First, historian Jasper Willoughs, his closest friend, didn’t toss himself off a dormitory roof. Second, a Georgetown University secret society—a running joke on campus—has blood on its hands. Torres’s pursuit of the truth embroils him in a bizarre and thrilling scavenger hunt. The clues, scratched out on parchment by the mysterious Odd Fellows Society, lead Santi to risk everything he holds sacred: his job, his life, even the woman he secretly loves. As for his relationship with his God? Well, that’s complicated. A hold-your-breath thriller that explores our national obsession with race, The Odd Fellows Society will have you looking at the U.S. capital—and its monuments’ secrets—in a whole different shade of black and white.

    The problem is her husband, and Rage MC do not feel the same. Hellfire MC have learnt their lesson in the past, but Drake is in no mood to accept advice. Phoenix appears to be running amok aided by Artemis, Silvie is hiding something, and Marsha is acting strange.Add to all that? A ghost seems to have invaded Rage, and his beloved wife just kicked Drake out of their house. Halloween is about to visit Rage, the devil about to poke at fears, and Rage MC are about to receive a Halloween that not even Hellfire can protect them from.Welcome to Rage’s Terror, their fears come to life, and a woman who knows them better than Rage knows themself.

    Although the sisters are as different as night and day, they were taught by their father that it's always family over everything. Diem, the foul-mouthed tycoon and oldest of the three, can't seem to balance her multimillion-dollar business and personal life at the same time. Never one to back down from a challenge, her world is flipped upside down when the brother of a close friend unexpectedly catches her attention and has her questioning whether it's possible to have a romantic relationship while managing an already chaotic life. Drea has always had a thing for hot boys with big toys, especially since she totes one of her own. Whether she's at her flower shop making beautiful floral arrangements or at the gun range perfecting her skills, this quiet storm never misses her mark. That is, until a mysterious and sexy ally comes into her place of business and knocks her off her square. Ophelia loves only three things in this world: her family, her bikes, and the club. Nothing or nobody has ever come between them. She has a temper known to go from zero to one hundred in a matter of seconds, but riding and restoring bikes help to ease her mind. The two pastimes easily turn into three when a restoration job goes from strictly business to extremely personal. These ladies demand respect, not only for themselves, but for their club as well. When enemies start to surface, personalities will clash, and family motives will be questioned. Will the pressure cause these Angels to fall, or will they rise to the occasion like they've done time and time again?

    Zach is as big a noob as it gets in Terraria. He's new to the place and doesn't seem to know his pickaxe from his elbow. Watch him stumble his way through Terraria where he meets all sorts of surprises. Join him on his wacky adventures to see if he'll survive the harsh lands of Terraria. Book 1 of the Terraria Noob series Great book for all ages!

    It’s 1936 and Britain is in the grip of the Depression.Nell Flanagan is a decent, hardworking woman, married to Stephen, a tough, heavy-drinking brute of a man, who works as a casual in the docks — when there’s work available. Nell has hidden the abuse she has suffered at his hands from her young children, although most of the neighbours realise what’s going on.The Tanners think she must be asking for it, but nineteen-year-old Martin Lovell, has always admired Nell. When he sees Stephen actually attacking Nell, he can stand back no longer, but his actions have repercussions for all the families…

    Henriksen opens ORDINARY SUN by insisting that "an eye is not enough." Resisting solipsism, these poems negotiate that conflict between the mind and what exists outside the mind. Though pain intrinsically resides in that conflict Henriksen strives for an honest happiness, a kind of gorgeous suffering that blesses our days. To this end, these poems emerge from images of all those innumerable things that embody both visceral and ethereal beauty rocks, trees, broken glass, baseball, angels.... Here we find immediacy immersed in the image, and in the reading of these poems becomes ourselves immersed in the immediate."

