But these visions that keep flashing through his mind are far from an ordinary fantasy-they are vivid episodes from the god's life. Through these scenes, as Krishna's mystifying schemes are revealed, Anirudh slowly comes to terms with his real identity . . .He is the last avatar of Vishnu, sent to restore the balance between good and evil. But an ancient and powerful nemesis, burning with the fire of revenge, has already started assembling a clan of mighty sorcerers to finally be rid of the protector god and unleash depravity on earth.Will Anirudh realize his potential before it's too late? Or will the enemy destroy everything in their wake before the avatar finally manifests? This gripping read is the first part in the Kalki Chronicles, which unveils the greatest legend of the Kali yuga.

    Rahman. This book, unique for Indian cinema, illuminates the genius of the man behind these and eighteen other masterly films. For the first time ever, Mani Ratnam opens up here, to Baradwaj Rangan, about his art, as well as his life before films.In these freewheeling conversations, candid, witty, pensive, and sometimes combative, many aspects of his films are explored. Mani elaborates in a personal vein on his choice of themes, from the knottiness in urban relationships (Agni Natchatiram) to the rents in the national fabric (Bombay); his directing of children (Anjali); his artful use of songs; his innovative use of lighting, as also his making films in Hindi and other languages. There are fond recollections of collaborations with stalwarts like Balu Mahendra, P.C. Sreeram, Thotta Tharani, and Gulzar, among many others. And delectable behind-the-scenes stories—from the contrasting working styles of the legendary composer Ilayaraja and Rahman to the unexpected dimensions Kamal Haasan brought to the filming of Nayakan to what Raavan was like when originally conceived. In short, like Mani Ratnam’s films, Conversations with Mani Ratnam surprises, entertains and stimulates.With Rangan’s personal and impassioned introduction setting the Tamil and national context of the films, and with posters, script pages, and numerous stills, this book is a sumptuous treat for serious lovers of cinema as well as the casual moviegoer looking for a peek behind the process.

    He rode a time machine all the way back from the 22nd century to help Nobita. He can pull all sorts of secret tools out of the "4-D (Fourth Dimensional) Pocket" on his tummy whenever Nobita needs them to get himself out of trouble.

    The Mahabharata is obsessed with the elusive notion of dharma - in essence, doing the right thing. When a hero falters, the action stops and everyone weighs in with a different and often contradictory take on dharma. The epic's characters are flawed, but their incoherent experiences throw light on our familiar dilemmas. Gurcharan Das's best-selling book India Unbound examined the classical aim of artha, material well being. This, his first book in seven years, dwells on the goal of dharma, moral well being. It addresses the central problem of how to live our lives in an examined way - holding a mirror up to us and forcing us to confront the many ways in which we deceive ourselves and others. What emerges is a doctrine of dharma that we can apply to our business decisions, political strategies and interpersonal relationships - in effect, to life itself.

    He broke hearts and he broke rules. He tinkered as furiously with his car as he did with his instrument, which he transformed technically to create the new sitar standard. And always there was the music, at the centre of his being, protected and unharmed—music that contained the sound of ‘fairies dancing, elephants walking’. Vilayat Khan saw music. He was the man who made the sitar sing. .Namita Devidayal, author of the acclaimed bestseller, The Music Room, recreates the extraordinary life of an artiste who fundamentally and forever changed Indian instrumental music. She follows his footsteps from Calcutta, through Delhi, Bombay, Shimla and Dehradun, to Princeton, USA, where he spent his last years. Filled with previously untold stories about the man and the musician, this is an intimate portrait of an uncommon genius. .It is also an absolute feat of research—and storytelling. .‘Vilayat Khan and Ravi Shankar promised each other they would never perform together after this. Kishan Maharaj later told someone, ‘If these two eyes of India play together again, one will shut for ever.’ i

    It is here that Laxman's sense of parodyand satire find some of their finest expressions. A selection of these rare and masterly cartoons which comment caustically on our social and political character were togethter in the first volume of "laugh with Laxman", and proved to be immensly popular. This is the second volume in the series replete with timeless gems that continue to amuse.

    But MT Vasudevan Nair (popularly known as “MT”) turned him into a three-dimensional figure, more sensitive and thoughtful than he is usually given credit for. “He took familiar building blocks and created an entirely new, incredibly compelling construct from them,” says Prem Panicker, senior journalist, Rediff.com co-founder and a long-time admirer of MT’s work.

