With the intimacy and good humor available only to the most fearless and open-eyed reporters, Schmidle narrates what was arguably the most turbulent period of Pakistan’s recent history, a time when President Pervez Musharraf lost his power and the Taliban found theirs, and when Americans began to realize that Pakistan’s fate is inextricably linked with our own.In February 2006 Schmidle had traveled to Pakistan hoping to learn about the place dubbed “the most dangerous country in the world.” It was while there that he befriended a radical cleric (who became an enemy of the state and was killed), came to crave the smell of tear gas (because it assured him that he was sufficiently close to the action), and in the end, was deported by the Pakistani authorities, managed to get back into the country, and was chased out a second time.

    This graphic novel/photo-journal is a record of one reporter’s arduous and dangerous journey through Afghanistan, accompanying the Doctors Without Borders. Didier Lefevre’s photography, paired with the art of Emmanuel Guibert, tells the powerful story of a mission undertaken by men and women dedicated to mending the wounds of war.

    Hundreds of thousands of Indians suddenly found themselves in uniform, fighting in the Middle East, North and East Africa, Europe and-something simply never imagined-against a Japanese army poised to invade eastern India. With the threat of the Axis powers looming, the entire country was pulled into the vortex of wartime mobilization. By the war's end, the Indian Army had become the largest volunteer force in the conflict, consisting of 2.5 million men, while many millions more had offered their industrial, agricultural, and military labor. It was clear that India would never be same-the only question was: would the war effort push the country toward or away from independence? In India's War, historian Srinath Raghavan paints a compelling picture of battles abroad and of life on the home front, arguing that the war is crucial to explaining how and why colonial rule ended in South Asia. World War II forever altered the country's social landscape, overturning many Indians' settled assumptions and opening up new opportunities for the nation's most disadvantaged people. When the dust of war settled, India had emerged as a major Asian power with her feet set firmly on the path toward Independence. From Gandhi's early urging in support of Britain's war efforts, to the crucial Burma Campaign, where Indian forces broke the siege of Imphal and stemmed the western advance of Imperial Japan, Raghavan brings this underexplored theater of WWII to vivid life. The first major account of India during World War II, India's War chronicles how the war forever transformed India, its economy, its politics, and its people, laying the groundwork for the emergence of modern South Asia and the rise of India as a major power.

    He retells their story and offers insights into the historical forces that shape Arab and Islamic consciousness today.

    Two years later she was killed by American forces not far from where she worked. Written between 1968 and 1970, her diary speaks poignantly of her devotion to family and friends, the horrors of war, her yearning for her high school sweetheart, and her struggle to prove her loyalty to her country. At times raw, at times lyrical and youthfully sentimental, her voice transcends cultures to speak of her dignity and compassion and of her challenges in the face of the war’s ceaseless fury.The American officer who discovered the diary soon after Dr. Tram’s death was under standing orders to destroy all documents without military value. As he was about to toss it into the flames, his Vietnamese translator said to him, “Don’t burn this one. . . . It has fire in it already.” Against regulations, the officer preserved the diary and kept it for thirty-five years. In the spring of 2005, a copy made its way to Dr. Tram’s elderly mother in Hanoi. The diary was soon published in Vietnam, causing a national sensation. Never before had there been such a vivid and personal account of the long ordeal that had consumed the nation’s previous generations.Translated by Andrew X. Pham and with an introduction by Pulitzer Prize winner Frances FitzGerald, Last Night I Dreamed of Peace is an extraordinary document that narrates one woman’s personal and political struggles. Above all, it is a story of hope in the most dire of circumstances—told from the perspective of our historic enemy but universal in its power to celebrate and mourn the fragility of human life.

