An unruly bunch of bright, funny sixth-form (or senior) boys in a British boys' school are, as such boys will be, in pursuit of sex, sport, and a place at a good university, generally in that order. In all their efforts, they are helped and hindered, enlightened and bemused, by a maverick English teacher who seeks to broaden their horizons in sometimes undefined ways, and a young history teacher who questions the methods, as well as the aim, of their schooling. In The History Boys, Alan Bennett evokes the special period and place that the sixth form represents in an English boy's life. In doing so, he raises not only universal questions about the nature of history and how it is taught but also questions about the purpose of education today.

    For the first time, Live Fast, Die Young tells the complete story of the explosive making of Rebel, a film that has rocked every generation since its release. Set against a backdrop of the Atomic Age and an old Hollywood studio system on the verge of collapse, it vividly evokes the cataclysmic, immensely influential meeting of four of Hollywood's most passionate artists. When James Dean, Natalie Wood, Sal Mineo, and director Nicholas Ray converged, each was at a crucial point in his or her career. The young actors were grappling with fame, their burgeoning sexuality, and increasingly reckless behavior. As Ray engaged his cast in physical melees and psychosexual seductions of startling intensity, the on- and off-set relationships between his ambitious young actors ignited, sending a shock wave through the film. Through interviews with the surviving members of the cast and crew and firsthand access to both personal and studio archives, Lawrence Frascella and Al Weisel reveal Rebel's true drama -- the director's affair with sixteen-year-old Wood, his tempestuous "spiritual marriage" with Dean, and his role in awakening the latent homosexuality of Mineo, who would become the first gay teenager to appear on film. Complete with thirty photographs, including ten never-before-seen photos by famed Dean photographer Dennis Stock, Live Fast, Die Young tells the absorbing inside story of an unforgettable and absolutely essential American film -- a story that is, in many ways, as provocative as the film itself.

    Though already a widely acclaimed novelist, the author of such modern classics as "The Orchard Keeper" and "Child of God," McCarthy had never before written a screenplay. Using nothing more than a few photographs in the footnotes to a 1928 biography of a famous pre-Civil War industrialist as inspiration, the author and Pearce together roamed the mill towns of the South researching their subject. One year later McCarthy finished "The Gardener's Son," a taut, riveting drama of impotence, rage, and ultimately violence spanning two generations of mill owners and workers, fathers and sons, during the rise and fall of one of America's most bizarre utopian industrial experiments. Produced as a two-hour film and broadcast on PBS in 1976, "The Gardener's Son" recieved two Emmy Award nominations and was shown at the Berlin and Edinburgh Film Festivals. This is the first appearance of the film script in book form.Set in Graniteville, South Carolina, "The Gardener's Son" is the tale of two families: the Greggs, a wealthy family that owns and operates the local cotton mill, and the McEvoys, a family of mill workers beset by misfortune. The action opens as Robert McEvoy, a young mill worker, is having his leg amputated -- the limb mangled in an accident rumored to have been caused by James Gregg, son of the mill's founder. McEvoy, crippled and isolated, grows into a man with a "troubled heart"; consumed by bitterness and anger, he deserts both his job and his family. Returning two years later at the news of his mother's terminal illness, Robert McEvoy arrives only to confront the grave diggers preparing her final resting place. His father, the mill's gardener, is now working on the factory line, the gardens forgotten. These proceedings stoke the slow burning rage McEvoy carries within him, a fury that ultimately consumes both the McEvoys and the Greggs.

    Shot on a shoe-string budget of $175,000 in black-and-white 16mm, the film was made with Spike Lee's persistence and talent plus the help of family and friends. It grossed $8 million at the box office and proved to be a major hit with both critics and audiences. Now Spike Lee reveals how he did it, mapping out the entire creative and production processes-from early notebook jottings to film festival awards. Spike Lee's Gotta Have It is a unique document in film literature - it's funny, absorbing, and fresh as the hit film itself.

