After serving a 3 year bid, Marquez swore to himself that he would never step foot in another prison. Determined to turn his life around, Marquez occupies his days working at a local car shop. Despite the low pay and endless hours, Marquez does not let that deter him. His world is then shaken up the moment he meets Breanna, a cute, around the way girl, whose main focus in life is attaining her degree and escaping the gritty projects of Brownsville, Brooklyn, for good. Both from troubled pasts, they find themselves drawn to each other in ways they would’ve never fathomed. Breanna becomes the light to Marquez’s life as she opens his heart to something foreign to him. Love. Marquez then begins to realize the possibilities of obtaining a better life outside of the hood. It is until he is faced with an unexpected tragedy that shatters his world for the worst. His dark past now becomes a reality as the grim streets claw at every ounce of his sanity. Now, Marquez must decide whether to continue on the right path he vowed to take or succumb to the dangerous lifestyle he has always known. The streets.

    Robert Creeley, who was involved with the publication of this volume before his death in 2005, helped define an emerging counter-tradition to the prevailing literary establishment--the new postwar poetry originating with Ezra Pound, William Carlos Williams, and Louis Zukofsky and expanding through the lives and works of Charles Olson, Robert Duncan, Allen Ginsberg, Denise Levertov, and others. "The Collected Poems of Robert Creeley, 1975-2005" will stand together with "The Collected Poems of Robert Creeley, 1975-2000" as essential reading for anyone interested in twentieth-century American poetry.

    The RockAteers are born. It must work, and not just for Burt’s sake. Egg has spent his life on the outside looking in, Tea needs to evade a tough future and Clipper wants more than a fast track to football academy. When Egg reveals his song-writing genius, the only way is up… But can they function as a band?Who will win the race to sign them? And who will win the girl?

    The most celebrated black American of his day, Robeson was blacklisted, silenced and had his US passport withheld because of his criticism of McCarthyism, his fascination with the Soviet Union and his strong support of African independence. He wrote Here I Stand as a bold answer to his accusers and it remains today a passionate and defiant challenge to the prevailing fear and racism that continues to characterize American society.'(Robeson's) nobility, his language, his encouragement and his praise put me forever in his debt because it inspired me fully to be like him, and to use my life as he had used his, to put into it the commitment of the liberation of his people and all people.' Harry Belafonte in Restoring Hope'Robeson's book is a perennial, first published in 1958, and now a voice from a different time. It anticipates for black persons the moral support of the American majority with an intensity that now seems evangelical. It's full of probably tragic hope. It should be read.' The Boston Globe'This amazing man, this great intellect, this magnificient genius with his overwhelming love of humanity is a devastating challenge to a society built on hypocrisy, greed and profit-seeking at the expense of common humanity.' The New York Times

    Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality the dangers experienced in skin and body and blood and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, some of us all at once. Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

    His preferred medium is the spoken word, and his audience has been limited to hard-bitten reporters and hard-core watchers of C-SPAN. Just as The Iliad and The Odyssey were spoken aloud by many bards, in many variations, before Homer captured them on paper, the Rumsfeld improvisations have finally met up with their perfect editor/enabler. Hart Seely, coeditor of O Holy Cow! The Selected Verse of Phil Rizzuto, uncovers the gems hidden within hundreds of hours of Rumsfeld commentary, in the form of Zen verse, haiku, sonnets, lyric poetry, and free verse. In addition, Seely's sharp sleuthing has uncovered two thematic collections: Rumsfeld's Songs of Myself, and Nine Poems on the Media. The result is a hilarious and irreverently revealing book both by and about one of the world's most powerful men.

    Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as Deep Morgan, Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in 1895.How the legend grew is a story in itself, and Brown tracks it through variants of the song Stack Lee--from early ragtime versions of the '20s, to Mississippi John Hurt's rendition in the '30s, to John Lomax's 1940s prison versions, to interpretations by Lloyd Price, James Brown, and Wilson Pickett, right up to the hip-hop renderings of the '90s. Drawing upon the works of James Baldwin, Richard Wright, and Ralph Ellison, Brown describes the powerful influence of a legend bigger than literature, one whose transformation reflects changing views of black musical forms, and African Americans' altered attitudes toward black male identity, gender, and police brutality. This book takes you to the heart of America, into the soul and circumstances of a legend that has conveyed a painful and elusive truth about our culture.

    Audacious, cunning, and razor-sharp, How to Be Black exposes the mass-media’s insidiously racist, monochromatic portrayal of black culture’s richness and variety. Fans of Stuff White People Like, This Week in Blackness, and Ending Racism in About an Hour will be captivated, uplifted, incensed, and inspired by this hilarious and powerful attack on America’s blacklisting of black culture: Baratunde Thurston’s How to Be Black.

