O'Connor herself singled it out by making it the title piece of her first collection and the story she most often chose for readings or talks to students. It is an unforgettable tale, both riveting and comic, of the confrontation of a family with violence and sudden death. More than anything else O'Connor ever wrote, this story mixes the comedy, violence, and religious concerns that characterize her fiction.This casebook for the story includes an introduction by the editor, a chronology of the author's life, the authoritative text of the story itself, comments and letters by O'Connor about the story, critical essays, and a bibliography. The critical essays span more than twenty years of commentary and suggest several approaches to the story--formalistic, thematic, deconstructionist-- all within the grasp of the undergraduate, while the introduction also points interested students toward still other resources. Useful for both beginning and advanced students, this casebook provides an in-depth introduction to one of America's most gifted modern writers.

    M. Barnard." Louisa May Alcott's novel of romance and sexual intrigue is one of her lesser-known gems. Its tone and characterizations strike a markedly different chord from her best-known works, such as "Little Women" and "Little Men," and it remains a popular addition to her oeuvre.

    The House of Wu, one of the oldest and most revered in China, is thrown into an uproar by her decision, but Madame Wu will not be dissuaded and arranges for a young country girl to come take her place in bed. Elegant and detached, Madame Wu orchestrates this change as she manages everything in the extended household of more than sixty relatives and servants. Alone in her own quarters, she relishes her freedom and reads books she has never been allowed to touch. When her son begins English lessons, she listens, and is soon learning from the foreigner, a free-thinking priest named Brother Andre, who will change her life. Few books raise so many questions about the nature and roles of men and women, about self-discipline and happiness.

    "Red Harvest" is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.The Op was in Personville, derogatory nickname aside, as the result of a letter to the Continental Detective Agency in San Francisco from Donald Willsson, publisher of the local paper, asking for an agent to visit. No other information. As soon as the OP arrives, the body count begins. It starts with his client!

    Steinbeck tackles two important literary traditions here; American naturalism, with its focus on the conflict between natural instincts and the demand to conform to society's norms, and the short story cycle. Set in the heart of 'Steinbeck land', the lush Californian valleys.

    Inspector Richard Q, sneezing snuff; a thin, multi-faced, small "Old Man"; and the Inspector's large writer son Ellery, puffing cigarettes, investigate. They start with maps of theater, the victim's bedroom, and a list of names appended with flavorful commentary: the finder of the body is "cranially a brachycephalic", and Dolly "a lady of reputation". The flavor of 1929 costume and culture, with evening attire de rigeur, and hip flasks full of bootleg liquor.

    This magnificent trilogy also contains two other superb short novels. In Revenge, love causes the course of a man's life to be savagely and irrevocably altered. Nordstrom, in The Man Who Gave up his Name, is unable to relinquish his consuming obsessions with women, dancing and food.'

    A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.

    A classic gothic romance, the story features an 18-year-old Miranda Wells who falls under the spell of a mysterious old mansion and its equally fascinating master. Tired of churning butter, weeding the garden patch, and receiving the dull young farmers who seek her hand in marriage, Miranda is excited by an invitation from the upstate New York estate of her distant relative, the intriguing Nicholas Van Ryn. Her passion is kindled by the icy fire of Nicholas, the last of the Van Ryns, and the luxury of Dragonwyck, and a way of life of which she has only dreamed. Dressed in satin and lace, she becomes part of Dragonwyck, with its Gothic towers, flowering gardens, acres of tenant farms, and dark, terrible secrets. This compelling novel paints a marvelous portrait of a country torn between freedom and feudal traditions; a country divided between the very wealthy and the very poor. Poor tenant farmers at Dragonwyck, the European royalty who visit, and American icons such as Edgar Allan Poe, Herman Melville, and the Astors are vividly brought to life. This is a heart-stopping story of a remarkable woman, her breathtaking passions, and the mystery and terror that await her in the magnificent hallways of Dragonwyck.

    Her work as an actress has temporarily come to a halt. She believes there is no finer place to be "at liberty" than the sun-drenched isle of Corfu, the alleged locale for Shakespeare's The Tempest. Even the suspicious actions of the handsome, arrogant son of a famous actor cannot dampen her enthusiasm for this wonderland in the Ionian Sea.But the peaceful idyll does not last long. A series of incidents, seemingly unconnected - but all surrounded in mystery - throws Lucy's life into a dangerous spin, as fear, danger and death - as well as romance - supplant the former tranquility. Then a human corpse is carried ashore on the incoming tide... And without warning, she found she had stumbled into a nightmare of strange violence, stalked by shadows of terror and sudden death.

    He lives in a cheap hotel just within his pay bracket. He goes to work every day. He has hundreds of friends and associates who could attest to his good character.Yet, hidden behind three gaudy clown paintings in Roy's pallid hotel room, sits fifty-two thousand dollars--the money Roy makes from his short cons, his "grifting." For years, Roy has effortlessly maintained control over his house-of-cards life--until the simplest con goes wrong, and he finds himself critically injured and at the mercy of the most dangerous woman he ever met: his own mother.THE GRIFTERS, one of the best novels ever written about the art of the con, is an ingeniously crafted story of deception and betrayal that was the basis for Stephen Frears' and Martin Scorsese's 1990 critically-acclaimed film of the same name.

    It’s 1922. Wilfred owns eighty acres of farmland in Nebraska that have been in the family for generations. His wife, Arlette, owns an adjoining one hundred acres.But if Arlette carries out her threat to sell her land to a pig butcher, Wilfred will be forced to sell too. Worse, he’ll have to move to the city. But he has a daring plan. It may work if he can persuade his son.A powerful tale of betrayal, murder, madness and rats, 1922 is a breathtaking exploration into the dark side of human nature from the great American storyteller Stephen King. It was adapted into a film from Netflix.

    He invented the inverted detective story and used some of his early experiences as a colonial surgeon in his novels. A large proportion of the Dr Thorndyke stories involve genuine, but often quite arcane, points of scientific knowledge, from areas such as tropical medicine, metallurgy and toxicology. His first stories were written in collaboration with Dr John James Pitcairn (1860-1936), medical officer at Holloway Prison and published under the nom de plume "Clifford Ashdown." His first Thorndyke story, The Red Thumb Mark, was published in 1907 and shortly afterwards he pioneered the inverted detective story, in which the identity of the criminal is shown from the beginning: some short stories with this feature were collected in The Singing Bone in 1912. His other works include John Thorndyke's Cases (1909), The Eye of Osiris (1911), The Vanishing Man (1911), The Mystery of 31 New Inn (1912), The Uttermost Farthing: A Savant's Vendetta (1913) and The Cat's Eye (1923).

    Throughout the story Blackwood personifies the surrounding environment—river, sun, wind—and imbues them with a powerful and ultimately threatening character. Most ominous are the masses of dense, desultory, menacing willows, which "moved of their own will as though alive, and they touched, by some incalculable method, my own keen sense of the horrible.""The Willows" is one of Algernon Blackwood's best known short stories. American horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature. "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

    When renowned painter Robert Oliver attacks a canvas in the National Gallery of Art and becomes his patient, Marlow finds that order destroyed. Desperate to understand the secret that torments the genius, he embarks on a journey that leads him into the lives of the women closest to Oliver and a tragedy at the heart of French Impressionism. Kostova's masterful new novel travels from American cities to the coast of Normandy, from the late 19th century to the late 20th, from young love to last love. The Swan Thieves is a story of obsession, history's losses, and the power of art to preserve human hope.