Not unusual for a proper bath, but highly irregular for murder -- especially with a pair of gold pince-nez deliberately perched before the sightless eyes. What's more, the face appeared to have been shaved after death. The police assumed that the victim was a prominent financier, but Lord Peter Wimsey, who dabbled in mystery detection as a hobby, knew better. In this, his first murder case, Lord Peter untangles the ghastly mystery of the corpse in the bath.

    When she finds herself happily settled into a sleepy hamlet nestled in the idyllic interior of British Columbia surrounded by a suitably eclectic cast of small-town characters she feels like she may finally be able to put her past to rest.But then a body is discovered, the victim of murder, and although she works alongside the town’s inspectors Darling and Ames to discover who might have possibly have motivation to kill, she unknowingly casts doubt on herself. As the investigation reveals facts that she has desperately tried to keep a secret, it threatens to pull her into a vortex of even greater losses than the ones she has already endured.A clever postwar mystery that will appeal to fan of historical mysteries with women sleuths like the Maisie Dobbs series by Jacqueline Winspear or the Bess Crawford series by Charles Todd.

    Tannie Maria writes recipes for a column in her local paper, the Klein Karoo Gazette. One Sunday morning, as Maria savours the breeze through the kitchen window whilst making apricot jam, she hears the screech and bump that announces the arrival of her good friend and editor Harriet. What Maria doesn't realise is that Harriet is about to deliver the first ingredient in two new recipes (recipes for love and murder) and a whole basketful of challenges. A delicious blend of intrigue, milk tart and friendship, join Tannie Maria in her first investigation. Consider your appetite whetted for a whole new series of mysteries . . .

    As it turns out, all she inherits from Alfie is a big pile of debt. Pretty soon, Lola and her stalwart Swedish cook, Berta, are reduced to hiding out in the secret love nest Alfie kept in New York City. But when rent comes due, Lola and Berta have no choice but to accept an offer made by one of Alfie’s girls-on-the-side at his funeral: in exchange for a handsome sum of money, the girl wants Lola to retrieve a mysterious reel of film for her. It sounds like an easy enough way to earn the rent money. But Lola and Berta realize they’re in way over their heads when, before they can retrieve it, the man currently in possession of the film reel is murdered, and the reel disappears. On a quest to retrieve the reel and solve the murder before the killer comes after them next, Lola and Berta find themselves navigating one wacky situation after another in high style and low company.Charming, witty, often laugh-out-loud funny, Maia Chance's Come Hell or Highball introduces a sparkling new voice in crime fiction.

    Clare arrives at work to discover the assistant manager dead in the back of the store, coffee grounds strewn everywhere. Two detectives investigate. But when they find no sign of forced entry or foul play, they deem it an accident. Still, Clare is not convinced. And after the police leave, Clare can't help wondering...If this was an act of murder, is she in danger?

    So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek.Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.

    He never imagines he would encounter anyone whose intellect matched his own, much less an audacious teenage girl with a penchant for detection. Miss Mary Russell becomes Holmes's pupil and quickly hones her talent for deduction, disguises and danger. But when an elusive villain enters the picture, their partnership is put to a real test.

    D. James, long among the most admired mystery writers of our time, draws the characters of Jane Austen’s beloved novel Pride and Prejudice into a tale of murder and emotional mayhem. It is 1803, six years since Elizabeth and Darcy embarked on their life together at Pemberley, Darcy’s magnificent estate. Their peaceful, orderly world seems almost unassailable. Elizabeth has found her footing as the chatelaine of the great house. They have two fine sons, Fitzwilliam and Charles. Elizabeth’s sister Jane and her husband, Bingley, live nearby; her father visits often; there is optimistic talk about the prospects of marriage for Darcy’s sister Georgiana. And preparations are under way for their much-anticipated annual autumn ball. Then, on the eve of the ball, the patrician idyll is shattered. A coach careens up the drive carrying Lydia, Elizabeth’s disgraced sister, who with her husband, the very dubious Wickham, has been banned from Pemberley. She stumbles out of the carriage, hysterical, shrieking that Wickham has been murdered. With shocking suddenness, Pemberley is plunged into a frightening mystery. Inspired by a lifelong passion for Austen, P. D. James masterfully re-creates the world of Pride and Prejudice, electrifying it with the excitement and suspense of a brilliantly crafted crime story, as only she can write it.

