What the animals did not know was that they were the Keepers of Wyrm, monster of evil long imprisoned beneath the earth ... and Wyrm, sub terra, was breaking free.

    Some years it was two boys taken, some years two girls, sometimes one of each. But if at first the choices seemed random, soon the pattern became clear. One was always beautiful and good, the child every parent wanted as their own. The other was homely and odd, an outcast from birth. An opposing pair, plucked from youth and spirited away.This year, best friends Sophie and Agatha are about to discover where all the lost children go: the fabled School for Good & Evil, where ordinary boys and girls are trained to be fairy tale heroes and villains. As the most beautiful girl in Gavaldon, Sophie has dreamed of being kidnapped into an enchanted world her whole life. With her pink dresses, glass slippers, and devotion to good deeds, she knows she’ll earn top marks at the School for Good and graduate a storybook princess. Meanwhile Agatha, with her shapeless black frocks, wicked pet cat, and dislike of nearly everyone, seems a natural fit for the School for Evil.But when the two girls are swept into the Endless Woods, they find their fortunes reversed—Sophie’s dumped in the School for Evil to take Uglification, Death Curses, and Henchmen Training, while Agatha finds herself in the School For Good, thrust amongst handsome princes and fair maidens for classes in Princess Etiquette and Animal Communication.. But what if the mistake is actually the first clue to discovering who Sophie and Agatha really are…?

    Some of the legendary monsters are funny and mischievous, others are downright frightening, and a number of them are wild and unpredictable. There's a dragon made of ice, another that takes refuge in the General Post Office, a scaly creature that carries off the largest elephant in a zoo, and even a dragon whose gentle purring comforts a tiny tot.And who challenges these amazing creatures? Why, daring heroes, of course, as well as a wicked prince, and even an entire soccer team — which, unfortunately, meets its fate with a fire-breathing brute that flies out of the pages of an enchanted book.E. (Edith) Nesbit (1858–1924) was one of the pioneers of fantasy fiction for children. Her classic novels — such as The Railway Children and Five Children and It — have remained popular for more than a century. 24 illustrations.

    The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is a modern translation that preserves the distinctive character of Basile’s original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work’s unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile’s words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is also lushly illustrated and includes a foreword, an introduction, an illustrator’s note, and a complete bibliography.The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated “authored” fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.

    The physical and moral wanderings of the Redcrosse Knight dramatize his effort to find the proper proportion of human to divine contributions to salvation--a key issue between Protestants and Catholics. Fantastic elements like alien humans, humanoids, and monsters and their respective dwelling places are vividly described.

    Welcome to reality: royal genealogy lessons, needlepoint, acting like "a proper lady," and—worst of all—a prince who is not the least bit interesting, and certainly not charming. As soon-to-be princess Ella deals with her new-found status, she comes to realize she is not "your majesty" material. But breaking off a royal engagement is no easy feat, especially when you're crushing on another boy in the palace... For Ella to escape, it will take intelligence, determination, and spunk—and no ladylike behavior allowed.

    Exotic locales, seemingly insurmountable obstacles, and comic relief provide a fantastic blend of adventure, entertainment, and suspense. - For generations, readers have enjoyed classic literature. They have delighted in the romance of Jane Austen, thrilled ... more »at the adventures of Jules Verne, and pondered the lessons of Aesop. Introduce young readers to these familiar volumes with Great Illustrated Classics. In this series, literary masterworks have been adapted for young scholars. Large, easy-to-read type and charming pen-and-ink drawings enhance the text. Students are sure to enjoy becoming acquainted with traditional literature through these well-loved classics.

    Here are Icarus flying too close to the sun, mighty Hercules, Achilles and that darn heel, the Trojans and their wooden horse, brave Perseus and beautiful Andromeda, wandering Odysseus and steadfast Penelope. Their stories and the stories of the powerful gods and goddesses who punish and reward, who fall in love with and are enraged by the humans they have created, are set forth simply but movingly, in language that retains the power and drama of the original works by Aeschylus, Sophocles, Euripides, and Homer. In Gustav Schwab’s masterful retelling, they are made accessible to readers of all ages.Part of the Pantheon Fairy Tale and Folklore Library

    Presents an introduction to Shakespeare's greatest plays including Hamlet Othello, As You Like It, The Taming of the Shrew, The Tempest and Pericles.

    Gathered from around the world, from regions as diverse as sub-Saharan Africa and Western Europe, from North and South American Indian cultures and New World settlers, from Asia and the Middle East, these 100 folktales celebrate strong female heroines.Fearless Girls, Wise Women, and Beloved Sisters is for all women who are searching to define who they are, to redefine the world and shape their collective sensibility. It is for men who want to know more about what it means to be a woman. It is for our daughters and our sons, so that they can learn to value all kinds of courage, courage in battle and the courage of love. It is for all of us to help build a more just vision of woman.

    It’s been more than a hundred years since the publication of the first Uncle Remus book, and it was in 1955 that all of the delightful and inimitable tales of Brer Rabbit, Brer Fox, Brer Bear, and Brer Wolf were gathered together in one volume.

    Her selection of her favorite stories describes powerful—and sometimes exceedingly silly—monarchs, and commoners who are every bit their match; musicians and dancers who live for art rather than earthly reward; and a goldfish who wishes to “marry the Moon, surpass the Sun, and possess the World.”

    Combining the skills of a poet and scholar, Robert Fagles brings the energy of contemporary language to this enduring heroic epic. If 'The Iliad' is the world's greatest war story, then 'The Odyssey' is literature's greatest evocation of every man's journey through life. Here again, Fagles has performed the translator's task magnificently, giving us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery. Each volume contains a superb introduction with textual and critical commentary by renowned classicist Bernard Knox.

    In this collection, stories from Ireland, Scotland, Wales, the Isle of Man, Cornwall, and Brittany show their common Celtic heritage in their love of extravagance and poetry, their quick wit, and their daring sense of adventure.Here, retold much as they were around Celtic peat fires a hundred years ago, are the enthralling tales of "Fair, Brown, and Trembling," "The Brown Bear of the Green Glen," and "The Ship that Went to America." Some of the stories give familiar tales a Celtic twist: "Duffy and the Devil" is a comic Cornish take on the Rumpelstiltskin story; "The Black Cat" is a dark and mysterious Breton "Cinderella." Others seem new and strange: the doomed love of "Lutey and the Mermaid," or the mystic rapture of "The Little Bird."Perhaps most riveting of all is the Irish tale of "The Soul Cages," in which a fisherman makes friends with one of the sea-people, Coomara, and uses that friendship to fee the souls of drowned sailors, kept by Coomara in lobster pots in is house beneath the waves.Illustrated in watercolor and gold leaf by acclaimed artist Isabelle Brent, these tales are full of Celtic magic.

    Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.