For he's about to discover that the streets of New York City have become a secret battleground between forces he cannot comprehend.

    HOLY TERROR.Strange things are happening in the small town of Randall, Arizona. The local minister vanishes, his church defiled by blasphemous obscenities scrawled in blood...A crazed old woman in her eighties becomes pregnant...Herds of animals are discovered butchered in a field...And one by one, the good folks in town are falling victim to the same unspeakable fate...Now, an itinerant preacher has arrived spreading a gospel of cataclysmic fury.Darkness is falling on Randall, Arizona. The smell of fear lingers in the air. And stranger things are yet to come...

    It's a dark Southern Gothic vision of ghosts, witchcraft, secret powers, snake-handling, Kudzu, Melungeons, and the Great Depression. Blood Kin is told from the dual points of view of Michael Gibson and of his grandmother Sadie. Michael has returned to the quiet Appalachian home of his forebears following a suicide attempt and now takes care of his grandmother; old and sickly but with an important story to tell about growing up poor and Melungeon (a mixed race group of mysterious origin) while bedeviled by a snake-handling uncle and empathic powers she but barely understands. In a field not far from the Gibson family home lies an iron-bound crate within a small shack buried four feet deep under Kudzu vine. Michael somehow understands that hidden inside that crate is potentially his own death, his grandmother's death, and perhaps the deaths of everyone in the valley if he does not come to understand her story well enough.

    Located beyond life, The Library of Lost Childhood Memories holds the answer. The Librarian is Mr. Wicker—a seductive yet sinister creature with an unthinkable past and an agenda just as lethal. After committing suicide, Alicia finds herself before the Librarian, who informs her that her lost memory is not only the reason she took her life, but the cause of every bad thing that has happened to her. Alicia spurns Mr. Wicker and attempts to enter the hereafter without the Book that would make her spirit whole. But instead of the oblivion she craves, she finds herself in a psychiatric hold at Bayford Hospital, where the staff is more pernicious than its patients.Child psychiatrist Dr. James Farron is researching an unusual phenomenon: traumatized children whisper to a mysterious figure in their sleep. When they awaken, they forget both the traumatic event and the character that kept them company in their dreams—someone they call "Mr. Wicker."During an emergency room shift, Dr. Farron hears an unconscious Alicia talking to Mr. Wicker—the first time he's heard of an adult speaking to the presence. Drawn to the mystery, and then to each other, they team up to find the memory before it annihilates Alicia for good. To do so they must struggle not only against Mr. Wicker's passions, but also a powerful attraction that threatens to derail her search, ruin Dr. Farron’s career, and inflame the Librarian’s fury.After all, Mr. Wicker wants Alicia to himself, and will destroy anyone to get what he wants. Even Alicia herself.

    The haughty, aristocratic Ushers live in a mansion near Asheville; the poor but crafty mountain folk (whose families are just as ancient) live on Briartop Mountain nearby. At harvest time, when the book's action unfolds, the mountains are a blaze of color. Add to the mixture a sinister history of mountain kids disappearing every year, a journalist investigating those disappearances, a monster called "The Pumpkin Man," moldy books and paintings in a huge old library at the Usher estate, and a secret chamber with a strange device involving a brass pendulum and tuning forks--and you've got a splendid recipe for atmospheric horror.Originally published: New York: Holt, Rinehart, and Winston, 1984.

    Armed with video camcorders, these poor souls enter the forbidden house, never to return. The deeper they go into the house, the darker their nightmares become. Don't even think about going into the cellar.

    A week later, her son -- fifteen-year-old Mark -- vanishes. The boy's uncle, novelist Timothy Underhill, searches his hometown of Millhaven for clues that might help unravel this horrible dual mystery. He soon learns that a pedophilic murderer is on the loose in the vicinity, and that shortly before Nancy's suicide, Mark had become obsessed with an abandoned house where he imagined the killer might have taken refuge. No mere empty building, the house whispers from basement to attic with the echoes of a long hidden true-life horror story, and Tim comes to fear that in investigating its unspeakable history, Mark stumbled across its last and greatest secret: a ghostly lost girl who may have coaxed the needy, suggestible boy into her mysterious domain.

    That’s what they say every time one of Charley Winslow’s friends vanishes from The Old Cross School for Boys.It’s just a tall tale. That’s what they tell Charley when he sees the ragged grey figure stalking the abbey halls at night.When Charley follows his pet insects to a pool of blood behind a false wall, he could run and let those stones bury their secrets. He could assimilate, focus on his studies, and wait for his father to send for him. Or he could walk the dark tunnels of the school’s heart, scour its abandoned passages, and pick at the scab of a family’s legacy of madness and murder.With the help of Sam Forster, the school’s gardener, and Matron Grace, the staff nurse, Charley unravels Old Cross’ history and exposes a scandal stretching back to when the school was a home with a noble family and a dark secret—a secret that still haunts its halls with scraping steps, twisting its bones into a new generation of nightmares.

    No one in Windale actually believes in witches, but three people are experiencing vivid nightmares.

