The history of an extremist Islamic sect in the 11th-12th centuries whose terrorist methods gave the English language a new word: assassin.

    Looks at European history between 1450 and 1620, describes the intellectual life and social conditions of the period, and discusses the cultural changes that took place.

    What combination of religious fervor, hatred of people of different faiths, and gall led Europeans of 1100 A.D. to make their way thousands of miles to conquer the Holy Land? Why did they continue for 200 years? How did the Crusades change the world? The intriguing story is peppered with colorful characters. Over the centuries, this well-researched and written book argues, crusaders saw - and participated in - the evolution of warfare and the transformation of society from feudal fiefdoms to nations and empires. The story of the Crusades is a reminder, too, of the horrors wrought in the name of religion. The Crusades are seen by many Christians today as an exercise in fanaticism, an episode in which the teachings of Christ were used to justify the horrors perpetrated on innocents. That judgment is accurate, but not the whole story. The whole story is in these pages.

    Far from being meek and mild, they were violent, ruthless and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth and the light but that, by extension, every single other way was wrong and had to be destroyed. From the 1st century to the 6th, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces and their priests killed. It was an annihilation.Authoritative, vividly written and utterly compelling, this is a remarkable debut from a brilliant young historian.

    In this cogent and multifaceted introduction to the great Saint's work, Edward Feser argues that you cannot fully understand Aquinas' philosophy without his theology and vice-versa. Covering his thoughts on the soul, natural law, metaphysics, and the interaction of faith and reason, this will prove a indispensible resource for students, experts or the general reader.

    When he became involved in a conspiracy and was imprisoned in Pavia, it was to the Greek philosophers that he turned. THE CONSOLATION was written in the period leading up to his brutal execution. It is a dialogue of alternating prose and verse between the ailing prisoner and his 'nurse' Philosophy. Her instruction on the nature of fortune and happiness, good and evil, fate and free will, restore his health and bring him to enlightenment. THE CONSOLATION was extremely popular throughout medieval Europe and his ideas were influential on the thought of Chaucer and Dante.

    Saintly morsels such as bones, hair, teeth, blood, milk, and clothes, and items like the Crown of Thorns, coveted by Louis IX of France, were thought to bring the believer closer to the saint, who might intercede with God on his or her behalf. In the first comprehensive history in English of the rise of relic cults, Charles Freeman takes readers on a vivid, fast-paced journey from Constantinople to the northern Isles of Scotland over the course of a millennium.In Holy Bones, Holy Dust, Freeman illustrates that the pervasiveness and variety of relics answered very specific needs of ordinary people across a darkened Europe under threat of political upheavals, disease, and hellfire. But relics were not only venerated—they were traded, collected, lost, stolen, duplicated, and destroyed. They were bargaining chips, good business and good propaganda, politically appropriated across Europe, and even used to wield military power. Freeman examines an expansive array of relics, showing how the mania for these objects deepens our understanding of the medieval world and why these relics continue to capture our imagination.

    Grappling with grief at the death of the love of her life and partner of over forty years, the remarkable photographer Molly Malone Cook, she strives to experience sorrow as a path to spiritual progress, grief as part of loving and not its end. And within these pages she chronicles for the first time her discovery of faith, without abandoning the love of the physical world that has been a hallmark of her work for four decades. In three stunning long poems, Oliver explores the dimensions and tests the parameters of religious doctrine, asking of being good, for example, "To what purpose? / Hope of Heaven? Not that. But to enter / the other kingdom: grace, and imagination, / and the multiple sympathies: to be as a leaf, a rose,/ a dolphin."

