Since its debut, The New York Times' acclaimed web journal entitled 'Disunion' has published hundreds of original articles and won multiple awards, including "Best History Website" from the New Media Institute and the History News Network. Following the chronology of the secession crisis and the Civil War, the contributors to Disunion, who include modern scholars, journalists, historians, and Civil War buffs, offer contemporary commentary and assessment of the Civil War as it unfolded chronologically. Now, this commentary has been gathered together and organized in one volume. In The New York Times: Disunion, historian Ted Widmer has curated more than 100 articles that span events beginning with Lincoln's presidential victory through the Emancipation Proclamation. Topics include everything from Walt Whitman's wartime diary to the bloody guerrilla campaigns in Missouri and Kansas. Esteemed contributors include William Freehling, Adam Goodheart, and Edward Ayers, among others. The book also compiles new essays that have not been published on the Disunion site by well-known historians such as David Blight, Gary Gallagher, and Drew Gilpin Faust. Topics include the perspective of African-American slaves and freed men on the war, the secession crisis in the Upper South, the war in the West (that is, past the Appalachians), the war in Texas, the international context, and Civil War-era cartography. Portraits, contemporary etchings, and detailed maps round out the book.

    Addressing his fifteen-year-old namesake on the one hundredth anniversary of the Emancipation Proclamation, Baldwin wrote: “You know and I know, that the country is celebrating one hundred years of freedom one hundred years too soon.”Award-winning author Jesmyn Ward knows that Baldwin’s words ring as true as ever today. In response, she has gathered short essays, memoir, and a few essential poems to engage the question of race in the United States. And she has turned to some of her generation’s most original thinkers and writers to give voice to their concerns.The Fire This Time is divided into three parts that shine a light on the darkest corners of our history, wrestle with our current predicament, and envision a better future. Of the eighteen pieces, ten were written specifically for this volume.In the fifty-odd years since Baldwin’s essay was published, entire generations have dared everything and made significant progress. But the idea that we are living in the post-Civil Rights era, that we are a “postracial” society, is an inaccurate and harmful reflection of a truth the country must confront. Baldwin’s “fire next time” is now upon us, and it needs to be talked about.

    He is filled with a gnawing sense that his beloved Mexico City’s days as the most gargantuan, chaotic, crime-ridden, toxically contaminated urban stain in the western world are doomed, and the monster he has grown to know and love through a quarter century of reporting on its foibles and tragedies and blight will be globalized into one more McCity.El Monstruo is a defense of place and the history of that place. No one has told the gritty, vibrant histories of this city of 23 million faceless souls from the ground up, listened to the stories of those who have not been crushed, deconstructed the Monstruo’s very monstrousness, and lived to tell its secrets. In El Monstruo, Ross now does.

    All contributing authors and business partners are donating their share to The Book Industry Charitable Foundation, a nonprofit organization that coordinates charitable programs to strengthen the bookselling community. The roster of diverse voices includes Faith Adiele, Kwame Alexander, Jenna Blum, Andre Dubus III, Jamie Ford, Nikki Giovanni, Pam Houston, Jean Kwok, Major Jackson, Devi S. Laskar, Caroline Leavitt, Ada Limón, Dani Shapiro, David Sheff, Garth Stein, Luis Alberto Urrea, Steve Yarbrough, and Lidia Yuknavitch. ALONE TOGETHER is divided into five sections: What Now?, Grieve, Comfort, Connect, And Don't Stop. The overarching theme is how this age of isolation and uncertainty is changing us as individuals and a society.

    By bridging the gap between feminist hashtags and scholarly texts, these essays bring feminism into clear focus.Published in partnership with Girl Up, the UN Foundation's adolescent girl campaign, contributors include Hollywood superstars like Saoirse Ronan, activists like Alicia Garza, a founder of Black Lives Matter, and even fictional icons such as Bridget Jones.Every woman has a different route to their personal understanding of feminism. This empowering collection shows how a diverse group of women found their voice, and it will inspire others to do the same.

