Years later—one struggling with his identity in a world hostile to his ancestry, the other creating the world’s most famous detective while in love with a woman who is not his wife–their fates become inextricably connected.In Arthur & George, Julian Barnes explores the grand tapestry of late-Victorian Britain to create his most intriguing and engrossing novel yet.

    But the accident that felled him has left him with only half a life; his memory and his entire past have vanished. As he tries to hide the truth, Monk returns to work and is assigned to investigate the brutal murder of a Crimean War hero and man about town. Which makes Monk's efforts doubly difficult, since he's forgotten his professional skills along with everything else...

    It is a chronicle of love, murder, war and betrayal, filled with passion, intrigue and sorrow, peopled by a cast of heroines, villains, stateswomen and lovers. In the first volume of this epic new series, Alison Weir strips away centuries of romantic mythology and prejudice to reveal the lives of England’s queens in the century after the Norman Conquest.Beginning with Matilda of Flanders, who supported William the Conqueror in his invasion of England in 1066, and culminating in the turbulent life of the Empress Maud, who claimed to be queen of England in her own right and fought a bitter war to that end, the five Norman queens emerge as hugely influential figures and fascinating characters.Much more than a series of individual biographies, Queens of the Conquest is a seamless tale of interconnected lives and a rich portrait of English history in a time of flux. In Alison Weir’s hands these five extraordinary women reclaim their rightful roles at the centre of English history.

    She tries to convince her father, an inspector with the Chicago police, to look into reports of mysterious disappearances around the White City. Inspector Wylde tries to dismiss her claims as exaggeration of an overactive imagination, but he eventually concedes to letting her go undercover as secretary to the man in question—if she takes her pistol for protection and Jude Thorpe, a policeman, for bodyguard.Will she be able to expose H. H. Holmes’s illicit activity, or will Winnifred become his next victim?

    Yet Rowan Winter, once her closest friend, suspects there is more to the story. Ever since she was young, Marianne had paralyzing vertigo. She would never have gone so close to the roof's edge.Marianne -- and the whole Glass family -- once meant everything to Rowan. For a teenage girl, motherless with a much-absent father, this lively, intellectual household represented a world of glamour and opportunity.But since their estrangement, Rowan knows only what the papers reported about Marianne's life: her swift ascent in the London art world, her much-scrutinized romance with her gallerist. If she wants to discover the truth about her death, Rowan needs to know more. Was Marianne in distress? In danger? And so she begins to seek clues -- in Marianne's latest work, her closest relationships, and her new friendship with an iconoclastic fellow artist.But the deeper Rowan goes, the more sinister everything seems. And a secret in the past only she knows makes her worry about her own fate . . .

    Defined by night houses and cigar divans, populated by street people like the running-patterer with his news of murder, and entertainers like the Fire King, the underworld was an insular yet diffuse community, united by its deep hatred of the police. In its gin shops and taverns, thrived thieves and beggars, cheats, forgers, and pickpockets, preying on rich and poor alike.Career criminals often showed a craftsmanship that would put their descendants to shame. It took true professionals to remove the modern equivalent of twenty million dollars from the Bank of England. In one case, conspirators even recruited officers from Scotland Yard.Those who failed in such enterprises found themselves in the convict hulks, where the annual mortality rate might reach 40 percent, or in the new prisons, their faces masked and identified only by numbers. Rich in anecdote and vividly recounted, The Victorian Underworld brings the past alive like few recent works of history.

    Perfect for any reader of Sarah Waters or Antonia Hodgson. 'With this intricately woven tale of trust, self-trust and deceit, Anna Mazzola brings a gritty realism to Victorian London. Beautifully written and cleverly plotted, this is a stunning debut, ranked amongst the best' MANDA SCOTT After Sarah petitions for mercy, Edmund Fleetwood is appointed to investigate and consider whether justice has been done. Idealistic, but struggling with his own demons, Edmund is determined to seek out the truth. Yet Sarah refuses to help him, neither lying nor adding anything to the evidence gathered in court. Edmund knows she's hiding something, but needs to discover just why she's maintaining her silence. For how can it be that someone would willingly go to their own death?

    An unidentified body hangs upon a hook at Deptford Dock – horribly tortured and branded with a slaver’s mark.Some days later, Captain Harry Corsham – a war hero embarking upon a promising parliamentary career – is visited by the sister of an old friend. Her brother, passionate abolitionist Tad Archer, had been about to expose a secret that he believed could cause irreparable damage to the British slaving industry. He’d said people were trying to kill him, and now he is missing . . .To discover what happened to Tad, Harry is forced to pick up the threads of his friend's investigation, delving into the heart of the conspiracy Tad had unearthed. His investigation will threaten his political prospects, his family’s happiness, and force a reckoning with his past, risking the revelation of secrets that have the power to destroy him.And that is only if he can survive the mortal dangers awaiting him in Deptford...

