It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.Jane Austen's classic story of love, manners and muslin, retold in an entirely new way.

    They go to the same grammar school, but while Vivien's life becomes a chaotic mix of friendships, youth clubs, skinhead violence, A-levels, discos and college, Olive, three years older and a skin shade darker, has a very different tale to tell...

    She drifts until she encounters what could possibly be her potential self.

    This book would be impressive enough as a collection of finely-forged fragments, but as it weaves itself into an even more impressive whole, my hat came off. Lily Hoang writes like she has nothing to lose and everything at stake.” —Maggie Nelson“A Bestiary is a work of great subtlety, precision, intelligence, daring, and emotive keenness. It seems completely contemporary (by which I mean that it is unlike anything I’ve read and that it makes me want to change my own writerly procedures). With head¬long, reckless, improvisatory gestures, Lily Hoang prompts us to rethink what literature today can dare to aspire to. Her intellectually magnanimous book’s position on the threshold between recognizable ‘literature’ and some other vanguard form of performance/utterance made me feel happy and stimulated and dizzy (in a rapturous way) while I was reading it.” —Wayne Koestenbaum“The most perfect use of fragmentation, myth, language, fairytale, and terrible beauty that I have ever seen in my life. I’m swooning. My faith in what writing can be has been restored.” —Lidia YuknavitchLily Hoang is the author of four books, including Changing, recipient of a PEN Open Books Award. She has two novels forthcoming: Old Cat Lady and The Book of Martha and she co-edited the anthology The Force of What’s Possible: Writers on Accessibility and the Avant-Garde. She teaches in the MFA program at New Mexico State University, where she is Associate Department Head. She serves as Prose Editor at Puerto del Sol and Non-Fiction Editor at Drunken Boat.

      There’s nothing more troubling than having your child break down on the side of the road, leaking oil, overheating, and asking tough questions like, “What is death?” and “Why did Mom leave?” But stay calm! Because How To Keep Your Volkswagen Alive is not only a dizzyingly beautiful novel, it’s also a handy manual with useful chapters on “Tools and Spare Parts,” “Valve Adjustment,” “How To Read This Novel,” and, most important of all, “How Works a Heart.”   Welcome to Christopher Boucher’s zany literary universe, a place where metaphors shift beneath your feet, familiar words assume new meanings, objects talk, trees attack, and time actually is money. Modeled on the cult classic 1969 hippie handbook of the same name, How To Keep Your Volkswagen Alive is an astonishing tour-de-force that tackles some of life’s biggest questions: How do you cope with losing a parent? What’s the secret to raising a child? How do you keep love alive? How do you get your car to start?

    But when Azaleah gets home, she quickly realizes extra credit isn't as easy as she thought. Azaleah's younger sister Tiana can't find Greenie, her stuffed animal, and she's sure he's been stolen. With Mama at the restaurant and Daddy at work on a big case, it seems Azaleah is the only one available to track down the stolen stuffie. Can Azaleah get to the bottom of the mystery in time to finish her extra credit?

    Her violent father is home from prison, and the social worker is suspicious of her new bruises. An aunt she’s never met keeps calling. And if she can’t get a good grade on her science project, she’ll fail her favorite class.But Mary doesn’t want to be a victim anymore. She has a plan: build a real submarine, like the model she’s been making with Kip Dwyer, the secretly sweet class clown. Gaining courage from her heroine, Joan of Arc, Mary vows to pilot a sub across the Chesapeake Bay, risking her life in a modern crusade to save herself.Mary Underwater is an empowering tale of persistence, heroism, and hope from a luminous new voice in middle-grade fiction.

    On the outskirts of Tokyo, near a station on a private train line, stands a modest European style house with a red, triangular shaped roof. There a woman named Taki has worked as a maidservant in the house and lived with its owners, the Hirai family. Now, near the end of her life, Taki is writing down in a notebook her nostalgic memories of the time spent living in the house. Her journal captures the refined middle-class life of the time from her gentle perspective. At the end of the novel, however, a startling final chapter is added. The chapter brings to light, after Taki’s death, a fact not described in her notebook. This suddenly transforms the world that had been viewed through the lens of a nostalgic memoir, so that a dramatic, flesh-and-blood story takes shape. Nakajima manages to combine skillful dialogue with a dazzling ending. The result is a polished, masterful work fully deserving of the Naoki Prize.

    Now a high school senior, she has an opportunity to break into Nashville's music scene via a songwriting competition launched by her idol, Mona Stone. Discouraged by her mother, who wishes Angie would set more realistic life goals, she nonetheless pours her heart and soul into creating a song worthy of Mona.But Angie's mother is the least of her concerns after she meets Reedwood High’s newest transfer student, Ten. With his endless collection of graphic tees, his infuriating attitude, smoldering good looks, and endearing little sister, Ten toys with the rhythm of Angie’s heart.She’s never desired anything but success until Ten entered her life. Now she wants to be with him and to be a songwriter for Mona Stone, but she can’t have both.And picking one means losing the other.

