With a promising future ahead of her, she has her life figured out, well everything except her love life. Jerecho is the father of Tyreema's child and boyfriend of seven years. He constantly struggles with being faithful and keeping his hands to himself, but still Tyreema choose to stand firmly by his side. Tyreema thinks what she has with Jetecho is as good love gets until she meets Saire. After losing his parents and girlfriend of three years to drugs Saire vows to never deal with them. Being the only kin to his baby brother Sage, Saire is forced to join forces with a Russian mob running a weapon trafficking business. Saire has it all except love, a feeling he's immune to due to the heartbreak he experienced when the love of his life chose drugs over him and the life of their unborn child. Saire is content with getting money and messing with plenty chicks until he meets Tyreema, a woman in a situation. Naria, Tyreema's best friend is sassy, beautiful, successful and heartless. Experiencing her first life changing heartbreak, she decides to treat men how they treat women. When she meets a younger man, she decides to play with his emotions until her plans backfires leaving her wanting more. This drama filled urban love story will take you on an emotional roller coaster. You'll meet broken people in need of restoration and lost souls searching to be found. Lies will be told, secrets will arise, and hearts will crumble; when love, a powerful emotion comes into play.

    After five years, the nightmares that she had every night reminded her repeatedly of the things she went through as a child, and the murder she witnessed when she was a teenager. When the opportunity presented itself, Lisa moved away from her family and created a life that didn’t involve them. Lisa had great friends and strived for the normal life that she craved. Everything was going as planned, until her routine life was interrupted by a phone call from the brother that she feared. Lisa was brought back to the place that she vowed to never return to. It was her childhood home that held secrets and lies of a life that she no longer wanted. Her therapist, Dr. Mage, encouraged her to spend time with her siblings in their time of need, but a trip to the cabin, made Lisa realize how angry she was. Not only at her mother, but at a woman that took her brother under her wing and created the monster that he was. They called her Aunt Janet, a name in the household that no one was able to say without looking behind them. She was ruthless and evil in the cruelest way. Lisa didn’t like it and couldn’t wait to go back home when she heard that her brother and sister had been keeping in touch with her. But, a long-lost friend helped her cope with her reality and promised her that he would stay by her side, no matter what. In turn, it made Lisa think twice about leaving. She wanted to give him a chance, but knew that it was going to be difficult to let him in. Especially with a serial killer for a brother and an Aunt. Will Lisa be able to save her family from the woman that caused them so much pain, or will Aunt Janet have the last laugh?

    

    Philip Dray also tells the story of the men and women who led the long and difficult fight to expose and eradicate lynching, including Ida B. Wells, James Weldon Johnson, Walter White, and W.E.B. Du Bois. If lynching is emblematic of what is worst about America, their fight may stand for what is best: the commitment to justice and fairness and the conviction that one individual’s sense of right can suffice to defy the gravest of wrongs. This landmark book follows the trajectory of both forces over American history—and makes lynching’s legacy belong to us all.

    Slavery produced centuries of physical, psychological and spiritual injury. Post Traumatic Slave Syndrome: America's Legacy of Enduring Injury and Healing lays the groundwork for understanding how the past has influenced the present, and opens up the discussion of how we can use the strengths we have gained to heal.