    Whatever else is written about the Iraqi people and the fall of Saddam, Jon Lee Anderson's The Fall of Baghdad is worthy of mention in this company. No subject has become more hotly politicized than the toppling of Saddam Hussein's regime, and so a thick fog of propaganda, both from boosters of the war and its opponents, has obscured the reality of what the Iraqi people have endured and are enduring, under Saddam Hussein and now. For that reason alone, The Fall of Baghdad is a great and necessary book. Jon Lee Anderson has drawn on all of his reserves of stamina and personal bravery to create an astonishing portrait of humanity in extremis, a work of great wisdom, human empathy, and moral clarity. He follows a remarkable and diverse group of Iraqis over the course of this extraordinary time: from the all-pervasive fear that comes from living under Saddam's brutal, Orwellian rule to the surreal atmosphere of Baghdad before the invasion; to the invasion's commencement and the regime's death spiral down into its terrible endgame; to America's disastrously ill-conceived seizure of power and its fruits. In channeling a tragedy of epic dimensions through the stories of real people caught up in the whirlwind of history, Jon Lee Anderson has written a book of timeless significance.

    Pouring into developing-world “instant cities” like Dubai and Shenzhen, these urban newcomers confront a modern world cobbled together from fragments of a West they have never seen. Do these fantastical boomtowns, where blueprints spring to life overnight on virgin land, represent the dawning of a brave new world? Or is their vaunted newness a mirage?In a captivating blend of history and reportage, Daniel Brook travels to a series of major metropolitan hubs that were once themselves instant cities— St. Petersburg, Shanghai, and Mumbai—to watch their “dress rehearsals for the twenty-first century.” Understanding today’s emerging global order, he argues, requires comprehending the West’s profound and conflicted influence on developing-world cities over the centuries.In 1703, Tsar Peter the Great personally oversaw the construction of a new Russian capital, a “window on the West” carefully modeled on Amsterdam, that he believed would wrench Russia into the modern world. In the nineteenth century, Shanghai became the fastest-growing city on earth as it mushroomed into an English-speaking, Western-looking metropolis that just happened to be in the Far East. Meanwhile, Bombay, the cosmopolitan hub of the British Raj, morphed into a tropical London at the hands of its pith-helmeted imperialists.Juxtaposing the stories of the architects and authoritarians, the artists and revolutionaries who seized the reins to transform each of these precociously modern places into avatars of the global future, Brook demonstrates that the drive for modernization was initially conflated with wholesale Westernization. He shows, too, the ambiguous legacy of that emulation—the birth (and rebirth) of Chinese capitalism in Shanghai, the origins of Bollywood in Bombay’s American-style movie palaces, the combustible mix of revolutionary culture and politics that rocked the Russian capital—and how it may be transcended today.A fascinating, vivid look from the past out toward the horizon, A History of Future Cities is both a crucial reminder of globalization’s long march and an inspiring look into the possibilities of our Asian Century.

    Drawing upon research in India and Pakistan, as well as historical sources, this book traces the origins of the state in the 19th century, the controversial "sale" by the British of the predominantly Muslim valley to a Hindu Maharaja in 1846 and the 20th century clashes between Muslim and Hindu interests now culminating in the threat of a major war.

    In an astonishingly honest, comic, and moving account of his tour of duty in Vietnam, master storyteller Tracy Kidder writes for the first time about himself. This extraordinary memoir is destined to become a classic.Kidder was an ROTC intelligence officer, just months out of college and expecting a stateside assignment, when his orders arrived for Vietnam. There, lovesick, anxious, and melancholic, he tried to assume command of his detachment, a ragtag band of eight more-or-less ungovernable men charged with reporting on enemy radio locations.He eventually learned not only to lead them but to laugh and drink with them as they shared the boredom, pointlessness, and fear of war. Together, they sought a ghostly enemy, homing in on radio transmissions and funneling intelligence gathered by others. Kidder realized that he would spend his time in Vietnam listening in on battle but never actually experiencing it.With remarkable clarity and with great detachment, Kidder looks back at himself from across three and a half decades, confessing how, as a young lieutenant, he sought to borrow from the tragedy around him and to imagine himself a romantic hero. Unrelentingly honest, rueful, and revealing, My Detachment gives us war without heroism, while preserving those rare moments of redeeming grace in the midst of lunacy and danger. The officers and men of My Detachment are not the sort of people who appear in war movies–they are the ones who appear only in war, and they are unforgettable.

