Never out of print since its original publication in 1928, when it won the James Tait Black Memorial Prize, Sassoon's reminiscences about childhood and the beginning of World War I are channeled through young George Sherston, whose life of local cricket tournaments and fox-hunts falls apart as war approaches and he joins up to fight. Sassoon's first novel, though rife with comic characters and a jaunty sense of storytelling, presents his own loss of innocence and the destruction of the country he knew and loved.Memoirs Of A Fox-Hunting Man Siegfried Sassoon Early Days - The Flower Show Match - A Fresh Start - A Day With the Potford - At the Rectory - The Colonel's Cup - Denis Milden as Master -Migration of the Midlands - In the Army - At the front Originally published in 1928.

    This vivid portrayal of the universal search for love brings with it a darker tale, heartbreaking in its poignancy.

    I can never get used to this, Alexi. Having you, that is. How did I deserve you? Deserve me? You don't have to do anything to deserve me. I love you. It's as simple as that. I love you for what you are. All you need to do is love me back. You don't earn love, as a payment in return.Peter Kingsmill's life had run into the sands since the death of his wife. What was a glittering London career had lost its shine. Until, that is, his life is turned upside down by an unexpected collision of events. He inherits the family estate, meets a girl seventeen years his junior and receives an anonymous letter which casts doubt on all the certainties on which he has built his past life.What follows is a journey of discovery which takes him back in time to war-torn Europe. To a story of betrayal in the secret world of spies and double agents, and ultimately to redemption and a bright new life.The narrative moves at speed from the dusty plains of pre-war Poland to the frozen winter landscapes of German-occupied Norway and finally to the gentle pastoral of the north Yorkshire hills. It is a story of a search for the pieces that make up a human life; and of the love that binds those pieces together....Do you remember the Snow Queen story? I can complete the pattern now. I have everything I need.

    Born a Tutsi, he is thrust into a world where it's impossible to stay apolitical - where the man who used to sell you gifts for your family now spews hatred, where the girl who flirted with you in the lunchroom refuses to look at you, where your Hutu coach is secretly training the very soldiers who will hunt down your family. Yet in an environment increasingly restrictive for the Tutsi, he holds fast to his dream of becoming Rwanda's first Olympic medal contender in track, a feat he believes might deliver him and his people from this violence. When the killing begins, Jean Patrick is forced to flee, leaving behind the woman, the family, and the country he loves. Finding them again is the race of his life. This is the third Bellwether Prize winner published by Algonquin. The Bellwether Prize is awarded biennially by Barbara Kingsolver for an unpublished novel that addresses issues of social justice and was previously awarded to The Girl Who Fell from the Sky and Mudbound.

    "Vincent is not dead. He will never die. His love, his genius, the great beauty he has created will go on forever, enriching the world... He was a colossus... a great painter... a great philosopher... a martyr to his love of art. "Walking down the streets of Paris the young Vincent Van Gogh didn't feel like he belonged. Battling poverty, repeated heartbreak and familial obligation, Van Gogh was a man plagued by his own creative urge but with no outlet to express it. Until the day he picked up a paintbrush.Written with raw insight and emotion, follow the artist through his tormented life, struggling against critical discouragement and mental turmoil and bare witness to his creative journey from a struggling artist to one of the world's most celebrated artists.

    But when he learns that the young spy sent by the OSS to Prague is a woman, he has misgivings about working with her. He had expected a man—a man who could handle his assignment with the help of Janak and his fellow Resistance workers. It doesn’t take long, however, for Janak to realize the beautiful blonde spy has enough daring and resourcefulness to do what it takes in the occupied city. The Nazis are everywhere, but Tereza’s knowledge of Czech and German allows her to fit right in.Both of them have an unspoken determination to keep their relationship professional, to keep distractions at a minimum, but is that going to be possible when every day might be their last? The bond that develops between them can only be destroyed by death, but that’s a real possibility for covert activists in Nazi-occupied Prague.

    But celebrity at such an early age exacts a great toll. Pamela's dreams elude her as she struggles with severe depressions, an overbearing father, an obsessive love affair, and a spectacularly misguided marriage. Throughout, her life raft is her mother. The glamorous art world of Europe and New York in the early 20th century and a supporting cast of luminaries Eugene O Neill and his wife Agnes (Margery s niece), Pablo Picasso, Gertrude Vanderbilt Whitney, and Richard Hughes, author of A High Wind in Jamaica, provide a vivid backdrop to the Biancos story. From the opening pages, the novel will captivate readers with its multifaceted and illuminating observations on art, family, and the consequences of genius touched by madness.

    My older sister, Helen, came to my room, took me by the hand, and sat me down on the bed. She opened her mouth to say something, but then her face flushed, and she turned her head to look out the window. After a second, she squeezed my hand and looked back in my eyes. She said, “You’ve always been a good girl, Maude, and done what I told you. Now, you’re going to be a married woman, and he will be the head of the house. When you go home tonight after your party, no matter what he wants to do to you, you have to let him do it. Do you understand?"I didn’t understand, but I nodded my head anyway. It sounded strange to me, the way so many things did. I would do what she told me. I didn’t have a choice, any more than I had a choice in being born.