    “I remember the day I realized I couldn’t play a white guy as well as a white guy. It felt like a death sentence for my career.” When Chad Sanders landed his first job in lily-white Silicon Valley, he quickly realized that to be successful at work meant playing a certain social game. Each meeting was drenched in white slang and the privileged talk of international travel or a folk concert in San Francisco, which led Chad to realize that he could only be successful if he emulated whiteness. So Chad changed. He changed his wardrobe, his behavior, his speech—everything that connected him with his Black identity. And while he finally felt included, he felt awful. Carrying the unbearable weight of his imposter syndrome—the constant burden of not being true to himself—left Chad exhausted and ashamed. Instead, he decided to give up the charade. He reverted back to methods he learned at the dinner table, or at the Black Baptist church where he’d been raised, or the concrete basketball courts. And it paid off. Chad began to land more exciting projects and eventually got promoted. He earned the respect of his colleagues and clients. Accounting for this turnaround, Chad believes, was something he calls Black Magic, namely: resilience, creativity, and perseverance, forged in his experience navigating America as a Black man. Black Magic has emboldened his every step since. Leading him to wonder: was he alone in this discovery? Were there others who felt the same? In Black Magic, Chad tells his own incredible story while also interviewing other Black leaders, scientists, artists, business people, parents, innovators, and champions, to get their take on Black magic. This revelatory book uncovers Black experiences in predominantly white environments while demonstrating the importance of staying true to yourself.

    From the antebellum practice of shaving the head in an attempt to pass as a "free" person to the 1998 uproar over a White third-grade teacher's reading of the book Nappy Hair, the issues surrounding Black hair linger as we enter the twenty-first century.Tying the personal to the political and the popular, Hair Story takes a chronological look at the culture behind the ever-changing state of Black hair-from fifteenth century Africa to the present-day United States. Hair Story is the book that Black Americans can use as a benchmark for tracing a unique aspect of their history and that people of all races will celebrate as the reference guide for understanding Black hair.

    Growing Up X is destined to become a classic.”–SPIKE LEEFebruary 21, 1965: Malcolm X is assassinated in Harlem’s Audubon Ballroom. June 23, 1997: After surviving for a remarkable twenty-two days, his widow, Betty Shabazz, dies of burns suffered in a fire. In the years between, their six daughters reach adulthood, forged by the memory of their parents’ love, the meaning of their cause, and the power of their faith. Now, at long last, one of them has recorded that tumultuous journey in an unforgettable memoir: Growing Up X.Born in 1962, Ilyasah was the middle child, a rambunctious livewire who fought for–and won–attention in an all-female household. She carried on the legacy of a renowned father and indomitable mother while navigating childhood and, along the way, learning to do the hustle. She was a different color from other kids at camp and yet, years later as a young woman, was not radical enough for her college classmates. Her story is, sbove all else, a tribute to a mother of almost unimaginable forbearance, a woman who, “from that day at the Audubon when she heard the shots and threw her body on [ours, never] stopped shielding her children.”

    In 1971, Roseberry stands empty, a wisteria vine growing through the dining room window, and China Redd, who worked in the house for half a century, is ready to die. But first she has a story to tell. Not the one recorded by Lydia Redd, the matron of the house, in her own book, beginning with the earrings, the selling if Cleavis, and the curse, and ending with the death of Coyle, the last of the white Redds. If she has nothing else from the forty-seven years of work in a house where nothing was her own, she has this story.Moving effortlessly back and forth in time through the parallel legends of the Redd families, Home Across the Road is a beautiful, haunting, and timeless drama that touches your heart and soul.

    Sociologist Karen E. Fields and historian Barbara J. Fields argue otherwise: the practice of racism produces the illusion of race, through what they call “racecraft.” And this phenomenon is intimately entwined with other forms of inequality in American life. So pervasive are the devices of racecraft in American history, economic doctrine, politics, and everyday thinking that the presence of racecraft itself goes unnoticed.That the promised post-racial age has not dawned, the authors argue, reflects the failure of Americans to develop a legitimate language for thinking about and discussing inequality. That failure should worry everyone who cares about democratic institutions.

