Childhood best friends agree to marry in order to keep their sexuality a secret. A young woman with an anxiety disorder discovers the numbing pleasures of an illicit love affair. A radicalized student's preparations for his sister's wedding involve beating up the groom. An actress is forced to grow up fast on the set of her first major tv show, where the real intrigue takes place off-screen. Every story bears witness to the all-too-universal desire to be loved, and what happens when this longing gets pushed to its limits. Are You Enjoying? is a free-spirited, confident, indelible introduction to a galvanizing new talent.

    At the end of a long day in which the actresses Thomas auditions fail to impress him, in walks Vanda, very late and seemingly clueless, but she convinces him to give her a chance. As they perform scenes from Thomas’s play, and Vanda the actor and Vanda the character gradually take control of the audition, the lines between writer, actor, director, and character begin to blur. Vanda is acting . . . or perhaps she sees in Thomas a masochist, one who desires fantasy in “real life” while writing fantasies for a living.   An exploration of gender roles and sexuality, in which desire twists and turns in on itself, Venus in Fur is also a witty, unsettling look at the art of acting—onstage and off.

    Haunted by her turbulent past, she takes refuge in a remote Hebridean island community where she cocoons herself in work, silence and solitude in a house by the sea. A new life and new love are offered by friends, her estranged daughter and most of all by Calum, a fragile younger man who has his own demons to exorcise. But does Rose, with her tenuous hold on sanity, have the courage to say “Yes” to life and put her past behind her?REVIEWS“The emotional power makes this reviewer reflect on how Charlotte and Emily Bronte might have written if they were living and writing now.”Northwords Now“Complex and important issues are played out in the windswept beauty of a Hebridean island setting, with a hero who is definitely in the Mr Darcy league!”www.ScottishReaders.net

    Thoroughly bored with her job at the local museum, Sarah heads to the gallery to take another look at that new drawing, the one she can't stop thinking about, the one of the Hindu god Shiva, who dances...That's when it all begins. The next day, an e-mail message brings her a job offer: to find the few remaining pieces of a 15th-century adventurer's renowned collection of Indian sculptures. Her employer, curiously, wishes to communicate only by computer. She has no idea who he is or why he wants her. But other mysteries soon preoccupy her, such as the meaning of an enigmatic illuminated manuscript—and the sensual transformation that seems to be overtaking her. Through her quirkily decorated diary and the artful e-mail exchanges between Sara and her mentor, Nick Bantock has conjured up a richly illustrated tale of a relentless quest, an amorous legacy, and the resonating power of art—a lush, romantic adventure of the soul that tantalizes the reader to the last line.

    Sure, she may have accidentally-on-purpose skipped a day at her fancy New York City prep school, but she never thought she’d skip the day after that! And the one after that . . . and . . . uh . . . the one after that.But when everything in your real life is going wrong (fighting parents! bullied little brother! girls at school who just. don’t. get. it!) skipping school starts to look like a valid mental-health strategy. And when Callie runs into Cassius, a mysterious and prickly “unschooled” kid doing research at museums all across the city, it seems only natural for her to join him. Because museums are educational, which means they’re as good as going to class. Right?Besides, school can wait. What can’t wait is the mystery of why her grandmother seems to wish she could travel back in time to 1986, or what she wants so much to relive there. As Cassius helps Callie see the world in a whole new light, she realizes that the people she loves are far from perfect—and that some family secrets shouldn’t be secret at all.

