Winner of the 1995 Caldecott Medal. During the Los Angeles riots, Daniel and his mother witness the night's events unfold from the safety of shelter after they are forced to leave their apartment. “Diaz has not been afraid to take risks in illustrating the story with thickly textured paintings against a background of torn-paper and found-object collage. Without becoming cluttered or gimmicky, these pictures manage to capture a calamitous atmosphere that finally calms. . . . Both author and artist have managed to portray a politically charged event without pretense or preaching.”--The Bulletin

    There is a place inside of mea space deep down inside of me where all my feelings hide. Summertime is filled with joy—skateboarding and playing basketball—until his community is deeply wounded by a police shooting. As fall turns to winter and then spring, fear grows into anger, then pride and peace.In her debut, illustrator Noa Denmon articulates the depth and nuances of a child’s experiences following a police shooting—through grief and protests, healing and community—with washes of color.

    She often makes them up to help her little brother fall asleep. But in her small village there are only a few books and she has read them all. One morning, Ana wakes up to the clip-clop of hooves, and there before her, is the most wonderful sight: a traveling library resting on the backs of two burros—all the books a little girl could dream of, with enough stories to encourage her to create one of her own.Inspired by the heroic efforts of real-life librarian Luis Soriano, award-winning picture book creators Monica Brown and John Parra introduce readers to the mobile library that journeys over mountains and through valleys to bring literacy and culture to rural Colombia, and to the children who wait for the BiblioBurro.A portion of the proceeds from sales of this book was donated to Luis Soriano's BiblioBurro program.

    From Maroon Crayon, who was lost beneath the sofa cushions and then broken in two after Dad sat on him; to poor Turquoise, whose head is now stuck to one of Duncan's stinky socks after they both ended up in the dryer together; to Pea Green, who knows darn well that no kid likes peas and who ran away—each and every crayon has a woeful tale to tell and a plea to be brought home to the crayon box. Drew Daywalt and Oliver Jeffers have combined to create a companion book every bit as funny and kid-friendly as the #1 bestselling The Day the Crayons Quit.Praise for The Day the Crayons Quit The #1 New York Times bestselling phenomenon — over 80 weeks on the bestseller list!Winner of the E.B. White Read-Aloud Award Amazon’s 2013 Best Picture Book of the Year A Barnes & Noble Best Book of 2013 Goodreads’ 2013 Best Picture Book of the Year  * “Hilarious . . . Move over, Click, Clack, Moo; we’ve got a new contender for the most successful picture-book strike.” –BCCB, starred review  “Jeffers . . . elevates crayon drawing to remarkable heights.” –Booklist “Fresh and funny.” –The Wall Street Journal "This book will have children asking to have it read again and again.” –Library Media Connection * “This colorful title should make for an uproarious storytime.” –School Library Journal, starred review  * “These memorable personalities will leave readers glancing apprehensively at their own crayon boxes.” –Publishers Weekly, starred review  “Utterly original.” –San Francisco Chronicle

    Plumbean's expression of creativity and individuality challenges his neighbor's ideas about the importance of having a “neat street.” By repainting his house to reflect his colorful dreams, Mr. Plumbean breaks away from the conformity of his street.“My house is me and I am it. My house is where I like to be and it looks like all my dreams.”— Daniel Pinkwater

    When a generous quiltmaker finally agrees to make a quilt for a greedy king but only under certain conditions, she causes him to undergo a change of heart.

    There across the road, it looked like any rocky hill—nothing but sand and rocks, and some old wooden boxes. But it was a special place. And all children needed to go there was a long stick and a soaring imagination.“A celebration of the transforming magic of the imagination. An original.” —ALA Booklist

    As the child's confidence grows, so does the idea itself. And then, one day, something amazing happens. This is a story for anyone, at any age, who's ever had an idea that seemed a little too big, too odd, too difficult. It's a story to inspire you to welcome that idea, to give it some space to grow, and to see what happens next. Because your idea isn't going anywhere. In fact, it's just getting started.

    Daddy hums as he packs our car with suitcases and a cooler full of snacks. He says there’s nothing like going down home.” Down home is Granny’s house. Down home is where Lil Alan and his parents and sister will join great-grandparents, grandparents, aunts, uncles, and cousins. Down home is where Lil Alan will hear stories of the ancestors and visit the land that has meant so much to all of them. And down home is where all of the children will find their special way to pay tribute to family history. All the kids have to decide on what tribute to share, but what will Lil Alan do?In this rich and moving celebration of history, culture, and ritual, Kelly Starling Lyons’ eloquent text explores the power of family traditions. Stunning illustrations by Coretta Scott King Honor-winner Daniel Minter reveal the motion and connections in a large, multi-generational family.

    Her family, like most Dutch families, must patch their old worn clothing and go without everyday things like soap and milk. Then one spring morning when the tulips bloom "thick and bright," Postman Kleinhoonte pedals his bicycle down Katje's street to deliver a mysterious box – a box from America! Full of soap, socks, and chocolate, the box has been sent by Rosie, an American girl from Mayfield, Indiana. Her package is part of a goodwill effort to help the people of Europe. What's inside so delights Katje that she sends off a letter of thanks – beginning an exchange that swells with so many surprises that the girls, as well as their townspeople, will never be the same.This inspiring story, with strikingly original art, is based on the author's mother's childhood and will show young readers that they, too, can make a difference.Boxes for Katje is a 2004 Bank Street - Best Children's Book of the Year.

    A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders. But before that, they had a home, a land, a language. She learns how the people said to be born on the water survived.

    These pages come alive with the details of the trip and the sounds, speed, and strength of the mighty locomotives; the work that keeps them moving; and the thrill of travel from plains to mountain to ocean.

    Siblings Mintoo and Chintoo are busy gathering flowers to make into colorful powders to toss during the festival. And when at last the big day comes, they gather with their friends, family, and neighbors for a vibrant celebration of fresh starts, friendship, forgiveness, and, of course, fun!

    I know about pirates, because one day, when I was at the beach building a sand castle and minding my own business, a pirate ship sailed into view.So proclaims Jeremy Jacob, a boy who joins Captain Braid Beard and his crew in this witty look at the finer points of pirate life by the Caldecott Honor–winning illustrator David Shannon and the storyteller Melinda Long. Jeremy learns how to say “scurvy dog,” sing sea chanteys, and throw food . . . but he also learns that there are no books or good night kisses on board: “Pirates don’t tuck.” A swashbuckling adventure with fantastically silly, richly textured illustrations that suit the story to a T.

    I come from a world of stories.A little girl sails her raft across a sea of words, arriving at the house of a small boy. She invites him to go away with her on an adventure into the world of stories... where, with only a little imaginaton, anything at all can happen. Irresistibly engaging characters by Oliver Jeffers set sail and chart their way through Sam Winston's fascinating typographical landscapes in this extraordinary ode to the power and promises of storytelling. Forty treasured children's classics and lullabies are featured in the pictures, providing endless opportunities for discovery, memories and sharing. Woven together by a simple story line, the one-of-a-kind illustrations in a A Child of Books provide an unforgettable reading experience that will inspire and encourage readers of all ages to explore, question, and imagine timeless stories of their own.