Contains the official biograpy of the Crypt Keeper, a history of EC Horror Comics, 105 covers, and other stories, facts, and features relating to Tale from the Crypt.

    This unique graphic anthology offers historical and cultural commentary on nine uncelebrated heroes whose stories are not often found in history books. Among the stories included are: Henry "Box" Brown, who escaped from slavery by mailing himself to Philadelphia; Alexander Crummel and the Noyes Academy, the first integrated school in America, established in the 1830s; Marshall "Major" Taylor, a.k.a. the Black Cyclone, the first black champion in any sport; and Bass Reeves, the most successful lawman in the Old West. Written and illustrated by Joel Christian Gill, the diverse art beautifully captures the spirit of each remarkable individual and opens a window into an important part of American history.

    Bringing together the rarest art and artifacts from three decades of TMNT comics, TV shows, and films, Teenage Mutant Ninja Turtles: The Ultimate Visual History leaves no shell unturned!

    When "Don't Dream It's Over" and "Something So Strong" exploded in the US charts, worldwide success looked inevitable. Critics compared them musically to the Beatles and fans adored them for their warmth and humour on stage. Four brilliant albums later, their roller-coaster ride of achievements and disappointments came to an end on the steps of the Sydney Opera House, in front of one of the largest audiences in Australian history. The dream was over, the band broken up, their enormous promise only partly fulfilled. In this definitive account, New Zealand journalist Chris Bourke has written the true story of Crowded House. With unparalleled access to all band members, their families, friends, musical collaborators, managers, and record company personanel, he has captured their essence. It is a unique tale of musical chemistry, family bonds and the personal costs of pursuing an artistic vision. From the manic energy of the recording studio to the machinations of the record industry, this riveting account is a book for every Crowded House fan.

    His story his linked to the disappearance a few months earlier of his muse and lover, Mar, the subject of his most famous painting, "Young Lady in a Mantón." But there are other disappearances, too, of people, a corpse, some oranges, and a stubbornly silent canary named Stradivarius. A police detective is convinced that Balaguer murdered his model but by the end of the story we may come to believe that, as the painter himself reflects, "the murder weapon is not always what you might think!"

    Amy weaves her own coming-of-age as a young Jewish artist into the narrative of her mother, a psychologist, and Bubbe, her grandmother, a World War II survivor who escaped from the Warsaw Ghetto by disguising herself as a gentile. Captivated by Bubbe’s story, Amy turns to her sketchbooks, teaching herself to draw as a way to cope with what she discovers. Entwining the voices and histories of these three wise, hilarious, and very different women, Amy creates a portrait not only of what it means to be part of a family, but also of how each generation bears the imprint of the past. Flying Couch uses Bubbe’s real testimony and her playful, idiosyncratic sensibility to investigate the legacy of trauma, the power of family stories, and the meaning of home. The result is this bold illustrated memoir, both an original story of self-discovery and an important entry into the literature of the Holocaust.“Flying Couch is perfect. It’s perceptive, emotionally on point, surprising and funny in its details, told in an intuitive way that’s completely direct, and about something that matters. This is an important book.” —Liana Finck, author of The Bintel Brief“Flying Couch is a moving, intricate story of identity and family history.”—Ariel Schrag, author of Likewise and Awkward and Definition“I read Flying Couch in one sitting, without moving, literally laughed and literally cried.” —Rachel Fershleiser, co-editor of the New York Times bestseller Not Quite What I Was Planning"Amy Kurzweil's moving debut is a story of trauma and survival, and a search for identity and belonging. Fluctuating, in words and images, from the bubbly to the intense, this graphic memoir exposes the complicated and powerful ways we are shaped by the histories and relationships that anchor us."—Tahneer Oksman, author of How Come Boys Get to Keep Their Noses?

