Recently, a similar party had also attempted to explore the town and was never heard from again. Now the area is believed to be haunted. This crew is about to discover, twenty miles from civilization with a blizzard bearing down, that they are not alone, and the past is very much alive.Revised edition: This edition of Abandon includes editorial revisions.

    At age thirty-five he’s living in Key West, owner of a forty-two-foot charter fishing boat, The Maine. Mac served five years in the Army as an infantry officer with two tours in Afghanistan. He returned with the Silver Star, two Purple Hearts, scars that don’t tan, and a boat with a big bank loan. Truth be told, Mac’s finances are more than a little shaky.One day, Mac is sitting in the famous Green Parrot Bar in Key West, contemplating his life, and waiting for Carlos, a hotshot Miami lawyer heavily involved with anti-Castro groups. Carlos wants to hire Mac and The Maine for a ten-day fishing tournament to Cuba at the standard rate, but Mac suspects there is more to this and turns it down. The price then goes up to two million dollars, and Mac agrees to hear the deal, and meet Carlos’s clients—a beautiful Cuban-American woman named Sara Ortega, and a mysterious older Cuban exile, Eduardo Valazquez.What Mac learns is that there is sixty million American dollars hidden in Cuba by Sara’s grandfather when he fled Castro’s revolution. With the “Cuban Thaw” underway between Havana and Washington, Carlos, Eduardo, and Sara know it’s only a matter of time before someone finds the stash—by accident or on purpose. And Mac knows if he accepts this job, he’ll walk away rich…or not at all.Brilliantly written, with his signature humor, fascinating authenticity from his research trip to Cuba, and heart-pounding pace, Nelson DeMille is a true master of the genre.

    A trio of investigators—Sergeant Jordan Stone, a military forensic expert; Father Rhun Korza, a Vatican priest; and Dr. Erin Granger, a brilliant but disillusioned archaeologist—are sent to explore the macabre discovery, a subterranean temple holding the crucified body of a mummified girl.But a brutal attack at the site sets the three on the run, thrusting them into a race to recover what was once preserved in the tomb’s sarcophagus: a book rumored to have been written by Christ’s own hand, a tome that is said to hold the secrets to His divinity. But the enemy who hounds them is like no other, a force of ancient evil directed by a leader of impossible ambitions and incalculable cunning.From crumbling tombs to splendorous churches, Erin and her two companions must confront a past that traces back thousands of years, to a time when ungodly beasts hunted the dark spaces of the world, to a moment in history when Christ made a miraculous offer, a pact of salvation for those who were damned for eternity.Here is a novel that is explosive in its revelation of a secret history. Why do Catholic priests wear pectoral crosses? Why are they sworn to celibacy? Why do the monks hide their countenances under hoods? And why does Catholicism insist that the consecration of wine during Mass results in its transformation to Christ’s own blood? The answers to all go back to a secret sect within the Vatican, one whispered as rumor but whose very existence was painted for all to see by Rembrandt himself, a shadowy order known simply as the Sanguines.In the end, be warned: some books should never be found, never opened—until now.

    As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began with a fire in an antiquarian bookstore.A distinguished Shakespearean scholar found tortured to death . . . A lost manuscript and its secrets buried for centuries . . . An encrypted map that leads to incalculable wealth . . . The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet. Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives? These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted. Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery . . . or self-destruction.

    Only a few more steps and she’d be within its grasp. Stacy Shaw has her whole life ahead of her. New job, new house and now a baby on the way—everything she’s ever hoped for is finally coming true. But on a warm summer night on the way home from work, she vanishes. The police race to find her, but the clues don’t add up. Conflicting facts emerge as her story twists and turns, sending the trail spiraling in all directions. A hometown hero with a heart of gold, Jack Stratton was raised in a whorehouse by his prostitute mother. Jack seemed destined to become another statistic, but now his life has taken a turn for the better. Determined to escape his past, he's headed for a career in law enforcement. When his foster mother asks him to look into the girl’s disappearance, Jack quickly gets drawn into a baffling mystery. As Jack digs deeper, everyone becomes a suspect—including himself. Caught between the criminals and the cops, can Jack discover the truth in time to save the girl? Or will he become the next victim?And Then She Was Gone is part of the Detective Jack Stratton Mystery Series

    Eight hundred years earlier, on the eve of a brutal crusade that will rip apart southern France, a young woman named Alais is given a ring and a mysterious book for safekeeping by her father. The book, he says, contains the secret of the true Grail, and the ring, inscribed with a labyrinth, will identify a guardian of the Grail. Now, as crusading armies gather outside the city walls of Carcassonne, it will take a tremendous sacrifice to keep the secret of the labyrinth safe.