    A dual Argentine-Spanish citizen, Neuman offers incisive insight into cultural identity and nationality, immigration and globalization, history and language. The enigmatic How to Travel Without Seeing is a must-read for anyone interested in our neighbors to the south and their current literature.

    Contained in this volume are the following essays: Civil Disobedience, Natural History of Massachusetts, A Walk to Wachusett, The Landlord, A Winter Walk, The Succession of Forest Trees, Walking, Autumnal Tints, Wild Apples, Night and Moonlight, Aulus Persius Flaccus, Herald of Freedom, Life Without Principle, Paradise (to be) Regained, A Plea for John Brown, The Last Days of John Brown, After the Death of John Brown, The Service, Slavery in Massachusetts, and Wendell Phillips Before Concord Lyceum.

    Included in this one-of-a-kind collection is everything Roberto Bolaño was working on just before his death in 2003, and everything that he wanted to share with his readers. Fans of his writing will find familiar characters in new settings, and entirely new stories and styles, too.A North American journalist in Paris is woken at 4 a.m. by a mysterious caller with urgent information. Daniela de Montecristo (familiar to readers of Nazi Literature in the Americas and 2666) recounts the loss of her virginity. Arturo Belano returns to Mexico City and meets the last disciples of Ulises Lima, who play in a band called The Asshole of Morelos. Belano’s son Gerónimo disappears in Berlin during the Days of Chaos in 2005. Memories of a return to the native land; Argentine writers as gangsters; zombie schlock as allegory... and much more.

    It is a collection of adages and advice presented in Poor Richard's Almanac during its first 25 years of publication, organized into a speech given by "Father Abraham" to a group of people. Many of the phrases Father Abraham quotes continue to be familiar today. The essay's advice is based on the themes of work ethic and frugality. Some phrases from the almanac quoted in "The Way to Wealth" include: "There are no gains, without pains" "One today is worth two tomorrows" "A life of leisure and a life of laziness are two things" "Get what you can, and what you get hold" "Sloth, like rust, consumes faster than labor wears, while the used key is always bright" "Have you somewhat to do tomorrow, do it today" "The eye of a master will do more work than both his hands" "Early to bed, and early to rise, makes a man healthy, wealthy and wise" "For want of a nail..."

    Arellano’s fascinating narrative combines history, cultural criticism, food writing, personal anecdotes, and Jesus on a tortilla. In seemingly every decade for over a century, America has tried new culinary trends from south of the border, loved them, and demanded the next big thing. As a result, Mexican food dominates American palates to the tune of billions of dollars in sales per year, from canned refried beans to tortilla wraps and ballpark nachos. It’s a little-known history, one that’s crept up on this country and left us better for it.

    Here he found once strong, independent farmers so reduced in dignity, sick, sullen, and defeated that they had been cast down to a kind of subhumanity. He contrasts their misery with the hope offered by government resettlement camps, where self-help communities were restoring dignity and indeed saving lives. The Harvest Gypsies gives us an eyewitness account of the horrendous Dust Bowl migration and provides the factual foundation for Steinbeck's masterpiece, The Grapes of Wrath. Included are twenty-two photographs by Dorothea Lange and others, many of which accompanied Steinbeck's original articles.

    Trained by the Catholic Church to organize women's groups to combat malnutrition, Alvarado began to question why campesinos were malnourished to begin with. Her growing political awareness, her travels by foot over the back roads of Honduras, and her conversations with people frm all over the country have given her insights into the internal workings of her society that far surpass those of the majority of campesinos who have never ventured outside their villages. Working as a campesino organizer, Alvarado has led dangerous land recovery actions in an effort to enforce the national land reform laws. As a result of these activities, she has been harassed, jailed, and tortured at the hands of the Honduran military.Skillfully translated and edited by Medea Benjamin, an expert on Central America, this book takes us into the heart of campesino struggle and political conflict in Honduras today."Elvia Alvarado tells the story of her life and the life of the people of Honduras. Read it and understand the struggle against tyranny of the poor. Read it and act."--Alice Walker

