Many definitions of postmodernism focus on its nature as the aftermath of the modern industrial age when technology developed. This book extends that analysis to postmodernism by looking at the status of science, technology, and the arts, the significance of technocracy, and the way the flow of information is controlled in the Western world.

    He looks outside the traditional corridors of power to find solutions. Foreword by Garry Wills; Preface by Cornel West.

    Covert information warfare is being waged by world powers, rogue states—such as Russia, China, Iran, and North Korea—and even terrorist groups like ISIS. This conflict has been designed to defeat and ultimately destroy the United States. This new type of warfare is part of the Information Age that has come to dominate our lives. In iWar, Bill Gertz describes how technology has completely revolutionized modern warfare, how the Obama administration failed to meet this challenge, and what we can and must do to catch up and triumph over this timely and important struggle.

    They originated in Yiddishland, a vast expanse of Eastern Europe that, before the Holocaust, ran from the Baltic Sea to the western edge of Russia and incorporated hundreds of Jewish communities with a combined population of some 11 million people. Within this territory, revolutionaries arose from the Jewish misery of Eastern and Central Europe; they were raised in the fear of God and taught to respect religious tradition, but were caught up in the great current of revolutionary utopian thinking. Socialists, Communists, Bundists, Zionists, Trotskyists, manual workers and intellectuals, they embodied the multifarious activity and radicalism of a Jewish working class that glimpsed the Messiah in the folds of the red flag.Today, the world from which they came has disappeared, dismantled and destroyed by the Nazi genocide. After this irremediable break, there remain only survivors, and the work of memory for red Yiddishland. This book traces the struggles of these militants, their singular trajectories, their oscillation between great hope and doubt, their lost illusions--a red and Jewish gaze on the history of the twentieth century.

    Recounting Pierre-Auguste's extraordinary career, beginning as a painter of fans and porcelain, recording the rules of thumb by which he worked, and capturing his unpretentious and wonderfully engaging talk and personality, Jean Renoir's book is both a wonderful double portrait of father and son, and in the words of the distinguished art historian John Golding, it "remains the best account of Renoir, and, furthermore, among the most beautiful and moving biographies we have." Includes 12 pages of color plates and 18 pages of black and white images.

    Combining gripping narrative history with wide-ranging analysis, Boot focuses on four “revolutions” in military affairs and describes key battles from each period to explain how inventions ranging from gunpowder to GPS-guided air-strikes have remade the field of battle— and shaped the rise and fall of empires. Bringing to life battles from the defeat of the Spanish Armada to Wellington’s victory at Assaye, War Made New analyzes the Gunpowder Revolution and explains warfare’s evolution from ritualistic, drawn-out engagements to much deadlier events, precipitating the rise of the modern nation state. He next explores the triumph of steel and steam during the Industrial Revolution, including the British triumph at Omdurman and the climax of the Russo-Japanese war at Tsushima, showing how it powered the spread of European colonial empires. Moving into the twentieth century and the Second Industrial Revolution, Boot examines three critical clashes of World War II—the German army’s blitzkrieg, Pearl Harbor, and the firebombing of Tokyo—to illustrate how new technology such as the tank, radio, and airplane ushered in terrifying new forms of warfare that aided the rise of highly centralized, and even totalitarian, world powers. Finally, in his section on the Information Revolution, Boot focuses on the Gulf War, the invasion of Afghanistan, and the Iraq war, arguing that even as cutting-edge technologies such as stealth aircraft have made America the greatest military power in world history, advanced communications systems have allowed decentralized, “irregular” forces to become an increasingly significant threat to Western power. BACKCOVER: Advance Praise for War Made New “Max Boot traces the impact of military revolutions on the course of politics and history over the past 500 years. In doing so, he shows that changes in military technology are limited not to warfighting alone, but play a decisive role in shaping our world. Sweeping and erudite, while entirely accessible to the lay reader, this work is key for anyone interested in where military revolutions have taken us—and where they might lead in the future.” —U.S. Senator John McCain “While much has been in written in recent years about the so-called ‘Revolution in Military Affairs,’ Max Boot is the first scholar to place it within the broad sweep of history, and in the context of the rise of the West in world affairs since 1500. In so doing, he not only tells a remarkable tale, but he compels us all, even those obsessed solely with contemporary military affairs, to ask the right questions and to distinguish what is truly new and revolutionary from what is merely ephemeral. He has rendered a valuable service, and given us a fascinating read at the same time, so we are doubly in his debt.” —Paul Kennedy, Professor of History at Yale University and author of The Rise and Fall of the Great Powers “War Made New is impressive in scope. What is equally impressive is its unique interpretation of the causal relationship between technology, warfare and the contemporary social milieu. This is a superb thinking person's book which scrutinizes conventional historical wisdom through a new lens.” —Lt. Gen. Bernard E. Trainor, USMC (ret.), co-author of Cobra II: The Inside Story of the Invasion and Occupation of Iraq “Max Boot's book takes hundred of years of tactical battle history and reduces it to an incisive narrative of how war has changed. By providing such a coherent view of the past, he has pointed us toward the future. What is doubly impressive is how he draws surprising, fresh lessons from wars we thought we knew so much about but in fact didn't.” —Robert D. Kaplan, author of Imperial Grunts

