You may have heard of a group called the Etesian Front -- vigilantes dedicated to taking the skies back from terrorism. Sounds like a noble cause, right? But there's more to them than meets the eye. They're after someone I know. Someone who is either an average frequent flier -- or a terrorist. And he's got a secret. Something that will change the way we fly -- and the way we see technology -- forever.To find him, we've altered course. We're en route to a country that doesn't exist on any maps. Only one person knows how to get us there: me. My name is Blythe, and I'll be your stewardess today. So buckle your seatbelts -- this will be the flight of your life.

    What if you can leap tall buildings and defeat alien monsters with your bare hands, but you buy your capes at secondhand stores, and have a weakness for kittens, and a snarky comment from Skeptical Guy can ruin a whole afternoon? Cartoonist Faith Erin Hicks brings her skills in character design and sharp, charming humor to the trials and tribulations of a young, superhero battling monsters both supernatural and mundane in an all-too-ordinary world.

    No era or tome emerges unscathbed as Beaton rightly skewers the Western world's revolutionaries, leaders, sycophants, and suffragists while equally honing her wit on the hapless heroes, heroines, and villains of the best-loved fiction. She deftly points out what really happened when Brahms fell asleep listening to Liszt, that the world's first hipsters were obviously the Incroyables and the Merveilleuses from eighteenth-century France, that Susan B. Anthony is, of course, a "Samantha," and that the polite banality of Canadian culture never gets old. Hark! A Vagrant features sexy Batman, the true stories behind classic Nancy Drew covers, and Queen Elizabeth doing the albatross. As the 5600.000 unique monthly visitors to harkavagrant.com already know, no one turns the ironic absurdities of history and literature into comedic fodder as hilarious as Beaton.

    For over 25 years he's been writing comic books about his life, chronicling the ordinary and everyday in stories both funny and moving.This 320 page collection was issued on the heels of the film "American Splendor," and it includes material previously published in the first two collected volumes in the American Splendor series.

    Set before the first season of the show, these hilarious stories delighted fans and newbies alike and introduced plots that influenced the show itself, including Season 5's backstory of Tink, originally hinted at in these pages.Featuring a huge variety of comics’ best artists as well as many of the talents key to the web series, and leading directly to the moment Zaboo unexpectedly appears at a startled Codex’s front door in episode 1, this collection comprises a true “Season 0” of The Guild!Collects the one-shots The Guild: Vork, The Guild: Tink, The Guild: Bladezz, The Guild: Clara, and The Guild: Zaboo.• Written by Felicia Day, with the series director, producer, and actors!• Featuring art by Darick Robertson, Becky Cloonan, Kristian Donaldson, and more!• Leads directly into The Guild, Season 1!

    On the foggy Hudson River, a riverboat captain rescues an injured mermaid from the waters of the busiest port in the United States. A wildly popular—and notoriously reclusive—author makes a public debut. A French nobleman seeks a remedy for a curse. As three lives twine together and race to an unexpected collision, the mystery of the Mermaid of the Hudson deepens.A mysterious and beguiling love story with elements of Poe, Twain, Hemingway, and Greek mythology, drawn in moody black-and-white charcoal, Sailor Twain is a study in romance, atmosphere, and suspense.

    A young man wandering a nameless path has only a stuffed bear as a companion, which inertly endures his desperation, anger, and musings along the way. The landscape is cold and bleak with few landmarks, and offers only precarious encounters with animals and armed men. These interactions are rife with instinct, the drive for survival, and human ethics concerning the killed and injured. He finds acceptance with a pack of dogs, though their nature is wild and their potential threat is as unsettling as the sudden presence of a massive pipeline on the horizon. In a dreamlike state, the endless land becomes a vast body of water where his boat is destroyed and his body floats in a subconscious space. On land, the road disappears and only blind circumstance remains. All is uncertain and all can be lost, but he continues on regardless.

