This gargantuan helping of the human comedy relates how he is devoured by the masses of New York, a city boiling over with the itch to grab it now.

    She is the only white woman in a land owned by the local Ingalik tribe; her closest neighbor is a fellow bush pilot and activist named Kash. Bailey and Kash are drawn to each other, but their fiercely independent natures keep them apart. When two Easterners hire Bailey to pilot them into the bush, a series of events is set in motion that will upset the delicate racial balance of the land and lead to violence. As the truth behind the couple's arrival becomes apparent, the refuge Bailey has created for herself shatters. Forced to face the demons of her unresolved past, she is given a chance to free herself at last from the secret that haunts her.  Marked by spare, resonant prose and imbued with an indelible sense of place, True North tells a powerful story of adventure and survival. It is a welcome debut by a gifted new voice in literary fiction.

    This is the most complete and generous sampling of the first half of an indispensable American writer's career.

    So when the senior partner of one of the premier legal firms in Grand Rapids approaches Hardin about a job protecting his niece from her soon-to-be ex-husband for a couple of days, Hardin isn't exactly eager to take on the job. However, Hardin finds that the fee offered to too great to pass up. After a hatchet attack, a house burnt down, and a few violent encounters with some crooked cops, Hardin can hardly wait for the case to be over. But when the husband is found murdered, the niece attempts suicide, and Hardin is brought in on a trumped-up warrant for the crime, it is no longer a case that he is willing to walk away from -- even if he could.

    Six months later, she appears in a photograph in a gossip magazine exiting the Tropicana Club in Los Angeles on the arm of Olivia de Havilland.In this chain of six richly detailed and atmospheric stories, each told from a different perspective, Towles unfolds the events that take Eve to the heart of Old Hollywood. Beginning in the dining car of the Golden State Limited in September 1938, we follow Eve to the elegant rooms of the Beverly Hills Hotel, the fabled tables of Antonio’s, the amusement parks on the Santa Monica piers, the afro-Cuban dance clubs of Central Avenue, and ultimately the set of Gone with The Wind.With the glamour and grit of the studio system’s golden age as a backdrop, Towles introduces in each story a memorable new character whose fate may well be altered by their encounter with Eve. In following the thread of these varied encounters, we watch as Eve forges a new and unexpected life for herself in late 1930s Los Angeles.

    The killing of one of her best customers reminded her of the one thing -- they slaying of her own mother years earlier. Faced with a variety of suspects, Neeve plunges into the mystery of Lambston's death, determined to find the truth. But as she is drawn into a whirlwind of money and romance, she is also being stalked by a killer who's closer than she could ever dream . . .Weep No More, My LadyYoung Elizabeth Lange is haunted by the tragic death of her beloved sister, the legendary actress Leila LaSalle. Ted Winters, Leila's multi-millionaire fiance, has been accused of her murder -- and Elizabeth is slated to be the star witness for the prosecution. But before the trial begins, Elizabeth gets an invitation to unwind at a swank California spa. There is caught up in a torrent of confusing emotions and perplexing questions. Elizabeth must discover the truth -- and soon. Because someone is stalking her, patiently waiting for the right moment to strike . . .

    I’m lost...” Nine year old Trisha McFarland becomes lost in the forest while hiking with her mother and brother along the Appalachian Trail in Maine. As Trisha starts to cry, she remembers Tom Gordon. Tom Gordon is a professional baseball player. He has never met Trisha McFarland. This is the story of Trisha McFarland and Tom Gordon, and how a man she never met, saved her life.

    D. Salinger. In the mid-1960s, the revered creator of The Catcher in the Rye suddenly stopped publishing and withdrew from public life. In David Morrell’s haunting “The Architecture of Snow,” an author similar to Salinger submits a manuscript after a four-decade absence. Why has he abruptly resurfaced? What caused his long-ago disappearance? When editor Tom Neal embarks on a search to a remote New England town, he uncovers the disturbing truth behind a tragic mystery that changes his life in unimaginable ways.

    Suddenly, this longtime church member and pillar of her small Southern community finds herself in the center of an unseemly scandal-and the guardian of a wan nine-year-old whose mere presence turns her life upside down. With razor-sharp wit and perfect "Steel Magnolia" poise, Miss Julia speaks her mind indeed-about a robbery, a kidnapping, and the other disgraceful events precipitated by her husband's death. Miss Julia Takes Over - Miss Julia has come to terms with her onetime rival, Hazel Marie, and is now the guardian of Little Lloyd. Now Hazel Marie has disappeared, and Miss Julia has to find her. With Little Lloyd by her side, she sets off across North Carolina, and encounters enough obstacles and adventures to tax even Miss Julia's amazing and ingenious survival skills.

    Dewy, a foul-mouthed realist, happily takes Gunnar under his wing and tries to teach him how to maneuver safely through the dangers of the Columbus, Ohio, streets. Together they devise increasingly ingenious ways to reclaim properly from their most recalicitrant customers. They become fixated in particular on a woman who will not respond to any of their attempts to repossess her furniture. Both Dewy and the customer refuse to give in. And thus the stage is set for a series of events that send Gunnar's life spiraling out of control.

    Opening up the blank casing, a very unapologetic page one sports nothing but black text that starts at the top of the page and small numbering printed on every bottom corner. There are no chapters and there is no chronology or even a plot. Words are broken up in lines or paragraphs and it continues as such for two hundred pages exactly without a break; not dumbed down, allowing the chance to experience truly innovative media.The author himself accomplishes what thousands of writers spend lifetimes trying to depict honestly, some at the expense of their own sanity. He shows the nihilistic and existentialist thoughts suffered by America’s most broken malcontents. This gritty reality may alienate some readers, but for many it tugs at heartstrings and makes us wonder why we pushed our own parallel feelings to the backburner for the sake of fitting into society. It makes us question if we are fooling anyone with those efforts. It makes us really think why, and this book smartly doesn’t assume us incapable of making our own life assessment by offering morals or lessons meant to give us hope. The writing itself is completely bleak (a warning to the vulnerable), and the author basically tells us to find our own reason for living. Unlike most other literature, by the last sentence you are still wondering if he has ever found his.

    Avery was tried for the murder of a twenty-nine-year-old mill worker, Sarah Marie Cornell. It was the first time a clergyman had ever been tried for murder in the United States and the first time an American murder trial became headline news. From this factual base, Mary Cable weaves a chilling novel of gothic desires and conflicting classes. She creates a rich atmosphere to show New England as it was then - simple, puritanical, superstitious, and unsentimental - on the brink of emerging from the eighteenth century into an industrial and far-more-complicated age. This dramatic, compelling story is as much about a time and place as it is about a notorious murder trial. A work of poetic intensity, Avery’s Knot is finally a classic, tragic tale of a woman caught between passion and puritanism.

    "The book succeeds because the characters are realistic and because Hannah is able to make us care about them".--Houston Post.

    This volume is produced from digital images created through the University of Michigan University Library's preservation reformatting program.