In a tour de force that could be described as Altmanesque, we are invited into the private lives of the residents of a quiet urban street in England over the course of a single day. In delicate, intricately observed closeup, we witness the hopes, fears, and unspoken despairs of a diverse community: the man with painfully scarred hands who tried in vain to save his wife from a burning house and who must now care for his young daughter alone; a group of young clubgoers just home from an all-night rave, sweetly high and mulling over vague dreams; the nervous young man at number 18 who collects weird urban junk and is haunted by the specter of unrequited love. The tranquillity of the street is shattered at day's end when a terrible accident occurs. This tragedy and an utterly surprising twist provide the momentum for the book. But it is the author's exquisite rendering of the ordinary, the everyday, that gives this novel its freshness, its sense of beauty, wonder, and hope. Rarely does a writer appear with so much music and poetry -- so much vision -- that he can make the world seem new.

    Already the worthy recipient of a Pushcart Prize, a Whiting Writer's Award, and a Stegner Fellowship, Tenorio brilliantly explores the need to find connections, the melancholy of isolation, and the sometimes suffocating ties of family in tales that range from a California army base to a steamy moviehouse in Manilla, to the dangerous false glitter of Hollywood.

    It is played by the light of ten tea light candles which provide atmosphere, act as a countdown timer for the game, and allow you to literally burn your character sheet away as you play. Ten Candles is described as a "tragic horror" game rather than survival horror for one main reason: in Ten Candles there are no survivors. In the final scene of the game, when only one candle remains, all of the characters will die. In this, Ten Candles is not a game about "winning" or beating the monsters. Instead, it is a game about what happens in the dark, and about those who try to survive within it. It is a game about being pushed to the brink of madness and despair, searching for hope in a hopeless world, and trying to do something meaningful with your final few hours left. Ten Candles may be played with any number of players and one gamemaster. It takes between 2-4 hours for an average session. While there are some components that need to be gathered to run a game (such as ten tea light candles), the game requires no addition preparation by the gamemaster. The setting of Ten Candles will change game to game as the gamemaster selects different "modules" to run for an ever-changing lineup of doomed characters and scenarios for them to play within. The antagonists of the game also change, leaving you to fight nightmares in one session only to fight sentient shadows, bloodthirsty clowns, or the gods themselves in the next. Every session of Ten Candles is unique and will present an entirely new tragic story for you to tell.The standard setting of Ten Candles is this: Ten days ago the world went dark. The sky betrayed you. The sun vanished. The fall into chaos was sudden and predictable. The world was filled with riots and fear. You were told that the sun was not gone, and that it was still out there beyond that black sky. Order returned. Five days ago, They came. Now the lights flicker low and the dark is where They hunt. Now you can hear the screams. Now They're coming for you. Keep moving. Don't lose hope. And stay in the light.

    People are puzzled how she can spontaneously make them laugh in the midst of national policy crises, and of real danger to her life as a corruption fighter.This book is a collection of jokes, one-liners, pick-up lines, conebacks and speeches delivered and/or curated by the beloved Senator. Also, inside are illustrations by Cj de Silva-Ong, Manix Abrera, Elbert Or, Rob Cham and more of the Philippines' best young illustrators.

    Mosquito blends autobiography and poetry, bearing witness to a young man’s journey through serious illness and his emergence into a world where eroticism, hope, and wisdom allow him to see life in a wholly new way. Mosquito is a resilient meditation that is as much Zen as it is explosive, as clinical as it is philosophical and lyrical.

    Calvin Trillin employs everything from a Gilbert and Sullivan style, for describing George Bush’s rescue in the South Carolina primary by the Christian Right (“I am, when all is said and done, a Robertson Republican”), to a bilingual approach, when commenting on the President’s casual acknowledgment, after months of trying to persuade the nation otherwise, that there was never any evidence of Iraqi involvement in 9/11: “The Web may say, or maybe Lexis-Nexis / If chutzpa is a word they use in Texas.”Trillin deals not only with George W. Bush but with the people around him—Supreme Commander Karl Rove and Condoleezza (Mushroom Cloud) Rice and Nanny Dick Cheney (“One mystery I’ve tried to disentangle: / Why Cheney’s head is always at an angle . . .”) The armchair warriors Trillin refers to as the Sissy Hawk Brigade are celebrated in such poems as “Richard Perle: Whose Fault Is He?” and “A Sissy Hawk Cheer” (“All-out war is still our druthers— / Fiercely fought, and fought by others.”).Trillin may never be poet laureate—certainly not while George W. Bush is in office—but his wit and his political insight produce what has been called “doggerel for the ages.”