    Before he dies in her arms, he gasps a few cryptic words about a vast conspiracy to hide an awesome historical artifact and tells Dilara that the only person who can help her is a decorated former Army combat engineer named Tyler Locke.Two days later, Locke is consulting on a North Atlantic oil platform when a ferry helicopter carrying Dilara suffers a mechanical failure and goes down next to the rig. With only minutes before the survivors freeze to death in the frigid waters, the quick-thinking Locke manages to rescue everyone on board, including Dilara. She tells him that the helicopter crash was no accident. Someone wants to stop her from finding Noah’s Ark.A second attempt on Dilara’s life convinces a skeptical Locke that there is truth to her story. When a movie star’s private jet crashes into the Mojave desert, it proves to be another link to the conspiracy. Locke and Dilara head to Arizona, and their investigation reveals a chilling discovery. A group of religious fanatics has recovered a weapon from the Ark that will let them recreate the effects of the biblical flood and mold the remnants of humanity according to their leader’s twisted vision.Now Locke and Dilara have just seven days to find the Ark and the secret hidden inside before it is used to wipe out civilization again…

    . . until the Inquisition, when they were wiped from the face of the earth, their hidden riches lost. But now two forces vying for the treasure have learned that it is not at all what they thought it was–and its true nature could change the modern world.Cotton Malone, one-time top operative for the U.S. Justice Department, is enjoying his quiet new life as an antiquarian book dealer in Copenhagen when an unexpected call to action reawakens his hair-trigger instincts–and plunges him back into the cloak-and-dagger world he thought he’d left behind.It begins with a violent robbery attempt on Cotton’s former supervisor, Stephanie Nelle, who’s far from home on a mission that has nothing to do with national security. Armed with vital clues to a series of centuries-old puzzles scattered across Europe, she means to crack a mystery that has tantalized scholars and fortune-hunters through the ages by finding the legendary cache of wealth and forbidden knowledge thought to have been lost forever when the order of the Knights Templar was exterminated in the fourteenth century. But she’s not alone. Competing for the historic prize–and desperate for the crucial information Stephanie possesses–is Raymond de Roquefort, a shadowy zealot with an army of assassins at his command.Welcome or not, Cotton seeks to even the odds in the perilous race. But the more he learns about the ancient conspiracy surrounding the Knights Templar, the more he realizes that even more than lives are at stake. At the end of a lethal game of conquest, rife with intrigue, treachery, and craven lust for power, lies a shattering discovery that could rock the civilized world–and, in the wrong hands, bring it to its knees.

    473 Five Star reviews on Amazon. Historical novel with a psychological mystery in the unearthing of family secrets. In May of 1935, Blinny Platt's homestead shack burns to the ground forever leaving her family asunder, scattering them like the embers flew on the Montana wind. She was only eight-years-old, sent away and in charge of her little sister. She could handle that because Platts take care of Platts.However, it is the hidden secrets of her parents smoldering beneath the charred remains that haunts Blinny until 1982. She once again leaves the home place to build a house for herself. As the foundation is poured and the walls go up, each of the hurtful memories are uncovered. Finally the mystery, left in the ashes of the burned home, is revealed. How could her mother do what she did?Recent Five-Star Reviews:By the end of the very first paragraph, I knew Marie F. Martin had written a book I would have a hard time putting down. In between high drama, there is a love letter to Montana, and she uses her love of the English language throughout. More "Oh wow" moments in this book than any other I have ever read in my more than half a century of life.  Yvonne Bechtold, Five-star reviewerThis is a tale so well told, you can smell the sage, feel the heat, and pain this family shares. I wish more authors crafted their characters so well.  Renita Hulsey Five-Star Reader Review.The author was a master at weaving the past with the present.  Quaintreader Five-Star Reader ReviewMartin knows family dynamics and human frailties.  From these she has crafted a heartbreaking story, of love, loss, and endurance.   Barb Ward Five-Star Reader Review

    John the Baptist's bones inscribed in ancient Greek. A dark secret carried from the foot of the crucifixion. Can science solve the world's greatest mystery?

    But when a hit goes wrong and Schumann is nabbed, he’s offered a stark choice: kill Reinhard Ernst, the man behind Hitler’s rearmament scheme, and walk free forever—or be sent to Sing-Sing and the electric chair.The instant Paul sets foot in Berlin his mission becomes a deadly cat-and-mouse chase, with danger and betrayal lurking at every turn. For the next forty-eight hours, as the city prepares for the coming summer Olympics, Schumann stalks Ernst, while a dogged criminal police officer and the entire Third Reich security apparatus search frantically for the American. Packed with fascinating period detail and featuring a cast of perfectly realized local characters, Olympic athletes, and senior Nazi officials—some real, some fictional—Garden of Beasts dishes up breathtaking action, a wrenching look at Nazi-era Berlin, and a series of stunning plot twists. It is classic Deaver. (And there is also a slight Lincoln Rhyme connection for the discerning reader to find.)

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Before she goes, a mysterious fortune teller warns her of danger, and an antique dealer asks her to search for pieces to a valuable chess set that has been missing for years...In the South of France in 1790 two convent girls hide valuable pieces of a chess set all over the world, because the game that can be played with them is too powerful....

    Yet when Christine Rose discovers something very special about Sarah, she also learns a terrifying secret that few would ever dream possible.But it's more than just possible...it's imminent.For over a century, in countries around the globe, a dark and meticulous plan has been set. But now an immensely powerful group must find and eliminate Sarah, the one person who can change the outcome. With unlimited resources and the unwitting support of a powerful government, they will stop at nothing to see their plan through. A strike at the very heart of faith itself.From New York City, to the Vatican, to the hidden Nazi bunkers of Argentina, Christine must dig deep within herself and find the strength to keep Sarah alive.Because if Sarah doesn't survive...no one will.

    Assisting a scholar in the convent one day, she uncovers a disturbing secret conected to her family.