    To cheer the fall of a bankrupt totalitarian regime is one thing; to build on its ruins a stable democratic state is quite another. The challenge of helping to steer post-Soviet Russia-with its thousands of nuclear weapons and seething ethnic tensions-between the Scylla of a communist restoration and the Charybdis of anarchy fell to the former governor of a poor, landlocked Southern state who had won national election by focusing on domestic issues. No one could have predicted that by the end of Bill Clinton’s second term he would meet with his Kremlin counterparts more often than had all of his predecessors from Harry Truman to George Bush combined, or that his presidency and his legacy would be so determined by his need to be his own Russia hand.With Bill Clinton at every step was Strobe Talbott, the deputy secretary of state whose expertise was the former Soviet Union. Talbott was Clinton’s old friend, one of his most trusted advisers, a frequent envoy on the most sensitive of diplomatic missions and, as this book shows, a sharp-eyed observer. The Russia Hand is without question among the most candid, intimate and illuminating foreign-policy memoirs ever written in the long history of such books. It offers unparalleled insight into the inner workings of policymaking and diplomacy alike. With the scope of nearly a decade, it reveals the hidden play of personalities and the closed-door meetings that shaped the most crucial events of our time, from NATO expansion, missile defense and the Balkan wars to coping with Russia’s near-meltdown in the wake of the Asian financial crisis. The book is dominated by two gifted, charismatic and flawed men, Bill Clinton and Boris Yeltsin, who quickly formed one of the most intense and consequential bonds in the annals of statecraft. It also sheds new light on Vladimir Putin, as well as the altered landscape after September 11, 2001.The Russia Hand is the first great memoir about war and peace in the post-cold war world.From the Hardcover edition.

    

    Which is the most romantic spot to say 'je't'aime'? And the sexiest?Where to see fantastic art, away from all the crowds?Why Parisian men feel compelled to pee in the street?How to choose a hotel room where you might actually get a good night's sleep?Stephen Clarke goes behind the scenes to reveal everything Parisians know about their city - but don't want to tell you.

    In six new essays on politics and culture in Israel today, he addresses the conscience of a country that has lost faith in its leaders and its ideals. This collection includes an already famous speech concerning the disastrous Second Lebanon War of 2006, the war that took the life of Grossman’s twenty-year-old son, Uri.Moving, humane, clear-sighted, and courageous, touching on literature and artistic creation as well as politics and philosophy, these writings are a cri de coeur from a heroic voice of reason at a time of uncertainty and despair.

