Though already a widely acclaimed novelist, the author of such modern classics as "The Orchard Keeper" and "Child of God," McCarthy had never before written a screenplay. Using nothing more than a few photographs in the footnotes to a 1928 biography of a famous pre-Civil War industrialist as inspiration, the author and Pearce together roamed the mill towns of the South researching their subject. One year later McCarthy finished "The Gardener's Son," a taut, riveting drama of impotence, rage, and ultimately violence spanning two generations of mill owners and workers, fathers and sons, during the rise and fall of one of America's most bizarre utopian industrial experiments. Produced as a two-hour film and broadcast on PBS in 1976, "The Gardener's Son" recieved two Emmy Award nominations and was shown at the Berlin and Edinburgh Film Festivals. This is the first appearance of the film script in book form.Set in Graniteville, South Carolina, "The Gardener's Son" is the tale of two families: the Greggs, a wealthy family that owns and operates the local cotton mill, and the McEvoys, a family of mill workers beset by misfortune. The action opens as Robert McEvoy, a young mill worker, is having his leg amputated -- the limb mangled in an accident rumored to have been caused by James Gregg, son of the mill's founder. McEvoy, crippled and isolated, grows into a man with a "troubled heart"; consumed by bitterness and anger, he deserts both his job and his family. Returning two years later at the news of his mother's terminal illness, Robert McEvoy arrives only to confront the grave diggers preparing her final resting place. His father, the mill's gardener, is now working on the factory line, the gardens forgotten. These proceedings stoke the slow burning rage McEvoy carries within him, a fury that ultimately consumes both the McEvoys and the Greggs.

    Chaos rules the final days of the Forerunner empire. The Flood—a horrifying, shape-changing, and unstoppable parasite—has arrived in force, aided by unexpected allies, and internal strife has desperately weakened Forerunner defenses. Facing the imminent collapse of their civilization, the Forerunners known as the Ur-Didact and the Librarian reveal what they know about the relationship between the long-vanished race of the Precursors and the Flood. While the Precursors created many technological species, including those of the Forerunners and humanity itself, the roots of the Flood may be found in an act of enormous barbarity, carried out beyond our galaxy ten million years before. Because of that savagery, a greater evil looms. Only the Ur-Didact and the Librarian—husband and wife pushed into desperate conflict—hold the keys to a solution. As they face the consequences of a mythic tragedy, one of them must now commit the greatest atrocity of all time—a shocking act designed to prevent an insane abomination from dominating the entire galaxy…

    J. Sansom. Matthew Shardlake, lawyer and reformist in London during the reign of Henry VIII. His investigation skills are tested in four cases where both his life and the lives of others are threatened. In "Dissolution" he travels to Scarnsea Monastery where one of Thomas Cromwell's Commissioner has been brutally murdered. Shardlake must expose the killer but his inquiries soon force him to question everything he hears, and everything that he intrinsically believes. In "Dark Fire" Shardlake returns to London and a new assignment from Cromwell. The formula for Greek Fire, a legendary Byzantine weapon, is discovered by an official of the Court of Augmentations. Shardlake is sent to retrieve the formula but instead finds the official and his alchemist brother murdered and the formula missing. "Sovereign" takes Shardlake to York, following Henry VIII and his Progress to the North. The murder of a local glazier involves Shardlake in a mystery connected not only to a prisoner in York Castle but to the royal family itself. And in "Revelation" when an old friend is horrifically murdered Shardlake promises his widow to bring the killer to justice. His search leads him to connections with the dark prophecies of the Book of Revelation. Shardlake follows the trail of a series of horrific murders that shakes him to the core, and which are already bringing frenzied talk of witchcraft and a demonic possession - for what else would the Tudor mind make of a serial killer...? Praise for the series: 'Dissolution is a remarkable, imaginative feat. It is a first-rate murder mystery and one of the most atmospheric historical novels I've read in years' - "Mail on Sunday". 'One of the author's greatest gifts is the immediacy of his descriptions, for he writes about the past as if it were the living present' - Colin Dexter.

