G. Wodehouse Biography NovelsThe Adventures of SallyThe Clicking of CuthbertA Damsel in DistressThe Coming of BillThe Gem CollectorThe Girl on the BoatThe Gold BatThe Head of Kay'sIndiscretions of ArchieThe Intrusion of JimmyJill the Reckless or The Little WarriorThe Little NuggetLove Among the Chickens Illustrated by Armand BothMike Illustrated by T. M. R. WhitwellMike and PsmithA Man of MeansMy Man JeevesNot George Washington. An Autobiographical NovelPiccadilly JimThe PothuntersA Prefect's UncleThe Prince and BettyPsmith in the CityPsmith, JournalistRight Ho, JeevesSomething NewThe Swoop! or How Clarence Saved EnglandTales of St. Austin'sThree Men and a MaidUneasy MoneyThe White FeatherWilliam Tell Told Again Illustrated by Philip Dadd Stories Collections Death At The ExcelsiorJeeves Takes Charge and Other Stories The Man Upstairs and Other StoriesThe Man With Two Left Feet And Other StoriesThe Politeness of Princes and Other School Stories StoriesAhead of Schedule Archibald's BenefitAt Geisenheimer's The Autograph Hunters The Best SauceBill the BloodhoundBlack for LuckBy Advice of Counsel Concealed Art A Corner in Lines Crowned Heads Death at the ExcelsiorDeep WatersDisentangling Old Duggie Extricating Young Gussie The Goal-Keeper and the Plutocrat The Good Angel The Guardian An International Affair In AlcalaJeeves and the Chump Cyril Jeeves in the Springtime Jeeves Takes Charge The Making of Mac's The Man, the Maid, and the Miasma The Man with Two Left FeetThe Man Upstairs The Man Who Disliked CatsThe Mixer Misunderstood One Touch of Nature Out of School Pillingshot, Detective The Politeness of Princes Pots O'Money The Romance of an Ugly Policeman Rough-Hew Them How We WillRuth in Exile A Sea of Troubles Shields' And the Cricket Cup Sir Agravaine a Tale of King Arthur's Round Table Something to Worry About The Test Case Tom, Dick, and Harry Three from Dunsterville The Tuppenny Millionaire When Doctors Disagree When Papa Swore in Hindustani Wilton's Holiday ArticlesSome Aspects of Game-Captaincy An Unfinished Collection The New AdvertisingThe Secret Pleasures of Reginald My Battle with Drink In Defense of AstigmatismPhotographers and Me A Plea for Indoor Golf The Alarming Spread of Poetry My Life As a Dramatic Critic The Agonies of Writing a Musical Comedy On the Writing of Lyrics The Past Theatrical Season PoemsDamon and Pythias The Haunted Tram

    It begins with six children--three boys and three girls--playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.

    No Fear Shakespeare gives you the complete text of The Tempest on the left-hand page, side-by-side with an easy-to-understand translation on the right. Each No Fear Shakespeare contains The complete text of the original play A line-by-line translation that puts Shakespeare into everyday language A complete list of characters with descriptions Plenty of helpful commentary

    Star-crossed lovers—Romeo and Juliet. A street brawl and a masquerade ball. Comedy and tragedy. Murder and revenge.  True romance. A secret marriage. A double suicide. This manga edition features a four-page introduction that sets the stage and a text that’s abridged, but retains Shakespeare’s original language, setting, and time. Packed with action and emotion, it is the ideal way to explore Shakespeare’s timeless themes and appreciate his immortal love scenes.

    Moving from street corner to living room, from bedroom to kitchen, we meet the inhabitants of young, middle-aged, and old, glimpsing their socially and emotionally wretched lives, in this sharp, sad, funny, and angry play.

    The audience was scandalized by this revolutionary satire, developed from a schoolboy farce, which began with a four-letter word, defied all the traditions of the stage, and ridiculed the established values of bourgeois society.Barbara Wright’s witty translation of this riotous work is accompanied with drawings by Franciszka Themerson. Two previously untranslated essays in which Jarry explains his theories of the drama have also been included.

    Nowhere is this more evident than in his latest play, Book of Days, which has won the Best Play Award from the American Theater Critics Association. Book of Days is set in a small town dominated by a cheese plant, a fundamentalist church, and a community theater. When the owner of the cheese plant dies mysteriously in a hunting accident, Ruth, his bookkeeper, suspects murder. Cast as Joan of Arc in a local production of George Bernard Shaw's St. Joan, Ruth takes on the attributes of her fictional character and launches into a one-woman campaign to see justice done. In Book of Days, Lanford Wilson uses note-perfect language to create characters who are remarkable both for their comic turns and for their enormous depth. "Mr. Wilson's cosmic consciousness, intense moral concern, sense of human redemption and romantic effusion have climbed to a new peak." -- Alvin Klein, The New York Times; "A significant addition to the Lanford Wilson canon . . . his best work since Fifth of July . . . Book of Days manages to combine Wilson's signature character-based whimsy with an atypically strong narrative book and politically charged underpinnings." -- Chris Jones, Variety; "Book of Days is lively storytelling by one of our best playwrights." -- Lawrence DeVine, Detroit Free Press.

    Booklet bought for a college class. No internal marking. Looks "like new". Please ask if questions.

    Artificial, irreverent, and bawdy, the Restoration theatre came as a violent reaction to the strict ordinance of the Commonwealth.

    This edition offers his five major plays, which show the radicalism and vitality of his writing in the few years before his violent death. Tamburlaine Part One and Part Two deal with the rise to world prominence of the great Scythian shepherd-robber; The Jew of Malta is a drama of villainy and revenge; Edward II was to influence Shakespeare's Richard II. Doctor Faustus, perhaps the first drama taken from the medieval legend of a man who sells his soul to the devil, is here in both its A- and its B- text, showing the enormous and fascinating differences between the two. Under the General Editorship of Dr. Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction and detailed annotation.

    

    Scott Fitzgerald's romantic and witty first novel, was written when the author was only twenty-three years old. This semi-autobiographical story of the handsome, indulged, and idealistic Princeton student Amory Blaine received critical raves and catapulted Fitzgerald to instant fame. Now, readers can enjoy the newly edited, authorized version of this early classic of the Jazz Age, based on Fitzgerald's original manuscript. In this definitive text, This Side of Paradise captures the rhythms and romance of Fitzgerald's youth and offers a poignant portrait of the "Lost Generation."

    

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Just before his works are celebrated at an exhibition in London, Jonathan journeys to the village where his former lover, Patricia, lives with her British husband, Nick. Archaeologists working on a dig, their spare existence is spent sifting through a Roman rubbish heap to discover the past. In their cold, remote house, Jonathan discovers an early painting of Patricia he'd done when they were young lovers. The subsequent struggle for the painting embodies the unreconciled passions of the past. Patricia has never forgiven Jonathan for leaving her, Nick despises Jonathan and the kind of art he produces, and Jonathan has never been able to recapture the inspiration and purity he felt when he painted Patricia. In taut scenes that dart from past to present and back, the characters are forced to deal with the unanswerable question of anti-Semitism, the legacy of the Holocaust and assimilation, the sadness of lost love, the role of the artist and the location of the human soul at the end of a ragged century.