One of life’s few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him as a baby, as she did so many of the village’s children. Ina’s gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina’s home in the woods outside of the village is a place to fear and to avoid, a godless place. Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches. The people’s desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by Villiam and the priest, especially in this year of record drought and famine. But when fate brings Marek into violent proximity to the lord’s family, new and occult forces upset the old order. By year’s end, the veil between blindness and sight, life and death, the natural world and the spirit world, civility and savagery, will prove to be very thin indeed.

    Growing up in the north east she wanted more. When others were thinking about the Nissan factory or call centres she was thinking about Pete Doherty, poetry and the possibilities London seemed to offer. University was the way out, her ticket to the promised land – where she’d become a shinier version of herself, where her nights would be gigs and parties and long exciting conversations about Judith Butler.But once she gets there Lucy can’t help feeling that the big city isn’t for her, and once again she is striving, only this time it’s for the right words, the right clothes, the right foods. No matter what she tries she’s not right. Until she is. In that last year of her degree the city opens up to her, she is saying the right things, doing the right things. Until her parents visit for her graduation and events show her that her life has always been about pretending and now she’s lost all sense of who she is and what she’s supposed to be doing.And so Lucy packs up her things and leaves again, this time for her dead Irish grandfather’s stone cottage in a remote part of Donegal. There, alone, she sets about piecing together her history hoping that in confronting where she came from she will know where she should be going. Saltwater is a novel about growing up, about class, about how where we come from shapes who we become, and about the aimless periods we all go through. And it’s about the north east, mothers and daughters, history and pre-destiny.

    From his earliest memories, he has loved food's colors, textures and tastes. The way flavors go off in his mouth. How food keeps his mind still and his bad feelings quiet. Food has always made everything better, until the day Billy's beloved son Michael takes his own life.Billy determines to make a difference in Michael's memory and undertakes a public weight-loss campaign, to raise money for suicide prevention--his first step in an ambitious plan to save himself, and to save others. However, Billy's dramatic crusade appalls his family, who want to simply try to go on, quietly, privately.Despite his crushing detractors, Billy gains welcome allies: his community-at-large; a co-worker who lost his father to suicide; a filmmaker with his own dubious agenda; and a secret, miniature kingdom that Billy populates with the sub-quality dolls and soldiers he saves from disposal at the toy factory where he works. But it is only if Billy can confront the truth of the suffering and brokenness within and around him that he and others will be able to realize the recovery they need.Told against the picturesque yet haunting backdrop of rural, contemporary Ireland, The Weight of Him is a big-hearted novel about loss and reliance that moves from tragedy to recrimination to what can be achieved when we take the stand of our lives.

    Nor can she bring herself to tell the other women in her life: her friends, her doctor, her mentor, her mother. The freedom not to be a mother is one of the victories of feminism. So why does she feel like a failure?Piercingly intelligent and darkly funny, The Life of the Mind is a novel about endings: of youth, of professional aspiration, of possibility, of the illusion that our minds can ever free us from the tyranny of our bodies. And yet Dorothy's mind is all she has to make sense of a world largely out of her control, one where disaster looms and is already here, where things happen but there is no plot. There is meaning, however, if Dorothy figures out where to look, and as the weeks pass and the bleeding subsides, she finds it in the most unlikely places, from a Las Vegas poolside to a living room karaoke session. In literature--as Dorothy well knows--stories end. But life, as they say, goes on.

    There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline's next semidocumentary movie, which follows the girls' clandestine after-school activity: a Fight Club inspired by the violent classic.As Cass is drawn into the film's orbit, she is awed by Caroline's drive and confidence. But over time, she becomes troubled by how deeply Caroline is manipulating the teens in the name of art--especially as the consequences become increasingly disturbing. With her past proving hard to shake and her future one she's no longer sure she wants, Cass is forced to reckon with her own ambitions and confront what she has come to believe about the steep price of success.

    The news triggers a self-destructive tailspin, centred around Irina’s relationship with her obsessive best friend, and a shy young man from her local supermarket who has attracted her attention…Boy Parts is the incendiary debut novel from Eliza Clark, a pitch-black comedy both shocking and hilarious, fearlessly exploring the taboo regions of sexuality and gender roles in the twenty-first century.

    It is a contemporary bible, an atlas of feeling, and an absurdly funny guide to the great (and terrible) things about being alive. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold.Here we are, just living in the first draft of Creation, which was made by some great artist, who is now getting ready to tear it apart.In this first draft of the world, a woman named Mira leaves home to study. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal—to what, she doesn’t know. When Mira is older, her beloved father dies, and his spirit passes into her. Together, they become a leaf on a tree. But photosynthesis gets boring, and being alive is a problem that cannot be solved, even by a leaf. Eventually, Mira must remember the human world she’s left behind, including Annie, and choose whether or not to return.

    And what appears to be an ordinary night out is--through the prism of her singular perspective--extraordinary. As the evening unfolds, each encounter she has reveals the vast discrepancies between what she is thinking and feeling, and what she is able to say. And there's so much she'd like to say. So when she meets a man and a genuine connection occurs, it's nothing short of a miracle. However, it isn't until she invites him home that we come to appreciate the humanity beneath the labels we cling to, and we can grasp the pleasure of what it means to be alive.The debut novel from the inimitable Madeleine Ryan, A Room Called Earth is a humorous and heartwarming adventure inside the mind of a bright and dynamic woman. This hyper-saturated celebration of love and acceptance, from a neurodiverse writer, is a testament to moving through life without fear, and to opening ourselves up to a new way of relating to one another.