    Just without the extra pay.Now I’m showing old homes, and every single one of them is haunted. As a witch, I’m not supposed to be able to see ghosts. But I do. And they know I do. And I know they know I do. And, oh boy.Worse yet, an apparition that looks an awful lot like my boss’s dead partner has come knocking, and demanding I solve her murder. I’ve been given an ultimatum: help or die. It looks like I can’t really trust anyone any more. Will my cat, mouse familiar, and a new shapeshifter friend be enough to help me get the job done in what little time I have left?

    The twelfth novel by this celebrated author revolves around an enigmatic crime and the young man at its center. Dieudonné Sabrina, a gardener, aged twenty-two and black, is accused of murdering his employer--and lover--Loraine, a wealthy white woman descended from plantation owners. His only refuge is a sailboat, La Belle Créole, a relic of times gone by. Condé follows Dieudonné's desperate wanderings through the city of Port-Mahault the night of his acquittal, the narrative unfolding through a series of multivoiced flashbacks set against a forbidding backdrop of social disintegration and tumultuous labor strikes in turn-of-the-twenty-first-century Guadeloupe. Twenty-four hours later, Dieudonné's fate becomes suggestively intertwined with that of the French island itself, though the future of both remains uncertain in the end.Echoes of Faulkner and Lawrence, and even Shakespeare's Othello, resonate in this tale, yet the drama's uniquely modern dynamics set it apart from any model in its exploration of love and hate, politics and stereotype, and the attempt to find connections with others across barriers. Through her vividly and intimately drawn characters, Condé paints a rich portrait of a contemporary society grappling with the heritage of slavery, racism, and colonization.

    Forty-one years old, disenchanted wife and dutiful mother, Mayumi’s work as a librarian on a small island off the coast of New England feeds her passion for reading and provides her with many occasions for wry observations on human nature, but it does little to remedy the mundanity of her days. That is, until the day she issues a library card to a shy seventeen-year-old boy and swiftly succumbs to a sexual obsession that subverts the way she sees the library, her family, the island she lives on, and ultimately herself. Wary of the consequences of following through on her fantasies, Mayumi hesitates at first. But she cannot keep the young man from her thoughts. After a summer of overlong glances and nervous chitchat in the library, she finally accepts that their connection is undeniable. In a sprawling house emptied of its summer vacationers, their affair is consummated and soon consolidated thanks to an explosive charge of erotic energy. Mayumi’s life is radically enriched by the few hours each week that she shares with the young man, and as their bond grows stronger thanks not only to their physical closeness but also to their long talks about the books they both love, those hours spent apart seem to Mayumi increasingly bleak and intolerable. As her obsession worsens, in a frantic attempt to become closer to the young man, Mayumi nervously befriends another librarian patron, the young man’s mother. The two women forge a tenuous friendship that will prove vital to both in the most unexpected ways when catastrophe strikes. Exquisitely written, Mayumi and the Sea of Happiness is part wry confession, part serious meditation. At its most anxious, it’s a book about time, at its most ecstatic, it’s a deeply human story about pleasure.

    It was my time to serve our country, just like my father and my grandfather before me. The pain that throbbed in my chest every night I was away was the stone cold fact that I’d left her behind, not ever having told her how I felt. After twelve years and only a few short visits in-between, I’m finally back for good. I’ve waited long enough and I’m ready to take back the girl I let get away all those years ago.Finding out he was back in town isn’t too shocking, but finding out he’s back permanently - that’s a whole different story. He’s been my unicorn for as long as I can remember and the more I think about seeing him, the more I want to run and hide. Twelve years is a long time to live without someone in your life, we’ve both grown up and I doubt he’ll remember the little girl his brother dumped in middle school. Now that he’s back how do I hide the feelings of desire and heartbreak that he left me with all those years ago.

    In this down and dirty debut she draws vivid portraits of bad people in worse places. A woman struggles to survive her boyfriend's terror preparations. A wife finds that the key to her sex life lies in her dog’s electric collar. Two teenagers violently tip the scales of their friendship. A rising star of the new fast fiction, Hunter bares all before you can blink in her bold, beautiful stories. In this collection of slim southern gothics, she offers an exploration not of the human heart but of the spine; mixing sex, violence and love into a harrowing, head-spinning read.

    The characters navigate race, class, and coming-of-age. Seeking opportunity, some fade into the world around them, even as their minds hitchhike, dream, and soar. Some appear in different times and hemispheres, whether as student radicals, secret agents, historians, fugitive slaves, or jazz musicians.From the cobblestones of Montreal’s Old Port through the foliage of a South American rainforest; from a basement in wartime Paris to a metro in Montreal during the October Crisis; Kellough’s fierce imagination reconciles the personal and ancestral experience with the present moment, grappling with the abiding feeling of being elsewhere, even when here.