     The chairman of the board, billionaire arms dealer and part-time philanthropist David Soper, decides that it's time to kill or cure. Business School alumnus and Las Vegas hotel genius Max Green is the perfect man for the job. A man of vision. A man with a mission. A man who knows that wealth-care is smarter than healthcare. He's going to make Samaritans great again. Andrew Sharp, star cardio-thoracic surgeon, turns his back on the NHS and buys in to this brave new world of Porsches and payola. But when his American Dream turns into a living nightmare, Andrew discovers that even the new-found love of his assistant, Cathy, may not be enough to save him… Samaritans is the new novel from the co-creator and writer of Yes Minister and Yes, Prime Minister. Praise for Samaritans 'A book George Orwell would have approved of.' The Sunday Times ‘It’s wonderful! I was hooked, mouth open, heart pounding. The catastrophic state of medical care is his story but Samaritans can be read too as a wider allegory, a discourse on a politics of greed, dis-entitlement, deregulation and social brutality that has run quite mad.’ Stephen Fry ‘It is with the highest confidence that I recommend this book, with particularity, to those Members of Congress who remain committed to making access to life saving care far too difficult for far too many people. It is my fondest hope that they might laugh their way to the education they so sorely require.’ Rick Ungar ‘Jonathan Lynn tackles the US healthcare system in satirical splendour. I laughed out loud. It is both hilarious and scary at the same time! Nobody does it better.’ Barbara Broccoli 'There is reason to believe Jonathan Lynn was not born in the US and, while probably not a spy, he has spent some little time observing Americans in the wild. His observations are not always flattering—he’s talking Big Medicine, Big Insurance, Big Business and their cousin, Small Ethics—but he certainly seems to have our number. Samaritans is smart, dark, and very, very funny. Stay healthy, America!' Michael McKean, Better Call Saul, Spinal Tap ‘Jonathan Lynn's Samaritans does for hospitals what Evelyn Waugh's The Loved One did for cemeteries. The book is laugh-aloud funny, but also deadly serious--because it deals with the lethal effect profit-minded health care can have on patient lives...I haven't read satire this hilarious and powerful since Riotous Assembly, the late Tom Sharpe's indictment of apartheid in South Africa. This is essential reading for anyone who has a body and wants to keep it alive.' M.G Lord ‘Comedy genius...as politically and socially important as is it is entertaining.’ Muriel Gray Jonathan Lynn is the multi-award winning author of The Complete Yes Minister and The Complete Yes, Prime Minister, which were drawn from the phenomenally successful BBC series which he created and wrote with Antony Jay, and which sold more than a million copies in hardback.

    No one's met the mysterious boss who gives them their orders via laptop, but the arrangement works for everyone involved. Their criminal enterprise keeps them rolling in dough, allowing them to purchase property and businesses all over town.When Taz falls in love with Sacha, an ambitious young lawyer, he makes an unexpected enemy. Cliff, another lawyer at the firm, wants Sacha for himself, and he'll stop at nothing to win her back from the thug she's with. He sets his sights on one of Taz s family members, in order to get close to Taz's inner circle. Now Cliff and Taz are locked in a monstrous battle that can only end in tragedy. Which one will come out on top?

    Alex is determined to seek revenge for the death of his fiance but can a new love heal the pain from losing his first love? Deion continues on his path of destruction but will the streets finally deal him a hand he can't win? As both men struggle with personal and business difficulties their once unbreakable bond seems to be on the verge of complete devastation. More lives are lost and secrets are revealed that will give only one man all the power.

    What she doesn't know is that the messenger is harboring another shocking secret that they aren't quite willing to let her in on just yet. Feeling confused and overwhelmed, she turns to the only person who has had her back since her first love was murdered, even though unsure if he'd be willing to involve himself due to the circumstances. In addition to such a heavy weight, suspicious leeches resurface, ready to suck Camarih and her beau dry unless she complies with their wishes. Little does Camarih know, their seemingly harmless attempt at extorting her is much deeper than she may think. With a flourishing career that's only growing, Tony doesn't have as much time to zone in on what could soon be a very detrimental and possibly deadly train wreck that is his personal life. The saying more money more problems has definitely began to ring true for the handsome thug, who although has a bigger bank account, is still that same street boy at heart. By saying that, a couple extra zeros on his paycheck hasn't stopped the gangsta from laying out a few when it comes to his respect. Will the deeply in love yet completely opposite couple be able to stick together and trust one another, or will outside forces finally weave their way into a union that has seemed unlikely from the get-go? As Make A Killing becomes more and more successful, it's only right that that success be accompanied by jealousy, unrequited loves, and envy. With new people entering the building, tension arises, relationships are broken, and betrayal becomes a part of day-to-day life.

     And, now that he’s running a fancy West End nightclub, Tony has new-found celebrity status – with a never-ending string of gorgeous women on his arm, he’s become the darling of the tabloids. However, despite his success, he still feels he lacks the respect he deserves and the status he desires. The little boy who lived on the streets is never far away. Desperate for recognition, he’s driven to achieve more and more. Most of all, he craves the acceptance of Ralph Gold and to become a bigger part of his extensive web of organised crime. Fearlessly facing up to enemies, winning battles and becoming the undisputed bosses of the London underworld can be a nasty business, but it’s the only business Tony and Jake know. And they’ll stop at nothing to succeed.

    In an all out street war, who will come out on top? ENGA vs. DOA, the battle lines have been drawn.

    Mai’s betrayal lands her in a life threatening situation at the hands of Cipher, whom seems to think Rocko is responsible for his cousin’s death. While Heather and Troi are forced to work out their differences for their own safety, Brandon isn’t really who he says he is. Heather has to decide if her relationship with Brandon will be able to outlast what he’s been hiding. Rocko comes back in contact with an old fling, Dominique. Will he be able to deal with her surprise?