    R. Ammons’s long, thin poem was written on a roll of adding-machine tape, then transferred foot by foot to manuscript. He chose this method as a serious experiment in making a poem adapt to something outside itself. The tape determined both the length of the poem’s lines and when it ends. Tape for the Turn of the Year is a poem of infinite variety, blessed by the rich resources of one of this century’s greatest poets. By turns witty, serious, lyrical, and meditative, it is at once a superbly entertaining book and a significant literary achievement.

    Doughty’s poems are at once absurdist and matter-of-fact; the images he conjures are thrown into high relief through cutting wordplay. In a series of prose poems about showbiz, he reimagines Cookie Monster as a burned-out suicide, and cheesy talk-show host Joe Franklin as a cross-dressing witness to the apocalypse. And in “For Charlotte, Unlisted,” he wrenchingly tracks the elusive memory of a faded romance.

    —from "The Doomsday Clock"The Last Two Seconds is an astonishing confrontation with time—our experience of it as measured out by our perceptions, our lives, and our machines. In these poems, full of vivid imagery and imaginative logic, Mary Jo Bang captures the difficulties inherent in being human in the twenty-first century, when we set our watches by nuclear disasters, species collapse, pollution, mounting inequalities, warring nations, and our own mortality. This is brilliant and profound work by an essential poet of our time.

    Asian American Studies. Is there a relationship between the population density of Tokyo and the pinkest part of a hamburger? Can one touch the inside of a noun to learn the difference between one bicycle and a field of bicycles? How close is yellow to need? How far are human fears from the fears of insects? Through a sequence of prose investigations, directions, theoretical performances, and character sketches, Sawako Nakayasu's TEXTURE NOTES presses itself against everything. Here is a book of liminal cartography, where textures are percolated by thought and propelled by feeling, where intellectual frottage meets sunlight, moonlight, the pain of seeing something beautiful and an entire town enamored by a simple rock. Once again, Nakayasu's writing explodes with genre-bending fury and fine-tuned improvisation, leaving in its wake a largess of feeling for the things of the world.

    Alternating between grand, Whitmanic tone and scope, Dickinsonian minute detail, Beat rhythms, New York School wit and Objectivist sensibility, this epic poem engages traditional lyricism with a breathtaking contemporary style and graceful urgency.A native of California, Eleni Sikelianos has lived in New York City, Paris and Athens. She is the author of the poetry collection, Earliest Worlds, the memoir, Book of Jon (forthcoming from City Lights), and the National Poetry Series award-winning collection The Monster Lives of Boys and Girls.

    This volume takes as its subject the troubled sleep of late modernity, from the grandeur and failure of megacities to the retreats and displacements of the suburbs. The power of crowds and architecture commingles with the alienation and idleness of the observer, caught between “the brutal red dream/Of the collective” and “the parade/Of the ideal citizen.” The book’s action takes place in these gaps, “dead spaces beside the endlessly grieving stream.” The frozen tableau of the spectacle meets its double in the sense that something is always about to happen. Political furies and erotic imaginings coalesce and escape within a welter of unmoored allusions, encounters, citations, and histories, the dreams possible within the modern’s excess of signification—as if to return revolutionary possibility to the regime of information by singing it its own song.

    As Mark Doty has noted, "these poems are more than testimony; in lyrics of ringing clarity and strange precision, Flynn conjures a will to survive, the buoyant motion toward love which is sometimes all that saves us. Some Ether resonates in the imagination long after the final poem; this is a startling, moving debut."

    Burn Lake weaves together the experience of life in the rapidly changing American Southwest with the peculiar journey of Don Juan de Oñate, who was dispatched from Mexico City in the late sixteenth- century by Spanish royalty to settle the so-called New Mexico Province, of which little was known. A letter that was sent to Oñate by the Viceroy of New Spain, asking that should he come upon the North Sea in New Mexico, he should give a detailed report of "the configuration of the coast and the capacity of each harbor" becomes the inspiration for many of the poems in this artfully composed debut.

    Poems deal with language, desire, suffering, art, human relationships, and mortality.