    Peter Manuel has been found guilty of a string of murders and is waiting to die by hanging. But every good crime story has a beginning. Manuel's starts with the murder of William Watt's family. Looking no further that Watt himself, the police are convinced he's guilty. Desperate to clear his name, Watt turns to Manuel, a career criminal who claims to have information that will finger the real killer. As Watt seeks justice with the cagey Manuel's help, everyone the pair meets has blood on their hands as they sell their version of the truth. The Long Drop is an explosive novel about guilt, innocence and the power of a good story to hide the difference.

    With the help of a savvy lawyer, he escaped justice for years until a relative shot him dead at the funeral of his last victim. Despite hundreds of witnesses, Maxwell’s murderer was acquitted–thanks to the same attorney who had previously defended the Reverend.Sitting in the audience during the vigilante’s trial was Harper Lee, who had traveled from New York City to her native Alabama with the idea of writing her own In Cold Blood, the true-crime classic she had helped her friend Truman Capote research seventeen years earlier. Lee spent a year in town reporting, and many more working on her own version of the case.Now Casey Cep brings this story to life, from the shocking murders to the courtroom drama to the racial politics of the Deep South.

    The balcony of one of his beautiful music halls collapsed during a packed performance, killing dozens. Layton knows the flaw was not in his design; someone else must have caused the dreadful catastrophe. But with no proof and a hoard of furious Londoners screaming for blood, someone has to take the fall-and Layton finds himself facing a five-year prison sentence.When he is finally freed, Layton is determined to start over. With a new name and identity, he takes a job as a set painter. But as Layton begins to discover dead bodies hidden within theatre halls across London, it soon becomes clear that something darker is chasing him. When he unearths a clue that ties the bodies to the disaster that ruined him, he knows that redemption is within his reach…unless the culprit gets to him first.

    Only some lead to murder.Leo Stanhope. Assistant to a London coroner; in love with Maria; and hiding a very big secret. For Leo was born Charlotte, but knowing he was meant to be a man – despite the evidence of his body – he fled his family home at just fifteen, and has been living as Leo ever since: his original identity known only to a few trusted people.But then Maria is found dead and Leo is accused of her murder. Desperate to find her killer and under suspicion from all those around him, he stands to lose not just the woman he loves, but his freedom and, ultimately, his life.A wonderfully atmospheric debut, rich in character and setting, in The House on Half Moon Street Alex Reeve has created a world that crime readers will want to return to again and again.

    On 29 March 1849, the ten-year-old Maharajah of the Punjab was ushered into the magnificent Mirrored Hall at the centre of the great Fort in Lahore. There, in a public ceremony, the frightened but dignified child handed over to the British East India Company in a formal Act of Submission to Queen Victoria not only swathes of the richest land in India, but also arguably the single most valuable object in the subcontinent: the celebrated Koh-i Noor diamond. The Mountain of Light. The history of the Koh-i-Noor that was then commissioned by the British may have been one woven together from gossip of Delhi Bazaars, but it was to be become the accepted version. Only now is it finally challenged, freeing the diamond from the fog of mythology which has clung to it for so long. The resulting history is one of greed, murder, torture, colonialism and appropriation through an impressive slice of south and central Asian history. It ends with the jewel in its current controversial setting: in the crown of Queen Elizabeth the Queen Mother. Masterly, powerful and erudite, this is history at its most compelling and invigorating.

    Days later, a pub owner, his wife, and a servant were similarly killed. No motive was found.P.D. James, collaborating with a former colleageue, police historian T.A Critchely, re-creates this infamous crime. Containing all the complex characters and outstanding detective work we've come to associate with James's novels - as well as a London so real we are immersed in its rich textures and menacing shadows - The Maul and the Pear Tree is an irresistible tale of suspense. As James and Critcheley scour old records for clues overlooked by the city police force, they prove the wrong man was arrested. Then they name the killer who went free.

    Though newspapers have dubbed him ‘the Torso Killer’, this murderer’s work is overshadowed by the hysteria surrounding Jack the Ripper’s Whitechapel crimes. The victims are women too, but their dismembered bodies, wrapped in rags and tied up with string, are pulled out of the Thames – and the heads are missing. The murderer likes to keep them.Mayhem is a masterwork of narrative suspense: a supernatural thriller set in a shadowy, gaslit London, where monsters stalk the cobbled streets and hide in plain sight.