They were called the Mites because they were very tiny...

    and some chapters.Includes several color reproductions of landscape paintings by Isaac Levitan mounted on pages with captions, and other photos, including a portrait photo of Esenin and his wife Isadora Duncan, American dancer (v. 2, p. [7]).

    An adaptation of a classic Russian children's poem.

    Beautifully illustrated story about the beauty and the beast, enchanted not only by an evil spell, but by love.

    Masha lives in the forest with her dog, goat, and pig and every day Masha forces the forestal animals to play with her causing them to be afraid of her. The bear tries to get rid of Masha when he catches her making a mess in his home but is unsuccessful and he learns that Masha is very resourceful, smart, and mischievous--something that causes her to get into a lot of funny situations.

    This collection contains five of his most highly regarded stories, all from his maturity, and set in a variety of Tsarist Russian milieux.Included are "The Black Monk" (1894), "The House with the Mezzanine" (1896), "The Peasants" (1897), "Gooseberries" (1898), and "The Lady with the Toy Dog" (1899). In these incisive tales, readers will discover a master of character, nuance, and setting developing the basic themes of his oeuvre: the sociological and psychological obstacles in the way of human affection and satisfactory development of the personality.

    He joins forces with Ippolit Matveyevich Vorobyaninov, a former nobleman who has returned to his hometown to find a cache of missing jewels which were hidden in some chairs that have been appropriated by the Soviet authorities. The search for the bejeweled chairs takes these unlikely heroes from the provinces to Moscow to the wilds of Soviet Georgia and the Trans-caucasus mountains; on their quest they encounter a wide variety of characters: from opportunistic Soviet bureaucrats to aging survivors of the prerevolutionary propertied classes, each one more selfish, venal, and ineffective than the one before.

    The poems are prefaced by a thoughful introduction by the poet Joseph Brodsky, a friend of Akhmatova in her later years.

    

    The young girl is strangely drawn to this drunken ruin of a man, who exploits her and drives the family to poverty. But when she is rescued by an aristocratic family, the abuse against Netochka's delicate psyche continues in a more subtle way, condemning her to remain an outsider - a solitary spectator of a glittering society. Conceived as part of a novel on a grand scale, Netochka Nezvanova remained incomplete after Dostoyevsky was exiled to Siberia for 'revolutionary activities' in 1849. With its depiction of the suffering, loneliness, madness and sin that affect both rich and poor in St Petersburg, it contains the great themes that were to dominate his later novels.

    

    It was premiered in Saint Petersburg’s Alexandrinsky Theatre on November 1, 1871, as a benefice for actor Fyodor Burdin.

    A contemporary of Anna Akhmatova, Marina Tsvetayeva, and Boris Pasternak, a touchstone for later masters such as Paul Celan and Robert Lowell, Mandelstam was a crucial instigator of the "revolution of the word" that took place in St. Petersburg, only to be crushed by the Bolshevik Revolution. Mandelstam's last poems, written in the interval between his exile to the provinces by Stalin and his death in the Gulag, are an extraordinary testament to the endurance of art in the presence of terror.This book represents a collaboration between the scholar Clarence Brown and W. S. Merwin, one of contemporary America's finest poets and translators. It also includes Mandelstam's "Conversation on Dante," an uncategorizable work of genius containing the poet's deepest reflections on the nature of the poetic process.

    I t was enthusiastically received by the Russian society and remained his least controversial and most widely-read novel until the end of the 19th century. It was turned into a movie by Andrey Konchalovsky in 1969.The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.

    Eliot for his godchildren and friends in the thirties. They have delighted generations of children since, and inspired Andrew Lloyd Webber's brilliant musical Cats.