While complete in itself, it is also the first volume of a three-volume work which will be the first large-scale, comprehensive history of Japan.Taken as a whole, the projected history represents the culmination of the life work of perhaps the most distinguished historian now writing on Japan. Unlike the renowned Short Cultural History, it is concerned mainly with political and social phenomena and only incidentally touches on religion, literature, and the arts. The treatment is primarily descriptive and factual, but the author offers some pragmatic interpretations and suggests comparisons with the history of other peoples.A History of Japan to 1334 describes the growth from tribal origins of an organized state on a Chinese model, gives a picture of the life of the Royal Court, and examines the conflict between a polished urban nobility and a warlike rural gentry. It traces the evolution of an efficient system of feudal government which deprived the sovereign of all but his ritual functions and the prestige of his ancestry. The structure of Japanese feudal society is depicted in some detail and explained in terms of its internal stresses and its behavior in peace and war, especially during the period of the Mongol attacks in the last decades of the thirteenth century. The volume ends with the collapse of the feudal government at Kamakura under the attack of ambitious rivals.

    This volume deals with the period leading up to World War II, a time of high unemployment and other economic hardships caused by the Great Depression. Mizuki's photo-realist style effortlessly brings to life the Japan of the 1920s and 1930s, depicting bustling city streets and abandoned graveyards with equal ease. When the Showa era began, Mizuki himself was just a few years old, so his earliest memories coincide with the earliest events of the time. With his trusty narrator Nezumi Otoko (Rat Man), Mizuki brings history into the realm of the personal, making it palatable, and indeed compelling, for young audiences as well as more mature readers. As he describes the militarization that leads up to World War II, Mizuki's stance toward war is thoughtful and often downright critical--his portrayal of the Nanjing Massacre clearly paints the incident (a disputed topic within Japan) as an atrocity. Mizuki's "Showa 1926-1939" is a beautifully told history that tracks how technological developments and the country's shifting economic stability had a role in shaping Japan's foreign policy in the early twentieth century.

    This anthology draws on traditional Indian, Chinese, Japanese, and Tibetan sources as well as teachings by contemporary Buddhist masters. Among the contributors, both classical and modern, are: Ajahn Chah, Pema Chödrön, The Second Dalai Lama, Dogen, S.N. Goenka, Dainin Katagiri, Hakuyu Taizan Maezumi, Milerepa, Padmasambhava, Reginald Ray, Shunryu Suzuki, Nyanaponika Thera, Thich Nhat Hanh, Chögyam Trungpa, and Burton Watson.

    Essays, poems, photographs, and letters explore the link between Buddhism and the Beats--with previously unpublished material from several beat writers, including Jack Kerouac, Allen Ginsberg, Lawrence Ferlinghetti, Gary Snyder, and Diane diPrima.

    It brings comfort, purpose, and sense of pride. These feelings mean so much to the Christian. But are these feelings justified? Do Christians have good reason to trust the truth of their beliefs? Author J. D. Brucker brings forth a short collection of arguments against Christian beliefs, exposing the falsehoods of the faith so many all around the world cherish.

    Beginning with Adams’s startling letter to the East India Company in 1611—more than a decade after he’d arrived in Japan—Samurai William chronicles the first foray by the Westinto that mysterious closed-off land. Drawing upon the journals and letters of Adams as well as the other Englishmen who came looking for him, Samurai William presents a unique glimpse of Japan before it once again closed itself off from the worldfor another two hundred years.

    Taoism, known widely today through the teachings of the classic Tao Te Ching and the practices of t'ai chi and feng-shui, is less known for its unique traditions of meditation, physical training, magical practice, and internal alchemy. Covering all of the most important texts, figures, and events, this essential guide illuminates Taoism's extraordinarily rich history and remarkable variety of practice. A comprehensive bibliography for further study completes this valuable reference work.

    By building a rude home in the forest and eliminating desire, poet and Buddhist priest Chomei believed he would be spared the anguish that had befallen the townspeople. Yet at the end we find the author consumed with self-doubt, questioning his own sanity and the integrity of his purpose. His voice reaches out from the distant past and speaks directly to our hearts, surprisingly modern and intensely human.Author Biography: Yasuhiko Moriguchi and David Jenkins are writers, teachers, and translators living in Kyoto. Stone Bridge Press is a leading English-language publisher of Japanese literature in translation. Our ROCK SPRING COLLECTION OF JAPANESE LITERATURE features absorbing and important translations of classical and contemporary Japanese fiction and poetry. We believe that literature is a window into culture and society, and an expression of what is most peculiarly, and universally, human.

    With its appearance in the Vintage Spiritual Classic series, this definitive translation by the Western scholar of Buddhism Edward Conze is now available to a new generation of readers.

    But after three divorces, she ran away to make a life for herself in one of the largest cities in the world: Edo.In the book we experience the drama and excitement of Edo just prior to the arrival of American Commodore Perry’s fleet, which transformed Japan. During this pivotal moment in Japanese history, Tsuneno bounces from tenement to tenement, marries a masterless samurai, and eventually enters the service of a famous city magistrate. Tsuneno’s life provides a window into 19th-century Japanese culture—and a rare view of an extraordinary woman who sacrificed her family and her reputation to make a new life for herself, in defiance of social conventions.

