These dirty tricks range from the simple to the elaborate, including more sophisticated schemes devised by CIA and Mafia members and political dirty tricksters. For entertainment purposes only.

    Marina Abramovic: The Artist Is Present accompanies an exhibition at The Museum of Modern Art that documents approximately 50 of the artist's ephemeral time- and media-based works from throughout her career. The book also discusses a unique element of the Museum's retrospective, live performance: a new work created for the occasion, and performed by Abramovic herself; and re-creations of the artist's works by other performers-the first such to be undertaken in a museum setting. The book spans over four decades of Abramovic's early interventions and sound pieces, video works, installations, photographs, solo performances and collaborative performances made with the Dutch artist Ulay (Uwe Laysiepen). Essays by Klaus Biesenbach, Chief Curator of Media and performance art at MoMA, and four distinguished scholars examine Abramovic's ideas of time, duration and the reperformance of performance art as a way to extend it into posterity. The Artist Is Present also includes a CD with audio commentary by the artist that guides the reader through the publication. The artist is present not only in the exhibition but also in the experience of the book.Born in Belgrade just after the end of the Second World War, Marina Abramovic was raised in the Serbian Orthodox Church (her great uncle was a Patriarch and a canonized saint in the Church) and left Yugoslavia in 1976, having already established herself as a performance artist, living in Amsterdam and eventually New York, where she presently lives.

    Rejected by his family, hounded by society for his interest in young girls, he expressed through his art a deep and bewildering loneliness and an obsession with sexuality, death and decay. He was only twenty-eight when he died, yet he left behind him a body of work that sustains a huge public reputation--and a myth. This book sets out to examine both. 151 illus., 20 in color.

    But a courageous and visionary young woman-Katharine Kuh-defied the odds and opened a gallery in Chicago, where she exhibited such relatively unknown artists as Fernand L ger, Paul Klee, Joan Mir, Ansel Adams, Marc Chagall, and Alexander Calder, to name but a few. Not only did Kuh survive these rocky early years but most of the artists became increasingly famous. In 1954, the Art Institute of Chicago named her its first curator of modern painting and sculpture. Kuh's prestigious position at the museum led to friendships with Marcel Duchamp, Mark Rothko, Mies van der Rohe, and Edward Hopper. In writing her memoir, she hoped to offer intimate portraits of these luminaries and contribute to a fuller understanding of their achievements. Her book also reveals how and why America became a major force in the world of contemporary art.After Katharine Kuh's death, Avis Berman-noted art historian and Kuh's close friend and literary executor-selected, edited, and completed her writings for this book.

    This monograph follows Van Gogh between 1886 and 1890, from Holland to Paris, where his palette was brightened with impressionistic colour, to Arles and his still-mysterious friendship with Gauguin.

    Learn how to safely dehydrate and store the food you grow, catch and buy. Food drying is made simple using the techniques laid out in this book.Topics covered in this book include the following:- The benefits of food drying.- The nutritional value of dried foods.- How to keep dried foods safe by following the Golden Rules of Food Dehydration.- All of the safe food drying methods are covered, including oven-drying, sun-drying, commercial dryers and freeze-drying.- How to pre-treat food before you dry it for best results.- How to dry fruits, vegetables, meats, fish and herbs and spices.Regardless of whether you're a food drying novice or a seasoned vet, there's something in this book for you. Buy it now and learn everything you need to know to get started drying foods.

    But the more he tries to forget, the more uprooted he feels. Then, while in Jamaica, he crosses paths with a radiant woman who attracts him like a flame. Their undeniable attraction is much more than chemistry. As Carey soon discovers from a “reader” of the spirit world, he and Frances share a history that has linked their souls for more than four hundred years. Though Carey views past lives with skepticism, he cannot explain knowing the language of an ancient African people—in particular the phrase: “Mulewe anekoso kuduwe bana” (“I will search until I find you”).Yet Frances conceals secrets of her own, with devastating consequences. And while Carey visits his best friend, a bond that was once thought to be unbreakable will be put to the ultimate test as startling truths at last emerge. . . .

    Thomas Dixon. The firefighter who swept me off my feet. Strong arms, quick-witted, and scorchingly hot. But another nightmare followed right after I was rescued. Debt. And he's offering to save me again. The plan is simple. We'd live together...temporarily, of course. With a clear set of rules. No sleeping in the same bed. No long hugs. And definitely no cute names. Something tells me these rules won't stick. My fragile heart can't ignore his heated touch. The distance between us is brutal. I shouldn't give in. But if I do... Then he might just be the hottest mistake I'll ever make.