    It was the call of his own blood . . .  When Peter Constantine inherited a vast, remote estate, his life began to change.  Free at last from money worries, Peter and his wife, Meg, could relax—and Peter could explore his new, mysterious home. From the thick woods, the winding trails, the bizarre, sensual sculpture, came a pulsing, ancient call that stirred his very soul. Then he heard the music and saw the beautiful woman who beckoned him into the wood . . . into an ancient ritual, a blood curse, a world of violent, unbridled lust. Now his wife no longer knows him. Now Peter is transformed . . . into a pagan creature, driven by the suffocating need of animal desire . . . until pleasure is not enough, and no evil is forbidden, in . . . The Spirit Wood.

    Women are vanishing without a trace overnight, leaving behind husbands and families. When up-and-coming novelist Adam Senft stumbles upon an unearthly scene, it plunges him and the entire town into an ancient nightmare. Folks say the woods in LeHorn's Hollow are haunted, but what waits there is far worse than any ghost. It has been summoned...and now it demands to be satisfied.

    His face, disfigured from a childhood accident, seemed to confirm he was the monster the community hoped to banish. With Paul in prison, the killings stopped.For seventeen years, Haven was peaceful again. But Paul served his time and has now returned to Haven--the town where he grew up, and the scene of his alleged crimes. Paul insists he didn't commit those crimes, and several townspeople believe him including the local priest, a young boy named Denny, and his best friend Billy.Trouble is, now that Paul is back home, the bizarre killings have started again--and the patterns match the deaths from Haven's past. If Paul isn't the killer, who is?Or WHAT is? An unlikely band of adventurers attempts to uncover the truth, delving into long-hidden tunnels that might actually be inhabited by a strange, predatory creature.Haven is a compelling horror epic in the spirit of It or Summer of Night, and a stunning debut novel from a gifted author who knows that the darkest horrors lurk inside human beings, even when there is a monster on the loose.Praise for Haven;"Haven is a big, generous, Stephen King-like small town boys vs. monster epic."— Stewart O'Nan, author of The Night Country and A Prayer for the Dying"A wonderfully entertaining ride, reminiscent of the Creature Features of yesteryear."— Sloane Kady, author of Irreparable Deeds"Full of well-drawn characters and slow burn suspense, Tom Deady's Haven is a terrific dose of New England horror that harkens back to some of my favorite classic monster fiction from writers like Rick Hautala and Charles L. Grant. If you’re a fan of this sort of thing, you’ll know that’s damn high praise. Give it a read."— Christopher Golden, New York Times bestselling author of Snowblind and Dead Ringers"Haven is about scars, both literal and figurative; it's about second chances and broken memories. This is a great small-town horror novel—a bullet-read with deep characters and perfect pacing. Best of all, it's creepy as hell."— Rio Youers, author of Westlake Soul and Point Hollow“If coming-of-age novels with a bad-ass monster sound good to you… if mounting suspense with a true to life cast of characters peaks your interest…then Tom Deady’s HAVEN is right up your alley. Reminiscent of Charles L. Grant, HAVEN is a fun and nostalgic romp that brought me back to my own youth in small-town New England. And who doesn’t love a good monster tale?” – John McIlveen, author of HANNAHWHERE, winner of the 2015 Drunken Druid Award and Stoker Award nominee.

    And struggle. And die. No one heard. No one saw. Just one man whose guilty heart burst in pain as he dashed himself to death in the sea. Now something peculiar is happening in Port Arbello. The children are disappearing, one by one. An evil history is repeating itself. And one strange, terrified child has ended her silence with a scream that began a hundred years ago.

    Adversaries both mortal and supernatural lurk in the shadows, waiting to strike without mercy. Imre, a half-gypsy horse trader, understands the danger to his small family all too well.Cursed with a hideously-disfiguring and fatal disease by the vengeful sorceress Anyeta, he watches those around him suffer and fall. Mimi, his wife, who is tricked into cutting off her own arm to create a powerful talisman. His friend Constantin, struck mute by Anyeta's wrath. And Lenore, his and Mimi's young daughter, who has been placed in the greatest jeopardy of all. With his health deteriorating and death imminent, his wife possessed by the witch's ghost and Lenore being groomed for a fate far worse than death, Imre turns to desperate measures and a hellish memory from his childhood—to still the sorceress and end her reign of bloodshed. A presence even more powerful and terrifying to him than Anyeta: the gentling box.

    Things stay with us—souvenirs with memories attached. We can't always choose what to keep, what to throw away.Nathan's parents devised cautionary tales for him and his sister—gruesome stories about predatory cars racing along the "Big Street" at one end of their neighborhood, or dope fiends lurking in the woods behind their house and ready to plunge hypodermics into the skin of foolish young trespassers. These stories served their purpose during Nathan's gullible childhood, essentially constructing an invisible fence around the yard and keeping the boy close to home where he'd be safe.Such barriers are not so easy to discard in later life. As an adult, Nathan no longer believes his parents' stories, and yet they still confine him. He lives cautiously, avoiding serious relationships, avoiding risk. But despite his efforts, something from his parents' cautionary tales threatens to creep beneath that invisible border…and the enclosed yard might not be as safe and secure as it always seemed…