But before Meg can take her first steps into the unknown alone, she must look to her past. Why, she wonders, did her mother wear a wedding ring but never marry? Why, for instance, does the tallyman never call at No. 3 Tippet's Yard to collect any rent? He does everywhere else. With Ma gone, Meg must go back to her roots to uncover her 'family tree'. However, the process of simplfying her life leads to unforseen complications. But there's always Kip, reliable and loving, to pick up the pieces of her unsolved life and love.

     Fresh from Duck Soup (1933), Julius, Leonard, Arthur and Herbert Marx - or as the world knows them, Groucho, Chico, Harpo and Zeppo - are transported by a freak electrical storm to Nacogdoches, Texas in the year 1826. Landing in the midst of the Fredonian Rebellion (the first attempt by settlers in Texas to secede from Mexico) and into the company of the only other Jewish person in town, they are in deep dreck. Falling in with Stephen F. Austin and inadvertently filling his head with knowledge of what is to come, our heroes risk tampering with the future of Texas, and perhaps the entire U.S.A., in their quest to return to their own time. Will they find their way back? Or will they be doomed to live out their lives without indoor plumbing?

     The first three bestselling time travel romances of the Train Through Time Series are now available in a boxed set at a discounted price! Book 1: A Train Through Time Book 2: Together Forever Across Time Book 3: A Smile in Time A TRAIN THROUGH TIME: College teacher Ellie Standish thinks she's on a sleek modern train heading to a conference on women's studies in Seattle, but she awakens from a night's doze to find herself on a bizarre historical train full of late Victorian era reenactors who refuse to come out of character. When the leader of the group—one handsome, green-eyed Robert Chamberlain—finally convinces her the date is indeed 1901, a skeptical Ellie rejects any eccentric theories of time travel and presumes she is smack dab in the middle of a very interesting historical dream. She turns the directorial reins of her dream over to one smitten and willing Robert, only to realize that dreams cannot last forever. Someday, she must wake up to reality, though Ellie no longer has any idea what reality is. She only knows that Robert must play an important part in her future. But how can he...if he's only a figment of her imagination or worse yet...a man who belongs to an era long past? TOGETHER FOREVER ACROSS TIME: Stephen Sadler reluctantly attends the Seattle wedding of Robert Chamberlain to Ellie Standish, the woman who had captured his interest. There he says goodbye to the woman he thought he had fallen for. Only a few weeks later while traveling on a train, Stephen is confronted by the vision of a strange wild-haired woman in a pair of snug-fitting trousers called “jeans” who claims she doesn’t know where she is or how she came to be on his train—until she sees the date on the newspaper, that is. Dani Douglas cannot travel through time! Her mother in Montana is ill, and she has to get back to her. But the crystal clear blue eyes of handsome Stephen Sadler hold her captive in 1901, and she doesn’t know how to leave him...perhaps forever. Stephen realizes that Dani and Ellie have much in common, but where Ellie simply captured his interest, Dani has captured his imagination and his heart. Unlike Ellie though, Dani cannot stay, her mother is ill. Stephen doesn’t know how he can let her leave him...perhaps forever. As the train hurtles back and forth across the rails, Stephen and Dani struggle to find a way to be together forever across time. A SMILE IN TIME: Annie St. John and her sister, Marie, decide that the three-day train ride from Chicago to Seattle to catch their Alaskan cruise was a bit too much, and they swear that next time, they’ll fly. But “a bit too much” doesn’t begin to describe what they find when they wake up from a short doze on their sleek modern train. Over a hundred years before, Rory O’Rourke heads back to Seattle from a photo shoot in Montana on the Oriental Limited. When a young woman in tight clothing called ‘capris’ falls into his arms, Rory finds his hands full with not one, but two young women who claim they must have traveled back in time. Rory scoffs at the idea, but his innate chivalry will not allow him to resist the pleas of the young women for help. Available Now as Single Books: Finding You in Time, Book 4 of the Train Through Time Series A Fall in Time, Book 5 of the Train Through Time Series Coming Soon: A Summer in Time, Book 6 of the Train Through Time Series

    The Kos family argue, adapt, fall in and out of love.I will never understand why dinner conversation with you lot always turns so damn contentious. Why can’t we have some pleasant anecdotes for example.World after world is erected and torn down around them. The one constant is the ivy-clad house in Zagreb, built by aristocrats, partitioned, owned by all, owned by a few; witness to four increasingly educated and independent generations of women.But when the family assemble for Lucia’s wedding, Alisa learns that her nouveau-riche brother-in-law has bought the once nationalized house. For the bride this is progress, for her sister it’s a shady act of greed. For their principled parents, finally, it’s one battle too many.

