Trouble is, Crocodile is hungry, too—for Monkey! Will clever Monkey come up with a way to get the mangoes and escape Crocodile's sharp teeth? Master storyteller and artist Gerald McDermott brings the vibrant colors of India to his telling of this classic trickster tale, which has plenty of cleverness and a sprinkling of mischief.

    Magnificent, original full-page and spot illustrations by Stephane Poulin enhance the text.

    Twice the clever little monkey foils the attempts of the crocodile to capture him.

    Within a few years Sally is off to the frontier, where she stuns a hungry grizzly bear, makes a lasso out of six rattlesnakes, and is more than a match for the mighty Mike Fink. And when Sally Ann rescues Davy Crockett from a pair of ferocious eagles, even her hornet's-nest bonnet and skunk perfume don't stop him from proposing marriage.You won't find Sally Ann in any history book, but that hasn't kept her from becoming an authentic American frontier legend and the unforgettable heroine of Steven Kellogg's most delightfully rip-roaring tall tale.

    Magic was a part of everyday life for Kirk and his fellow Highlanders, and this remarkable book offers rare glimpses into their enchanted realm.Left in manuscript form upon the author's death in 1692, this volume was first published in 1815 at the behest of Sir Walter Scott. In 1893, the distinguished folklorist Andrew Lang re-edited the work. Lang's introduction to Kirk's extraordinary blend of science, religion, and superstition is included in this edition. For many years, The Secret Commonwealth was hard to find — available, if at all, only in scholarly editions. Academicians as well as lovers of myths and legends will prize this authoritative but inexpensive edition.

    The first is that he died. The second is that he didn't stay dead. Now he's hunted by the Church, the cult that revived him, and Her Majesty's Department of Ethereal Affairs. Gilbert must keep his head long enough to save London, the Queen, and his brassy and opinionated mother from the forces of evil and good alike.

    The next stage of the ecological revolution begins with the reawakening of the male counterpart of the Goddess, the Green Man, and archetype found in folklore and religious art from the earliest times, and especially linked with Christian origins of modern science. Long suppressed, the archetype emerges now to challenge us to heal our relationship with nature.

    When they raided a village it was the babies they stole. In a delightful retelling of the folktale, Judy Sierra has added a feminist twist in the person of a fearless young heroine, determined to stop them. Little Urikohme, or Melon Princess, was born inside a watermelon and has no bellybutton. She travels to the Onis' fortress island, and with the help of some animal friends, rescues the babies, leaving the Onis crying for mercy. A wonderful short tale to read aloud, children will gleefully join in the Onis' chant and cheer at the triumph of small over large. In cleverly inspired watercolors, Meilo So outfits the Melon Princess in a watermelon-designed kimono and her humorous depiction of the oversized bullies is sure to elicit giggles. An author's note discusses the origin of the tale and its place in Japanese folklore.

    One artist falls in love with a local Orkney woman and leaves a token of his love in the chapel. It is still there today and, until now, no-one has ever known its true meaning . . .

    In this collection of mostly nineteenth-century folk and fairy tales, Ethel Johnston Phelps's heroines successfully portray women as being spirited, courageous and smart. This type of heroine is not easily found in most collections; in most traditional folk and fairy tales we encounter women are portrayed as being good, obedient, submissive, and, of course, beautiful. These women—and girls—are resourceful; they take action to solve a problem and use cleverness or shrewd common sense to solve the dilemmas they face.The tales themselves are part of an oral tradition that document a generation according to the values of the time. Phelps has given these older tales a fresh, contemporary retelling for a new generation of readers, young and old. She shapes each story—adding or omitting details—to reflect her sense of a feminist folk or fairy tale. The twenty-one tales collected represent a wide variety of countries; approximately seventeen ethnic cultures from North America to Europe to Asia tell a story in which women play a leading or crucial role in the story.

