Readers have thrilled to his ecstatic songs of divine union for more than eight hundred years. Here is a collection of the best of Rumi’s poetry.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    When her feisty best friend, Farah, starts wearing the headscarf without even consulting her, it begins to unravel their friendship. After telling a huge lie about a tragedy that happened to her family during the Partition of India in 1947, Shabnam is ready for high school to end. She faces a summer of boredom and regret, but she has a plan: Get through the summer. Get to college. Don’t look back. Begin anew. Everything changes when she meets Jamie, who scores her a job at his aunt’s pie shack, and meets her there every afternoon. Shabnam begins to see Jamie and herself like the rose and the nightingale of classic Urdu poetry, which, according to her father, is the ultimate language of desire. Jamie finds Shabnam fascinating—her curls, her culture, her awkwardness. Shabnam finds herself falling in love, but Farah finds Jamie worrying. With Farah’s help, Shabnam uncovers the truth about Jamie, about herself, and what really happened during Partition. As she rebuilds her friendship with Farah and grows closer to her parents, Shabnam learns powerful lessons about the importance of love, in all of its forms. Featuring complex, Muslim-American characters who defy conventional stereotypes and set against a backdrop of Radiohead’s music and the evocative metaphors of Urdu poetry, THAT THING WE CALL A HEART is a honest, moving story of a young woman's explorations of first love, sexuality, desire, self-worth, her relationship with her parents, the value of friendship, and what it means to be true.

    It tells the story of how Orbis Rex, Young Matt and his Circle of Friends, Queen Dido and the blind Dom'nic did battle with 'a wet and withered bat' from Wuhan.

    debut of internationally acclaimed poet and performance artist Shailja Patel, Migritude is a tour-de-force hybrid text that confounds categories and conventions. Part poetic memoir, part political history, Migritude weaves together family history, reportage and monologues to create an achingly beautiful portrait of women's lives and migrant journeys undertaken under the boot print of Empire. Patel, who was born in Kenya and educated in England and the U.S., honed her poetic skills in performances of this work that have received standing ovations throughout Europe, Africa and North America. She has been described by the Gulf Times as -the poetic equivalent of Arundhati Roy- and by CNN as -the face of globalization as a people-centered phenomenon of migration and exchange.- Migritude includes interviews with the author, as well as performance notes and essays.

    It's for the seekers searching for a new home, for the wanderers leaving their old homes, for the lovers creating a home wherever they are. Sometimes you hold on to what is left, sometimes you just let go to start afresh.

    An Introduction to Islam, Third Edition, provides students with a thorough and unified topical introduction to the global religious community of Islam. It places Islam within a cultural, political, social, and religious context and examines its connections with Judeo-Christian morals. The text's integration of the doctrinal and devotional elements of Islam enables students to see how Muslims think and live--engendering understanding and breaking down stereotypes. An Introduction to Islam, Third Edition also reviews pre-Islamic history so students can see how Islam developed historically.

    Whether in New Delhi or Manhattan, the characters face the universal quandaries of human experience.

    Besides, Debu has only recently escaped a bunch of local ruffians who wanted him to ‘go back home to Bangladesh’.But Debu is unable to resist being friends with Clint. For, in return for doing his maths homework, Clint introduces him to a completely new life: the heady charms of Kalsang, the Chinese restaurant forbidden by Debu’s mother; the revolutionary sounds of Pink Floyd; and most importantly, the coolest, prettiest girl in town—Audrey Pariat. Audrey loves maths and detective stories, just like Debu, and does not make him feel awkward or exotic. Together, the three of them look set to embark on many adventures. But when tensions between the Khasi and Bengali communities boil over, Shillong becomes a battlefield—old neighbours become outsiders and the limits of friendship are challenged.With crackling energy, Nilanjan P. Choudhury immerses us in the tumultuous lives of Debu, his friends and his family, and their attempts to find love and belonging. Written with uncommon warmth, humour and a delightful evocation of place, Shillong Times is an exhilarating coming-of-age story—showing us how friendship can eclipse the hardened enmities of adulthood.

    All she did was fall in love with a white Christian carnivore instead of a conventional Indian boy. Years later, with her parents not speaking to her and her controversial relationship in tatters, all Preeti has left is her career at a prestigious Los Angeles law firm.But when Preeti receives word of a terrible accident in the city where she was born, she returns to India, where she’ll have to face her estranged parents…and the complicated past they left behind. Surrounded by the sights and sounds of her heritage, Preeti catches a startling glimpse of her family’s battles with class, tradition, and sacrifice. Torn between two beautifully flawed cultures, Preeti must now untangle what home truly means to her.

    Their target—the entire imperial family.The prince makes it his mission to root out the assassins with the help of the Chandikas—the female military order instituted by Samrat Chandragupta Maurya. But when his own lover, a Chandika, confesses a terrible secret, he realizes that the threat lies within his own family!Meanwhile, the palace is not without its own intrigues. Queen Khorasan and her mother are playing their own game of thrones. Dowager Queen Apama is secretly working for her father, Seleucus Nicator, who still has ambitions of invading the sub-continent. King Bindusara’s harsh methods are turning the marbled floors of the imperial palace awash with blood. Will Prince Ashoka be able to save his family —and Mauryavansh—before it’s too late?India’s epic storyteller turns his masterful hand to the life of ancient India’s greatest ruler, Ashoka in a thrilling trilogy packed with non-stop action, adventure, battles and lusty no-holds-barred storytelling.

    His teachings and insights inspired much of Rumi’s poetry and are still celebrated today by all Sufi. Translated by two noted students of Sufi, Shams’ timeless teachings are presented here in their traditional order. Through the book, readers discover the teachings that made Rumi dance and gain access into Sufi traditions and the power of mystical love.

    Its a simple love story in written in a simple manner but with a touch of class and novelty. Farhat Ishtiaq has always expressed human feelings and emotions in her stories. This novel Bin Roye Ansu is not exception and she wonderfully expressed the feelings of Saba Shafiq, the lead character of the novel. The feelings of Saba Shafiq are so strongly expressed that readers will feel the same emotions of love, happiness and sorrow with each and every step of the novel characters.

    It’s a book with the flow of poetry but the ebb of short stories – rightfully called “Shoetry”. This creation takes you to the roots of humanity - stripping back the veneers of life, society and interaction to see people and their ways in an entirely new light.

    And yet this ancient land and its varied societies experienced prolonged and intense interaction with the peoples and cultures of East and Southeast Asia, Europe, Africa, and especially Central Asia and the Iranian plateau.   Richard M. Eaton tells this extraordinary story with relish and originality, as he traces the rise of Persianate culture, a many-faceted transregional world connected by ever-widening networks across much of Asia. Introduced to India in the eleventh century by dynasties based in eastern Afghanistan, this culture would become progressively indigenized in the time of the great Mughals (sixteenth, seventeenth, and eighteenth centuries). Eaton brilliantly elaborates the complex encounter between India's Sanskrit culture—an equally rich and transregional complex that continued to flourish and grow throughout this period—and Persian culture, which helped shape the Delhi Sultanate, the Mughal Empire, and a host of regional states. This long-term process of cultural interaction is profoundly reflected in the languages, literatures, cuisines, attires, religions, styles of rulership and warfare, science, art, music, and architecture—and more—of South Asia.