The persistence of white supremacy and the ubiquity of Black death feeds a national culture of terror and a perpetual undercurrent of mourning.If the gothic narrative is metabolized fear, if the goth aesthetic is romanticized melancholy, what does that look and sound like in Black America?

    Immigration is remaking Europe and North America: over half of American babies are non-white, and by the end of the century, minorities and those of mixed race are projected to form the majority in many countries.Drawing on an extraordinary range of surveys, Whiteshift explores the majority response to ethnic change in Western Europe, North America and Australasia. Eric Kaufmann, a leading expert on immigration, calls for us to move beyond empty talk about national identity and open up debate about the future of white majorities. He argues that we must ditch the 'diversity myth' that whites will dwindle, replacing it with whiteshift - a new story of majority transformation that can help lift anxieties and heal today's widening political divisions.A bold, original work, Whiteshift will redefine the way we think about ethnic diversity and populism.

    Since known as “The Miracle of the Vistula,” it remains one of the most crucial conflicts of the Western world. Drawing on both Polish and Russian sources, Norman Davies shows how this war was a pivotal event in the course of European history.

    Both the Republican and Democratic parties are radically different today, mainly as a result of Ronald Reagan and the force of his ideas. No twentieth century president shaped the American political landscape so profoundly.Craig Shirley’s Last Act is the important final chapter in the life of Reagan that no one has thus far covered. It’s the kind of book that widens our understanding of American history and of the presidency and the men who occupied it. To tell Reagan’s story, Craig has secured the complete, exclusive, and enthusiastic support of the Reagan Foundation and Library and spent considerable time there reviewing sealed files and confidential information.Cast in a grand and compelling narrative style, Last Act contains interesting and heretofore untold anecdotes about Reagan, Mrs. Reagan, their pleasure at retirement, the onslaught of the awful Alzheimer’s and how he and Mrs. Reagan dealt with the diagnosis, the slow demise, the extensive plans for a state funeral, the outpouring from the nation, which stunned the political establishment, the Reagan legacy, and how his shadow looms more and more over the Republican Party, Washington, the culture of America, and the world.

    His most recent book, God Is Not Great, was on the New York Times bestseller list in 2007 for months. Like his hero, George Orwell, Hitchens is a tireless opponent of all forms of cruelty, ideological dogma, religious superstition and intellectual obfuscation. Once a socialist, he now refers to himself as an unaffiliated radical. As a thinker, Hitchens is perhaps best viewed as post-ideological, in that his intellectual sources and solidarities are strikingly various (he is an admirer of both Leon Trotsky and Kingsley Amis) and cannot be located easily at any one point on the ideological spectrum. Since leaving Britain for the United States in 1981, Hitchens thinking has moved in what some see as contradictory directions, but he remains an unapologetic and passionate defender of the Enlightenment values of secularism, democracy, free expression, and scientific inquiry.The global turmoil of the recent past has provoked intense dispute and division among intellectuals, academics, and other commentators. Hitchens writing during this time, particularly after 9/11, is an essential reference point for understanding the genesis and meaning of that turmoil#151;and the challenges that accompany it. This volume brings together Hitchens most incisive reflections on the war on terror, the war in Iraq, and the state of the contemporary Left. It also includes a selection of critical commentaries on his work from his former leftist comrades, a set of exchanges between Hitchens and various left-leaning interlocutors (such as Studs Terkel, Norman Finkelstein, and Michael Kazin), and an introductory essay by the editors on the nature and significance of Hitchens contribution to the world of ideas and public debate. In response, Hitchens provides an original afterword, written for this collection.p pWhatever readers might think about Hitchens, he remains an intellectual force to be reckoned with. And there is no better place to encounter his current thinking than in this provocative volume.

    The Birth of the Russian IntelligentsiaII. German Romanticism in Petersburg and MoscowIII. Vissarion BelinskyIV. Alexander Herzen- Russian Populism- Tolstoy and Enlightenment- Fathers and ChildrenIndex

    How do we evaluate the power and utility of language when it has been made to articulate falsehoods in certain totalitarian regimes or has been charged with vulgarity and imprecision in a mass-consumer democracy? How will language react to the increasingly urgent claims of more exact speech such as mathematics and symbolic notation? These are some of the questions Steiner addresses in this elegantly written book, first published in 1967 to international acclaim.

    What we cannot lose.A sweeping masterwork of love and loss, secrets and survival, On the Sickle's Edge is told through the voices of three characters who lay bare their family's saga: the endearing, scrappy South-African born Lena, transported to Latvia and later trapped in the USSR; her granddaughter Darya, a true Communist whose growing disillusionment with Soviet ideology places her family at mortal risk; and Steven, a painter from Boston who inadvertently stumbles into the tangled web of his family's past. Against the roiling backdrop of twentieth-century Russia and Eastern Europe, the novel delivers equal parts historical drama, political thriller and poignant love story.On the Sickle's Edge takes the reader on a roller-coaster ride through some of the most tumultuous events of the 20th century. Instantly immersed in seven generations of the Shtein family, we witness their exhilarating celebrations and provocative controversies, and gain an intimate understanding of the pivotal events in South Africa, Latvia and the Soviet Union. Neville Frankel's ability to combine historical insight and human passion is spellbinding. I couldn't put it down. --Pamela Katz, The Partnership: Brecht, Weill, Three Women, and Germany on the BrinkIn the hands of a masterful storyteller, On the Sickle's Edge pits the weight of an oppressive regime against individual tenacity and profound personal courage. Inspired by Frankel's own family history, this multi-generational epic holds up a mirror to a universal truth: all immigrants face the powerful tension between assimilation and cultural identity. We have--all of us--lived life on the edge of the sickle. --Rabbi Andrew Baker, Director of International Jewish Affairs, American Jewish Committee