    Complete vocal score to the Broadway sensation with 11 songs: The Best of Times * I Am What I Am * A Little More Mascara * Look over There * Song on the Sand (La Da Da Da) * With You on My Arm * and more.

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.

    Spanning two decades, this is a cocktail of love, betrayal, politics and revenge.

    She was born and raised in a Creole community that is still mending from a past which caused rifts between loved ones, who are forced to redefine their identities as a consequence of their collective history. A rare and educated young woman of promise with a heart of gold, oppressed by untold dysfunction within her own family, Lula Mae rebels and courageously carves out a life on her own with the help of her faith and with the one whom she trusts the most. Lula Mae seeks to find her purpose and embarks on a new life for herself in pursuit of her dreams to be a blessing to her children and family. However, Lula Mae is unknowingly being undermined every step of the way by the one closest to her heart. When confronted with the truth, Lula Mae must decide a way forward for her life, and must decide whether or not she should let go of the one nearest to her heart - and at what cost.

    From John Adams's opening diatribe to the signing of the document, 1776 is a classic musical play of mounting tension and triumph. Stone and Edwards have dramatically brought to life the legendary delegates: the ever-urbane Benjamin Franklin, the hot-blooded newlywed Thomas Jefferson, and the fiery Adams in conflict with the conservative John Dickinson. With stirring dialogue and colorful, evocative lyrics, 1776 lends an emotion and human dimension to the story that is unattainable in a history book alone.

    

    When the doctor finally got through the nine-foot drifts of snow, mother and daughter were in a pretty bad way, but both the new-born Annie and her exhausted mother - a spinner in the cotton mill - were fighters, tough and determined not to let the world knock them down.They needed to be tough, for when Annie's father was killed in the war, Nancy married again. And Eddie Higson - once he'd courted and won Nancy Byrne - turned into a nightmare of a man, terrorizing the young girl with one secret evil after another.She had two friends who helped her through these bad years. Martin Cullen, rough, uneducated, loyal, who knew he wasn't good enough for her, and David Pritchard, the doctor who had supported her through the worst times and who had bad problems of his own.Together they watched her grow into a beautiful young woman, desperately fighting the legacy of her childhood.

    Jerked from a life of isolation with her mother, Willow learns what alone really means when she finds her mother still in her bed, never to awaken again in this life. From the moment Willow arrives in the police station with her startling announcement, Chad Tesdall fights the friendship he knows he can't avoid. This collection includes episodes fifteen through eighteen of Past Forward. In this volume, Chad and Willow start their life together. A surprise attack, Willow's first vacation, and a slow, gradual expansion of the farm brings more changes to Walden Farm. Follow as Willow's story unfolds past forward.

    But before she can get comfortable atop the high school food chain, Veronica falls in love with the dangerously sexy new kid J.D. When Heather Chandler, the Almighty, kicks her out of the group, Veronica decides to bite the bullet and kiss Heather's aerobicized ass... but J.D. has another plan for that bullet.Brought to you by the award-winning creative team of Kevin Murphy (Reefer Madness, Desperate Housewives), Laurence O'Keefe (Bat Boy, Legally Blonde) and Andy Fickman (Reefer Madness, She's the Man). Heathers The Musical is a hilarious, heartfelt and homicidal new show based on the greatest teen comedy of all time. With its moving love story, laugh-out-loud comedy and unflinching look at the joys and anguish of high school, Heathers will be New York's most popular new musical. Are you in, or are you out?

    This volume presents a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He also reviews some of the differences between Beckett's original French version and his English translation.