In these nineteen poems, the body is personal and communal, hunter and hunted: "My mother says / women who sleep with women / are redundant: the body symmetrical / to its crime. Between your knees / I mistake need for belief / in a father figure: once, we renamed / our fathers by burning them / out of our bodies, smoking the sky / into meat." PAST LIVES, FUTURE BODIES is a knife-sharp and nimble examination of migration, motherhood, and the malignant legacies of racism. In this collection, family forms both a unit of survival and a framework for history, agency, and recovery. Chang undertakes a visceral exploration of the historical and unfolding paths of lineage and what it means to haunt body and country. These poems traverse not only the circularity of trauma but the promise of regeneration—what grows from violence and hatches from healing—as Chang embodies each of her ghosts and invites the specter to speak. "Kristin Chang wields the line break like a sword cutting through dimensions of reality and language. Each break offers another surprise gut-punch or gutting grace on the other side as these fiercely sharp poems turn and turn, Chang never faltering to rise to the occasion of these blood-filled verses. Chang, quite simply, can write her ass off. I read these poems and I feel like I'm discovering poetry all over again. Chang makes a spell rise from every wound, and I'm caught all the way up in this magic. Kristin Chang is one of the best emerging writers out there, and this chapbook is one step into a career we will all be transformed by. PAST LIVES, FUTURE BODIES couldn't be a better way to be introduced to your new favorite poet. It's Kristin's world, thank God we're reading in it."—Danez Smith "Kristin Chang's PAST LIVES, FUTURE BODIES is full of mouths swallowing food, language, home, memory, and bodily desires to finally arrive at explosive demonstrations of what happens when the unspeakable is uttered and shouted. Each poem shows the process of turning a painful reflection on history, sexuality, race, family, and nation into a prismatic object of beauty. We are lucky to witness Chang's use of silence as a productive narrative frame."—Emily Jungmin Yoon "In PAST LIVES, FUTURE BODIES, Kristin Chang's knotty examination into the complexities of intergenerational relationships, we come to understand the fraught nature of both the known and the unknown. These meditations on family, pain, and the ways we communicate untangle the threads of what it means to love those who have hurt us. Chang writes, 'Every language has different / words for the same want,' and the poems in this collection stunningly reveal those words and leave us wanting for more."—Eloisa Amezcua

    Rogue returns with her newest collection of poetry, Breakup Poems. In six sections – five devoted to the stages of grief and a final one for her dedicated group of online fans – the author examines the various emotions women go through as they mourn the loss of lovers, ranging from almost-relationships to marriage.

    Bill Zavatsky’s and Zack Rogow’s excellent translation of Breton’s Earthlight (Clair de terre) introduces the English-language audience to the delights—and complexities—of Breton’s amazing poetry. Written to friends and fellow Surrealists such as Pablo Picasso, André Derain, Robert Desnos, Francis Picabia, Pierre Reverdy, and Max Ernst, the poems in the collection date from 1919 to 1936, spanning Breton’s involvement with Dadaism and his founding and development of Surrealism.

    In the Western Night brings together in one volume all of the poems to date, including many previously unpublished poems, of one of the most exciting and gifted poets writing today.

    

    Then open up Young Americans, seems obvious what Jordan Castro is doing is revolutionary, he expressing emotions through poetry that have never been done before. The style, the way the subject matter is portrayed, even the meter, are new." - Noah Cicero (author of The Human War, The Insurgent, and more)“If you are a person who doesn’t really know what they are doing and you would like to read about another person who doesn’t really know what they are doing either, I recommend reading this poetry book. I enjoyed reading these poems. Or something.” - Chris Killen (author of The Bird Room)“I read these poems three times in one night, then put the duvet over my head and held my knees for a while. It’s good when something makes sense. I really really liked these poems.” - Ben Brooks (author of Grow Up)

    Throughout, Graham seeks out sites of wakeful resistance and achieved presence. From the natural world to human sensation, the poems test the unstable congeries of the self, and the creative tensions that exist within and between our inner and outer landscapes--particularly as these are shaped by language.Beginning with a poem dated June 5th, placed on Omaha Beach, in Normandy--the anniversary of the day before the "historical" events of June 6th--Place is made up of meditations written in a uneasy lull before an unknowable, potentially drastic change--meditations which enact and explore the role of the human in and on nature. In these poems, time lived is felt to be both incipient, and already posthumous. This is not the same as preparing for a death. It is preparing for a life we know we, and our offspring, shall have no choice but to live. How does one think ethically as well as emotionally in such a predicament? How does one think of one's child--of having brought a person into this condition? How does love continue, and how is it supposed to be transmitted? Does the nature of love change?Both formally and thematically poems of ec(h)o-location in space/time, Graham's new poems work to discern "aftermath" from "future"--as the two margins of the form ask us to feel the vertiginous "double" position in which we find ourselves, constantly looking back just as we are forced to try to see ahead.In an era where distrust of human experience and its attendant accountability are pervasive Place calls us, in poems of unusual force and beauty, to re-inhabit and make full use of--and even rejoice in--a more responsive and responsible place of the human in the world.