    The present volume is an unabridged English translation of the 13th French edition of that historic manifesto, in which Le Corbusier expounded his technical and aesthetic theories, views on industry, economics, relation of form to function, the "mass-production spirit," and much else. A principal prophet of the "modern" movement in architecture, and a near-legendary figure of the "International School," he designed some of the twentieth century's most memorable buildings: Chapel at Ronchamp; Swiss dormitory at the Cité Universitaire, Paris; Unité d'Habitation, Marseilles; and many more.Le Corbusier brought great passion and intelligence to these essays, which present his ideas in a concise, pithy style, studded with epigrammatic, often provocative, observations: "American engineers overwhelm with their calculations our expiring architecture." "Architecture is stifled by custom. It is the only profession in which progress is not considered necessary." "A cathedral is not very beautiful . . ." and "Rome is the damnation of the half-educated. To send architectural students to Rome is to cripple them for life."Profusely illustrated with over 200 line drawings and photographs of his own works and other structures he considered important, Towards a New Architecture is indispensable reading for architects, city planners, and cultural historians―but will intrigue anyone fascinated by the wide-ranging ideas, unvarnished opinions, and innovative theories of one of this century's master builders.

    R.H. Lockhart's account of the years he spent representing Britain's Foreign Office in Russia is still immensely entertaining and informative today. Lockhart was not an espionage agent; he was a diplomat. He was Britain's Vice-Consul in Moscow, then Acting Consul-General, then official "unofficial" representative to the new Bolshevik regime in Russia, between the years 1912 and 1918. Lockhart describes his attempts at rubber farming as a young man in Malaysia and the circumstances that led to his seeking a career in the Foreign Office. He was given the post of British Vice-Consul in Moscow shortly after joining the Service. In these memoirs, Lockhart gives us his insights into Russian culture and politics during the last years of Tzarist rule, the circumstances of Russia's participation in World War I, and Russia's descent into Bolshevism. Lockhart came to love the Russian people and consider Moscow his home while he witnessed the last Tzar unwittingly ensure his own downfall and the succeeding Provisional Government inevitably fail. He gives an honest account of the errors in British and Allied policies during these precarious years in Russia. We get a close-up view of the eternal rift between diplomatic knowledge and political imperative. "Memoirs of a British Agent" is a supremely literate and insightful first-hand account of the fascinating and turbulent time in Russia that gave birth to the Soviet Union through the eyes of a foreigner who knew many prominent members of both the Tzarist and Bolshevik regimes personally. Lockhart manages to convey great sympathy for Russians of various ideologies while at the same time speaking bluntly of their shortcomings. Rarely has a book that is so informative been so entertaining. "Memoirs of a British Agent" is a real page-turner.

    Kennedy. Marilyn Monroe. A page-turning reconstruction of an enchanting after-party by the New York Times bestselling author of Manhunt: The 12-Day Chase for Lincoln’s Killer. On the night of May 19, 1962, the marquee of the old Madison Square Garden boasted: “BEST THING TODAY…JOHN F. KENNEDY / 2ND BEST THING…MARILYN MONROE.”Few things illustrate the magnetism of the Kennedy era like Marilyn Monroe co-headlining the President’s massive birthday fundraiser, and suggestively crooning “Happy Birthday.” But only a privileged few know what happened months earlier, when the two icons spent a weekend at a private summit hosted by Bing Crosby, and later, after the New York extravaganza, at the top secret, invitation-only midnight affair at a millionaire’s Manhattan town house.For more than half a century, this exclusive, no-press-allowed after-party has been shrouded in rumor and myth. Lot 6191 in the 2010 auction of White House photographer Cecil Stoughton’s archive—“Marilyn Monroe at JFK Party”—included twenty-three prints. Their negatives, marked in Stoughton’s hand with “Sensitive material, Do not file,” were seized by the National Archives. Among the collection: the sole existing photograph of Marilyn and the president. Spellbound by the intimacy of the image and the force of public imagination, bestselling historian James Swanson masterfully reconstructs the fabled soiree, bringing alive a night that history nearly left behind.

    This clearly written history explains how a country embedded in the traditions of Shinto, Shoguns and Samurai has achieved stupendous economic growth and dominance in this century.

    The gift is a perfect example of what Mauss calls a total social phenomenon, since it involves legal, economic, moral, religious, aesthetic, and other dimensions. He sees the gift exchange as related to individuals and groups as much as to the objects themselves, and his analysis calls into question the social conventions and economic systems that had been taken for granted for so many years. In a modern translation, introduced by distinguished anthropologist Mary Douglas, The Gift is essential reading for students of social anthropology and sociology.