    As he lay dying, his priest, family, and friends offered him a last chance to confess his mendacity, and Marco, it is said, replied "I have not told the half of what I saw and did." Now Gary Jennings has imagined the half that Marco left unsaid as even more elaborate and adventurous than the tall tales thought to be lies. From the palazzi and back streets of medieval Venice to the sumptuous court of Kublai Khan, from the perfumed sexuality of the Levant to the dangers and rigors of travel along the Silk Road, Marco meets all manner of people, survives all manner of danger, and, insatiably curious, becomes an almost compulsive collector of customs, languages and women.In more than two decades of travel, Marco was variously a merchant, a warrior, a lover, a spy, even a tax collector - but always a journeyer, unflagging in his appetite for new experiences, regretting only what he missed. Here - recreated and reimagined with all the splendor, the love of adventure, the zest for the rare and curious that are Jennings's hallmarks - is the epic account, at once magnificent and delightful, of the greatest real-life adventurer in human history.

    One of this platoon’s section commanders was a 20-year old regular soldier called Bob Kearney, who led a series of deadly patrols, operating in isolation and extreme danger ahead of the main Australian forces.

    It is a formidable world and the people who live there are constantly subjected to extremes—both of geography and of culture.The Wandering Falcon begins with a young couple, refugees from their tribe, who have traveled to the middle of nowhere to escape the cruel punishments meted upon those who transgress the boundaries of marriage and family. Their son, Tor Baz, descended from both chiefs and outlaws, becomes “The Wandering Falcon,” a character who travels throughout the tribes, over the mountains and the plains, in the towns and tents that comprise the homes of the tribal people. The media today speak about this unimaginably remote region, a geopolitical hotbed of conspiracies, drone attacks, and conflict—now, told in the rich, dramatic tones of a master storyteller, this stunning, honor-bound culture is revealed from the inside.Jamil Ahmad has written an unforgettable portrait of a world of custom and compassion, of love and cruelty, of hardship and survival, a place fragile, unknown, and unforgiving.

    When Heaven and Earth Changed Places is the haunting memoir of a girl on the verge of womanhood in a world turned upside down.The youngest of six children in a close-knit Buddhist family, Le Ly Hayslip was twelve years old when U.S. helicopters landed in Ky La, her tiny village in central Vietnam. As the government and Viet Cong troops fought in and around Ky La, both sides recruited children as spies and saboteurs. Le Ly was one of those children. Before the age of sixteen, Le Ly had suffered near-starvation, imprisonment, torture, rape, and the deaths of beloved family members—but miraculously held fast to her faith in humanity. And almost twenty years after her escape to America, she was drawn inexorably back to the devastated country and family she left behind. Scenes of this joyous reunion are interwoven with the brutal war years, offering a poignant picture of Vietnam, then and now, and of a courageous woman who experienced the true horror of the Vietnam War—and survived to tell her unforgettable story.

    Born and raised in Oklahoma, of Lebanese descent, Shadid, a fluent Arabic speaker, has spent the last three years dividing his time between Washington, D.C., and Baghdad. The only journalist to win a Pulitzer Prize for his extraordinary coverage of Iraq, Shadid is also the only writer to describe the human story of ordinary Iraqis weathering the unexpected impact of America's invasion and occupation. Through the moving stories of individual Iraqis, Shadid shows how Saddam's downfall paved the way not just for hopes of democracy but also for the importation of jihad and the rise of a bloody insurgency. "A superb reporter's book," wrote Seymour Hersh; Night Draws Near is, according to Mark Danner, "essential."

    Before dying of a tragic Viagra overdose, Josh's father put a stipulation in his will: Josh cannot claim his fortune unless he writes a bestselling novel in the next five years. The last thing Josh wants is a purpose in life: he's far too busy traveling, taking drugs, and growing his hair. He's very uncomfortably ensconced in a dirty Delhi flophouse, but it's the perfect place to meet drifters and druggies, users and seekers-the kind of people who know how to find Baba.