    That Wagner is in love with the world and its transactions--perceptions, superficial and otherwise; childbearing, painful and otherwise; gains, financial and otherwise--allows for a poetry that is full of song yet brazenly topical.

    Stabilize the family bakery business following the death of my father, and then get back to the city. It would have gone flawlessly had I not run smack dab into Hadley Hutton on my first night back. That spit-fire competitive girl was my college nemesis, always one-upping me, until she mysteriously didn’t return for our senior year.So, imagine my surprise when I’m introduced to the bakery’s newest manager and it’s her! Now I have to work closely with her nearly everyday. Words fly and tempers flare between us, just like they did in college, except something is different about her now. There’s more to Hadley Hutton than her sweet looks and salty attitude.Maybe if I can figure her out, she’ll see I’m not the jerk she thinks I am.Or maybe I’m just creating a recipe for disaster.This book is a full-length interconnected standalone! The books in the Bardstown series can be read in any order as each one features a different brother in the Fox family. These books are adult in nature and should only be read by those 18+ years old.

    She has written to say she is in hospice and wanted to say goodbye. Leaving his tense, bitter wife Maureen to her chores, Harold intends a quick walk to the corner mailbox to post his reply but instead, inspired by a chance encounter, he becomes convinced he must deliver his message in person to Queenie--who is 600 miles away--because as long as he keeps walking, Harold believes that Queenie will not die. So without hiking boots, rain gear, map or cell phone, one of the most endearing characters in current fiction begins his unlikely pilgrimage across the English countryside. Along the way, strangers stir up memories--flashbacks, often painful, from when his marriage was filled with promise and then not, of his inadequacy as a father, and of his shortcomings as a husband. Ironically, his wife Maureen, shocked by her husband's sudden absence, begins to long for his presence. Is it possible for Harold and Maureen to bridge the distance between them? And will Queenie be alive to see Harold arrive at her door?THE LOVE SONG OF MISS QUEENIE HENNESSYWhen Queenie Hennessy discovers that Harold Fry is walking the length of England to save her, and all she has to do is wait, she is shocked. Her note had explained she was dying. How can she wait?      A new volunteer at the hospice suggests that Queenie should write again; only this time she must tell Harold everything. In confessing to secrets she has hidden for twenty years, she will find atonement for the past. As the volunteer points out, 'Even though you've done your travelling, you're starting a new journey too.'      Queenie thought her first letter would be the end of the story. She was wrong. It was the beginning.

    He’s tripping out of his head on peyote. And someone seems to have made a half-assed attempt at slashing his throat. He can’t for the life of him remember what happened. And then it all comes back: His boys screwed him over.Bailey, college dropout and carny, was working props and rigging for a touring tent circus and freak show. The Freaks were the nastiest, most tweaked-out group of misfits Bailey had ever come across. But the Freaks were doing some shady bookkeeping in addition to a boatload of veterinary Quaalude and crystal meth. So to get the inside dope on the circus payroll, Bailey took up with Eelie, the Serpent Girl, and began an unexpectedly erotic and dangerous odyssey. As Bailey hits the road to track down his “friends” and get his loot back, a black-edged, hilarious caper unfolds. From Tank Deerflower, the drug-dealing rodeo rider, and Arnold, the fire-eater with a temper as black as his charred throat, to Sissy, the beautiful ex-junkie/whore who steals Bailey’s heart, strange characters and stranger events converge in this fast, gritty, and unforgettable novel. Crafted with artistry and deftness, Serpent Girl is a voyage into the darkest depths of carny life–and, remarkably, a tender love story to boot.From the Hardcover edition.

    Meanwhile his pious, romantic spinster sister, who reluctantly keeps house for him, busies herself writing quasi-religious love notes to the boss she worships at the statistics company where she works, and her co-workers—an obsessive-compulsive Christian Scientist in a twisted marriage and a promiscuous, depressed blond bomb-shell—become enmeshed in her life as she dreams of ridding herself of her freeloading brother and being carried away on a white horse by her employer. Next door, a teenage math genius runs away from home after her mother humiliates her in school and hooks up at a bar with Decetes's suicidal editor. The story is told from five points of view—those of Decetes, his sister, the lonely blonde, the Christian scientist & the high school math genius—over three days which the five lives intersect.

    Perfect for fans of Mandy Baggot, Christie Barlow and Zara Stoneley.A summer that changes everything…Frazzled workaholic Evie Johnson has finally had enough! When she’s blamed for a publicity disaster at the art gallery she loves, she decides to flee the bright lights of London for the sun-drenched shores of Corfu and turn her life upside-down.Under the shade of the olive trees, she picks up her dusty paintbrushes and begins to chase the dreams she had put aside for so long. But she never expected to bump into drop-dead-gorgeous Sam Bradbury – and certainly not whilst wrapped only in a towel!A summer fling is the last thing Evie wanted but a few stolen kisses under the stars might just begin to change her mind…

    

    Set in politically charged Shillong, this interconnected collection of stories speaks of the coming-of-age of a young woman–and the city and community she calls home.