    There is a kind of religion that is lifeless and is the bitter enemy of true faith. Think of Dietrich Bonhoeffer’s prophetic attempts to waken the sleeping German church, often unwitting allies of Hitler and the Third Reich. Or of William Wilberforce’s heroic efforts to rouse his complacent “Christian” countrymen to stand against the monstrous evil of the slave trade. Bonhoeffer and Wilberforce stood against the evil of their times—an evil often repackaged in religious-sounding language.Eric Metaxas’s electrifying message—delivered before the president and dozens of national leaders at the Sixtieth Annual National Prayer Breakfast—calls readers to follow in the steps of Wilberforce and Bonhoeffer, men who lived their faith and swam against the mainstream, instead of drifting along with it. Metaxas makes it clear that phony religiosity offends God himself—and that real prayer is only possible with a living faith in a living God. And that kind of faith can transform the world. No pressure.

    And of course, Bagge's well-researched comic strip "essays" crackle with the same energy and wit that propelled him into the collective Gen X consciousness with his comic book series Hate.Favorite topics include the erosion of our civil liberties (whether the post-9/11 Bush administration's gradual erosion of the Bill of Rights, the insanity of the war on drugs, or nanny-state meddling), ongoing boondoggles of the American public (for professional sports stadiums or ineffective public transportation systems), the Iraq war(Bagge is vociferously against it), so-called art and so-called entertainment, the homeless, the mall-ification of America, politicians both in general and in particular (including the 2008 presidential race and a revelatory one-on-one with Republican not-so-hopeful Ron Paul that soured Bagge on the candidate forever), the conservative/religious war on sex and drugs, and whether citizens should be allowed to own bazookas. Each piece features the voluble Bagge himself front and center as the puzzled, indignant, or deeply conflicted everyman-on-the-street trying to make sense of this 21st Century.And of course, every panel is delineated in Bagge's glorious, laugh-out-loud stretchy 4-color cartoon style, making even his disquisitions on some very serious topics go down as smoothly as Buddy Bradley's latest escapade. Nominated for a 2010 Will Eisner Comic Industry Award (Best Humor Publication).

    In this collection, including two never-before-published essays, Nussbaum writes about her passion for television that began with stumbling upon "Buffy the Vampire Slayer"—a show that was so much more than it appeared—while she was a graduate student studying Victorian literature. What followed was a love affair with television, an education, and a fierce debate about whose work gets to be called “great” that led Nussbaum to a trailblazing career as a critic whose reviews said so much more about our culture than just what’s good on television. Through these pieces, she traces the evolution of female protagonists over the last decade, the complex role of sexual violence on TV, and what to do about art when the artist is revealed to be a monster. And she explores the links between the television antihero and the rise of Donald Trump.The book is more than a collection of essays. With each piece, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism that resists the false hierarchy that elevates one form of culture over another. It traces her own struggle to punch through stifling notions of “prestige television,” searching for a wilder and freer and more varied idea of artistic ambition—one that acknowledges many types of beauty and complexity, and that opens to more varied voices. It’s a book that celebrates television as television, even as each year warps the definition of just what that might mean.

    From the revolution in Iran that wasn't, to the Great Firewall of China and the imposition of super-injunctions from the filthy rich protecting their privacy, the traditional opponents of freedom of speech — religious fanaticism, plutocratic power and dictatorial states — are thriving, and in many respects finding the world a more comfortable place in the early 21st century than they did in the late 20th.This is not an account of interesting but trivial disputes about freedom of speech: the rights and wrongs of shouting "fire" in a crowded theatre, of playing heavy metal at 3 a.m. in a built-up area or articulating extremist ideas in a school or university. Rather, this is a story that starts with the cataclysmic reaction of the Left and Right to the publication and denunciation of The Satanic Verses in 1988 that saw them jump into bed with radical extremists. It ends at the juncture where even in the transgressive, liberated West, where so much blood had been spilt for Freedom, where rebellion is the conformist style and playing the dissenter the smart career move in the arts and media, you can write a book and end up destroyed or dead.

    A candid collection of riveting news-stories that brings alive the political history of the Indian subcontinent and the noble - and no-so-noble - men and women who shaped it...

    His reporting about Enron’s bankruptcy and the controversy surrounding it was being used by NPR, he was hot on the trail of a possible connection to an Army Secretary, and he was one of the few reporters granted an interview with Enron President Jeff Skilling. And then it all came crashing down.When Salon was forced to take down Leopold’s article about Army Secretary Thomas E. White’s role in the Enron bankruptcy, his world began to unravel. Ostracized from the mainstream media, slipping into a deep depression, with no prospects on the horizon, Jason Leopold was forced to start from scratch.News Junkie is Jason’s story, an addict to the core, he traded an early life of drugs and crime for the equally addictive world of breaking news. From the top of the reporting world to its dregs and back again, Leopold takes us on a journey through some of the biggest events of the recent past, all the while letting us into his inner struggles.With an unforgettable array of characters, from weepy editors and love-starved politicos to steroid-pumped mobsters who intimidate the author into selling drugs and stolen goods, News Junkie shows how a man once fueled by raging fear and self-hatred transforms his life, regenerated by love, sobriety and a new, harmonious career with the media.

    First published in 1970, the book seeks to explain the causes for the 13 May 1969 riots in Kuala Lumpur.Dr Mahathir sets out his view as to why the Malays are economically backward and why they feel they must insist upon immigrants becoming real Malaysians speaking in due course nothing but Malay, as do immigrants to America or Australia speak nothing but the language of what the author calls “the definitive people”. He argues that the Malays are the rightful owners of Malaya. He also argues that immigrants are guests until properly absorbed, and that they are not properly absorbed until they have abandoned the language and culture of their past.