    As in much of his earlier work, the poems are gentle, beautiful, alternatelylonely and happy, but these are poems unlike any the author has written before. They speak directly to man's uniquelyu human condition -- his wants, his solitude, and, most of all, his desire to be understood. But most importantly, these poems represent a new and different kind of McKuen writing -- more mature, more compassionate and more deeply in touch with both public and private feelings.

    And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it's even there when you thought you were searching for something else, like an escape route, or your lover's face.How does one talk about love? Do we even have the right words to describe something that can be both utterly mundane and completely transcendent, pulling us out of our everyday lives and making us feel a part of something greater than ourselves? Taking a unique approach to this problem, the nameless narrator of David Levithan's The Lover's Dictionary has constructed the story of his relationship as a dictionary. Through these short entries, he provides an intimate window into the great events and quotidian trifles of being within a couple, giving us an indelible and deeply moving portrait of love in our time.

    It is the people living in it that are ugly."For centuries it has been tradition for the child of a noble to receive a Noye, a slave, as their coming of age present for their 21st birthday. Although it is only Hana Acacia's 18th birthday, her father has deemed it appropriate to grant her with the one thing she dreads the most, a Noye. Hana has lived her life categorizing everything she has ever encountered into either being beautiful or hideous - but with an exceptional twist; she doesn't judge on appearance, but instead by what each individual holds within. That is why, despite his rough hair, harsh eyes, and faded scars, Sean Ambrosia is the most beautiful thing Hana has ever laid her eyes on.

    What is form's time? Here the form of life called a poem speaks with the body's mortality, its thickness, its play. The 10 poem-sequences in 3 Summers inflect a history of textual voices — Lucretius, Marx, Aby Warburg, Deleuze, the Sogdian Sutras — in a lyricism that insists on analysis and revolt, as well as the pleasures of description. The poet explores the mysterious oddness of the body, its languor and persistence, to test how it shapes the materiality of thinking, which includes rivers and forests. But in these poems' landscapes, the time of nature is inherently political. Now only time is wild, and only time — embodied here in Lisa Robertson’s forceful cadences — can tell.‘Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully.’—The New York Times‘Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture.’— The Village VoiceLisa Robertson's books include Cinema of the Present, Debbie: An Epic, The Men, The Weather, R's Boat and Occasional Works and Seven Walks from the Office for Soft Architecture. Lisa Robertson's Magenta Soul Whip was named one of The New York Times' 100 Notable Books. She lives in France.

    The exquisitely rendered poems in this, her fourth collection, reach back to an early affinity for proverbs and riddles and the proto-poetry found in those forms. Taking on epic subjects—time and memory, metamorphosis and indeterminacy, the complicated nature of beauty, wordless states of being—each poem explores a bright, crisp, singular moment of awareness or shock or revelation.  Purpura reminds us that short poems, never merely brief nor fragmentary, can transcend their size, like small dogs, espresso, a drop of mercury.From the Trade Paperback edition.

    Hunters have declared all out war on those with magic in their blood and everyone has been caught in the crossfire.But Hunters, it would seem, are far from the world's biggest threat.A dark evil has been unleashed. One driven by wrath and an insatiable hunger for vengeance.And the fate of the world and all those in it rest in a single pair hands.The final spell has begun.The end draws near.And Lilly Hooper's fate has been sealed.Volume three brings the gripping, dark and intense Last Witch trilogy to its climax.Get ready. This is no fairy tale.

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    K. Rowling, Harry Potter and the Chamber of Secrets. The film was released on 15 November 2002 in the UK and North America and 28 November in AUS. Returning to work on the film were director Chris Columbus, screenwriter Steven Kloves, and producer David Heyman. Most of the major cast and crew from Philosopher's Stone (known as Sorcerer's Stone in the United States) returned for Chamber of Secrets, including child stars Daniel Radcliffe, Emma Watson, and Rupert Grint. However, it was the last appearance by Richard Harris as Dumbledore and the last Harry Potter film directed by Columbus. New key actors included Kenneth Branagh as Gilderoy Lockhart and Jason Isaacs as Lucius Malfoy.

    A fatal trap. A daring quest."I woke to the flash of counter coordinates and a rush of adrenalin. Suddenly, it hit me. I was a pawn in someone’s game of chess, and I’d just been moved. Master Archidus required my services. I was a Keeper—the Protector, to be specific. I hadn’t wanted this, but I wouldn’t shun my duties, either. The other Keeper’s life wasn’t the only one at stake." —Chase HarperAfter a turbulent start to his senior year, Chase expects his life to returnto normal now that Ellie Williams is back. But when a Sniffer’s trap leads him on a journey spanning two worlds, he soon realizes things aren’t always what they seem. Will his calling as Keeper require a sacrifice he isn’t willing to make?