When Lucy Bagshaw’s life in Boston falls apart, thanks to a scathing editorial written by her famous artist mother, she accepts her half sister Juliet’s invitation to stay with her in a charming seaside village in northern England. Lucy is expecting quaint cottages and cream teas, but instead finds that her sister is an aloof host, the weather is wet, windy, and cold, and her new boss, Alex Kincaid, is a disapproving widower who only hired her as a favor to Juliet. Despite the invitation she offered, Juliet is startled by the way Lucy catapults into her orderly life. As Juliet faces her own struggles with both her distant mother and her desire for a child, her sister’s irrepressible optimism begins to take hold. With the help of quirky villagers, these hesitant rainy day sisters begin to forge a new understanding…and find in each other the love of family that makes all the difference.Includes a Preview of Kate Hewitt’s Next Novel

    The poems in this collection reach dazzling heights while being firmly grounded in the everyday. Traveling by train, lying on a beach, and listening to jazz on the radio are the seemingly ordinary activities whose hidden textures are revealed by Collins's poetic eye. With clarity, precision, and enviable wit, Collins transforms those moments we too often take for granted into brilliant feats of creative imagination. Nine Horses is a poetry collection to savor and to share.

    She begins with “how to” poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us. Some poems reflect on the redemptive powers of art and poetry itself; others consider where everything begins.Closing the book are poems that celebrate natural wonders—birdsong and ghost-flowers, ruthless ants, clever shellfish, coral reefs, deadly deserts, and thousand-year-old beech trees—all speaking to the daring project of belonging to an untamed world beyond ourselves.Altogether, these are poems about transcendence: finding breath and lightness in life and the everyday acts of living. It’s all terribly easy and, as the title suggests, not entirely possible. Or at least, it is never quite finished.

    Erratic Facts is her first new collection since the Pulitzer Prize-winning The Best of It, and it is animated with her signature swift, lucid, lyrical style.At once witty and melancholy, playful and heartfelt, Ryan examines enormous subjects—existence, consciousness, love, loss—in compact poems that have immensely powerful resonance. Sly rhymes and strong cadences lend remarkable musicality to her incisive wisdom. While these pieces are composed of the same brevity and vitality that has characterized her singular voice over the course of more than 20 years, her mind is sharper than ever, her imagination more eccentric and daring. Erratic Facts solidifies Ryan’s place at the pinnacle of American poetry, and proves that she will remain among the leading innovators in literary history.

    Myung Mi Kim's language is pure and commanding and brings us to a place of grieving we have needed to acknowledge" (Kathleen Fraser). In "Under Flag," winner of the 1991 Multicultural Publishers Book Award, Myung Mi Kim writes in a stark, unflinching voice that alternately drives to the core of painful subject matter and backs off to let beauty speak for itself: "Save the water from rinsing rice for sleek hair / This is what the young women are told, then they're told / Cut off this hair that cedar combs combed / Empty straw sacks and hide under them / Enemy soldiers are approaching..." ("Body As One As History"). The cumulative effect is, according to Ammiel Alcalay, "a poetics which resists being neutralized or categorized."

    Based on the myth of the blind prophet Tiresias, Hold Your Own is a riveting tale of youth and experience, sex and love, wealth and poverty, community and alienation. Walking in the forest one morning, a young man disturbs two copulating snakes - and is punished by the goddess Hera, who turns him into a woman. This is only the beginning of his journey . . . Weaving elements of classical myth, autobiography and social commentary, Tempest uses the story of the gender-switching, clairvoyant Tiresias to create four sequences of poems: 'childhood', 'manhood', 'womanhood' and 'blind profit'. The result is a rhythmically hypnotic tour de force - and a hugely ambitious leap forward for one of the UK's most talented and compelling young writers.

    But always in "the music of memory, water," abides St. Lucia, the author's birthplace, and the living sea. In his new work, Derek Walcott has created a sweeping yet intimate epic of an exhausted Europe studded with church spires and mountains, train stations and statuary, where the New World is an idea, a "wavering map," and where History subsumes the natural history of his "unimportantly beautiful" island home. Here, the wanderer fears that he has been tainted by his exile, that his life has become untranslatable, and that his craft itself is rooted in betrayal of the vivid archipelago to which, like Antaeus, he must return for the very sustenance of life.

