. . that might just kill her.People say the house is cursed.It preys on the weakest, and young women are its favorite victims.In Louth, they're called the Dead Girls.All Bram wanted was to disappear—from her old life, her family's past, and from the scandal that continues to haunt her. The only place left to go is Louth, the tiny town on the Hudson River where her uncle, James, has been renovating an old mansion.But James is haunted by his own ghosts. Months earlier, his beloved wife died in a fire that people say was set by her daughter. The tragedy left James a shell of the man Bram knew—and destroyed half the house he'd so lovingly restored.The manor is creepy, and so are the locals. The people of Louth don't want outsiders like Bram in their town, and with each passing day she's discovering that the rumors they spread are just as disturbing as the secrets they hide. Most frightening of all are the legends they tell about the Dead Girls. Girls whose lives were cut short in the very house Bram now calls home.The terrifying reality is that the Dead Girls may have never left the manor. And if Bram looks too hard into the town's haunted past, she might not either.

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    No longer young men, they have little left in common and tensions rise as they struggle to connect. Frustrated and tired they take a shortcut that turns their hike into a nightmare that could cost them their lives.Lost, hungry and surrounded by forest untouched for millennia, they stumble across an isolated old house. Inside, they find the macabre remains of old rites and pagan sacrifices; ancient artefacts and unidentifiable bones. A place of dark ritual and home to a bestial presence that is still present in the ancient forest, and now they’re the prey.As the four friends struggle toward salvation they discover that death doesn’t come easy among these ancient trees...

    Two teenagers. One impossible explanation.Summer 1958—a string of murders plagues the Midwest. The victims are found in their cars and in their homes—even in their beds—their bodies drained, but with no blood anywhere. September 19- the Carlson family is slaughtered in their Minnesota farmhouse, and the case gets its first lead: 15-year-old Marie Catherine Hale is found at the scene. She is covered in blood from head to toe, and at first she’s mistaken for a survivor. But not a drop of the blood is hers.Michael Jensen, son of the local sheriff, yearns to become a journalist and escape his small-town. He never imagined that the biggest story in the country would fall into his lap, or that he would be pulled into the investigation, when Marie decides that he is the only one she will confess to. As Marie recounts her version of the story, it falls to Michael to find the truth: What really happened the night that the Carlsons were killed? And how did one girl wind up in the middle of all these bodies?

    Life is made up of enjoyable work, long, lazy weekends, and the company of good neighbors. Then, to their shock, construction starts on the vacant lot next door, a wooded hillside they'd believed would always remain undeveloped. Soon, though, they come to realize that more is wrong than their diminished privacy. Surely the house can't be "haunted," yet something about it seems to destroy the goodness of every person who comes to live in it, until the entire heart of this friendly neighborhood threatens to be torn apart.

    Brimming with excitement, Charles sets off with his daughter Naomi on a Christmas Eve shopping trip to London. But, by the end of the day, all Charles and his wife have left are cups of tea and police sympathy. For Naomi, their beautiful, angelic only child, has disappeared. Days later her murdered body is discovered.But is she dead?In a howling, bumping story of past and present day hell, Jonathan Aycliffe's haunting psychological masterpiece is guaranteed to make you sink to untold depths of teeth-shaking terror.

    As the off-season caretaker at the atmospheric old hotel, he'll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote...and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

    Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

    Penthouse access is available via the broken freight elevator. Black tie optional.A dinner party is held in the penthouse of a multimillion-pound development. All the guests are strangers - even to their host, the billionaire owner of the building. None of them know why they were selected to receive his invitation. Whether privileged or deprived, besides a postcode, they share only one thing in common - they've all experienced a shocking disturbance within the building's walls.By the end of the night, their host is dead, and none of the guests ever said what happened. His death remains one of the biggest unsolved mysteries - until now.But are you ready for their stories?Jonathan Sims' debut is a darkly twisted, genre-bending journey through one of the most innovative haunted houses you'll ever dare to enter.

    Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood.Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.

    Refusing to leave his home in a small coastal town in Maine, Jack Peter spends his time drawing monsters. When those drawings take on a life of their own, no one is safe from the terror they inspire. His mother, Holly, begins to hear strange sounds in the night coming from the ocean, and she seeks answers from the local Catholic priest and his Japanese housekeeper, who fill her head with stories of shipwrecks and ghosts. His father, Tim, wanders the beach, frantically searching for a strange apparition running wild in the dunes. And the boy’s only friend, Nick, becomes helplessly entangled in the eerie power of the drawings. While those around Jack Peter are haunted by what they think they see, only he knows the truth behind the frightful occurrences as the outside world encroaches upon them all.In the tradition of The Turn of the Screw, Keith Donohue’s The Boy Who Drew Monsters is a mesmerizing tale of psychological terror and imagination run wild, a perfectly creepy read for a dark night.

    A dark imagination, a sinister smile--always on the outside of the group. Some part of you suspected he might be capable of doing something awful. Twenty-five years ago, Crabtree did just that, committing a murder so shocking that it’s attracted that strange kind of infamy that only exists on the darkest corners of the internet--and inspired more than one copycat.Paul Adams remembers the case all too well: Crabtree--and his victim--were Paul’s friends. Paul has slowly put his life back together. But now his mother, old and senile, has taken a turn for the worse. Though every inch of him resists, it is time to come home.It's not long before things start to go wrong. Reading the news, Paul learns another copycat has struck. His mother is distressed, insistent that there's something in the house. And someone is following him. Which reminds him of the most unsettling thing about that awful day twenty-five years ago.It wasn't just the murder.It was the fact that afterward, Charlie Crabtree was never seen again...

    Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

    The house hasn’t been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It’s idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.One hundred and fifty years earlier, a huge oak tree was felled in front of the cottage during a raging storm. Beneath it lies a young man with a shock of red hair, presumed dead—surely no one could survive such an accident. But the red-haired man is alive, and after a brief convalescence is taken in by the family living in the cottage and put to work in the fields. The children all love him, but the eldest daughter, Eliza, has her reservations. There’s something about the red-haired man that sits ill with her. A presence. An evil.Back in the present, weeks after moving to the cottage and still drowning beneath the weight of insurmountable grief, Mary Coles starts to sense there’s something in the house. Children’s whispers, footsteps from above, half-caught glimpses of figures in the garden. A young man with a shock of red hair wandering through the orchard.Has Mary’s grief turned to madness? Or have the events that took place so long ago finally come back to haunt her…?

    All across the nation they ride, spreading fear and violence among the vulnerable. They plan to bring Hell to Earth. But even Ku Kluxes can die.Standing in their way is Maryse Boudreaux and her fellow resistance fighters, a foul-mouthed sharpshooter and a Harlem Hellfighter. Armed with blade, bullet, and bomb, they hunt their hunters and send the Klan's demons straight to Hell. But something awful's brewing in Macon, and the war on Hell is about to heat up.Can Maryse stop the Klan before it ends the world?