    With a career spanning more than five decades, from pre-independent Singapore through its three Prime Ministers, Chan’s work reflects the changing political and economic environment in Singapore.Containing Chan’s original illustrations, paintings and sketches, this is a groundbreaking work and labour of love aimed at recapturing the portrait of an artist, whose deep passion for comics and country is given a fitting tribute by award-winning comics artist Sonny Liew.3 Eisner Awards 2017: Best U.S. Edition of International Material–AsiaBest Writer/ArtistBest Publication DesignOther Eisner Award 2017 Nominations: Best Graphic Album–NewBest ColoringBest LetteringWinner of the Singapore Literature Prize 2016 for English FictionA New York Times bestsellerAn Economist Book of the Year 2016An NPR Graphic Novel Pick for 2016A Washington Post Best Graphic Novel of 2016A New York Post Best Books of 2016A Publishers Weekly Best Book of 2016A South China Morning Post Top 10 Asian books of 2016An A.V. Club Best Comics of 2016A Comic Books Resources Top 100 Comics of 2016A Mental Floss Most Interesting Graphic Novel of 2016Winner of the Singapore Book Awards 2016 for Book of the Year and Best Book Cover Design

    In a series of dazzling fragments-skipping through time, and from raw, slashing color to delicate black and white-Goblet examines the most important relationships in her life: with her partner, Guy Marc; with her daughter, Nikita; and with her parents. The result is an unnerving comedy of paternal dysfunction, an achingly ambivalent love story (with asides on Thomas Pynchon and the Beach Boys), and a searing account of childhood trauma-a dizzying, unforgettable view of a life in progress and a tour de force of the art of comics.

    Each volume in the collection contains about 100 illustrations.

    Sharing the same goofy, over-the-top comic mayhem that was Chaplin's trademark, and preceding the expressive, cartoony art style of MAD magazine legend Harvey Kurtzman, all of He Done Her Wrong's hilarious slapstick, tragic heartbreak, heroism and villainy, character development, high emotions and raucous thrills somehow manages to take place, astonishingly, without a single word of text, or conversation, or even a footnote.The story follows the convoluted misadventures of a naive frontiersman with superhuman strength exploited by a larcenous robber baron who eventually double crosses our hero and steals his girl. The pursuit leads to New York City where a sordid cast of cantankerous salesmen, officious government bureaucrats, bumbling hospital attendants, a lusty widow with a defensive Chihuahua and one angry barber wreak more havoc in our characters' lives than a hundred Little Rascals in a Marx Brothers film.Born in the Bronx in 1895, Gross would go on to spend his teenage years working as an office assistant at the Hearst publication The New York Evening Journal. He befriended the paper's renowned comic strip bullpen that included such early 20th century comics legends as Tad Dorgan, Cliff Sterrett, Harry Hershfield and Tom McNamara, who allowed Gross to cut his teeth drawing background and dialogue lettering jobs on their strips. He eventually won space on the paper's sports page for his first large daily strip titled Kinney B. Alive, making its debut in 1916. The strip only lasted for one week, but subsequent efforts such as Frenchie, White Feitlebaums in the South Seas, Count Screwloose of Toulouse and the best-selling books Hiawatta Wit No Udda Pomes and Nize Baby asserted more staying power. Gross' stylized cartooning won the public devotion of such noteworthy fans as President Calvin Coolidge and Supreme Court Justice Oliver Wendell Holmes. According to The Comics Journal, Gross's skillful work displays a "Fast-action style Furiously tangled line work A freewheeling onslaught of immensely droll squiggles apparently done at top speed Inspired slapdash like nothing else in the cartoon art of his time [Gross] was a master of graphic invention and a one-man comic riot."He Done Her Wrong is a classic comics work, legendary among aficionados, and arguably the 20th century's first graphic novel. Fantagraphics Books is proud to put this back into print in a facsimile edition, unabridged, with newly designed covers.

    Dr. Seuss) had a career in illustration that varied widely before he wrote his first juvenile book. Early Works Volume 1 is the first of a series collecting political cartoons, advertisements, and various images drawn by Geisel long before he had written any of his world-famous books.

    weekly newspapers, including the L.A. New Times and Seattle Stranger. This first collection, designed by Chip Kidd and Millionaire, reprints every strip from its 1994 inception through early 2000. Maakies features the nautical adventures of an alcoholic crow and suicidal ape, and includes an introduction by Andy Dick.