    Now it's time for her to take her father's place in the world - and pay for his sins. Seth is a doctor as good with a gun as he is with a scalpel. He knows a lot about the preternatural, but he's not saying why. And he's the new Voice of God's only chance of survival. This collection contains the first three books of The Mage Craft Series, amounting to over 210,000 words. About Cast in Angelfire As a half-angel, half-human mage, Marion Garin is the most powerful witch in the world. She’s been embroiled in preternatural politics since childhood and navigates the factions with ease. Or so she’s been told. Unfortunately, she’s lost her memory, and now Marion doesn’t know much of anything. Casting magic? Forget about it. It’s not an accident, either. Someone powerful wanted to take Marion out of preternatural politics, and they succeeded. She’s told that a man named Seth Wilder could help, but she’ll have to find him first. He’s been missing for years. Marion needs to track Seth down and fix her memory before her unknown enemy finishes the job… * * * About Cast in Hellfire Marion Garin is the teenage daughter of Metaraon, the former Voice of God. Now she's also the steward of the Winter Court, which has been in anarchy since a revolution five years earlier. Problem: Marion still doesn't remember anything that happened before two weeks ago. Seth Wilder has a lead on her memories. Whoever stole them and sold Marion's essence to a demon lord in Sheol. Marion wants to help steal them back, even though that means abandoning the Winter Court to war. And Seth can't seem to tell Marion no. He wants Marion nearby. Very nearby. Possibly in his teeth. See, Seth has this little problem where he's developing a killing urge, and it seems to be centered primarily on the half-angel girl who adores him. It conflicts with everything Seth believes himself to be: a moral man, a doctor who heals instead of hurts. Yet he's obsessed with Marion. She wants her memories, and he wants her to have them as much as he wants her blood. They'll work together to make Marion whole, come hell or high water. Even if it means war. Even if it means Seth might hurt Marion. And damned be the consequences... * * * About Cast in Faefire Marion Garin, the Voice of God, is due to marry the Prince of the Autumn Court by the end of the week - assuming that the world's preternatural leadership doesn't have anything to say about it. They plan to strip Prince ErlKonig of his title, ensuring that Marion can't form a god-forbidden treaty with the angels. Still injured from his final fight in Sheol, Seth Wilder is seeking a way to stay alive. If he dies, he'll lose more than his life - he'll be slave to the gods' whims for all eternity. He's ready to take drastic steps. Maybe even make a bargain with the vampires. But what the gods want, they get. And they don't appreciate being defied.

    In response, the distressed mother, who grew up a Quaker and has never seen a gun, steals weapons from the sheriff’s office and tools from a local hardware store. Frantically racing to rescue her stolen daughter, she is surprised to discover she knows how to expertly handle these dangerous, heavy tools. And it suddenly occurs to Karen that not only has her town changed, she has no idea who she is either!

    With the smart and sexy Cassiopeia Vitt by his side, Malone faces down the world’s deadliest terrorists, assassins, and con men—and unravels some of history’s most legendary and iconic mysteries along the way.Now in one exclusive eBook bundle are the first seven novels of Steve Berry’s extraordinary series:The Templar LegacyThe Alexandria LinkThe Venetian BetrayalThe Charlemagne PursuitThe Paris VendettaThe Emperor's TombThe Jefferson Key

    Now he’s settled on the Texas coast, working a ranch as the partner of his old friend Tom Kittery—and finding himself in the middle of a feud between Kittery and a neighboring family. But the danger from outside is nothing compared to the threat within, as Duvarney suspects Kittery’s woman isn’t all she appears to be. Tap may have to go to war again. But this time will it be with his closest friend?The First Fast DrawEast Texas wasn’t much of a home for Cullen Baker. Few liked him, and some even tried to kill him. Yet after three years of wandering, he’s back to farm the land that is rightfully his. But Cullen’s neighbors have long memories, and his worst adversary has teamed up with a vicious outlaw. With enemies closing in on all sides and threatening the woman he loves, Cullen will have to be faster than lightning—and twice as deadly—just to survive.From the Paperback edition.