    The fragile peace between the two powers is threatened when Balaji Vishvanath Bhat, Peshwa of the Confederacy, foils the plans of Nizam Ul Mulk of the Mughal Empire, and asserts the power of the Marathas. However, little does the Peshwa know that he has dealt the Nizam an unintended wound—one with roots in his mysterious past and one that he would seek to avenge till his last breath.When the Peshwa surrenders his life to a terminal illness dark clouds gather over the Confederacy as it is threatened by a Mughal invasion as well as an internal rebellion.All the while a passive spectator, the Peshwa’s son, Bajirao Bhat, now needs to rise beyond the grief of his father’s passing, his scant military and administrative experience, and his intense love for his wife and newborn son to rescue everything he holds dear. Will the young man be able to protect the Confederacy from internal strife and crush the armies of the Empire all while battling inner demons? Will he live up to his title of Peshwa?

    The Solar tribes are without a ruler, and the return to Aryavarta has resulted in a confederation where hitherto there was a united clan-hood. Rakshasas, Gandharvas and Yakshas threaten the nascent cities of Aryavarta, and if their rise is not checked the Solar tribes may lose all they have gained.And thus rises Ikshvaku, the son of Manu and descendant of Surya. He forms Aryavarta’s first Kingdom and unites the Solar strength against the Anaryas- Rakshasas, Gandharvas and Yakshas.But the Seal of Surya is still missing, and Ikshvaku will need to find it to put his claim and authority beyond all doubt. This is the tale of Aryavarta’s first dynasty, the Suryavansha, and its first King- Ikshvaku Manava.

    Using the comics format he told stories from mythology, history and literature to generations of children.Uncle Pai, as he was known, wanted Indian children to be familiar with their heritage. He believed that it helped build self-esteem and confidence. A chemical engineer by profession, Anant Pai gave up his job to follow his dream, a dream that led to the creation of Amar Chitra Katha and Tinkle.Amar Chitra Katha pays tribute to its creator and traces the story of the man who left behind a legacy of learning and laughter.

    Chronicling the Indian struggle for freedom and independence from Great Britain, Tharoor directs his hilarious satire as much against Indian foibles as the bumbling of the British rulers.

    But that is not all! This time, Suppandi also takes you with him on an adventurous Mexican holiday, a thrilling encounter with a witch, a disastrous visit to his grandmother, and more! Plus, revisit several (mis)adventures from his childhood, including one where he and Maddy meet for the very first time. Joining Suppandi in this Collection are guest appearances from the awesome foursome sisters Ina Mina Mynah Mo, and everyone’s favourite fangless vampire Billy Drain. So brace yourself because this Collection of stories is about to make your tummy hurt... with laughter! Suppandi is back and he is funnier than ever! Tinkle’s most beloved Toon has once again been rolling through all sorts of odd jobs in libraries and cafes to police stations and senior citizen centers. But that is not all! This time, Suppandi also takes you with him on an adventurous Mexican holiday, a thrilling encounter with a witch, a disastrous visit to his grandmother, and more! Plus, revisit several (mis)adventures from his childhood, including one where he and Maddy meet for the very first time. Joining Suppandi in this Collection are guest appearances from the awesome foursome sisters Ina Mina Mynah Mo, and everyone’s favourite fangless vampire Billy Drain. So brace yourself because this Collection of stories is about to make your tummy hurt... with laughter! Suppandi is back and he is funnier than ever! Tinkle’s most beloved Toon has once again been rolling through all sorts of odd jobs in libraries and cafes to police stations and senior citizen centers. But that is not all! This time, Suppandi also takes you with him on an adventurous Mexican holiday, a thrilling encounter with a witch, a disastrous visit to his grandmother, and more! Plus, revisit several (mis)adventures from his childhood, including one where he and Maddy meet for the very first time. Joining Suppandi in this Collection are guest appearances from the awesome foursome sisters Ina Mina Mynah Mo, and everyone’s favourite fangless vampire Billy Drain. So brace yourself because this Collection of stories is about to make your tummy hurt... with laughter!

    Travers, Mary Poppins Up, Up and Away is an enchanting journey over the rooftops of London, under the sea, and everywhere in between. A fresh approach to a children’s classic, it is sure to appeal to children of all ages.

    It seems like everybody has forgotten what Christmas is truly about. But Lucy, Linus, and the whole Peanuts gang have some holiday surprises that will make even Charlie Brown feel merry!

    He would choose as his minister the man who could keep a ram for one month without allowing it to lose or gain any weight. Jinadatta was a man who followed instructions blindly and found himself struggling with losses. These two characters feature in the two tales taken from Jain texts written in the 10th and 14th centuries.