    Out of the blue, a monastery in India for which she had raised some money contacted Burroughs and asked her to host His Holiness Penor Rinpoche, one of the highest-ranking lamas of Tibetan Buddhism, on his first visit to America. After meeting Burroughs, and observing her and her followers for a period of five days, he told her that she was a "great, great bodhisattva," and already, unbeknownst to her, practicing Buddhism. Later, in India, he officially recognized this Jewish-Italian woman from Brooklyn as the reincarnation of a sixteenth-century Tibetan saint, making her the first American woman to be named a tulku, or reborn lama.The Buddha from Brooklyn tells the complex and fascinating story of how Catharine Burroughs, now known as Jetsunma Ahkön Lhamo, embarked on a journey to build the largest Tibetan Buddhist center in America. With boundless enthusiasm but precious little formal training in Buddhist practices and traditions, Jetsunma and her students bought an estate in Poolesville, Maryland, on the outskirts of Washington, D.C., and founded Kunzang Palyul Choling (Fully Awakened Dharma Continent of Absolute Clear Light). Under Jetsunma's tutelage, the group memorized sacred texts and held all-night prayer vigils. They asked venerable Tibetan lamas to visit and give them "empowerments." Many took Buddhist vows and became monks and nuns. And as word of this remarkable place spread, others came to see the new lama for themselves and joined her community.Martha Sherrill, a writer at The Washington Post, heard about Jetsunma in 1993. She visited the center and was charmed by both its charismatic lama, the only Western woman in the male-dominated hierarchy of Tibetan Buddhism, and by the monks and nuns (all Americans) living there. They seemed, for the most part, like a remarkably happy group of people whose lives had been transformed by this exotic, imported faith—and by Jetsunma. At the beginning of The Buddha from Brooklyn, as the group is breaking ground for a sacred monument called a stupa, Sherrill commences her own journey to discover for herself what makes this unlikely lama—who enjoys clothes shopping and manicures, Motown music and Star Trek reruns—such a magnetic spiritual leader. And as the story unfolds, so do the secrets of this seemingly idyllic sanctuary.Compassionate and clear-eyed, Sherrill takes her readers on a breathtaking exploration inside the monastery at Poolesville, a place where idealistic but flawed human beings struggle with their devotion every day. She demystifies monastic life and Tibetan Buddhism, and amends the simplified view that most Americans have of this 2,500-year-old faith. Weaving together the stories of the believers into a narrative structure that is as moving and beautiful as the stupa they are building, Sherrill has created a brilliant work of investigative journalism that raises profound, provocative questions about religious faith and its price. The Buddha from Brooklyn is a monument to the miracles and failures that stem from the deepest human longings.

    Drawing on the writings and speeches of leading Zen masters and scholars, Brian Victoria shows that Zen served as a powerful foundation for the fanatical and suicidal spirit displayed by the imperial Japanese military. At the same time, the author recounts the dramatic and tragic stories of the handful of Buddhist organizations and individuals that dared to oppose Japan's march to war. He follows this history up through recent apologies by several Zen sects for their support of the war and the way support for militarism was transformed into 'corporate Zen' in postwar Japan. The second edition includes a substantive new chapter on the roots of Zen militarism and an epilogue that explores the potentially volatile mix of religion and war. With the increasing interest in Buddhism in the West, this book is as timely as it is certain to be controversial.

    Only a writer of W.G. Beasley's stature could render Japan's complicated past so concisely and elegantly. This is the history of a society and a culture with a distinct sense of itself, one of the few nations never conquered by a foreign power in historic times (until the twentieth century) and the home of the longest-reigning imperial dynasty that still survives. The Japanese have always occupied part or all of the same territory, its borders defined by the sea. They have spoken and written a common language, (once it had taken firm shape in about the tenth century) and their population has been largely homogeneous, little touched by immigration except in very early periods. Yet Japanese society and culture have changed more through time than these statements seem to imply. Developments within Japan have been greatly influenced by ideas and institutions, art and literature, imported from elsewhere. In this work Beasley, a leading authority on Japan and the author of a number of acclaimed works on Japanese history, examines the changing society and culture of Japan and considers what, apart from the land and the people, is specifically Japanese about the history of Japan.The arrival of Buddhism in the sixth century brought a substantially Chinese-style society to Japan, not only in religion but in political institutions, writing system, and the lifestyle of the ruling class. By the eleventh century the Chinese element was waning and the country was entering a long and essentially "Japanese" feudal period—with two rulers, an emperor and a Shogun—which was to last until the nineteenth century. Under the Togukawa shogunate (1600-1868), Chinese culture enjoyed something of a renaissance, though popular culture owed more to Japanese urban taste and urban wealth.In 1868 the Meiji Restoration brought to power rulers dedicated to the pursuit of national wealth and strength, and Japan became a world power. Although a bid for empire ended in disaster, the years after 1945 saw an economic miracle that brought spectacular wealth to Japan and the Japanese people, as well as the westernization of much of Japanese life.

    Important elements of early Japanese history persist in present-day Japan more tenaciously than is sometimes realized. Hane traces the key developments of Japanese history in the premodern period, including the establishment of the imperial dynasty, early influences from China and Korea, the rise of the samurai class and the establishment of feudalism, the culture and society of the long Tokugawa period, the rise of Confucianism and Shinto nationalism, and, finally, the end of Tokugawa rule.Although the book is structured around major political developments, Hane also carefully integrates the social, economic, cultural, and intellectual aspects of Japanese history. His revisions incorporate important recent scholarship on this formative period of Japan's history.

    He recounts the perilous journey of the world’s birds to the faraway peaks of Mount Qaf in search of the mysterious Simorgh, their king. Attar’s beguiling anecdotes and humor intermingle the sublime with the mundane, the spiritual with the worldly, while his poem models the soul’s escape from the mind’s rational embrace.Sholeh Wolpé re-creates for modern readers the beauty and timeless wisdom of the original Persian, in contemporary English verse and poetic prose.