    A horde of beasts known only as the scourge has ravaged the land, leaving only the village of Terreas to survive. Hemmed in on all sides by the scourge, the denizens of Terreas eke out a lonely existence, trying to survive in a land that is all but dead. Jasen Rabinn is a teenage boy trapped in Terreas but with a mind rooted outside the boundaries of his village. He longs for adventure, and when the mysterious Baraghosa – a sorcerer of a sort not native to Luukessia – comes to Terreas, a chain of events is set in motion that will carry Jasen beyond his simple town. To adventure. To danger. To his destiny.

    Transmetropolitan combined black humor, political scandal, and moral ambiguity to look into the mind of gonzo journalist Spider Jerusalem and The City he inhabits. Aided by his embattled Editor and his two Filthy Assistants, Jerusalem blazes a path through a futuristic world of skyscrapers and technological wonders, dark alleys, and unspeakable depravity.Transmetropolitan: All Around The World is a lovingly crafted and designed tribute to a seminal work. Contributors include: Aaron Alexovich, Stephanie Buscema, Jim Calafiore, Stefano Caselli, Cliff Chiang, Richard C. Clark, Kevin Colden, Molly Crabapple, Camilla d’Errico, Kristian Donaldson, Ryan Dunlavey, Gary Erskine, Richard Friend, Dan Goldman, Cully Hamner, Lea Hernandez, Phil Hester, Rantz Hoseley, Matt Howarth, K Thor Jensen, Seth Kushner, Jonathan Luna, Milo Manara, John McCrea, Moritat, Dean Motter, Darick Robertson, Jimmie Robinson, Stuart Sayger, Tim Seeley, Fiona Staples, Bryan Talbot, Pete Woods, and many, many others.[text from http://cbldf.org/homepage/transmetrop... ]

    Every word tells, & the number of unusually stirring incidents is legion, while the plot is phenomenal in its strength, merit & ingeniousness.

    Never before published stories about monsters, deadly combat tech, treachery, and honor:Big Plush by Aaron Allston—The Dollgangers, artificial people made in mankind's image, take up arms in a desperate bid to win their freedom.Comrades in Arms by Kevin J. Anderson—A damaged cyborg soldier and an enemy alien fighter turn their backs on the war and try to escape. But the human and alien governments can't tolerate the two deserters working together, so they join forces to hunt them down.Shores of the Infinite by Loren L. Coleman—Separated from command & control, Combat Assault Suit troopers force a beachhead to liberate a new planet from the cyborg threat.The Black Ship by B.V. Larson—A human settlement on the deadliest planet ever colonized clings to life … but today new invaders are coming down from the stars.Out There by Michael A. Stackpole—The Qian have discovered humanity and welcomed them into their star-spanning empire. The benefits they offer humanity are many, and they don't want much in return: just the best human pilots available to take apart a most diabolical enemy.

    But the governments and power structures didn't yet control space, where bold new techniques could freely be applied and the vast resources of the solar system could be utilized by such courageous men and women as: • Aneas MacKenzie—he had believed in the man he had helped to reach the office of the presidency of the United States, and had tirelessly rooted out corruption wherever he found it, until the trail led straight back to the White House. After that, no place on Earth was safe for him. • Laurie Jo Hansen—she controlled a multi-national corporation more powerful than many governments. Unlike those governments, she wanted to see Earth’s problems solved and reaching the high frontier was the only way to do that. • Kevin Senecal—he had made the mistake of fighting back against a juvenile gang, and accidentally killing one of them while escaping. Both the gang and the law were after him, and on all of Earth there was no place to hide. • Ellen MacMillan—a young employee of the Hansen Corporation who fascinated Kevin, she was on a secret mission, and the biggest secret was her real name.   Two complete novels—High Justice and Exiles to Glory—in one volume by a New York Times best-selling author, telling of an Earth sinking into a morass of corruption, red tape, and failure of nerve, while a dedicated few dare to reach for the stars.

