Bayles now turns that same attention to his native West.When European Americans “discovered” the American West, they fell in love with the resplendent landscape. The love affair and its congenital flaws persists to this day.Bayles writes: “. . . the question is why my people bungled our occupation of the West so badly when no one really wanted to, when there was every chance to get it right, when voices of caution were constantly raised, when what needed to be done was frequently obvious, and when, occasionally, we did get it right (think: National Parks).”Notes on a Shared Landscape engages the issues that make the West the West—widely ranging over the autobiographical and the cultural, the ecological and the epistemological, the cow and the potato. This is an intensely personal book, and though the Western library is huge, there is not another book like it. Much of the text unfolds in Yellowstone, where Bayles writes:In the Lamar valley of the Yellowstone, beaver gnaw the trunks of cottonwoods, elk browse their leaves. The shadows are long, even in summer. Even so, it is just another place. In it, just as elsewhere, we see the marks of our own hands faintly because we don’t have to know very much about the land we live in, because we are equally a part of and apart from nature, and because there is hardly any moment when humans are more delusional than when self recognition is required.

    Black Jesus is white as a dove"A young marine returns from Iraq, blinded and scarred by a roadside bomb and harboring a terrible secret. Called Black Jesus by his fellow soldiers on account of his name being Lionel White and his birthday being Christmas Day, he has returned to his decaying home town to sit in the back of his mother's junkshop, pop OxyContin, and try to forget what he's seen. Into his life one day rides Gloria, a mysterious young dancer who is fleeing darkness and violence of a different kind, and with whom he finds unexpected love.

    He is also a writer, composer and painter and was recently described by the Economist as one of '20 Living Polymaths'.As an international performer he spends much of his life at airports, on planes, and in hotel rooms - and this book expands notes he has made, in his words, 'during that dead time on the road'.He writes about music and the life of a musician, from exploring the broader aspects of what it is to walk out on to a stage or to make a recording, to specialist tips from deep inside the practice room: how to trill, how to pedal, how to practise. He also writes vividly about people he's known, places he's travelled to, books he's read, paintings he's seen; and touches on more controversial subjects, such as assisted suicide and abortion. Even religion is there - the possibility of the existence of God, problems with some biblical texts and the challenge involved in being a gay Catholic.

    She never expected her travels to California would put her square in the sights of an Alpha male SEAL. He’s hot, sexy, and a known womanizer, so why would he ever look twice at her?
Reese “Toad” Harkins used to love his bachelor life, but recently he’s found it empty. One look at the feisty woman searching for her sister, and he’s intrigued. After talking to her, he’s hooked. The only problem is, she has a complication back home and he’s no poacher. The friend zone is new to him but he’ll take what he can get.
 But when danger comes calling, Toad and both SEAL teams unite with some out of town friends to keep the sisters safe. After all, nothing comes between a SEAL and the woman he loves. 
 Not even complications.

    Virginia Woolf was born and lived much of her life in the city, using it as the backdrop for many of her works. She was a fervent walker and her keen eye keeps pace as she strides across the city that she loved above all others. "The London Scene" begins in the docks of the east and flows against the Thames tide westwards, following the commercial pulse of the city from the disembarkment of goods at Tilbury to the crowds of shoppers on Oxford Street, before winding on majestically to the grand buildings of the City and Westminster. Virginia Woolf pauses to admire the splendour of St. Paul's and the austerity of Westminster Abbey. She visits the spartan houses of literary men, and concludes her walk with a wry look at the House of Commons. With specially commissioned illustrations by Suzanne Barton.

    He journeys to five physical islands: Iceland, Madagascar, Molokai, Isla Mujeres, and Mallard Island. And he travels to conceptual islands, including the Necessary Island of the Imagination, the whimsical Piano Island (located in a man-made lake under the atrium of an upscale hotel in the far interior of China), and the acute isolation of the Island of Pain. Writing with the mind-set of a 19th-century traveler for whom the journey is as important as the destination, Holm appeals to the traveler and the philosopher in everyone.