    Her choice could open the door to answers she's long wondered about, or it could forever chill a heart too long without love.

    She is dressed in strange doll's clothes. Around her neck is an airline tag that says "I'm traveling alone." A special homicide unit in Oslo re-opens with veteran police investigator Holger Munch at the helm. Holger's first step is to persuade the brilliant but haunted investigator Mia Krüger to come back to the squad--she's been living on an isolated island, overcome by memories of her past. When Mia views a photograph of the crime scene and spots the number "1" carved into the dead girl's fingernail, she knows this is only the beginning. She'll soon discover that six years earlier, an infant girl was abducted from a nearby maternity ward. The baby was never found. Could this new killer have something to do with the missing child, or with the reclusive Christian sect hidden in the nearby woods?Mia returns to duty to track down a revenge-driven and ruthlessly intelligent killer. But when Munch's own six-year-old granddaughter goes missing, Mia realizes that the killer's sinister game is personal, and I'm Traveling Alone races to an explosive--and shocking--conclusion.

    Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a “huge beating genius machine” striving to embrace and understand the fullness of the present moment. “I am beautiful. I am full of love. I am dying,” the poet writes. Building on the legacies of forebears such as Frank O’Hara, Sharon Olds, and Mark Doty, Limón’s work is consistently generous and accessible—though every observed moment feels complexly thought, felt, and lived.

    Ellen Gowan is a famous dress designer for ladies of high society and one of the very few women in England who owns her own business. But her life wasn't always one of such privilege.The only surviving daughter of a Cambridge scholar-turned village minister and a beautiful woman who was disowned by her family for marrying for love, Ellen had a childhood plentiful in affection, if not in currency and dresses made of fine silks. Tragedy strikes on her thirteenth birthday, when her father dies suddenly, leaving Ellen and her mother penniless and dependent upon the kindness of her mother's estranged family.Life takes Ellen down various roads of opulence and depravity until she lands in the arms of the devlishly handsome Raoul de Valentin, whom she marries. Just when Ellen realizes that she is with child, Raoul abandons her. Determined to survive, she begins her long climb to success, first by toiling at a dress factory, then opening up her own salon in the fashionable Battle Square.Years pass, and Ellen has evolved into Madame Gowan, dress maker to royalty and the Great Six Hundred. All is truly well, until the day Raoul de Valentin unexpectedly arrives at her doorstep once more, threatening to destroy all that she has achieved.The Dressmaker is a romantic odyssey that takes readers into the most luxurious of ballrooms and the most squalid of brothels. It is the sweeping story of a true heroine and her quest to live life fully-to find success, love, and to find herself in an era when such ideas were unheard of for a woman. Brimming with romance, social intrigue and rich, detailed illustrations of Victorian London and its varied inhabitants, The Dressmaker will captivate readers.

    For this new edition Pam has written a general introduction, as well as individual introductions to the poems, many of which are now illustrated with specially commissioned line drawings by Susan Hellard. This is the first time The Works has been available in hardback and is certain to delight Pam's fans of all ages. Pam is one of Britain's best-loved personalities and has been a regular on television and radio for more than 30 years—most recently on Just a Minute, The Comedy Quiz, Countdown, and her own series, Ayres on the Air.

    The Outernationale locates us "just off the grid," in an emotional and spiritual frontier, where reverie, outrage, history, and vision merge. Thinking and feeling become one in the urgent music of Gizzi's poems. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom. This is both a poetry of conscience and the embodiment of a genuinely poetic consciousness. Objects, images, and their histories are caught here in their half-life, their profoundly human after-life. Gizzi has written a brilliant follow-up to Some Values of Landscape and Weather, a book hailed by Robert Creeley as "a breakthrough book in every way: for reader, for writer, and for the art."

    The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.

    "The work is deeply felt...Bernstein has been there and brought it back. Bernstein is a writer." [William S. Burroughs]