    Their compilation includes new fiction, nonfiction, poetry, comics, and the category-defying gems that have become one of the hallmarks of this lively collection.Divine Providence / Quim Monzo --An excerpt from Notes of a Crocodile / Qiu Miaojin --This Rain / Catherine Pond --My Family's Slave / Alex Tizon --Eight Bites / Carmen Maria Machado --The Deaths of Henry King / Jesse Ball and Brain Evenson --A Refuge for Jae-In Doe: Fugues in the key of English major / Seo-Young Chu --In conversation with Vi Khi Nao / Stacey Tran --Come and Eat the World's largest shrimp cocktail in Mexico's Massacre Capital / Diego Enrique Osorno --The Uninhabitable Earth / David Wallace-Wells --An excerpt from Hunger / Roxane Gay --An excerpt from Blacks and the Master/Slave Relation / Frank B Wilderson III --A Tribute to Alvin Buenaventura / Andrew Leland, Chris Ware, Daniel Clowes and Anders Nilsen --Six selected comics / Chris (Simpsons artist) --Artist's Statement / Kara Walker --Wave at the People Walking Upside Down / Tongo Eisen-Martin --Meanwhile, on Another Planet / Gunnhild Oyehaug --The David Party / David Leavitt --The Reenactors / Katherine Augusta Mayfield --Your Black Friend / Ben Passmore --Collective Nouns for Humans in the Wild / Kathy Fish --Cat Person / Kristen Roupenian --An Excerpt from The Antipodes / Annie Baker --A Fair Accusation of Sexual Harassment or a Witch Hunt? / Lucy Huber --Lizard-Baby / Benjamin Schaefer --Chasing Waterfalls / László Krasznahorkai --Love, Death & Trousers: Eight Found Stories / Laura Francis and Alexander Masters --On Future and Working Through What Hurts / Hanif Abdurraqib --The Universe Would Be So Cruel / Souvankham Thammavongsa --A Love Story / Samantha Hunt

    These days she’s straightforward and savvy, determined to do right by her son, David—even if that means cashing in her struggling music career in Nashville and returning to the town that drove her away. Sure, she took a fall. But at least she now knows where she stands…Despite her anger over the past, Summer believes David deserves a relationship with his father, Hunter “Hunt” McCroy. Though Hunt’s illustrious career has faded, privilege still protects him from his worst mistakes.Someone else is back in Moonlight too: Rhett Bryan, the golden boy of Hollywood, who’s taking stock of his own life after a tragic accident. As his rekindled friendship with Summer quickly deepens, she must reconcile the painful history that ties her to both men—one she’s finally forgiven, one she’s afraid to love—to claim healing and happiness.

    But Cove discovers that friends can appear in the unlikeliest places, and maybe home isn’t the worst place to be after all.Jennifer Blecher’s debut novel is a voice-driven story about bullying, friendship, and self-reliance that hits the sweet spot for fans of Ali Benjamin’s The Thing About Jellyfish and Erin Entrada Kelly’s You Go First. Twelve-year-old Cove Bernstein’s year has gone from bad to worse. First, her best friend, Nina, moved from Martha’s Vineyard to New York City. Then, without Nina around, Cove became the target of a bullying campaign at school. Escape seems impossible.But opportunities can appear when you least expect them. Cove’s visit to a secondhand clothing store leads her to a surprising chance to visit Nina, but only if she can win a coveted place in a kids-only design competition. Cove doesn’t know how to sew, but her friend at the retirement home, Anna, has promised to teach her. And things start really looking up when a new kid at school, Jack, begins appearing everywhere Cove goes.Then Cove makes a big mistake. One that could ruin every good thing that has happened to her this year. One that she doesn’t know how to undo.Jennifer Blecher’s accessible and beautifully written debut novel explores actions and consequences, loneliness, bullying, and finding your voice. This voice-driven friendship story is for fans of Rebecca Stead’s Goodbye Stranger and Jodi Kendall’s The Unlikely Story of a Pig in the City.  Includes black-and-white spot art throughout.

    The son of a retired railway porter from Winnipeg, he returns home for a job as a reporter with The Winnipeg Herald. Soon Mahatma is scoping local stories of murder and mayhem, breaking a promise to himself to avoid writing victim stories.As Mahatma is unexpectedly drawn into the inflammatory issue of French-language rights in Manitoba, with all its racial side-channels, he is surprised to find that he has a social conscience. Combating his boss’s flair for weaving hysteria into his stories, Mahatma learns that to stay afloat he must remain true to himself.Populated with colourful characters — including an unlikely welfare crusader, a burned-out fellow reporter, a French-language-rights activist, and a visiting journalist from Cameroon — Some Great Thing is a fascinating portrait of a major urban newspaper and a deeply perceptive story of one man’s coming of age.