    But what if the private eye is a woman? And what if she is not a character in a novel but a real, working investigator testing not only the meanness but the absurdity of life on seamy streets? Who will tell her story? Enter Manchester's Val McDermid, herself a skilled writer of the P.I. novel but for years a professional journalist. In an effort to plumb the real world of working women--and throw new light on her own craft--she has interviewed women private eyes from both sides of the Atlantic and assembled their stories with an eye for the absurd and a keen grasp of the gritty nuts and bolts of the profession.As fascinating as fiction, A Suitable Job for a Woman is, in the words of Edgar-winning author Nevada Barr, "a concise and eye-opening trek through the competence, humor, and humanity of women."

    Not just any man, but a naked man with severe injuries all over her body. She should have driven on, should have left him there. But how could she leave a man to die that way? She took him home, aware that it could be the biggest mistake she’d ever made. She was already on the run, already trying to live as much off the grid as possible. What was she going to do with an injured man? What if he died in her bed? What would she do then? Teaching Lincoln Janet Spence—Summer—is the daughter of the local district attorney who plays at being a thief, doing all she can to humiliate her mother. That is until she gets caught by a local football hero who kidnaps her and plans a dark sort of revenge. Just her luck that Lincoln happens to choose that day to break into the football star’s house and recover items that will just pay off his gambling debts to the Gabbana family. Lincoln shows no interest in the tied up girl at first, but when he learns who she really is, how could he resist collecting this bit of leverage against a district attorney who ran on the campaign promise that she would rid Tampa of Lincoln and his faction of criminals? Cason's Girl Cason Durst was once carefree and popular, the kind of college kid who thinks he knows everything. And then he was arrested and met Lincoln Steele. Lincoln saved him, fixed his problems, and offered him a job. Now Cason keeps to himself, learning all he can from the men who formed Boone’s crew. He’s learned that making friends, falling in love, all those things he once took for granted, are dangerous to him now. He’s learned to keep to himself. In fact, he’s become kind of awkward. Shy, even. Therefore, he’s the last one anyone could have expected Lincoln to send out on a mission to romance a pretty girl. Let It Raine Kara Tripp walks into Jett’s office one afternoon, begging him to forgive the debt of her lover, Harry. She’s willing to do anything, a fact that’s underscored when she begins to undress right there in his office. Jett has had a lot of offers over the years, and he’s never had the patience for it. But when he hears that Kara just happens to be a therapist who works with autistic children, he can’t pass up the opportunity to see if her skills can help improve Raine’s behavior. Jett and Kara make a deal in which she goes to work for him and Raine for six months, and he will forgive Harry’s debt. And it works, for four months, it works perfectly. But then a mole pops up in Boone’s Crew, and Jett finds himself questioning everything, and everyone, around him. Boone's End Titus betrayed his crew. In his world, betrayal was a crime punishable by death. He has two choices: embrace the very enemy that threatens to rip his world apart, or turn himself in to the very men who would like nothing more than to put a bullet in his brain. It’s not a simple choice. Titus has to decide where his loyalties really lay, and figure out who he can trust before it’s too late and an innocent pays for his mistakes. Jude Volz lost her brother to violence, and her father went to jail when she needed him the most. Determined to make someone pay, she trusted the wrong man, and now she’s caught up in something she can’t control. Locked in a car with a traitor, she has no choice but to trust Titus, to open up to him, and hope that together they can find a way out of an impossible situation. But now they’re running not just from his crew, but from hers as well.

    Songs Only You Know begins in late ‘90s Detroit and spans a decade during which a family fights to hold together in the face of insurmountable odds. Sean’s father cycles from rehab to binge, his heartsick sister spirals into depression, and his mother works to spare what can be spared. Meanwhile, Sean seeks salvation in a community of eccentrics and outsiders, making music Spin magazine once referred to as “an art-core mindfuck.” But the closer Sean comes to realizing his musical dream, the further he drifts from his family and himself. By turns heartbreaking and mordantly funny, Songs Only You Know is an artful, compassionate rendering of the chaos and misadventure of a young man’s life. “Few books convey the fever-pitch intensity of youth with such vividness and so little glamorization, or as deeply explore the heartbreaking complexity of family — both those we're born into and the ones we choose.” —Rolling Stone Magazine

    18+ only!

