wendigo, the history of Cyclops... and a demon for Christmas!?

    In his award-winning work on Y THE LAST MAN and EX MACHINA (one of Entertainment Weekly’s 2005 Ten Best Fiction titles), writer Brian K. Vaughan has displayed an understanding of both the cost of survival and the political nuances of the modern world. Now, in this provocative graphic novel, Vaughan examines life on the streets of war-torn Iraq. In the spring of 2003, a pride of lions escaped from the Baghdad zoo during an American bombing raid. Lost and confused, hungry but finally free, the four lions roamed the decimated streets of Baghdad in a desperate struggle for their lives. In documenting the plight of the lions, PRIDE OF BAGHDAD raises questions about the true meaning of liberation – can it be given or is it earned only through self-determination and sacrifice? And in the end, is it truly better to die free than to live life in captivity? Based on a true story, VAUGHAN and artist NIKO HENRICHON (Barnum!) have created a unique and heartbreaking window into the nature of life during wartime, illuminating this struggle as only the graphic novel can.

    Plus: Spidey's got a new lease on life, new powers and a new costume, courtesy of his new best friend Tony Stark. So what could possibly go wrong? With clouds quickly building on the horizon, the bonds that Spider-Man now forges may very well determine his capacity to withstand a coming storm. The Marvel Universe is about to split down the middle, and the line is drawn here! You will be asked: whose side are you on?COLLECTING: New Avengers: Illuminati One-Shot, Amazing Spider-Man (1999) #529-531, Fantastic Four (1997) #536-537

    This is a man with a second chance at life, and he's not wasting a moment of it. But his old foes are back as well - re-energized, out of control and madder than ever: Electro and the Black Cat demand revenge! And as if dealing with them isn't enough, a new revelation rocks Spider-Man's world to its core: the radioactive spider that gave Peter Parker his powers bit someone else, too! Who is Silk, and where has she been all these years? Find out as Peter Parker retakes his life, putting the "friendly" back in the neighborhood, the "hero" back in "super hero"...and the "amazing" back in "Spider-Man!"Collects Amazing Spider-Man (2014) #1-6.

    Stalwarts such as Batman, Superman and Wonder Woman continued to fight for truth and justice, but as the world hurtled toward an uncertain future, it would take a new breed of hero to define the American Way. DC: The New Frontier takes readers on an epic journey from the end of the Golden Age of heroes to the beginnings of the legendary Justice League of America. Darwyn Cooke's most ambitious project yet features the stunning color art of Dave Stewart, an introduction by DC's President and Publisher Paul Levitz, and an afterword by Cooke.

    But there is one beast that has eluded him - the wall-crawling web-slinger known as Spider-Man. And to prove that he is the hero's master, he will pull on his costume and become him - after he shoots and buries him six feet under!