In The Sisters of Henry VIII, Maria Perry brings history alive by examining the lives of these extraordinary women and their influence on Europe in the Tudor Age. Margaret became queen of Scotland at age thirteen; family members arranged beautiful Mary's betrothal to the aging king of France when she was twelve. But both women chose their second husbands for love: Margaret married and divorced twice after Henry's advancing armies slaughtered her first husband and kidnapped her children; Mary risked execution by proposing to the handsome duke of Suffolk. Groundbreaking in both depth and scope, Perry's work rescues two remarkable princesses from the shadows of history and offers a fresh interpretation of a royal family and an era sure to fascinate readers of Alison Weir and Antonia Fraser.

    It was the most naked period since Ancient Greece and before the 1960s, and for the first time England became a fashion influence, especially for menswear, and became the toast of Paris. With the ancient regime deposed, court dress became secondary and the season by season flux of fashion as we know it came into being, aided and abetted by the proliferation of new ladies' magazines. Such an age of revolution and innovation inspired a flood of fashions taking influence from everything including the newly discovered treasures of the ancient world, to radical new ideas like democracy. It was an era of contradiction immortalized by Jane Austen, who adeptly used the newfound diversity of fashion to enliven her characters, Wickham's military splendor, Mr. Darcy's understated elegance, and Miss Tilney's romantic fixation with white muslin.

     James I of England and VI of Scotland was the first king to rule both countries. He was faced with division between his realms and caught between the religious wars of the Reformation. Spending most of his reign at odds with the religious and parliamentary powers around him, James did little to unite his people. Unable to take a firm stand on critical issues, he spent his life avoiding them. Inside you will read about... ✓ James’ Bride and the Witch Hunt ✓ The Mystery of the Gowrie Plot ✓ Taking over Elizabethan England ✓ King James Bible ✓ The Gunpowder Plot ✓ The King’s Favorite Men And much more! Still, James was not a bad king. He is best remembered for the translation of the Bible into English, making it accessible to all. During the start of the bloody Thirty Years’ War that would engulf Europe, James did his best to keep England out of the turmoil. His descendants, however, brought about a bloody civil war that was to last for several generations. James I and VI continues to have a reputation as a lazy king who gave too much power to his male favorites.

    What is beauty? Umberto Eco, among Italy’s finest and most important contemporary thinkers, explores the nature, the meaning, and the very history of the idea of beauty in Western culture. The profound and subtle text is lavishly illustrated with abundant examples of sublime painting and sculpture and lengthy quotations from writers and philosophers. This is the first paperback edition of History of Beauty, making this intellectual and philosophical journey with one of the world’s most acclaimed thinkers available in a more compact and affordable format.From the Trade Paperback edition

     Publicly declared a bastard at the age of three, daughter of a disgraced and executed mother, last in the line of succession to the throne of England, Elizabeth I inherited an England ravaged by bloody religious conflict, at war with Spain and France, and badly in debt. When she died in 1603, after a forty-five year reign, her empire spanned two continents and was united under one church, victorious in war, and blessed with an overflowing treasury. What's more, her favorites--William Shakespeare, Sir Francis Drake, and Sir Walter Raleigh--had made the Elizabethan era a cultural Golden Age still remembered today. But for Elizabeth the woman, tragedy went hand in hand with triumph. Politics and scandal forced the passionate queen to reject her true love, Robert Dudley, and to execute his stepson, her much-adored Lord Essex. Now in this spellbinding novel, Rosalind Miles brings to life the woman behind the myth. By turns imperious, brilliant, calculating, vain, and witty, this is the Elizabeth the world never knew. From the days of her brutal father, Henry VIII, to her final dying moments, Elizabeth tells her story in her own words.

    There are more than 400 line drawings and 121 patterns.

    Fleming and six other authors will each contribute a story from different points of view: M.T. Anderson, Jennifer Donnelly, Stephanie Hemphill, Deborah Hopkinson, Linda Sue Park, and Lisa Ann Sandell.

    In Face Paint, Lisa Eldridge reveals the entire history of the art form, from Egyptian and Classical times up through the Victorian age and golden era of Hollywood, and also surveys the cutting-edge makeup science of today and tomorrow. Face Paint explores the practical and idiosyncratic reasons behind makeup’s use, the actual materials employed over generations, and the glamorous icons that people emulate and how they achieved their effects. An engaging history of style, it is also a social history of women and the ways in which we can understand their lives through the prism and impact of makeup.

    To the great Catholic powers of France and Spain, England was a heretic pariah state, a canker to be cut away for the health of the greater body of Christendom. Elizabeth's government, defending God's true Church of England and its leader, the queen, could stop at nothing to defend itself.Headed by the brilliant, enigmatic, and widely feared Sir Francis Walsingham, the Elizabethan state deployed every dark art: spies, double agents, cryptography, and torture. Delving deeply into sixteenth-century archives, Stephen Alford offers a groundbreaking, chillingly vivid depiction of Elizabethan espionage, literally recovering it from the shadows. In his company we follow Her Majesty's agents through the streets of London and Rome, and into the dank cells of the Tower. We see the world as they saw it-ever unsure who could be trusted or when the fatal knock on their own door might come. The Watchers is a riveting exploration of loyalty, faith, betrayal, and deception with the highest possible stakes, in a world poised between the Middle Ages and modernity.

