The book uncovers details of how women filled their days, what they liked to eat and drink, what jobs they held, and how they raised their children. With chapters devoted to beauty regimes, fashion, and literature, the book also examines the cultural as well as the domestic aspect of early modern women's lives. Further, the book answers questions such as how women understood and dealt with their monthly periods and what it was like to give birth in a time before modern obstetric care was available. The book also highlights key moments in women's history such as the publication in 1671, of the first midwifery guide by an English woman, Jane Sharp. The turmoil caused by the Civil Wars of the 1640s gave rise to a number of religious sects in which women participated to a surprising extent and some of their stories are included in this book. Also scrutinised are cases of notorious criminals such as murderer Sarah Malcolm and confidence trickster Mary Toft who pretended to give birth to rabbits. Overall the book describes the experiences of women over a two hundred year period noting the changes and continuities of daily life during this fascinating era.

    . . A sprawling tome that combines fact with fiction and covers 900 years in the history of New Forest, a 100,000-acre woodland in southern England . . . Rutherfurd sketches the histories of six fictional families, ranging from aristocrats to peasants, who have lived in the forest for generations. . . . But the real success is in how Rutherfurd paints his picture of the wooded enclave with images of treachery and violence, as well as magic and beauty.”–The New York Post

    For centuries the Scottish and English borders were known as the Debatable lands: wild, lawless, and the province of reivers, tight-knit robber families that roamed and pillaged the remote passes without fear...Fifteen-year-old Mintie Henderson has just seen her father murdered. With the Scottish King newly dead and an army of hired reivers on the march, justice is in short supply. Then she comes across Batty Coalhouse: one-armed and hard as nails. Together they will set out on a journey of revenge.But they are soon caught up in something bigger, a tale of Mary Queen of Scots and King Henry VIII. Stuck in the heart of a tempest, they know only one way to get out alive…Fight.

    

    Despite the death of Richard III and Henry VII's victory, it continued underground into the following century with plots, pretenders and subterfuge by the ousted white rose faction. Here, Desmond Seward reviews the story of the Tudors' seizure of the throne.

    The photographs never sleep of this four-month battle, fought from July to November 1917, the worst year of the war: blackened tree stumps rising out of a field of mud, corpses of men and horses drowned in shell holes, terrified soldiers huddled in trenches awaiting the whistle.The intervening century, the most violent in human history, has not disarmed these pictures of their power to shock. At the very least they ask us, on the 100th anniversary of the battle, to see and to try to understand what happened here. Yes, we commemorate the event. Yes, we adorn our breasts with poppies. But have we seen? Have we understood? Have we dared to reason why? What happened at Passchendaele was the expression of the 'wearing-down war', the war of pure attrition at its most spectacular and ferocious.Paul Ham's Passchendaele: Requiem for Doomed Youth shows how ordinary men on both sides endured this constant state of siege, with a very real awareness that they were being gradually, deliberately, wiped out. Yet the men never broke: they went over the top, when ordered, again and again and again. And if they fell dead or wounded, they were casualties in the 'normal wastage', as the commanders described them, of attritional war. Only the soldier's friends at the front knew him as a man, with thoughts and feelings. His family back home knew him as a son, husband or brother, before he had enlisted. By the end of 1917 he was a different creature: his experiences on the Western Front were simply beyond their powers of comprehension.The book tells the story of ordinary men in the grip of a political and military power struggle that determined their fate and has foreshadowed the destiny of the world for a century. Passchendaele lays down a powerful challenge to the idea of war as an inevitable expression of the human will, and examines the culpability of governments and military commanders in a catastrophe that destroyed the best part of a generation.

    College level text for art appreciation.

    Here is the dramatic story of that climatic battle and the men who planned and fought in it. The Normandy invasion altered the course of World War II and led to the defeat of Nazi Germany and the end of the Third Reich. It is a story of courage and fear, tragedy and determination.

    Introducing art in its international context, this accessible book explores core issues about how art is made, interpreted, and displayed, without any of the unnecessary terminology. Divided into themes, A Short Book About Art presents new ways of thinking about the relationship between artists and their work, as well as fresh comparisons between works of art from different periods and places. Thought-provoking and stimulating, it is the ideal companion for anyone who wants to learn about art without a dictionary in their hands.