    When his lusty cousin, Padraic Starr, arrives from Galway on a mission for the Irish rebellion, Tom's world unravels.Padraic convinces Tom to return to his homeland to join the cause and avenge his father's death. Padraic's convictions also inspire Rachel, a fervent Zionist, who finds herself powerfully drawn to him. All three set sail for Ireland loaded with guns and ammunition. On Easter Sunday 1916, love, loyalty, and history collide in violence that will change their lives forever.

    Composition is the harmonious arranging of the component parts of a work of art into a unified whole. Henry Poore examines the works of old masters and moderns in this book and uses these examples to explain the principles of compositions in art.All the paintings that the author analyzes are illustrated in the text — 166 illustrations, including 9 in full color. Thirty-two diagrams by the author accompany his textural discussion of such topics as the importance of balance, entrance and exit, circular observation, angular composition, composition with one or more units, and light and shade. Balance is the most important of these topics, and it is considered in the greatest detail — balance of the steelyard, vertical and horizontal balance, and so on. A complete index enables the reader to locate his own specific areas of interest.To see how a painting by Cézanne, Goya, or Hopper, for example, follows definite principles of composition allows the practicing artist or art student to learn composition from the finest instructors — the artists themselves. This book is also very useful to the art devotee, who will find his appreciation of the subject greatly enhanced.

    Jerry Remy's name and face are already known to millions of fans. Every night during the baseball season, 400,000 or more households tune in to listen to his broadcast of the Red Sox game. But fans learned to love him years ago, when he was traded to the Red Sox in 1978, earning a trip to the All-Star Game in his first year with the team; Remy hit .278, scored eighty-seven runs, and stole thirty bases. Injured in 1984, Remy never played another game. In 1988, he began his work as an announcer, working color commentary for Red Sox broadcasts on NESN, which is a basic cable channel throughout New England and available by satellite across the country. He covers more than 150 games per season for NESN and broadcast television, plus regular assignments on the national Fox Game of the Week. But the best part of Jerry Remy is his easy style: listeners feel like they're having a beer with a friend while they're watching the game.If spectators just follow the ball, they are missing much of the game. Baseball is a lot more complex than that. Everyone talks about second-guessing the manager; and there's a lot of fun in that for everyone except the manager. Those opinions can be heard all day on the sports talk shows and read in the newspaper columns. But if the people are really going to get into the game, they need to start first-guessing. That's what this book is all about.

    

    In a book that spans the years from the wild speculation of the late 1980s to the recession of the 1990s, Polsky, himself a private dealer, takes his readers on a funny, fast-paced tour through an industry characterized by humor, hypocrisy, greed, and gossip.

    And he’s probably the sexiest man in the entire city, if not the country. He also happens to be a total loose cannon, and I happen to have had his mouth between my legs before we’ve even been formally introduced. That’s right, sweet Midwestern girl Savannah Shaw hooked up with a complete and total stranger on her first night away from home. And the worst part of it is, it was also the hottest night of my life. But things are never that simple. Flynn Taylor is off-limits for a whole host of reasons, and continuing to see him, even in secret, threatens to turn my whole life upside down and destroy everything I’ve been working toward these last few years. The trouble is, I can’t seem to stay away from him. Even though I know everything about him is wrong, when he touches me it feels so right. I guess it’s true what they say. It’s not the size of the stick, but how you handle it that matters. And Flynn Taylor has a big, hard stick, and he also knows exactly what to do to score. And score. And score again… HARD STICK is a full-length romance with a guaranteed HEA

    Her "floating abstractions," in which lines and free bands of color emerge almost imperceptibly, can be reproduced only with difficulty. Her writings, on the other hand--although certainly not intended as programmatic statements--offer valuable clarity regarding her own works and poetic insight about art in general. Since its original publication in 1991, this volume of Martin's writings has been a fundamental document for libraries of artists, collectors, and critics. Rather than identifying herself with her Minimalist peers, Martin has aligned herself with the ancient Greeks, Egyptians, and Chinese, asserting that "the function of art work is . . . the renewal of memories of moments of perfection." In combination with illustrations of her works, these texts--including lectures, stories recorded by critic Ann Wilson, passages ostensibly arranged in associative sequences, and "fragmentary ideas"--form an eloquent artist's statement by the creator of "silent paintings."