    A painting shows a military officer in a Dutch sitting room, talking to a laughing girl. In another, a woman at a window weighs pieces of silver. Vermeer's images captivate us with their beauty and mystery: What stories lie behind these stunningly rendered moments? As Timothy Brook shows us, these pictures, which seem so intimate, actually offer a remarkable view of a rapidly expanding world. The officer's dashing hat is made of beaver fur, which European explorers got from Native Americans in exchange for weapons. Those beaver pelts, in turn, financed the voyages of sailors seeking new routes to China. There--with silver mined in Peru--Europeans would purchase, by the thousands, the porcelains so often shown in Dutch paintings of this time. Moving outward from Vermeer's studio, Brook traces the web of trade that was spreading across the globe. The wharves of Holland, wrote a French visitor, were an inventory of the possible. Vermeer's Hat shows just how rich this inventory was, and how the urge to acquire the goods of distant lands was refashioning the world more powerfully than we have yet understood.

    Henry was considered a demi-god by his subjects, so each woman he chose was someone who had managed to stand out in a crowd of stunning ladies. Looking good was not enough (indeed, many of Henry’s lovers were considered unattractive); she had to have something extra special to keep the King’s interest. And Henry’s women were every bit as intriguing as the man himself. In this book Henry’s mistresses are rescued from obscurity. The 16th century was a time of profound changes in religion and society across Europe—and some of Henry’s lovers were at the forefront of influencing these events.

    Her beautiful middle sister Katherine Grey charms all the right people--until loyalties shift. And finally Lady Mary Grey, a dwarf with a twisted spine whose goal is simply to protect people she loves--but at a terrible cost.   In an age in which begetting sons was all that mattered and queens rose and fell on the sex of their child, these three girls with royal Tudor blood lived under the dangerous whims of parents with a passion for gambling. The stakes they would wager: their daughters' lives against rampant ambition.

    N. Wilson relates the exhilarating story of the Elizabethan Age. It was a time of exceptional creativity, wealth creation and political expansion.It was also a period of English history more remarkable than any other for the technicolour personalities of its leading participants.Apart from the complex character of the Virgin Queen herself, we follow the story of Francis Drake and political intriguers like William Cecil and Francis Walsingham, so important to a monarch who often made a key strategy out of her indecisiveness. Favourites like Leicester and Essex skated very close to the edge as far as Elizabeth's affections were concerned, and Essex made a big mistake when he led a rebellion against the crown.There was a Renaissance during this period in the world of words, which included the all-round hero and literary genius, Sir Philip Sidney, playwright-spy Christopher Marlowe and that 'myriad-minded man', William Shakespeare.Life in Elizabethan England could be very harsh. Plague swept the land. And the poor received little assistance from the State. Thumbscrews and the rack could be the grim prelude to the executioner's block. But crucially, this was the age when modern Britain was born, and established independence from mainland Europe. After Sir Walter Raleigh established the colony of Virginia, English was destined to become the language of the great globe itself, and the the foundations were laid not only of later British imperial power but also of American domination of the world. With The Elizabethans, Wilson reveals himself again as the master of the definitive, single-volume study.

    This book takes a detailed look at the background and impact of The Ambassador. Driven by the vision of founder Hans Juda and his wife, Elsbeth, who was responsible for much of the magazine’s striking photography, the magazine created ambitious photo shoots to showcasing the latest couture fashions, promoted fine art as an inspiration for design, and commissioned artists such as John Piper and Henry Moore for their covers. The Ambassador Magazine brings this trove of art, textiles, and fashion to a new generation.

    A deadly enemy. A clash of intrigue, deception, and desire. . . . 1525: Artist Susanna Horenbout is sent from Belgium to be Henry VIII’s personal illuminator inside the royal palace. But her new homeland greets her with an attempt on her life, and the King’s most lethal courtier, John Parker, is charged with keeping her safe. As further attacks are made, Susanna and Parker realize that she unknowingly carries the key to a bloody plot against the throne. For while Richard de la Pole amasses troops in France for a Yorkist invasion, a traitor prepares to trample the kingdom from within.Who is the mastermind? Why are men vying to kill the woman Parker protects with his life? With a motley gang of urchins, Susanna’s wits, and Parker’s fierce instincts, honed on the streets and in palace chambers, the two slash through deadly layers of deceit in a race against time. For in the court of Henry VIII, secrets are the last to die. . . .Brilliantly revealing a little-known historical figure who lived among the Tudors, Michelle Diener makes a smashing historical fiction debut.