    As Grant shows, Garvey was a man of contradictions: a self-educated, poetry-writing aesthete and unabashed propagandist, an admirer of Lenin, and a dandy given to elaborate public displays. Above all, he was a shrewd promoter whose use of pageantry evoked a lost African civilization and fired the imagination of his followers. Negro With a Hat restores Garvey to his place as one of the founders of black nationalism and a key figure of the 20th century. "A searching, vivid, and (as the title suggests) complex account of Garvey's short but consequential life." --Steve Hahn, The New Republic "The story of Marcus Garvey, the charismatic and tireless black leader who had a meteoric rise and fall in the late 1910s and early '20s, makes for enthralling reading, and Garvey has found an engaging and objective biographer in Colin Grant.... Grant's book is not all politics, ideology, money and lawsuits. It is also an engrossing social history.... Negro With a Hat is an achievement on a scale Garvey might have appreciated." --New York Times Book Review "Dazzling, definitive biography of the controversial activist who led the 1920s 'Back to Africa' movement.... Grant's learned passion for his subject shimmers on every page. A riveting and well-wrought volume that places Garvey solidly in the pantheon of important 20th-century black leaders." --Kirkus Reviews (Starred Review) "This splendid book is certain to become the definitive biography. Garvey was a dreamer and a doer; Grant captures the fascination of both." --Publishers Weekly (Starred Review) "Grant's strength lies in his ability to re-create political moods and offer compelling sketches of colorful individuals and their organizations.... An engaging and readable introduction to a complicated and contentious historical actor who, in his time, possessed a unique capacity to inspiredevotion and hatred, adulation and fear." --Chicago Tribune "A monumental, nuanced and broadly sympathetic portrait." --Financial Times

    In the words of Seale the book "...continues to have a universal apppeal as an account of an oppressed people's struggle for human liberation."

    In the first half of the twentieth century, Dunbar was an academically elite public school, despite being racially segregated by law and existing at the mercy of racist congressmen who held the school’s purse strings. These enormous challenges did not stop the local community from rallying for the cause of educating its children.Dunbar attracted an extraordinary faculty: one early principal was the first black graduate of Harvard, almost all the teachers had graduate degrees, and several earned PhDs—all extraordinary achievements given the Jim Crow laws of the times. Over the school’s first eighty years, these teachers developed generations of highly educated, high-achieving African Americans, groundbreakers that included the first black member of a presidential cabinet, the first black graduate of the US Naval Academy, the first black army general, the creator of the modern blood bank, the first black state attorney general, the legal mastermind behind school desegregation, and hundreds of educators.By the 1950s, Dunbar High School was sending 80 percent of its students to college. Today, as with too many troubled urban public schools, the majority of Dunbar students struggle with reading and math. Journalist and author Alison Stewart, whose parents were both Dunbar graduates, tells the story of the school’s rise, fall, and path toward resurgence as it looks to reopen its new, state-of-the-art campus in the fall of 2013.

    Today he’s chair of their School of the Arts film division. Jamal Joseph’s personal odyssey—from the streets of Harlem to Riker’s Island and Leavenworth to the halls of Columbia—is as gripping as it is inspiring.Eddie Joseph was a high school honor student, slated to graduate early and begin college. But this was the late 1960s in Bronx’s black ghetto, and fifteen-year-old Eddie was introduced to the tenets of the Black Panther Party, which was just gaining a national foothold. By sixteen, his devotion to the cause landed him in prison on the infamous Rikers Island—charged with conspiracy as one of the Panther 21 in one of the most emblematic criminal cases of the sixties. When exonerated, Eddie—now called Jamal—became the youngest spokesperson and leader of the Panthers’ New York chapter.He joined the “revolutionary underground,” later landing back in prison. Sentenced to more than twelve years in Leavenworth, he earned three degrees there and found a new calling. He is now chair of Columbia University’s School of the Arts film division—the very school he exhorted students to burn down during one of his most famous speeches as a Panther.In raw, powerful prose, Jamal Joseph helps us understand what it meant to be a soldier inside the militant Black Panther movement. He recounts a harrowing, sometimes deadly imprisonment as he charts his path to manhood in a book filled with equal parts rage, despair, and hope.

    Drawing on both her roots in Kentucky and her adventures with Manhattan Coop boards, Where We Stand is a successful black woman's reflection--personal, straight forward, and rigorously honest--on how our dilemmas of class and race are intertwined, and how we can find ways to think beyond them.