In the small hours of January 1st, 1919, the cruellest twist of fate changed at a stroke the lives of an entire community.Tormod Morrison was there that terrible night. He was on board HMY Iolaire when it smashed into rocks and sank, killing some 200 servicemen on the very last leg of their long journey home from war. For Tormod – a man unlike others, with artistry in his fingertips – the disaster would mark him indelibly.Two decades later, Alasdair and Rachel are sent to the windswept Isle of Lewis to live with Tormod in his traditional blackhouse home, a world away from the Glasgow of their earliest years. Their grandfather is kind, compassionate, but still deeply affected by the remarkable true story of the Iolaire shipwreck – by the selfless heroism and desperate tragedy he witnessed.A deeply moving novel about passion constrained, coping with loss and a changing world, As the Women Lay Dreaming explores how a single event can so dramatically impact communities, individuals and, indeed, our very souls."Gave me an insight into the Iolaire disaster which no history book could manage… a powerful book…which reveals new layers with every reading. It is history brought to life through fiction, and when it is done in a manner as moving and beautiful as this it is invaluable." Alistair Braidwood, Scots Whay Hae

    His self esteem and drive abandoning him as he felt the Navy had. Travelling to Glasgow on family business, he intervenes to help a woman; Marieke and her small child who he thinks are being mugged. He is unwittingly dragged into their nightmare, being hunted down by ruthless villains led by Nick Parson, a bent London copper, who will stop at nothing to silence her and recapture the evidence she holds against him.To keep them safe, Matt brings her home to Uist, thinking no one will find them in the peaceful hills of the remote community. But he underestimates Parson, who follows them home like an unrelenting Hebridean Storm. They hide, but even here, nowhere is safe. Matt seeks help from friends and family, but will it be enough to escape with their lives and to protect the safety of those they love?

    They travelled the length and breadth of Scotland, and much of England too, stopping here and there until they were moved on by the local authorities or driven by their own instinctive need to travel. By campfires, under the unchanging stars they brewed up tea, telling stories and singing songs late into the night. Jessie's Journey describes what it was like to be one of the last of the traditional travelling folk. It is not an idyllic tale, but despite the threat of bigoted abuse and scattered schooling, humour and laughter run throughout a childhood teeming with unforgettable characters and incidents.

    Anne Ross is a Gaelic-speaking scholar and archaeologist who has lived and worked in crofting communities, which has enabled her to collect information firsthand and assess the veracity of material already published. In this substantially revised edition of a classic work first published 25 years ago, she portrays the beliefs and customs of Scottish Gaelic society, including seasonal customs deriving from Celtic festivals, the famous waulking songs, the Highland tradition of seers and second sight, omens and taboos, chilling experiences of witchcraft, and rituals associated with birth and death.

    Interspersed with spotlight features on faery folklore, including fascinating quotes drawn from medieval manuscripts and both written and oral folklore, these tales cover faery morals, elvish misdemeanors, the spells cast by goblins, and the sightings of the creatures, as well as their dealings with mortals. The enchanting stories, rewritten to engage a new generation, are each attributed to a British region. With charming illustrations from favorite illustrators throughout, this book reminds readers of the enduring appeal of folklore and mystery for all generations.

    For all those who have read and cherished the Foxfire books, here is a loving portrait of a fondly remembered friend. This book is not just about Aunt Arie; it is Aunt Arie. In her own words, she discusses everything from planting, harvesting, and cooking to her thoughts about religion and her feelings about living alone. Also included are testimonials from many who knew her and a wealth of photographs.

    Now you can follow in the footsteps of Claire and Jamie with this guide to the inspiring locations where Diana Gabaldon’s novels were set and the hit tv show were filmed. From the ancient cobbled streets, gabled palace and herb garden of Culross, which became fictional Cranesmuir, to the iconic 1960s Pathfoot Building at the University of Stirling, which Claire’s daughter Brianna visits on her first trip to Scotland, you can time-travel through centuries. In Scotland, different eras coexist and collide – just as they do in Outlander. Focusing on easy day trips from the characterful cities of Edinburgh and Glasgow – themselves jam-packed with Outlander locations – this guide will tell you about the most rewarding sights, when to visit them and how to get there. Includes famous Outlander Locations including Edinburgh’s Royal Mile, Arthur’s Seat, Holyroodhouse Palace.