    

    Unflinchingly honest yet unfailingly hopeful, Rev. Sarah is a genre unto herself. You've never had this much fun going to church

    That is, until the day I was forced to give up my patch to save my brother. He tried to kill us, he betrayed us, he’s our enemy... but he’s still my twin brother, and that bond means something to me. I broke my vow to my club but I had no choice. I couldn’t let them kill him. We fled to the other side of the world looking for a way out of the shit storm he brought down on our heads. To me, it was all about escape and redemption, but to him everything was a game. When his latest victim turns out to be a woman, I should walk away. Once again I don't have a choice when she calls to me, her very presence wrapping around me and singing to my blood like a fucking goddess I can't escape from. Saving her might be the only chance I have of reclaiming the parts of my soul that my brother destroyed. Even if it means I have to go home and face the brothers I chose to leave behind.DuoThey fucking kidnapped me because of who my father is in the Juric crime family. I’ve been kidnapped before so this isn’t anything new, not really. What I’m not used to is the insane extent his brother will go to get what he wants. I know I shouldn’t trust Storm. I shouldn’t crave his touch or the promise in his eyes as much as I do, but he may be the only one who can get me back to safety. The only one who can save me from his brother. Every mile back to the Wings of Diablo clubhouse I become more attached to this savage brute of a man and more convinced that it’s not just me who needs to be saved.

    Knocking her up was worse. MORTAR I took her as a prize. One more trophy in my possession. But Kendra was made to be handled, not just looked at. She’s got a body that men would die for. But unless she accepts my offer of protection, she’s gonna be the one dying. Because her abusive ex-fiance is determined to claw her back. Just so he can beat her senseless one more time. Nothing makes me madder than a man laying his hands on a defenseless woman. If this son of a b!tch comes for Kendra, he’s gonna feel my wrath. But I don’t do anything for free. And if she wants to stay safe under my guard, she’ll have to give me something. Something I’ve wanted for a while now. Something only she can provide. Something like… A baby. KENDRA I didn’t have a choice. It was either face another night being beaten by my beast of a fiancé… Or take the biker’s outstretched hand and ride off for God only knows what kind of fate. I took Mortar’s offer. But even then, I had no idea what I was getting into. The bad boy is like no one else I’ve ever met. He’s dark and brooding. Cocky and confident. He puts his hands on me like he owns me… And I don’t do a thing to stop him. But the terms of his protection are steep. I need him in my life… And that means falling to my knees and letting Mortar put his baby inside me. MORTAR is a full-length, standalone, super steamy, bad boy motorcycle club romance novel from bestselling author APRIL LUST. This suspenseful, action-packed MC romance is intended for mature audiences, due to violence, strong language, dark themes and elements, and explicit intimate scenes. The romance between the alpha male bad boy and the fiery woman he can't resist ends with a guaranteed happily ever after (HEA) ending, has absolutely NO CHEATING, and does NOT include a cliffhanger of any kind.

    Having uprooted herself from a promising career in publishing in her adopted Brooklyn, Palmer embarks on a quest to determine the fate of her lost homes—and of a community that has been erased by unchecked Southern progress. Palmer's journey takes her from the ruins of kudzu-covered, airport-owned ghost towns to carefully preserved cemeteries wedged between the runways; into awkward confrontations with airport planners, developers, and even her own parents. Along the way, Palmer becomes an amateur detective, an urban historian, and a mother. Lyrically chronicling the overlooked devastation and beauty along the airport’s fringe communities in the tradition of John Jeremiah Sullivan and Leslie Jamison, Palmer unearths the startling narratives about race, power, and place that continue to shape American cities. Part memoir, part urban history, Flight Path: A Search for My Roots beneath the World's Busiest Airport is a riveting account of one young mother's attempt at making a home where there’s little home left.