    Wicked old hags, clever leprechauns, courageous tailors, evil giants, and other characters come to life in such fanciful yarns as "Hudden and Dudden and Donald O'Neary," "Conal and Donal and Taig," "The Old Hag's Long Leather Bag," "The Field of Boliauns," "The Sprightly Tailor," “The Giant’s Stairs,” “The Bee, the Harp, the Mouse, and the Bum-Clock,” and “The Black Horse.” Reset in large, easy-to-read type, with six illustrations, these beloved stories from the Emerald Isle will delight readers of any age with their warmth, whimsy, and sly humor.

    But slicing the bitterleaf, grinding the pumpkin, measuring out the shrimp--it just takes too long. Yoyo is confident that her variation on the stew will be good enough.As Mama C�cile and Yoyo set off to market, Mama reminds Yoyo what will happen if she refuses a fair price for the stew--Brother Coin, the Great Spirit of the Market, will put a curse on their market bowl. When Yoyo refuses to heed Mama's advice, she is faced with the task of trying to regain a blessing from the god himself.An original folktale set in modern-day Cameroon, THE MARKET BOWL teaches readers a lesson about patience, humility, and the value of a fair price. Back matter includes further information about Cameroon and its people and traditions as well as a recipe for ndol�--Cameroon's national food dish.

    Among the captives sold into slavery in Algiers were the island pastor, his wife and their three children. Although the raid itself is well documented, little is known about what happened to the women and children afterwards. It was a time when women everywhere were largely silent.In this brilliant reimagining, Sally Magnusson gives a voice to Ásta, the pastor's wife. Enslaved in an alien Arab culture Ásta meets the loss of both her freedom and her children with the one thing she has brought from home: the stories in her head. Steeped in the sagas and folk tales of her northern homeland, she finds herself experiencing not just the separations and agonies of captivity, but the reassessments that come in any age when intelligent eyes are opened to other lives, other cultures and other kinds of loving.The Sealwoman's Gift is about the eternal power of storytelling to help us survive. The novel is full of stories - Icelandic ones told to fend off a slave-owner's advances, Arabian ones to help an old man die. And there are others, too: the stories we tell ourselves to protect our minds from what cannot otherwise be borne, the stories we need to make us happy.

    Bloomsbury Review listed the original English-only edition as one of their fifteen all-time favorite children’s books. Our bilingual edition has all the original stories as they have evolved in the last twenty years of Joe’s storytelling. It also has new illustrations by award-winning artist Antonio Castro. Storytellers have been telling these stories in the villages of New Mexico since the Spanish first came to the New World over four hundred years ago, but Joe always adds his own nuances for modern audiences. The tales are full of magic and fun. In the title story, for instance, a very clever woman saves her silly husband from a band of robbers. She makes the old man believe it snowed tortillas during the night! In another story, a young boy gladly gives up all of his wages for good advice. His parents think he is a fool, but the good advice leads to wealth and a royal marriage. The enchantment continues in story after story—a clever thief tricks a king for his kingdom and a prince finds his beloved in a house full of wicked step-sisters. And of course, we listen again to the ancient tale of the weeping woman, La Llorona, who still searches for her drowned children along the riverbanks.Joe Hayes is one of America’s premier storytellers. He is especially recognized for his bilingual telling of stories from the Hispanic culture of northern New Mexico. Joe lives in Santa Fe, New Mexico and travels extensively throughout the United States, visiting schools and storytelling festivals.

    Tired of setting a good example for all the other young girls -- and of waiting to be married -- Margaret flings down her embroidery one day and runs out of the castle, over the fields to Carterhays, a wood that is supposedly haunted by Tam Lin, an Elfin knight. There, indeed, she meets Tam Lin, who is remarkably handsome. When she learns his story -- that he is human, not Elfin at all, and was stolen as a baby by the Elfin Queen -- she determines to help break the enchantment that holds him. Courageous and steadfast throughout one fearful night, Margaret defeats each dangerous and dramatic attempt by the Elfin Queen to keep Tam Lin. And when the morning sun rises, Margaret and Tam Lin ride together across the green fields of Scotland, back to the castle.