    A prizewinning tour de force when it was published in France, Violaine Huisman’s remarkable debut novel is about a daughter’s inextinguishable love for her magnetic, mercurial mother. Beautiful and charismatic, Catherine, a.k.a. “Maman,” smokes too much, drives too fast, laughs too hard, and loves too extravagantly. During a joyful and chaotic childhood in Paris, her daughter Violaine wouldn’t have it any other way. But when Maman is hospitalized after a third divorce and a breakdown, everything changes. Even as Violaine and her sister long for their mother’s return, once she’s back Maman’s violent mood swings and flagrant disregard for personal boundaries soon turn their home into an emotional landmine. As the story of Catherine’s own traumatic childhood and adolescence unfolds, the pieces come together to form an indelible portrait of a mother as irresistible as she is impossible, as triumphant as she is transgressive. With spectacular ferocity of language, a streak of dark humor, and stunning emotional bravery, The Book of Mother is an exquisitely wrought story of a mother’s dizzying heights and devastating lows, and a daughter who must hold her memory close in order to let go.

    She dreams of having the liberty to explore them in writing, and so must find a way to win herself the time and security to use her mind. She escapes her lot by marrying a rich man, but having gained a husband, a house, high society, and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labor—social and erotic—but she is now, however passively, forcing other women to clean up after her. Perhaps another and more drastic solution is necessary?Reminiscent of a lost Victorian classic in miniature, yet taking equal inspiration from such modern authors as Jean Rhys, Octavia Butler, Clarice Lispector, and Jean Genet, Amina Cain's Indelicacy is at once a ghost story without a ghost, a fable without a moral, and a down-to-earth investigation of the barriers faced by women in both life and literature. It is a novel about seeing, class, desire, anxiety, pleasure, friendship, and the battle to find one’s true calling."Indelicacy isn't merely a book, it's a world; a world I wanted to live in, forever . . . Arch, yet warm; aspiring and impervious; confiding and enigmatic; reposing and intrepid; Cain has conjured a protagonist who purged my mind and filled my heart." —Claire-Louise Bennett, author of Pond A ghostly feminist fable, Amina Cain’s Indelicacy is the story of a woman navigating between gender and class roles to empower herself and fulfill her dreams.

    And just when his diagnosis of autism sends her life reeling, she's dragged back into the orbit of her emotionally abusive father, Lance, after a heart attack leaves him with brain damage.Fred is in need of a friend. Lance is in need of care. And Piper just wants to feel stable ground beneath her feet. What she never expects is that Fred and Lance--both misunderstood by the world--will start to connect in the most miraculous of ways...

    Elisabeth, born in 1984, has her eye on the future. The United Kingdom is in pieces, divided by a historic once-in-a-generation summer.Love is won, love is lost. Hope is hand in hand with hopelessness. The seasons roll round, as ever...

    She’s had to be: when Jacob’s father, Dave, found out Karen was pregnant and made it clear that fatherhood wasn’t in his plans, Karen walked out of the relationship, never telling Dave her intention was to raise their child alone. But now Jake is asking to meet his dad, and with good reason: Karen is dying. When she finally calls her ex, she’s shocked to find Dave ecstatic about the son he never knew he had. First, he can’t meet Jake fast enough, and then he can’t seem to leave him alone. Karen quickly grows anxious as she watches Dave insinuate himself into Jake’s life just as her own strength and hold on Jake grow more tenuous. As she struggles to play out her last days in the “right” way for Jake, Karen wrestles with the knowledge that the only thing she cannot bring herself to do for her son—let his father become a permanent part of his life—is the thing he needs from her the most. With heart-wrenching poignancy, unexpected wit, and mordant humor, Lauren Grodstein has created an unforgettable story about parenthood, sacrifice, and life itself.

    A golden couple, their seemingly effortless devotion has long been the envy of their circle of friends and acquaintances. Graham is a bookseller, a big, gregarious man with large appetites—curious, eager to please, a lover of life, and the convivial host of frequent, lively parties at his and Annie’s comfortable house in Cambridge. Annie, more reserved and introspective, is a photographer. She is about to have her first gallery show after a six-year lull and is worried that the best years of her career may be behind her. They have two adult children; Lucas, Graham’s son with his first wife, Frieda, works in New York. Annie and Graham’s daughter, Sarah, lives in San Francisco. Though Frieda is an integral part of this far-flung, loving family, Annie feels confident in the knowledge that she is Graham’s last and greatest love. When Graham suddenly dies—this man whose enormous presence has seemed to dominate their lives together—Annie is lost. What is the point of going on, she wonders, without him?  Then, while she is still mourning him intensely, she discovers that Graham had been unfaithful to her; and she spirals into darkness, wondering if she ever truly knew the man who loved her.

    She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents), and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her.This is a love story and a story about betrayal. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar unpicks the slippery, choking cord of memory and myth that binds two women together, making and unmaking them endlessly.