    In this collection of stories, predominated by winter and its festivals, George Mackay Brown re-establishes the tradition of ancient, hearthside story-telling.

    She's never fitted in before - is this her chance to find where she really belongs?Finally Melissa has the allotment she's been longing for to distract her while her husband works away - even if it is chest-high in weeds. But when she looks for help in the wrong place, she finds she's the hottest topic of gossip.For Dottie, her allotment and part-time job of 'a little light dusting' at Lerwick Manor keeps a spring in her eighty-year-old step - and her ears open for secrets.Though generations apart, these three women are about to find a common bond in a new-found passion and that true friendship can grow anywhere.

    There are tales of monks and saints, fairies and witches, kings, nobles, and ordinary people doing extraordinary things. Some stories were never written down, shared instead through retellings that turned storytelling into an art form.In "Thistle and Thyme," Sorche Nic Leodhas brings together ten folktales that were passed down through the generations as part of Scotland's vibrant oral tradition. In this volume, stories about the changeling and the stolen child, the bride who was cursed to silence by a water kelpie, and the beekeeper who found a rabbit under a spell are just a handful of the thousands of local myths that make up Scotland's colorful history.

    It is a totally fresh, savvy and supremely honest take on being young, naive and hopeful, and the pains of living life at hyperspeed in a mad pop-culture world. It is fast, pacy and funny - an exhilarating joyride through the formative years of four Falkirk teenagers.'A terrific yarn... superb from start to finish' - FHM 'There is real emotion here, and gutsiness... a feeling for language so passionate it shames the dullness of so many sentences that make it into print' - Sunday Herald 'Required reading for those who understand and live its message' - The Herald

    She had never heard of Soay before, let alone visited it, but something inexplicable drew her there. Within ten minutes of stepping off the said fishing boat, she had fallen under the spell of the island, and after a few months she moved there to live. She is still there. When she arrived on the remote west coast island there were only 17 inhabitants, among them the legendary Hebridean sharker Tex Geddes and his family. Today, including Anne and her husband Robert, there are only three. This book describes her extraordinary transition from a hectic urban lifestyle to one of rural isolation and self-sufficiency, without mains electricity, medical services, shops or any of the other modern amenities we take for granted. Anne describes the history of Soay and its unique wildlife, and as well as telling her own personal story introduces along the way some of the off-beat and colourful characters associated with the island, notably Tex's one-time associate, the celebrated writer and naturalist, Gavin Maxwell.

    New to the fourth edition are 67 Focus boxes that provide in-depth examples of folk genres, research methods, and theoretical approaches, and over 70 photographs that illustrate material and performative folk traditions

     The first chapter tells of the ghost that appeared at the wedding of King Alexander II, and the second one of monsters such as the Shellycoat and Water-horse that were thought to inhabit Scotland’s lochs. Another part of the book deals exclusively with Loch Ness and the strange happenings at that mysterious body of water. Later, we have a look at the mysterious deaths at the Flannan Islands Lighthouse, and at the strange creatures that were once believed to infest the hills and glens of Scotland, including the terrifying brollachan and the slaugh. Tales of Mermaids and Fin-men are unearthed, as are terrible stories of Scotland’s caves, including human sacrifice at Moray’s Sculptor’s Cave. The legends of Roslin Chapel and its nearby castle are examined, with the possible connection to the Knights Templar. Finally, we have a look at the legend of the phantom armies of Scotland; soldiers who refuse to fade away even centuries after their wars have been fought, and their causes faded in history. Welcome to the Strange Tales of Scotland.

    For any readers of the author's previous book, Deep Country, Robert Macfarlane's The Old Ways or William Atkins' The Moor.The experience of being in nature alone is here set within the context of a series of walks that Neil Ansell takes into the most remote parts of Britain, the rough bounds in the Scottish Highlands. He illustrates the impact of being alone as part of nature, rather than outside it.As a counterpoint, Neil Ansell also writes of the changes in the landscape, and how his hearing loss affects his relationship with nature as the calls of the birds he knows so well become silent to him.