    Together they break headlines on the food bowl, new plants, mysterious red dots, strange cats in the yard, and all the daily happenings in their home.

    We learn from the out-set that a strange plague has descended upon the area's teenagers, transmitted by sexual contact. The disease is manifested in any number of ways—from the hideously grotesque to the subtle (and concealable)—but once you've got it, that's it. There's no turning back. As we inhabit the heads of several key characters—some kids who have it, some who don't, some who are about to get it—what unfolds isn't the expected battle to fight the plague, or bring heightened awareness to it, or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high school alienation itself—the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape. And then the murders start. As hypnotically beautiful as it is horrifying, Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it—back when it wasn't exactly cool to be a hippie anymore, but Bowie was still just a little too weird. To say nothing of sprouting horns and molting your skin…

    Meet Riverdale High teen Archie, his oddball, food-loving best friend Jughead, girl-next-door Betty and well-to-do snob Veronica Lodge as they embark on a modern reimagining of the beloved Archie world. It’s all here: the love triangle, friendship, humor, charm and lots of fun – but with a decidedly modern twist.Brought to you by some of the masters of the comic book genre, including writer Mark Waid and the all-star lineup of artists: Fiona Staples, Annie Wu and Veronica Fish, the first volume of ARCHIE presents readers with a new take on the beloved Archie Comics concepts while retaining the best elements from the company’s 75 years of history. ARCHIE VOL. 1 collects ARCHIE #1-6 and features bonus content including scripts, sketches, variant covers and the full first issue of the all new JUGHEAD series by acclaimed writer Chip Zdarsky and artist Erica Henderson.

    He haunts lookalike fussy, silly, coffee shops, listens to old Joni Mitchell albums too loudly, and stares at his navel in the hope that he will find it in there. But it isn’t until he learns to speak from the heart that he begins to find authentic human connections and is let in—to the worlds of the people he meets. Nick’s journey occurs alongside the beginnings of a relationship with Wren, a wry, spirited oncologist at a nearby hospital, whose work and life becomes painfully tangled with Nick’s. Illustrated in both color and black-and-white in McPhail’s instantly recognizable style, In elevates the graphic novel genre; it captures his trademark humor and compassion with a semi-autobiographical tale that is equal parts hilarious and heart-wrenching—uncannily appropriate for our isolated times.

    Tales of strange creatures that might have been introduced at each stage of her journey. Her adventure, often with best friend Alex in tow, is a pyschogeography of the city and its suburbs, punctuated by encounters with Fran's semi-estranged dad, her out-of-touch East End nana, a selfish boyfriend, and the odd black dog or two. As Fran says herself: monsters are all around us.

    Unfortunately, the first place his search takes him is the bottom of a bottle as he careens from one off-kilter encounter to another in search of himself.

    Hazel is already in a happy relationship when she meets Argent, a woman who works as a dominatrix, but is sweet and tender outside the bedroom. How will she negotiate this new romance with her boyfriend back home? And what about his other girlfriend?

    After being denied financial aid to cover her last year of art school, Margaret finds salvation from the straightlaced world of college and the earnestness of both hippies and punks in the wisecracking, fast-talking, drug-taking group she encounters at the Imperial Café, where she makes the transformation from Margaret to Madge. At first she mimics these new and exotic grown-up friends, trying on the guise of adulthood with some awkward but funny stumbles. Gradually she realizes that the adults she looks up to are a mess of contradictions, misplaced artistic ambitions, sexual confusion, dependencies, and addictions.   Over Easy is equal parts time capsule of late 1970s life in California—with its deadheads, punks, disco rollers, casual sex, and drug use—and bildungsroman of a young woman who grows from a naïve, sexually inexperienced art-school dropout into a self-aware, self-confident artist. Mimi Pond’s chatty, slyly observant anecdotes create a compelling portrait of a distinct moment in time. Over Easy is an immediate, limber, and precise semi-memoir narrated with an eye for the humor in every situation.