    Sure, her patients might smell like mold and have spines made of leather, but no ailing book is going to die on her watch. The same can’t be said of Abraham Karastovsky, Brooklyn’s friend and former employer. On the eve of a celebration for his latest book restoration, Brooklyn finds her mentor lying in a pool of his own blood. With his final breath Abraham leaves Brooklyn with a cryptic message, “Remember the Devil,” and gives her a priceless—and supposedly cursed—copy of Goethe’s Faust for safe-keeping. Brooklyn suddenly finds herself accused of murder and theft, thanks to Derek Stone, the humorless—and annoyingly attractive—British security officer who found her kneeling over the body. Now she has to read the clues left behind by her mentor if she is going to restore justice…

    He arrests whomever he is told to arrest. He dismisses the horrific death of a young boy because he is told to, because he believes the Party stance that there can be no murder in Communist Russia. Leo is the perfect soldier of the regime. But suddenly his confidence that everything he does serves a great good is shaken. He is forced to watch a man he knows to be innocent be brutally tortured. And then he is told to arrest his own wife. Leo understands how the State works: Trust and check, but check particularly on those we trust. He faces a stark choice: his wife or his life. And still the killings of children continue...

    She's determined to track down the driver, but when the trail turns deadly, the next flower arrangement might be for her own funeral.

    Aunt Sabrina invites her to Essex England, for help with the Order of the New Dawn. Aunt Jagger beats the servants to suicide, and someone feeds her Death mushrooms. Next door, Sir Charles photographs a fresh body in an archaeological dig, and seeks his killer.

    . .Bailey King is living the sweet life as assistant chocolatier at world-famous JP Chocolates in New York City. But just when Bailey’s up for a life-changing promotion, her grandmother calls with news that her grandfather’s heart condition has worsened. Bailey rushes to Harvest, Ohio, where her grandparents still run Swissmen Sweets, the Amish candy shop where she was first introduced to delicious fudge, truffles, and other assorted delights.She finds her grandfather is doing better than she feared. Unfortunately, the same can’t be said for a local Englisch developer, whom Bailey finds dead in the candy shop kitchen—with Jebediah King’s chocolate knife buried in his chest. Now the police are sweet on her grandfather as the prime suspect. Despite the sincere efforts of a yummy deputy with chocolate-brown eyes, Bailey takes it on herself to clear Jebediah. But as a cunning killer tries to fudge the truth, Bailey may be headed straight into a whole batch of trouble . . .

    He drains his fifth pot of morning tea, and glances outside, where a young, plain woman picks her way between the piles of horse-dung towards his front door.March Middleton is Sidney Grice's ward, and she is determined to help him on his next case. Her guardian thinks women are too feeble for detective work, but when a grisly murder in the slums proves too puzzling for even Sidney Grice's encyclopaedic brain, March Middleton turns out to be rather useful after all...Set in a London still haunted by the spectre of the infamous Spring-heeled Jack, THE MANGLE STREET MURDERS is for those who like their crime original, atmospheric, and very, very funny.

    Mischievous socialite Anna Blanc could match wits with Sherlock Holmes, but in her world women are not allowed to hunt criminals. Determined to break free of the era's rigid social roles, she buys off the chaperone assigned by her domineering father and, using an alias, takes a job as a police matron with the Los Angeles Police Department. There she discovers a string of brothel murders, which the cops are covering up. Seizing her one chance to solve a crime, she takes on the investigation herself. If the police find out, she'll get fired; if her father finds out, he'll disown her; and if her fiancé finds out, he'll cancel the wedding.Anna must choose--either hunt the villain and risk losing her father, fiancé, and wealth, or abandon her dream and leave the killer on the loose.