    For nearly 2,000 years, the Christian faith has remained at or near the center of Western moral debate and conceptions of human identity, just action, and ultimate meaning. It has both shaped history and responded to history, showing an extraordinary adaptability within greatly differing cultures. Its practice and influence appears inevery land and every language, and one-third of humanity now affiliates in some way with Christianity.How did this happen? How did a persecuted sect in 1st-century Palestine rise to command such a massive influence on human culture, imagination, and spirit? How did Christianity weather the first critical stages of its historical development and attain its fundamental and enduring cultural role?Discovering the answers to these questions allows you to understand one of the most significant and integral currents of history, and to correct misconceptions about Christianity’s past; gain deep insight into the origins of Western societies, and to understand the relation of faith to politics, economics, and culture; grasp how Christian institutions, theology, and liturgy originated and developed; better comprehend the cultural present, where 7 out of 10 Americans hold Christian beliefs; and deepen your appreciation of the majestic sweep of history that Christianity’s rise represents.Speaking incisively to all of this and more, The History of Christianity: From the Disciples to the Dawn of the Reformation tells the phenomenal story of Christianity’s first 1,500 years, in all its remarkable diversity and complex dimension.In the company of popular Great Courses Professor Luke Timothy Johnson of Emory University, you follow the dramatic trajectory of Christianity from its beginnings as a “cult of Jesus” to its rise as a fervent religious movement; from its emergence as an unstoppable force within the Roman Empire to its critical role as an imperial religion; from its remarkable growth, amid divisive disputes and rivalries, to the ultimate schism between Eastern Orthodoxy and Western Catholicism; and from its spread throughout the Western world to its flowering as a culture that shaped Europe for 800 years. In 36 enthralling lectures, you meet the towering figures of Christian history, such as Paul of Tarsus, Augustine, the emperor Constantine, and Pope Gregory VII, as well as many other pivotal players—kings, popes, saints, monastic figures, scholars, and mystics. And you delve deeply into the rituals, doctrinal issues, and fascinating theological controversies that defined the faith.The History of Christianity: From the Disciples to the Dawn of the Reformation brings to life a truly epic story, giving you a multilayered knowledge of Christianity’s origins, rise, and civilization-shaping presence in our world. The Forging of a Global FaithAcross the arc of the story, you reckon with the historical and theological milestones that formed Christianity, including these seminal moments: The Jesus movement: Investigate the passionate claims of the first believers to an experience of ultimate, transforming power—and the means by which the movement exploded in the decades following Jesus’s death. Critical challenges to the faith: Witness the early Christians’ implacable commitment to the new religion, creating strong institutional and ideological structures even as they answered persecution through martyrdom and “apologetic” literature. Christianity and empire: Learn how the faith, once it was instated as the official religion by Rome, expanded geographically under imperial authority; how Christian culture developed through architecture, art, and ceremony; and how the religion became fatefully enmeshed in politics in the interface of patriarchs, popes, and emperors from Rome to Constantinople. Great controversies of theology: Dig deeply into the Trinitarian and Christological controversies that divided Christians between the 4th and 7th centuries, centering on differing conceptions of the nature of Christ and fiercely contested in the famous Councils of Nicaea, Ephesus, and Chalcedon. The rupture between East and West: Grapple with the overlapping factors of cultural distance, misunderstandings, political rivalries, and doctrinal disputes that led to the final split between Orthodoxy and Catholicism in the 11th century. The flowering of European Christendom: Experience the extraordinary richness of Christian culture in the Middle Ages, including