Marie Vandelly For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter. Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in, re-creating a macabre decor with her family’s salvaged furniture. But as the ghosts of her family seemingly begin to take up residence in the home that was once theirs, Dixie starts to question her own sanity and wonders if the evil force menacing her is that of her father, or a demon of her own making. In order to make sense of her present, Dixie becomes determined to unravel the truth of her past and seeks out the detective who originally investigated the murders. But the more she learns, the more she opens up the uncomfortable possibility that the sins of her father may belong to another, and, perhaps most tragically, to Dixie herself. As bodies begin to pile up around her, Dixie must find a way to expose the lunacy behind her family’s massacre and redeem what little remains of her soul.

    The gossip comes to an abrupt halt when five-year-old Billy Barnes goes missing on his walk home from kindergarten. Billy’s mother, Rachel, blames herself for being at work and letting her only child walk alone. Cassidy, Billy’s teenage babysitter, was also late to arrive on the afternoon he disappeared and blames herself for his disappearance. As the clock ticks down, police are unable to find any trace of Billy, forcing Rachel to ponder the enemies she’s made in their well-off suburb. Could it be one of her neighbors who stole her son? Would they abduct Billy to hurt her? How easy would it be to take a child while the parents or nannies are distracted? When another child goes missing, the town is put under a microscope as the police try to get to the bottom of the disappearances. Will they be able to find the two children, or will it be too late? What secrets lie at the heart of this tragedy, and how far will one go to keep those dangerous secrets buried?

    An ancient order of men seeking to control the art pursue him across the world, through centuries, into madness and beyond.The first part of Michael B. Koep's The Newirth Mythology-The Invasion of Heaven is mystery, adventure, myth, betrayal, murder and madness.Loche Newirth wonders if it was his fall: the fifty foot drop from the rocky cliff to the icy water below. Is this why he has been hallucinating? Or is it because one of his clients is dead, or his mentor has gone mad, or that his wife is leaving him? He can't bring himself to believe what he has been seeing. Insane things like a massive, searching eye. He sees it in the water below the cliff. He sees it in mirrors, on walls: a massive, crystal blue iris and fathomless pupil there in the center of his life, looking at him.To find the answer, Loche pens the recent events of his life into a book and leaves the work behind for his mentor Doctor Marcus Rearden to interpret. As Rearden reads he plunges into the harrowing depths of Loche's reality: his loss of a client, the discovery of an unknown past, an ancient conflict over possession of the human condition, the awesome reality of the gods walking among us, and the crimes of humanity invading the hope that lies beyond the grave.And along the way, Loche tells of unforgettable characters: the torn and manic housewife that teeters on the edge of sanity, and a depressed, swashbuckling swordsman that believes he is over six hundred years old, the stoned and prolific painter and his perilous work he must keep secret, and the beautiful business woman that abandons her life's work for a love she never expected.

    The perfect family? Or the perfect lie?It’s their daughter’s graduation and Rachel and Ed Hartley are expecting it to be one of their family’s happiest days. But when she stumbles and falls on stage during the ceremony, a beautiful moment turns to chaos: Gemma has been shot, and just like that, she’s fighting for her life.PI Matthew Hill is one of the first on the scene. A cryptic message Gemma received earlier in the day suggests someone close to her was about to be exposed. But who? As Matthew starts to investigate, he finds more and more layers obscuring the truth. He even begins to suspect the Hartleys are hiding something big—from him and from each other.While Gemma lies in hospital in a coma, her would-be killer is still out there. Can Matthew unravel the family’s secrets before the attacker strikes again?

    For the way in which the affair was dropped upon my doorstep left me with little choice as to the contrary. Not twelve months prior, the siren’s call of quiet domesticity and married life had robbed me of Watson’s assistance as both partner and recorder of my cases. Thus, when detective inspector Lestrade of Scotland Yard required a lead—any lead—I found myself forced to pursue Jack the Ripper alone and without the aid of my faithful friend. And all for the most damnedable of reasons:Early on in my investigations, Dr. John H. Watson, formerly of 221b Baker Street, emerged as my prime suspect.

    As stranger and more disturbing bodies are discovered, how can the city hold on to a reality that is already tearing at its seams? If you're Detective Versado's geeky teenage daughter, Layla, you commence a dangerous flirtation with a potential predator online. If you're desperate freelance journalist Jonno, you do whatever it takes to get the exclusive on a horrific story. If you're Thomas Keen, known on the street as TK, you'll do what you can to keep your homeless family safe--and find the monster who is possessed by the dream of violently remaking the world. If Lauren Beukes's internationally bestselling The Shining Girls was a time-jumping thrill ride through the past, her Broken Monsters is a genre-redefining thriller about broken cities, broken dreams, and broken people trying to put themselves back together again.

    Together they write and illustrate award-winning children’s books; their life together one of enviable privilege and ease—until, one evening after a delightful dinner, Oliver delivers a blow to Alice that renders her unconscious, and subsequently beats her into a coma.In the aftermath of such an unthinkable event, as Alice hovers between life and death, the couple’s friends, neighbours, and acquaintances try to understand what could have driven Oliver to commit such a horrific act. As his story unfolds, layers are peeled away to reveal a life of shame, envy, deception, and masterful manipulation.

