Now, the award-winning writer, whose stories have appeared in four consecutive editions of The Best American Short Stories, returns with a highly anticipated collection bearing her signature mix of intelligence, wit, and heart. A reality show producer manipulates two contestants into falling in love, even as her own relationship falls apart. Just after the fall of the Berlin Wall, a young boy has a revelation about his father’s past when a renowned Romanian violinist plays a concert in their home. When the prized elephant of a traveling circus keels over dead, the small-town minister tasked with burying its remains comes to question his own faith. In an unnamed country, a composer records the folk songs of two women from a village on the brink of destruction. These transporting, deeply moving stories—some inspired by her own family history—amply demonstrate Makkai’s extraordinary range as a storyteller, and confirm her as a master of the short story form. “Richly imagined.” —Chicago Tribune   “Impressive.” —O, The Oprah Magazine   “Engrossing.” —Minneapolis Star-Tribune   “Inventive.” —W Magazine

    In the heat of a hospital laundry room in New Jersey, a woman does her lover’s washing and thinks about his wife. In Boston, a man buys his love child, his only son, a first baseball bat and glove. At the heart of these stories is the irrepressible, irresistible Yunior, a young hardhead whose longing for love is equaled only by his recklessness—and by the extraordinary women he loves and loses: artistic Alma; the aging Miss Lora; Magdalena, who thinks all Dominican men are cheaters; and the love of his life, whose heartbreak ultimately becomes his own. In prose that is endlessly energetic, inventive, tender, and funny, the stories in This Is How You Lose Her lay bare the infinite longing and inevitable weakness of the human heart. They remind us that passion always triumphs over experience, and that “the half-life of love is forever.”

    They cover a period of more than 30 years, and were originally published in French periodicals and in Russia. Zola's racy tone is faithfully rendered by Parmee whose translations have been highly acclaimed.

    But when it comes to love stories, things are simpler. A love story can never be about full possession. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name.... It is perhaps only in reading a love story (or in writing one) that we can simultaneously partake of the ecstasy and agony of being in love without paying a crippling emotional price. I offer this book, then, as a cure for lovesickness and an antidote to adultery. Read these love stories in the safety of your single bed. Let everybody else suffer." --Jeffrey Eugenides, from the introduction to My Mistress's Sparrow Is Dead All proceeds from My Mistress's Sparrow Is Dead will go directly to fund the free youth writing programs offered by 826 Chicago. 826 Chicago is part of the network of seven writing centers across the United States affiliated with 826 National, a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write.

    They stay with you like a significant memory.”—Roger Rosenblatt“Van Booy is a remarkable young writer. Taste, touch, smell, sight and sound, in spite of their evanescence, are frozen for a moment in these stories and celebrated, along with their subtle interconnection, in all the aspects of love.”—Fred VolkmerThe Secret Lives of People in Love is the first short story collection by award-winning writer Simon Van Booy. These stories, set in Kentucky, New York, Paris, Rome, and Greece, are a perfect synthesis of grace, intensity, atmosphere, and compassion. Love, loss, frailty, human contact, and isolation are Van Booy’s themes. In radiant prose he writes about the difficult choices we make in order to retain our humanity and about the redemptive power of love in a violent world.Born in London, Simon Van Booy grew up in Wales. A keen rugby player, he was recruited to play football for Campbellsville University in Kentucky. He eventually returned to England, where he graduated from Dartington College of Arts. Now a New Yorker, he teaches at the School of Visual Arts and in the Bard College Clemente Course. As a freelance journalist, he writes for several New York newspapers. He has won a first-place award for in-depth reporting from the New York Press Association.

    Happy in her marriage, she tries to look the other way when her genial husband, Alec, takes to the bottle. When Elspeth, Margaret's sister, comes to live with them, the young woman is immediately captivated by the beauty and vitality of the farm, and by the affection she receives from those around her. But as summer turns into fall, and the friendship between Alec and Elspeth deepens, Margaret finds her spirit tested by a series of events that seem as cruel and inevitable as the endless prairie winters.Long out of print, Remembering Laughter (1937) marked Wallace Stegner's brilliant literary debut.

    Here are vanishing cats and smoky bars, lonely hearts and mysterious women, baseball and the Beatles, woven together to tell stories that speak to us all.Marked by the same wry humor that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic.

    A young woman visits her father following his nervous breakdown, and a devoted sister is profoundly unsettled by the sermon her brother insists on reciting. Whether in childhood or Vietnam, in memory or the eternal present, these people are revealed in the extenuating, sometimes extreme circumstances of everyday life, and in the complex consequences of their decisions—that, for instance, can bring together an innocent inner-city youth and a little girl attacked, months earlier, by a dog in a wintry park. Yet each story, however crucial, is marked by Mr. Wolff’s compassionate understanding and humor.In short, fiction of dazzling emotional range and absolute authority.

    Groff transports the reader, then jolts us alert with a crackle of wit, a wave of sadness, a flash of cruelty, as she writes about loneliness, rage, family, and the passage of time. With shocking accuracy and effect, she pinpoints the moments and decisions and connections behind human pleasure and pain, hope and despair, love and fury—the moments that make us alive.

    On the northern bank of the water, people live spoiled, luxurious lives. They feast on lamb and shop boutiques and want for nothing. On the southern side of the river, however, life is quite the opposite. Downtown residents know nothing but destitution and poverty, and they are not welcomed by their northern neighbors. Spinster Ursula Underwood shares an apartment with a gray and white cat on the impoverished southern side. Because of the loss and hardship she’s endured, Ursula has earned the nickname “Unfortunate”. She harbors great resentment at her lot in life, but a call on a diner payphone changes her outlook and gives her new purpose. Unfortunate Ursula Underwood takes us on a journey through an unknown world riddled with prejudice and hate, but one woman may change it all− as she learns to love the unlovable, forgive the undeserving and heal the intolerance in her heart.