the complex institution of monasticism, the glory of medieval cathedrals, the birth of universities, and the commanding presence of the papacy.The Rich Diversity of Christian ExperienceIn charting the remarkable rise of Christianity, you uncover the specific social and cultural realities that drove the development of the faith.Early in the course, you locate the birth of the religion—and the movement’s powerful appeal—not in the life of Jesus itself, but in the first Christians’ life-altering experience of the Resurrection. You see how early Christianity was not “one thing,” grasping its startling variety of expression through figures such as the preacher Thecla, who dressed as a man and baptized herself, and in the extreme ascetic practices and ideology of the Marcionist movement.You investigate the origins and deep influence of monasticism, its specific practices and ways of life, and you see how monasticism became the dominant formal expression of medieval Catholicism.You travel the geographic expanse of the Christian world, from Persia and Egypt to Byzantium, Rome, and the British Isles, and you glimpse the lives of ordinary Christians in all eras, from the first, embattled Christian communities in Palestine to the sophisticated Catholic culture of the Middle Ages.Faith, Politics, and CivilizationIn the course’s middle section, the formerly countercultural faith becomes the pillar of the world’s greatest military and political power. Here you grapple with the tensions and challenges of this new role, as the Roman Empire “converts” and pagan sacrifice is declared high treason. You track the rivalries of patriarchal centers, as the cities of Antioch, Alexandria, and Constantinople vie for supremacy within the imperial faith. In Byzantium, you witness the increasing intermingling of faith and politics, as the bishop Ambrose of Milan demands public repentance of the brutal emperor Theodosius I, and the emperor Justinian intervenes between factions contesting the true nature of Christ. In the “Carolingian Renaissance” of 9th-century Europe, you see how the emperor Charlemagne responded to papal patronage by sponsoring ecclesiastical reforms and supporting the Latin Mass. And you observe how the papacy—aided by royalty and monk-missionaries—became the central force in bringing the Christian message to all of Europe. Extraordinary Treasures of Christian CultureThroughout the course you observe the profoundly literary quality of this faith, taking note of the diverse Christian writings in Syriac, Coptic, and Armenian, the formulation of Christian orthodoxy in the works of Tertullian and Irenaeus,the philosophical treatises of Clement and Origen, and the scholastic theology of Abelard and Thomas Aquinas.You study the long and colorful development of Christian liturgy in the traditions of ritual, architecture, and public works. You taste the splendor and sensuality of Eastern Orthodox worship, with its ornate vestments, incense, and processions. You learn how the medieval cathedral embodied allegorical symbolism in its form, with its vaulted nave (from navis, “ship”) shaped as an inverted “ship of salvation.” And you observe the role of Christian art in the long conflict in Byzantium over the veneration of religious icons.Finally, you witness the flourishing of contemplative mysticism in the dark era of the Inquisition, and you uncover the misuses of doctrine and forms of corruption that roused the first courageous reformers, boldly anticipating the Protestant Reformation of the 16th century. A Story for the Ages, Masterfully ToldIn recounting the astonishing narrative of Christianity’s unfolding, Professor Johnson draws on his own background as a passionate participant in this tradition, both as a former Benedictine monk and as a world-class scholar. In his powerful and evocative words, this grand tapestry of history comes vibrantly alive as he takes you to the defining moments of Christianity’s past.In The History of Christianity: From the Disciples to the Dawn of the Reformation, you’ll look deeply into the nature and role of faith, the ethos of our civilization, and the core conceptions of identity and ethics that underlie the Western worldview. This is history in the most vivid and meaningful sense of the word: an inquiry into the past that opens a compelling awareness of our present—of our living origins, our ultimate horizons, our deeper selves.