    The story is told by Mary’s sister Lydia, as she poses for five of her sister’s most unusual paintings, which are reproduced in, and form the focal point of each chapter. Ill with Bright’s disease and conscious of her approaching death, Lydia contemplates her world with courageous openness, and asks important questions about love and art’s capacity to remember.

    That was my mammy's name, anyway. Jenny. You be Jenny from now on..." Cornelius Carson's mother cautioned him never to own slaves, but in 1830s Louisiana, land and slaves are proof of a man's worth. At 23 Cornelius is ambitious, and in love. He owns one elderly slave, Malachi, and a small cotton farm along Bayou Cocodrie. And he plans to marry Stephanie Coqterre, daughter of a wealthy Natchez planter. He needs another field-hand, but prices are high. So when a trader brings a coffle of smuggled slaves to Natchez, Cornelius buys a 10-year-old girl. She is mute and nameless, but she's all he can afford. He names her Jenny. It quickly becomes apparent that Jenny will change life on the Cocodrie as much as it changes her. The winds of ambition are blowing everywhere, both among the whites, who strive for wealth and status, and among the slaves, who yearn for freedom. But dangers are everywhere, too. As madness and treachery reach from Natchez to the Cocodrie to blast all their dreams, Cornelius struggles to find a way to salvage his life and the lives of Jenny and Malachi as well.

    Alma was born in 1910 in lower Davidson County, North Carolina—as she says, "fifteen miles south of Lexington, off number 8 Highway, between Newsom and High Rock, near Jackson Hill and Bald Mountain, in the backwoods of nowhere." The fifth of nine children, she lived with her mama and daddy, who were poor sharecroppers, in a small shack-like house on the edge of the large Reid farm that lay between Cabin Creek and Lick Creek on the Yadkin River. In her own words, Alma resurrects now forgotten times and places as she shares with us the everyday life of sharecroppers of the early 1900s. Through vivid descriptions she leads us through their daily customs, folklores and hardships. She speaks of how they had to make do with what they had and how the little that they had was treasured. At age twelve Alma's family left the sharecropping way of life and moved twenty miles north of the backwoods to Lexington, the county seat. In Lexington her life changed dramatically. First, her one room school was replaced with modern schools. Then, at a young age she entered the work place. The biggest change came in her late teens when she met and married Odell Henderson Owen, and in the years that followed, became the mother of eleven children. During the chaotic years of raising eleven children she never forgot her upbringing, how her mama and daddy had instilled in her the importance of family, church and community. Like her daddy, she worked hard, always putting her family's needs first. And in times of personal need, she sought strength through the church . The beauty of this book is in the voice of the book—Alma's voice. Alma tells her story with a warmth that leaves you laughing at times and at other times holding a tissue to your eyes.

    As he did so brilliantly in London: The Novel and New York: The Novel, Edward Rutherfurd brings to life the most magical city in the world: Paris. This breathtaking multigenerational saga takes readers on a journey through thousands of years of glorious Parisian history.

    Together, they have ten children. At last, she can pass on the stories she has heard—magical tales of men from the sea—and her warrior’s courage, along with her wonderful kueh (cakes).But the cultural shift towards the West has begun. Chye Hoon finds herself afraid of losing the heritage she so prizes as her children move more and more into the modernising Western world.

    Is she the Russian Grand Duchess or the thief of another woman's legacy?Countless others have rendered their verdict. Now it is your turn.Russia, July 17, 1918: Under direct orders from Vladimir Lenin, Bolshevik secret police force Anastasia Romanov, along with the entire imperial family, into a damp basement in Siberia, where they face a merciless firing squad. None survive. At least that is what the executioners have always claimed.Germany, February 17, 1920: A young woman bearing an uncanny resemblance to Anastasia Romanov is pulled shivering and senseless from a canal. Refusing to explain her presence in the freezing water or even acknowledge her rescuers, she is taken to the hospital where an examination reveals that her body is riddled with countless horrific scars. When she finally does speak, this frightened, mysterious young woman claims to be the Russian grand duchess. As rumors begin to circulate through European society that the youngest Romanov daughter has survived the massacre at Ekaterinburg, old enemies and new threats are awakened. The question of who Anna Anderson is and what actually happened to Anastasia Romanov spans fifty years and touches three continents. This thrilling saga is every bit as moving and momentous as it is harrowing and twisted.

     Always a lover of history, Mary Higgins Clark wrote this extensively researched biographical novel and titled it Aspire to the Heavens, after the motto of George Washington's mother. Published in 1969, the book was more recently discovered by a Washington family descendant and reissued as Mount Vernon Love Story. Dispelling the widespread belief that although George Washington married Martha Dandridge Custis, he reserved his true love for Sally Carey Fairfax, his best friend's wife, Mary Higgins Clark describes the Washington marriage as one full of tenderness and passion, as a bond between two people who shared their lives -- even the bitter hardship of a winter in Valley Forge -- in every way. In this author's skilled hands, the history, the love, and the man come fully and dramatically alive.