    Includes: Summer Unplugged Bayleigh is addicted to her cell phone and her mom has had enough. After catching her sending a less than lady-like photo to a boy who barely knows her, Bayleigh's mom sends her away to her grandparent's house for the summer--sans cell phone, laptop and Ipod. Bayleigh thinks the summer will be torture without social media...that is until she meets the boy next door. Autumn Unlocked After a summer grounded from technology, Bayleigh is back home and rebuilding her relationship with her mother. Her boyfriend Jace keeps his promise and stays in Texas, where he works at a local motocross track. Knowing her relationship with Jace is something special and not like all the guys before him, Bayleigh is determined to keep their love strong, despite his notorious fame in the motocross world and the dozens of girls throwing themselves at him in his new job. Winter Untold When Jace accepts a job that has him traveling all over the country, Bayleigh wonders how their relationship can survive on random text messages and intermitent phone calls. Frustrated by his popularity on Facebook and jealous of all the parties he's attending, she finds comfort and friendship in Chase, the guy who just moved in next door. Spring Unleashed Bayleigh graduates from high school and with her boyfriend Jace by her side, she feels like life can't get any better. That is until Jace and her mom suggest some plans for Bayleigh's future that she's not too thrilled about. As long as she can win them over to seeing things her way, life will be great again. Or so she thinks.

    In this memoir, George Hamilton shares his life story, from growing up with an elitist but broke mother who shipped him to boarding schools and boyfriends' homes, to having an MGM contract that launched his five-decade long acting career.

    Hundreds of film stills, many in color, plus dialogue, quotations, and other sources add to and illustrate each chapter's overriding theme.

    So Burt and Verona head out on the road, across America, looking for the right place to call home. Along the way they encounter a succession of strange and hilarious friends and relatives (played by a cast that includes Jeff Daniels, Catherine O’Hara, Maggie Gyllenhall, Josh Hamilton, Allison Janney, and Jim Gaffigan), most of whom have no idea what they’re doing. In the end—with and despite the help of those they meet on their journey—Burt and Verona come closer to an understanding of their own definition of home and family.

    With the comprehension of a typical 9-year-old, Liesel Merminger struggles to survive with a foster family in Nazi Germany. Books and the words within become Liesel’s strongest tool as she learns to read and fight for her life. Young adults learning about the Holocaust can gain an insider’s perspective from this fictional portrayal. Readers are taken on an emotional journey narrated by Death. What makes this book stand out against other WWII fiction novels? Markus Zusak focuses on the children who barely understand the changes taking place in the world. A poetic tone enhances the flow of the story, and the characters will haunt your thoughts long after you finish reading. In addition to the positive and negative aspects, this review covers the author’s backstory to give you insight into his knowledge of the era. With a list of awards the book has received and quotes from expert reviewers, you will gain a better idea of how Markus Zusak's The Book Thief will resonate with you.

    144 pp. Ages 14 and up. Pub: 3/98.

    Based on historical events this novel tells an unforgettable story of Armenian King Pap (370-374 AD), the last king of the Arsacid Dynasty of Armenia.

    As victims of political action, powerless to initiate change, what can they do? How do they live and survive?Frank McGuinness explores the daily crisis endured by hostages whose strength comes from communication, both subtle and mundane, from humour, wit and faith.Someone Who'll Watch Over Me premiered at the Hampstead Theatre, London, in 1992 before transferring to the West End. On Broadway, it was awarded the New York Drama Critics' Circle Award for Best Foreign Play and nominated for the Tony Award for Best Play in 1993.

    For years, she has navigated the suffocating constraints of boarding school and chaperoned dances, and she is ready to detour from the perfect path her parents set her on. Luke Carrington is the swoon-worthy stranger who arrives to spice up the party, convincing Lexi that it's okay to ditch her uniform and spread her wings. Despite Luke's charm and intelligence, Lexi's family shrugs him off and refuses to tell her why. In her mind, the man has more to offer than any gel-headed boy she's met. Not only does he share her interest in Greek mythology, but he has devoted his life to helping people cope with death. What could be more admirable than that? When Lexi learns that her life has been a big fat lie, and the people claiming to be her family aren't who they say they are, she turns to Luke for solace. He is the only one who has not betrayed her, and he helps Lexi prove she isn't a little girl anymore. Once Luke's earns her trust and her heart, Lexi is willing to follow him anywhere to keep him close-even into the underworld.

    But the elves turn out to be more dangerous than he bargained for, seeking to rip open the veil between Tallia and Llandra and unleash swarming hordes of unspeakable horrors. Even worse, Berry seems to be on their side!Determined to stop them, Randall races against time to find the one artifact that can save Tallia, or destroy it.