    Featuring Newford fiddler Geordie Riddell, it's a gentle story of love, loss and the bonds of friendship.First published in Post Mortem edited by Paul F.Olson and David B. Silva, 1989; also appears in Dreams Underfoot and The Very Best of Charles de Lint.Timeskip is where Newford began: "Newford was not planned out in advance. It started (unbeknownst to me) with“Timeskip,” a short story that I wrote for an anthology. I wanted to set the story somewhere other than the Ottawa area where most of my stories had taken place, but I didn’t feel comfortable writing about a city that I couldn’t physically visit. So I decided to use various aspects of large urban centers that I had visited, and create a fictitious setting."–Charles de Lint, from an interview with FairyRoom.com"I can never recapture the feeling of first arriving in Newford and meeting the people and seeing the sights as a newcomer. However, part of the beauty of Newford is the sense that it has always been there, that de Lint is a reporter who occasionally files stories from a reality stranger and more beautiful than ours. De Lint also manages to keep each new Newford story fresh and captivating because he is so generous and loving in his depiction of the characters. Yes, there are a group of core characters whose stories recur most often, but a city like Newford has so many intriguing people in it, so many diverse stories to tell, so much pain and triumph to chronicle."— Challenging DestinyCharles de Lint is the modern master of urban fantasy. Folktale, myth, fairy tale, dreams, urban legend—all of it adds up to pure magic in de Lint's vivid, original world. No one does it better.— Alice HoffmanCharles de Lint writes like a magician. He draws out the strange inside our own world, weaving stories that feel more real than we are when we read them. He is, simply put, the best.— Holly BlackDe Lint is probably the finest contemporary author of fantasy– Booklist, American Library AssociationUnlike most fantasy writers who deal with battles between ultimate good and evil, de Lint concentrates on smaller, very personal conflicts. Perhaps this is what makes him accessible to the non-fantasy audience as well as the hard-core fans. Perhaps it’s just damned fine writing.– Quill QuireDe Lint’s evocative images, both ordinary and fantastic, jolt the imagination.– Publishers WeeklyIt is hard to imagine urban fantasy done with greater skill– Booklist, American Library Association

    Some she keeps from herself, like her mysterious talent for sorcery. Some she knows too well, like the rare disease that threatens to kill her-or someone else. When she meets Tor Thorlaksson, a sorcerer and runemaster, he seems to offer an escape from her deadly problems. But he knows secrets about them both, and these could turn her world upside-down.

    Louis Auchincloss has been called "our most astute observer of moral paradox among the affluent" (Arthur Schlesinger, Jr.), his fiction described as that which "has always examined what makes life worth living" (Washington Post Book World). Now he brings us the rollicking tale of an unforgettable woman of mid-twentieth century America: the devilish, forever plotting, yet wholly beguiling Clara Hoyt. A romantic early in life, Clara gets engaged -- much to her mother's horror -- to the lackluster Bobbie Lester. Soon after her Vassar graduation, however, Clara sees the error of her ways, spurns Bobbie, and slyly enthralls the well-bred and fabulously wealthy Trevor Hoyt, the first of her husbands. Soon she lands a job at a tony magazine, and so begins her wildly entertaining course to the inner sanctum of New York's aristocracy and into the boardrooms of the publishing world.In a world where women still had to wield the weapons of allure and charm, above all else, to secure positions of power, Clara, one of the last of her kind, succeeds marvelously. Auchincloss gives us, in Clara, an irresistible Cleopatra, lovely, wily, and mercurial. As Shakespeare wrote of that feminine creation, "Age cannot wither her, nor custom stale / Her infinite variety."