He did extensive research into the stereotypes of the Russian people--from that work he produced this book which reveals the nature of the Russian People.

    "A moving illumination . . . Remnick is the witness for us all." —Wall Street Journal.

    Stalin and his secret police set out to convert a dozen radically different countries to Communism, a completely new political and moral system. In Iron Curtain, Pulitzer Prize-winning journalist Anne Applebaum describes how the Communist regimes of Eastern Europe were created and what daily life was like once they were complete. She draws on newly opened East European archives, interviews, and personal accounts translated for the first time to portray in devastating detail the dilemmas faced by millions of individuals trying to adjust to a way of life that challenged their every belief and took away everything they had accumulated. Today the Soviet Bloc is a lost civilization, one whose cruelty, paranoia, bizarre morality, and strange aesthetics Applebaum captures in the electrifying pages of Iron Curtain.

    Though they were men of very different backgrounds and experiences, Herman reveals how Wilson and Lenin were very much alike. Both rose to supreme power, one through a democratic election; the other through violent revolution. Both transformed their countries by the policies they implemented, and the crucial decisions they made. Woodrow Wilson, a champion of democracy, capitalism, and the international order, steered America's involvement in World War I. Lenin, a communist revolutionary and advocate for the proletariat, lead the Bolsheviks' overthrow of Russia's earlier democratic revolution that toppled the Czar, and the establishment of a totalitarian Soviet Union.Men of opposing ideals and actions, each was idolized by millions-and vilified and feared by millions more. Though they would never meet, these two world leaders came to see in the other the evils of the world each sought to eradicate. In so doing, both would unleash the forces that still dominate our world, and that continue to shape its future from nationalism and Communism to today's maps of the Middle East, Asia, and Eastern Europe. In this incisive, fast-paced history, Herman brilliantly explores the birth of a potent rivalry between two men who rewrote the rules of geopolitics-and the moment, one hundred years ago, when our contemporary world began.

    Award-winning journalist Masha Gessen’s understanding of the events and forces that have wracked Russia in recent times is unparalleled. In The Future Is History, Gessen follows the lives of four people born at what promised to be the dawn of democracy. Each of them came of age with unprecedented expectations, some as the children and grandchildren of the very architects of the new Russia, each with newfound aspirations of their own–as entrepreneurs, activists, thinkers, and writers, sexual and social beings. Gessen charts their paths against the machinations of the regime that would crush them all, and against the war it waged on understanding itself, which ensured the unobstructed reemergence of the old Soviet order in the form of today’s terrifying and seemingly unstoppable mafia state. Powerful and urgent, The Future Is History is a cautionary tale for our time and for all time.

    Petersburg-a "window on the West"-and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself-its character, spiritual essence, and destiny. He skillfully interweaves the great works-by Dostoevsky, Stravinsky, and Chagall-with folk embroidery, peasant songs, religious icons, and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world. Figes's characters range high and low: the revered Tolstoy, who left his deathbed to search for the Kingdom of God, as well as the serf girl Praskovya, who became Russian opera's first superstar and shocked society by becoming her owner's wife. Like the European-schooled countess Natasha performing an impromptu folk dance in Tolstoy's War and Peace, the spirit of "Russianness" is revealed by Figes as rich and uplifting, complex and contradictory-a powerful force that unified a vast country and proved more lasting than any Russian ruler or state.

    Journeying across a resurgent and reputedly free land, Meier has produced a virtuosic mix of nuanced history, lyric travelogue, and unflinching reportage. Throughout, Meier captures the country's present limbo—a land rich in potential but on the brink of staggering back into tyranny—in an account that is by turns heartrending and celebratory, comic and terrifying. A 2003 New York Public Library Book to Remember. "Black Earth is the best investigation of post-Soviet Russia since David Remnick's Resurrection. Andrew Meier is a truly penetrating eyewitness."—Robert Conquest, author of The Great Terror; "If President Bush were to read only the chapters regarding Chechnya in Meier's Black Earth, he would gain a priceless education about Putin's Russia."—Zbigniew Brzezinski "Even after the fall of Communism, most American reporting on Russia often goes no further than who's in and who's out in the Kremlin and the business oligarchy. Andrew Meier's Russia reaches far beyond . . . this Russia is one where, as Meier says, history has a hard time hiding. Readers could not easily find a livelier or more insightful guide."—Adam Hochschild, author of King Leopold's Ghost and The Unquiet Ghost: Russians Remember Stalin "From the pointless war in Chechnya to the wild, exhilarating, and dispiriting East and the rise of Vladimir Putin, the former KGB officer—it's all here in great detail, written in the layers the story deserves, with insight, passion, and genuine affection."—Michael Specter, staff writer, The New Yorker; co-chief, The New York Times Moscow Bureau, 1995-98. "[Meier's] knowledge of the country and his abiding love for its people stands out on every page of this book....But it is his linguistic fluency, in particular, which enables Mr. Meier to dig so deeply into Russia's black earth."—The Economist  "A wonderful travelogue that depicts the Russian people yet again trying to build a new life without really changing their old one."—William Taubman, The New York Times Book Review.

    By the next day the USSR was officially no more and the USA had emerged as the world’s sole superpower. Award-winning historian Serhii Plokhy presents a page-turning account of the preceding five months of drama, filled with failed coups d’état and political intrigue.Honing in on this previously disregarded but crucial period and using recently declassified documents and original interviews with key participants, he shatters the established myths of 1991 and presents a bold new interpretation of the Soviet Union’s final months. Plokhy argues that contrary to the triumphalist Western narrative, George H. W. Bush desperately wanted to preserve the Soviet Union and keep Gorbachev in power, and that it was Ukraine and not the US that played the key role in the collapse of the Soviet Union. The consequences of those five months and the myth-making that has since surrounded them are still being felt in Crimea, Russia, the US, and Europe today.With its spellbinding narrative and strikingly fresh perspective, The Last Empire is the essential account of one of the most important watershed periods in world history, and is indispensable reading for anyone seeking to make sense of international politics today.