    But when she drops out of vet school to get her jockey’s license in New York, intent on coming back to Ontario to ride Chique in the Queen’s Plate in three years, he’s the obvious choice to keep an eye on the filly. Nate’s content to watch Liv go, even though he’s got similar aspirations – when he’s not talked out of them by voices from his past. His growing bond with Chique might earn him Liv’s approval and give him the fresh start he’s looking for, but that’s as involved as he’s getting with the boss’s daughter. Not that Liv’s been receptive to anything more. Liv’s determined to keep their relationship professional, no matter how much Chique draws them together. Because racetrack romances are messy…and nothing can interfere with getting Chique to the Plate.Set against the backdrop of North America’s greatest racetracks, Good Things Come is a story about the hearts of Thoroughbreds...thepeople who love them...and the allure of Canada’s most prestigious race.

     Amazon UK reviews for Steven's first book, No Place Like Home, Thank God: "A superb book I devoured in two days." "This book made me laugh out loud." "Great read. Laugh out loud funny." "I really enjoyed this book!" "Steven's style of writing made me laugh out loud." "I couldn't put it down." "One of the best books I've read in a long time." "Found his one liners very funny." "A highly entertaining read." "So well written with brilliant humour." Seventy year-old British ex-pat miserymonger George Pearly lives on the Costa del Sol, all alone except for his ancient, three-legged dog, Ambrose. George hates his life and everybody in it. These feelings are mutual. Everyone hates George too. From this unhappy equilibrium the situation quickly deteriorates. First, George discovers he is dying of a mystery illness. Then his 35 year-old ape-child nephew, Kevin, moves into George's tiny and once tranquil home with a passion for Vimto, Coco Pops and slobbing around in his greying underpants. Worst of all, George's neighbours start to disappear and all accusing fingers point towards George. Pull up a sun lounger, grab yourself a piña colada and enjoy a murder-mystery romp on Spain's sunny southern coast.

    Davis • Jennifer Egan • Carolyn Ferrell • Mary Gordon • Cristina Henríquez • Samantha Hunt •Binnie Kirshenbaum • Dika Lam • Caitlin Macy • Francine Prose • Holiday Reinhorn • Roxana Robinson • Curtis Sittenfeld • Lynne Tillman • Martha Witt Chick lit: A genre of fiction that often recycles the following plot: Girl in big city desperately searches for Mr. Right in between dieting and shopping for shoes. Girl gets dumped (sometimes repeatedly). Girl finds Prince Charming. This Is Not Chick Lit is a celebration of America’s most dynamic literary voices, as well as a much needed reminder that, for every stock protagonist with a designer handbag and three boyfriends, there is a woman writer pushing the envelope of literary fiction with imagination, humor, and depth. The original short stories in this collection touch on some of the same themes as chick lit–the search for love and identity–but they do so with extraordinary power, creativity, and range; they are also political, provocative, and, at turns, utterly surprising. Featuring marquee names as well as burgeoning talents, This Is Not Chick Lit will nourish your heart, and your mind. “This Is Not Chick Lit is important not only for its content, but for its title. I’ll know we’re getting somewhere when equally talented male writers feel they have to separate themselves from the endless stream of fiction glorifying war, hunting and sports by naming an anthology This Is Not a Guy Thing.”–Gloria Steinem“These voices, diverse and almost eerily resonant, offer us a refreshing breath of womanhood-untamed, ungroomed, and unglossed.”–ELLE

    economic policy, a novel that seems too true to be fiction…On a winter’s night in 2007, a well-heeled “cultural consultant” named Chauncey Suydam gets a call from the head of the world’s most powerful investment bank, who says a financial crisis is brewing, but he has a plan to insulate Wall Street from the fallout—and keep people such as himself out of jail.His mission for Chauncey is simple: to help funnel millions of dollars to a certain presidential candidate preaching hope and change, in exchange for a few Wall Street-friendly names in the resultant administration.Yet as Chauncey wends his way amongst the nation’s political elite, he sees with greater clarity than ever how decisions really get made—on Wall Street and in Washington. And as the magnitude of the fix he’s perpetrating begins to sink in, he starts to have second thoughts…But is it too late?At once shocking and all too plausible, Fixers is a riveting political thriller by a master observer of finance and politics that—despite being fiction—offers a frighteningly reasonable explanation of what really might have happened in 2008.

    Now, in Stay Awake, Chaon returns to that form for the first time since his masterly Among the Missing, a finalist for the National Book Award.In these haunting, suspenseful stories, lost, fragile, searching characters wander between ordinary life and a psychological shadowland. They have experienced intense love or loss, grief or loneliness, displacement or disconnection—and find themselves in unexpected, dire, and sometimes unfathomable situations.A father’s life is upended by his son’s night terrors—and disturbing memories of the first wife and child he abandoned; a foster child receives a call from the past and begins to remember his birth mother, whose actions were unthinkable; a divorced woman experiences her own dark version of “empty-nest syndrome”; a young widower is unnerved by the sudden, inexplicable appearances of messages and notes—on dollar bills, inside a magazine, stapled to the side of a tree; and a college dropout begins to suspect that there’s something off, something sinister, in his late parents’ house.Dan Chaon’s stories feature scattered families, unfulfilled dreamers, anxious souls. They exist in a twilight realm—in a place by the window late at night when the streets are empty and the world appears to be quiet. But you are up, unable to sleep. So you stay awake.