    Tasked with finding the best, most revealing, honest, and astonishing writing of the last twelve months, they pored over hundreds of published poems, stories, comics, and essays. With the help of guest editor Edan Lepucki, they selected the contents of this anthology, a collection of work they feel looks a lot like 2019. The Best American Nonrequired Reading 2019 features comics about war and butts and stories about pizza-delivery women, family, dolls giving birth, anthropomorphic lakes, and more. It was a successful year. Read on to see for yourself.  The Best American Nonrequired Reading 2019 includes Viet Thanh Nguyen, Charles Johnson, Robin Coste Lewis, Garth Greenwell, Nathaniel Russell, Britteney Black Rose Kapri, Andrea Long Chu, Deborah Taffa, Renée Branum, and others.  Hill country / Patricia Sammon --Follow the drinking gourd / Charles Johnson --Curse for the American dream / Jane Wong--Barbarians at the gate / Matthew Hongoltz-Hetling--I worked with Avital Ronell. I believe her accuser/ Andrea Long Chu--Holton Arms class of 1984. to the United States Congress--Diagnosis in reverse / Kate Gaskin--On true war stories/ Viet Thanh Nguyen--The frog king / Garth Greenwell--Child A / Emily Rinkema--As the sparks fly upward / Renee Branum--Arabic lesson / Latifa Ayad --Barbara from Florida/ Maddy Raskulinecz--It's natural (selected comics)/ Nathaniel Russell --Our Belgian wife / Uche Okonkwo--Self-care / Robin Coste Lewis --The brothers Aguayo/ Devin Gordon --Naked and vulnerable, the rest is circumstance / Sylvia Chan --Spring / Mikko Harvey --The babyland diaries / Angela Garbes --Two poems / Britteney Black Rose Kapri--The Gettysburg Address (sound translations 1 and 2 / Keith Donnell Jr. --Almost Human / Deborah Taffa --Macho / Margaret Ross --The lake and the onion / David Drury

    Veteran journalist Pete Hamill never covered just politics. Or just sports. Or just the entertainment business, the mob, foreign affairs, social issues, the art world, or New York City. He has in fact written about all these subjects, and many more, in his years as a contributor to such national magazines as Esquire, Vanity Fair, and New York, and as a columnist at the New York Post, the New York Daily News, the Village Voice, and other newspapers. Seasoned by more than thirty years as a New York newspaperman, Hamill wrote on an extraordinarily wide variety of topics in powerful language that is personal, tough-minded, clearheaded, always provocative. Piecework is a rich and varied collection of Hamill's best writing, on such diverse subjects as what television and crack have in common, why winning isn't everything, stickball, Nicaragua, Donald Trump, why American immigration policy toward Mexico is all wrong, Brooklyn's Seventh Avenue, and Frank Sinatra, not to mention Octavio Paz, what it's like to realize you're middle-aged, Northern Ireland, New York City then and now, how Mike Tyson spent his time in prison, and much more. This collection proves him once again to be among the last of a dying breed: the old-school generalist, who writes about anything and everything, guided only by passionate and boundless curiosity. Piecework is Hamill at his very best.

    We are friends and family. We are doctors and lawyers. We are pharmacists, biologists, and engineers. We are ordinary people who see a universe that is bigger than any god man has ever imagined. For billions of people around the globe, god and religion are the biggest things in their lives. Even for those not very devout believers, their belief is a part of how they think about themselves and for most of them god is very big. However, for a small minority of people the idea of god is small and pitiful. We look out into the universe and see something so amazing that it could not possibly be the work of these tiny imagined gods of mankind. These gods whom we are given that display such ignoble traits as jealousy and outright hubris. We see the harm that religion brings to humanity. We see the injustice, inequality, and division amongst men that it causes. We see humanity being stifled by these religions and these tiny gods. We at Atheist Republic have a message we have steadily tried to convey. That message is that we as human beings are bigger than these imaginary gods. We believe that humanity is greater than gods and doctrines.