    In the course of the book, Weiss plumbs the depths of family life: there is the early death of his beloved sister Margit, the difficult relationship with his parents, the fantasies of adolescence and youth, all set in the midst of an increasing anti-Semitism, which forces the Weiss family to move again and again, a peripatetic existence that only intensifies the narrator's growing restlessness. The young narrator is largely oblivious to world events and focused instead on becoming an artist, an ambition frustrated generally by his milieu and specifically by his mother, who, herself a former actress, destroys his paintings during one of the family's moves. In the end, he turns to an older mentor, Harry Haller, a fictionalized portrait of Hermann Hesse, who encouraged and supported Weiss, and with Haller's example before him, the narrator takes his first steps towards a truly independent life. Intensely lyrical, written with great imaginative power, Leavetaking is a vivid evocation of a world that has disappeared and of the narrator's developing consciousness.THE NEVERSINK LIBRARY champions books from around the world that have been overlooked, underappreciated, looked askance at, or foolishly ignored. They are issued in handsome, well-designed editions at reasonable prices in hopes of their passing from one reader to another—and further enriching our culture.

    And in the natural order of the universe, he should not be losing to dorks. Losing is a thing Japanese pop star Ryuu Shiwasuda does not do – certainly not gracefully. Image is everything to hot-headed Ryuu. Sure, his macho bluster is only a cover for shyness and social awkwardness, but he takes it (and himself) very seriously. So when gratingly cheerful punster Hiro Takahashi delivers the ultimate insult of letting Ryuu win at a video game, Ryuu is cut to the quick, and vows swift vengeance. Can’t be too hard to beat a dork like Hiro, right? Wrong. As Ryuu chases after his elusive victory, he’s forced to add more and more items to the list of “things to beat Hiro at” – and is shocked to find that Hiro’s quirky charm is sparking never-before felt desires in him. Ryuu’s life and career have no place for a male lover. But he’s already in too deep. Can he risk going all in? And what does he stand to lose if he doesn’t? Length of Volume I: 55,000 words Six easy steps. Three volumes. Don’t miss the other books in the series! Volume I: Step One: Tetris Step Two: Fun and Games Volume II: Step Three: Innocence Step Four: Perspective Volume III: Step Five: Love Step Six: All the Rest

    Soon a couple of friends join in, and the operation proceeds smoothly up until they quit, vowing to take the secret to their graves. A month later, a phone call at 4 in the morning tells Alvin that the police are on their way.At once a workplace novel and a meditation on history and globalization, The Quiet Ones is a grimly humorous take on a soul-sapping, multi-billion-dollar industry. In interlocking narratives, it explores lives rendered mute by irate callers, scripted apologies, and life’s menial violence, but which manage to talk back every now and then, just as long as the Mute button is firmly pressed.Winner, 2017 Palanca Grand PrizeWinner, 37th National Book Award

    On the surface, they appear to just like any other couple—they travel, work hard, and spend quality time with family and friends. Behind their masks, David and Nicole live an erotic, intense dynamic based on the complements of domination and submission and the peaks of pain and pleasure known as “The Life”. They have their boundaries, they play by the rules, and they seek to ascend to the highest level of connection a couple can achieve by indulging in their deepest fantasies and exploring the darkest corners of their minds.Life for the couple is not without obstacles, however. What happens when a force from the past threatens to destroy everything David and Nicole have built together? Can their devotion to each other withstand the trials they are forced to endure? Push The Button explores a side of the BDSM Lifestyle that often goes ignored—the “normalcy”. Like any other couple, these two have their ups and downs, and they must decide if their love is enough to keep them together. Follow Nicole and David as they love each other, struggle together, and grow in their powerful connection.Order info: http://bit.ly/1sXQU7E

    It seemed that everything came easily to Hartley Preston. And then there was her boyfriend David, good-looking, charming and on his way to the top just like she was. But no one knew better than Hartley that things aren’t always as they seem.After making a devastating discovery that tears her world apart, Hartley runs away to an isolated coastal town. She’s searching for freedom and independence but what she finds is Crew Sullivan, a man who is running from life even faster than she is. Hartley wants to escape her future. Crew needs to be released from his past. And with the way they feel about each other, it could have been more than perfect. Except for one, small thing.Hartley is keeping a secret. And Crew has more than a few of his own.

    With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first — as much a sculptural object as it is a work of masterful storytelling. Tree of Codes is the story of an enormous last day of life — as one character's life is chased to extinction, Foer multi-layers the story with immense, anxious, at times disorientating imagery, crossing both a sense of time and place, making the story of one person’s last day everyone’s story. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his "favorite" book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story told in Jonathan Safran Foer's own acclaimed voice.