    "A Christian should use these arts to the glory of God, not just as tracts, mind you, but as things of beauty to the praise of God." Many Christians, wary of creating graven images, have steered clear of artistic creativity. But the Bible offers a robust affirmation of the arts. The human impulse to create reflects our being created in the image of a creator God. Art and the Bible has been a foundational work for generations of Christians in the arts. In this book's classic essays, Francis Schaeffer first examines the scriptural record of the use of various art forms, and then establishes a Christian perspective on art. With clarity and vigor, Schaeffer explains why "the Christian is the one whose imagination should fly beyond the stars.

    Drawing on Vogue’s exceptional archive, this book focuses on the work of eight of the magazine’s legendary fashion editors (including Polly Mellen, Babs Simpson, and Grace Coddington) who collaborated with photographers, stylists, and designers to create the images that have had an indelible impact on the fashion world and beyond. Featuring the work of world-renowned photographers such as Richard Avedon, Irving Penn, and Annie Leibovitz and model/muses, including Marilyn Monroe, Verushka, and Linda Evangelista, The Editor’s Eye is a lavishly illustrated look at the visionary editors whose works continue to reverberate in the culture today.Praise for Vogue: The Editor's Eye:Selected in “Guide to coffee table books as holiday gifts.” —Associated Press“What makes a great fashion image? A new book, The Editor’s Eye, celebrates the work of Vogue’s boundary-pushing fashion editors.” —Vogue“Vogue: The Editor’s Eye is the perfect gift book for anyone with an interest in fashion or photography or brilliant book design. No electronic tablet yet created can duplicate the sheer visual pleasure of paging through this gorgeous book.” —Connecticut Post“Told via in-depth interviews with each of these visionaries, Vogue: The Editor’s Eye gives a glimpse into the process, proving that the magazine’s cutting-edge fashion spreads are as much about editorial point of view as they are about model-photographer-designer collaboration.” —BookPage.com“Vogue: The Editor’s Eye tells how the vision, creativity (and let’s not forget lavish budgets) possessed by eight fashion editors from 1947 to the present have produced the striking layouts that are the magazine's signature.” —The Denver Post

    Though his name may be familiar to all of us, his work has been habitually detested and forced into obscurity. Not only was his theatrical realism unfashionable in his time, but his sacrilegious subject matter and use of lower class models were violently scorned. Michelangelo Mirisi de Caravaggio lived a life riddled with crime and scandal, producing a body of work that wouldn't be appreciated until centuries after his mysterious death. Though his body was never found, he is assumed to have been murdered by ruffians on a beach south of Rome-a fate strangely similar to that of controversial Italian director Pier Paolo Pasolini who was, like Caravaggio, a homosexual.Caravaggio's reputation was decidedly poor during his lifetime; sometimes rich, sometimes penniless, when he wasn't in prison he was running away from the police or his enemies. Perhaps no other painter has suffered such injustice: his works were often attributed to more respected painters while he was given the credit for just about anything vulgar painted in the chiaroscuro style. Caravaggio's great work had the misfortune of enduring centuries of disrepute. It wasn't until the end of the 19th century that he was rediscovered and, quite posthumously, deemed a great master.

    Francis of Assisi and Islamic leader Sultan Malik Al-Kamil that has strong resonance in today's divided world. For many of us, St. Francis of Assisi is known as a poor monk and a lover of animals. However, these images are sadly incomplete, because they ignore an equally important and more challenging aspect of his life -- his unwavering commitment to seeking peace. In The Saint and the Sultan, Paul Moses recovers Francis' s message of peace through the largely forgotten story of his daring mission to end the crusades.In 1219, as the Fifth Crusade was being fought, Francis crossed enemy lines to gain an audience with Malik al-Kamil, the Sultan of Egypt. The two talked of war and peace and faith and when Francis returned home, he proposed that his Order of the Friars Minor live peaceably among the followers of Islam–a revolutionary call at a moment when Christendom pinned its hopes for converting Muslims on the battlefield. The Saint and the Sultan captures the lives of St. Francis and Sultan al-Kamil and illuminates the political intrigue and religious fervor of their time. In the process, it reveals a startlingly timely story of interfaith conflict, war, and the search for peace. More than simply a dramatic adventure, though it does not lack for colorful saints and sinners, loyalty and betrayal, and thrilling Crusade narrative, The Saint and the Sultan brings to life an episode of deep relevance for all who seek to find peace between the West and the Islamic world.Winner of the 2010 Catholic Press Association Book Award for History

    Saint Francis of Assisi is quite possibly the most popular of all Christian saints. Perhaps it is his adoration for all living things or his unrelenting generosity that has made so many people open their hearts to him. Perhaps it is the deep conviction and piety expressed not only by the saint himself, but in his name, in the Franciscan orders throughout the centuries.Whatever the reason, in a world that is quickly developing in a direction diametrically opposite to the saint's own simple asceticism, Saint Francis of Assisi still stirs strong emotions and compassion. How close he found God, in the very nature around him, is inspiring.All books in The Life and Prayers series come complete with a Touch-or-Click Table of Contents, divided by each section. Enjoy.