    But Maria Weston is dead. Isn't she? 1989. When Louise first notices the new girl who has mysteriously transferred late into their senior year, Maria seems to be everything the girls Louise hangs out with aren't. Authentic. Funny. Brash. Within just a few days, Maria and Louise are on their way to becoming fast friends.2016. Louise receives a heart-stopping email: Maria Weston wants to be friends on Facebook. Long-buried memories quickly rise to the surface: those first days of their budding friendship; cruel decisions made and dark secrets kept; the night that would change all their lives forever.Louise has always known that if the truth ever came out, she could stand to lose everything. Her job. Her son. Her freedom. Maria's sudden reappearance threatens it all, and forces Louise to reconnect with everyone she'd severed ties with to escape the past. But as she tries to piece together exactly what happened that night, Louise discovers there's more to the story than she ever knew. To keep her secret, Louise must first uncover the whole truth, before what's known to Maria - or whoever's pretending to be her - is known to all.

    . . Eleri Eames didn’t think she’d ever be allowed to work for the FBI again, so the special FBI division of NightShade seems like an amazing opportunity. But all too soon, her chance to start over starts to disturb her. When the FBI offers Donovan a chance to leave his job as a medical examiner and try his hand at something new, he takes a chance on the NightShade division. Somehow, he has to try to escape from his shadows, but can he trust Eleri with the truth? Thrown together on their first case, Eleri and Donovan must deal with a charismatic cult leader and his true-believers. The cult is mixed up with several decade-old kidnapping cases and the missing daughter of a prominent FBI Agent. As Eleri and Donovan dig deeper, they discover that NightShade’s mysteries aren’t coincidence. Their secrets will save them . . . or destroy them.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    Michael’s Hospital was shut off to the public, staff, and administrators in 1984. The doors were welded and chained shut, the stop was removed from the elevators, and the no one talked about what happened there—ever. Ryan Sterling knew her life was going to change forever the day she found out her aunt needed a transplant, and she agreed to return to a home she never wanted to see again. Spending the vast majority of her time in St. Michael’s hospital, she soon notices peculiarities: her aunt’s roommate rants about evil, the nurses whisper about hauntings, and no one will tell her why the ninth floor is locked. Ryan thinks all the rumors are ridiculous until two nurses die right after she speaks with them about the floor in question. Noises and disembodied voices begin to haunt her night and day. Strange presents appear on her doorstep with notes that makes her blood run cold. Someone or something is watching Ryan, and she is certain whatever is behind the locked doors of the ninth floor is the key to her and her aunt’s survival. Ryan never wanted to go home again, now she may never leave.

    The remains of a forgotten town rest at the bottom of that dark body of water — along with a host of buried secrets… Thirty years earlier, the town of Peace Falls had been flooded to build a hydroelectric dam, and its ruins remain below the surface of Chapel Lake. The strange disappearance of the town Pastor, along with many of the parishioners, still haunts the citizens of Chapel Lake. But does the church haunt the lake itself? Is Owen really seeing ghosts… or has he descended into the depths of madness? SALVAGE is the debut horror novel of author Duncan Ralston (GRISTLE & BONE). A disturbing story of depression, religious fanaticism, and the afterlife, SALVAGE seeks to illuminate the darkness within us all.

     Robert Watts is having the worst day of his entire life: first he's laid off, then he finds out that his wife is having an affair... with his boss no less. And that's only the beginning. Before the month is out, Robert finds himself alone to raise his daughter with no money, no job, and a house that is minutes from being repossessed. Just when he hits rock bottom, a strange visitor arrives at the doorstep of his soon to be foreclosed house with a letter from an Aunt he didn't know existed. The offer is simple: look after Aunt Ruth during her dying days, and in return Robert will be bequeathed the Harlop Estate in which she currently resides. It's a no brainer and Robert jumps at the opportunity, equally motivated by the prospect of financial security as he is for a fresh start. Problem is, it only takes a few nights in the Harlop Estate before he begins to question Aunt Ruth's claims that they are the home's only inhabitants... It's the scratching he hears during the night, the voices that he can barely make out over the constant rain, and then there's the girl with the rat... With their house foreclosed and their bank accounts liquidated, Robert and his daughter Amy desperately need a place to live. But the question Robert soon finds himself struggling with is whether living in the Harlop Estate is worth it... and if he can survive until Aunt Ruth passes to collect his inheritance. Shallow Graves is the first book in the Haunted Series, chilling, gruesome, and truly haunting tales with a twist that you will never see coming.

    The trouble with Thera, though, is that she doesn’t always know when to stop – and sometimes there’s a fine line between doing the right thing and doing something very, very bad indeed.Tense, visceral and thought-provoking, Dead Girls is the new novel from Abigail Tarttelin, the critically acclaimed author of Golden Boy.

    He makes a handsome living doing what he enjoys. His wife, Penny, a children's book author and illustrator, is the love of his life. Together they have a brilliant six-year-old, Milo, affectionately dubbed "Spooky," and a non-collie named Lassie, who's all but part of the family.So Cubby knows he shouldn't let one bad review of his otherwise triumphant new book get to him — even if it does appear in the nation's premier newspaper and is penned by the much-feared, seldom-seen critic Shearman Waxx. Cubby knows that the best thing to do is ignore the gratuitously vicious, insulting, and inaccurate comments. Penny knows it; even little Milo knows it. If Lassie could talk, she'd tell Cubby to ignore them, too.Ignore Shearman Waxx and his poison pen is just what Cubby intends to do. Until he happens to learn where the great man is taking his lunch. Cubby just wants to get a good look at the mysterious recluse whose mere opinion can make or break a career — or a life.But Shearman Waxx isn't what Cubby expects, and neither is the escalating terror that follows what seemed to be an innocent encounter. For Waxx gives criticism; he doesn't take it. He has ways of dealing with those who cross him that Cubby is only beginning to fathom. Soon Cubby finds himself in a desperate struggle with a relentless sociopath, facing an inexorable assault on far more than his life.