    Everything Anne touches seems to turn to gold, and Mary is certain Anne will one day become Queen. But Mary has also seen the King's fickle nature and how easily he discards those who were once close to him. . . Discovering that she is a pawn in a carefully orchestrated plot devised by her father, the duke of Norfolk, Mary dare not disobey him. Yet despite all of her efforts to please him, she too falls prey to his cold wrath. Not until she becomes betrothed to Harry Fitzroy, the Duke of Richmond and son to King Henry VIII, does Mary find the love and approval she's been seeking. But just when Mary believes she is finally free of her father, the tides turn. Now Mary must learn to play her part well in a dangerous chess game that could change her life--and the course of history.

    Surveys the origins, development, techniques, approaches, principles, motifs, and major paintings of the nineteenth-century British school, relating the painters and their works to their society.

    However, four royal women, related in family and in court ties—Joan of Navarre, Eleanor Cobham, Jacquetta of Luxembourg and Elizabeth Woodville—were accused of practicing witchcraft in order to kill or influence the king.Some of these women may have turned to the “dark arts” in order to divine the future or obtain healing potions, but the purpose of the accusations was purely political. Despite their status, these women were vulnerable because of their gender, as the men around them moved them like pawns for political gains.In Royal Witches, Gemma Hollman explores the lives and the cases of these so-called witches, placing them in the historical context of fifteenth-century England, a setting rife with political upheaval and war. In a time when the line between science and magic was blurred, these trials offer a tantalizing insight into how malicious magic would be used and would later cause such mass hysteria in centuries to come.

    Katherine Parr survived Henry VIII to find true love with Thomas Seymour – only to realise that her love was based on a lie. Clever, sensible and well-liked, Katherine Parr trod a knife edge of diplomacy and risk during her marriage to an ageing, cantankerous King Henry. When he died, she was in her late thirties and love, it seemed, had passed her by. Until, that is, the popular Thomas Seymour – bold, handsome, witty and irresistible – began a relentless courtship that won her heart. Kate fell passionately in love for the first time in her life and, also for the first time, threw caution to the wind with a marriage that shocked the worldly courtiers around her.But all too soon it becomes obvious that Thomas has plans beyond his marriage for the young, capricious, quick-witted heir to the throne – Elizabeth – and that in his quest for power, he might even be prepared to betray his now pregnant wife…Kate's whirlwind romance is witnessed and recounted by her closest friend, Catherine, Duchess of Suffolk, who lives through the tumultuous years after Henry's death at Kate's side. A sharp and canny courtier in her own right, Cathy is keenly aware of the political realities of life at court and is, apparently, a loyal supporter of her friend. As her story weaves its way through that of Kate and Thomas's heady passion and tragic denouement, however, it gradually becomes clear that Cathy has her own tale of betrayal and regret to tell…

    This riveting story effortlessly captures both the hardships of daily life and the political realities of Tudor England. 1549 - A COUNTRY DIVIDED Two years after the death of King Henry VIII, England is a turbulent realm. His son, Edward, the child monarch is too young to rule, and the government is factious. The nobility jostle for personal power and prestige. The treasury is empty and the elite of wealthy landowners are bent on exploiting the poor. AN UNLIKELY LEADER When a yeoman farmer from Norfolk, Robert Kett, finds himself at the centre of a local dispute, his impulsive actions plunge him into a precarious alliance with the dissenting commoners. THE AFFRAY To prevail, Kett must bring order to the chaos, impose his own justice, overcome the deception and betrayal that surrounds him and stay true to his cause. As events spiral and disobedience sparks rebellion, can his leadership withstand the dangers and opportunities of a country struggling to leave its past and discover its future? BASED ON REAL EVENTS

    It was the world's first creative 'Bohemia'. The nation's most significant artists, actors, poets, novelists, and dramatists lived here. From Soho and Leicester Square across Covent Garden's Piazza to Drury Lane, and down from Long Acre to the Strand, they rubbed shoulders with rakes, prostitutes, market people, craftsmen, and shopkeepers. It was an often brutal world full of criminality, poverty and feuds, but also of high spirits, and an intimacy that was as culturally creative as any other in history. Virtually everything that we associate with Georgian culture was produced here.