    In 1991, Adam Hochschild spent nearly six months in Russia talking to gulag survivors, retired concentration camp guards, and countless others. The result is a riveting evocation of a country still haunted by the ghost of Stalin.

    Both sides in the fighting looked to new weapons, tactics and ideas to break a stalemate that was itself destroying Europe. In the German government a small group of men had a brilliant idea: why not sow further confusion in an increasingly chaotic Russia by arranging for Vladimir Ilyich Lenin, the most notorious of revolutionary extremists, currently safely bottled up in neutral Switzerland, to go home?Catherine Merridale's Lenin on the Train recreates Lenin's extraordinary journey from harmless exile in Zurich, across a Germany falling to pieces from the war's deprivations, and northwards to the edge of Lapland to his eventual ecstatic reception by the revolutionary crowds at Petrograd's Finland Station.

    Harrison Salisbury called it "brilliant...not only an odyssey of madness, tragedy, and sadism, but a work of scholarship and literary craftsmanship." And in recent years it has received equally high praise in the former Soviet Union, where it is now considered the definitive account of the period. When Conquest wrote the original volume, he relied heavily on unofficial sources. With the advent of glasnost, an avalanche of new material became available, and Conquest mined this enormous cache to write, in 1990, a substantially new edition of his classic work, adding enormously to the detail. Both a leading historian and a highly respected poet, Conquest blends profound research with evocative prose, providing not only an authoritative account of Stalin's purges, but also a compelling and eloquent chronicle of one of this century's most tragic events. He provides gripping accounts of everything from the three great "Moscow Trials," to methods of obtaining confessions, the purge of writers and other members of the intelligentsia, life in the labor camps, and many other key matters. On the fortieth anniversary of the first edition, in the light of further archival releases, and new material published in Moscow and elsewhere, it remains remarkable how many of Conquest's most disturbing conclusions have continued to bear up. This volume, featuring a new preface by Conquest, rounds out the picture of this huge historical tragedy, further establishing the book as the key study of one of the twentieth centurys most lethal, and longest-misunderstood,offenses against humanity.

    Verbatim reports of speeches by leaders, and comments of bystanders—set against an idealized backdrop of the proletariat united with soldiers, sailors, and peasants—are balanced by passionate narratives describing the fall of the provisional government, the assault on the Winter Palace, and Lenin's seizure of power.Accompanied by contemporaneous photographs, this gripping record by a western journalist has been acclaimed worldwide since its first publication in 1919. Endorsed by Lenin as a "truthful and most vivid exposition," the work was the basis for the Academy Award-winning 1981 film Reds.

    Journalist Victor Sebestyen witnessed much of the 1989 fall of the Soviet empire at first hand, and in this book, he reassesses this decisive moment in modern history.

    But the heroic images of Boris Yeltsin atop a tank in front of Moscow's White House soon turned to grim new realities: a currency in freefall and a war in Chechnya; on the street, flashy new money and a vicious Russian mafia contrasted with doctors and teachers not receiving salaries for months at a time. If this was what capitalism brought, many Russians wondered if they weren't better off under the communists.This new society did not just appear ready-made: it was created by a handful of powerful men who came to be known as the oligarchs and the young reformers. The oligarchs were fast-talking businessmen who laid claim to Russia's vast natural resources. The young reformers were an elite group of egghead economists who got to put their wild theories into action, with results that were sometimes inspiring, sometimes devastating. With unparalleled access and acute insight, Chrystia Freeland takes us behind the scenes and shows us how these two groups misused a historic opportunity to build a new Russia. Their achievements were considerable, but their mistakes will deform Russian society for generations to come.Along with a gripping account of the incredible events in Russia's corridors of power, Freeland gives us a vivid sense of the buzz and hustle of the new Russia, and inside stories of the businesses that have beaten the odds and become successful and profitable. She also exposes the conflicts and compromises that developed when red directors of old Soviet firms and factories yielded to -- or fought -- the radically new ways of doing business. She delves into the loophole economy, where anyone who knows how to manipulate the new rules can make a fast buck. Sale of the Century is a fascinating fly-on-the-wall economic thriller -- an astonishing and essential account of who really controls Russia's new frontier.

    Returning again and again, Garrels found that the city's new freedoms and opportunities were both exciting and traumatic. As the economic collapse of the early 1990s abated, Chelyabinsky became richer and more cosmopolitan while official corruption and intolerance for minorities grew more entrenched. Sushi restaurants proliferated; so did shakedowns. In the neighboring countryside, villages crumbled into the ground. Far from the glitz of Moscow, the people of Chelyabinsk were working out their country’s destiny, person by person.Putin Country crafts an intimate portrait of Middle Russia. We meet upwardly mobile professionals, impassioned activists who champion the rights of orphans and disabled children, and ostentatious mafiosi. We discover surprising subcultures, such as a vibrant underground gay community and a circle of determined Protestant evangelicals, and watch as doctors and teachers trying to cope with inescapable payoffs and institutionalized negligence. As Vladimir Putin tightens his grip on power and war in Ukraine leads to Western sanctions and a lower standard of living, the local population mingles belligerent nationalism with a deep ambivalence about their country’s direction. Drawing on close friendships sustained over many years, Garrels explains why Putin commands the loyalty of so many Russians, even those who decry the abuses of power they regularly encounter.Garrels’s portrait of Russia’s silent majority is an essential corrective to the misconceptions of Putin's supporters and critics alike, especially at a time when cold war tensions are resurgent.