They casserole. They pinwheel. They pump the salad spinner like it's a CPR dummy. And then they kill a party crasher, carefully stepping around the body to pull cookies out of the oven. These twelve irresistible stories take us from a haunted prewar Manhattan apartment building to the set of a rigged reality television show, from the unique initiation ritual of a book club to the getaway car of a pageant princess on the lam, from the gallery opening of a tinfoil artist to the fitting room of a legendary lingerie shop. Vicious, fresh, and nutty as a poisoned Goo Goo Cluster, American Housewife is an uproarious, pointed commentary on womanhood.

    A dark ritual turns a woman obsessed with supernatural powers against the people who love her most. A possessed TV proves that old B-Movie monsters can still terrify an unsuspecting audience…Scare Street’s roster of authors brings you eleven new tales of supernatural horror, in one blood-chilling volume. This macabre collection of short stories is guaranteed to get your pulse racing, and send shivers down your spine.Each deliciously dark tale will haunt your dreams, and keep you reading long past the witching hour. But wait…What was that noise? Did something move in the shadows?Just keep telling yourself… it’s only a story.

    . . Will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review, cover).These eight masterly stories reveal Lorrie Moore at her most mature and in a perfect configuration of craft, mind, and bewitched spirit, as she explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible wit and darkness—the perils of divorce and what can follow in its wake . . .In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest themselves at a fund-raising dinner in Georgetown . . . In “The Juniper Tree,” a teacher visited by the ghost of her recently deceased friend is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion . . . And in “Wings,” we watch the inevitable unraveling of two once-hopeful musicians, neither of whom held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead-ends-ville and the workings of regret . . .Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection . . . stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone . . .Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of life in Lorrie-Moore-land.--jacket

    H. Lawrence. The story describes a young middle-class Englishwoman who "had no luck." Though outwardly successful, she is haunted by a sense of failure; her husband is a ne'er-do-well and her work as a commercial artist doesn't earn as much as she'd like. The family's lifestyle exceeds its income and unspoken anxiety about money permeates the household. Her children, a son Paul and his two sisters, sense this anxiety; moreover, the kids even claim they can hear the house whispering "There must be more money." Paul tells his Uncle Oscar Cresswell about betting on horse races with Bassett, the gardener. He's been placing bets using his pocket money and has won and saved three hundred twenty pounds. Sometimes he says he is "sure" of a winner for an upcoming race, and the horses he names do in fact win, sometimes at remarkable odds. Uncle Oscar and Bassett both place large bets on the horses Paul names. After further winning, Paul and Oscar arrange to give the mother a gift of five thousand pounds, but the gift only lets her spend more. Disappointed, Paul tries harder than ever to be "lucky." As the Derby approaches, Paul is determined to learn the winner. Concerned about his health, his mother rushes home from a party and discovers his secret. He has been spending hours riding his rocking horse, sometimes all night long, until he "gets there," into a clairvoyant state where he can be sure of the winner's name. Paul remains ill through the day of the Derby. Informed by Cresswell, Bassett has placed Paul's bet on Malabar, at fourteen to one. When he is informed by Bassett that he now has 80,000 pounds, Paul says to his mother: "I never told you, mother, that if I can ride my horse, and get there, then I'm absolutely sure - oh absolutely! Mother, did I ever tell you? I am lucky!" "No, you never did," said his mother. The boy dies in the night and his mother hears her brother say, "My God, Hester, you're eighty-odd thousand to the good, and a poor devil of a son to the bad. But, poor devil, poor devil, he's best gone out of a life where he rides his rocking horse to find a winner.

    Not her. Not her three sisters. Receiving approval only for uncomplaining sacrifice, she has resolved to take on her family’s troubles. She is a good girl. And she knows what good girls must do.The Best Girls is part of Disorder, a collection of six short stories of living nightmares, chilling visions, and uncanny imagination that explore a world losing its balance in terrifying ways. Each piece can be read or listened to in a single disorienting sitting.

    A supermarket wants to build a major branch on their border. Some welcome the employment opportunities, while some object to the modernization of the local environment.Judith Mawson (local crank) knows the truth -- that Lychford lies on the boundary between two worlds, and that the destruction of the border will open wide the gateways to malevolent beings beyond imagination.But if she is to have her voice heard, she's going to need the assistance of some unlikely allies...

    My Man Jeeves is sure to please anyone with a taste for pithy buffoonery, moronic misunderstandings, gaffes, and aristocratic slapstick.Contents:"Leave It to Jeeves""Jeeves and the Unbidden Guest" "Jeeves and the Hard-boiled Egg" "Absent Treatment""Helping Freddie""Rallying Round Old George""Doing Clarence a Bit of Good""The Aunt and the Sluggard"Of the eight stories in the collection, half feature the popular characters Jeeves and Bertie Wooster, while the others concern Reggie Pepper, an early prototype for Bertie Wooster.Revised versions of all the Jeeves stories in this collection were later published in the 1925 short story collection Carry On, Jeeves. One of the Reggie Pepper stories in this collection was later rewritten as a Jeeves story, which was also included in Carry On, Jeeves.

    “I sense no anchorage,” the narrator says in the title story, “I will pitch forward, outward and upward.” It’s a statement true of both the writing and the women in it; all share a detached tone, as if speaking from the end of a tunnel, and what one character describes as “uncontrol,” lives lived in language more than action. This continuity of tone often makes it difficult to tell where one narrative drops off and another begins, as the stories are linked loosely together in flashes of syntax, which read like poetry and sometimes retreat into italicized, third-person meditations. In “Claustrophobia,” a woman’s relationship with food runs parallel to her relationship with her mother. In “New Year’s Day” a woman’s description of a party where “everyone knew how to keep some distance” is joined to her lover’s recounting, a moment later, of all the women he’s cheated on her with. “Online” is about a woman who discovers her husband has been online dating. Any navigational difficulties are worthwhile, as Walsh is an inventive, honest writer. In her world, objects may be closer and far more intricate than they appear; these stories offer a compelling pitch into the inner life.

    'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelganger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the pieces in this volume form a start contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing.Laura Kranzler's introduction discusses how Gaskell's tales, with their ghostly doublings and transgressive passions, show the Gothic underside of female identity, domestic relations and male authority. This edition also contains a chronology, further reading and explanatory notes.

    Having entered the Church more by default than through any great calling, he struggles to inject some life into his ailing parish. His wife Christine longs for them to escape the endless rounds of coffee mornings and cake sales. Then Theo, a child at her school, starts to exhibit strange marks on his hands and feet that vanish almost as soon as they have appeared. What has produced these marks - is it physical violence or something stranger? And why has the previous vicar of St Joseph's ended up in a psychiatric hospital?

    She is a novelist, short story writer, memoiriere, librettist, essayist, and poet. Following on from her most recent award-winning creative non-fiction, This is Not About Me and All Made Up, comes her fourth short story collection, the outstanding Jellyfish, confirming her position as one of the most elegant, unflinching, masterful chroniclers of contemporary life and love.

    It is like coffee and car alarms and a dim stairway and a stain and it's like smoke.' ('Placing a Call') How does love change us? And how do we change ourselves for love - or for lack of it? Ten stories by acclaimed author Deborah Levy explore these delicate, impossible questions. In Vienna, an icy woman seduces a broken man; in London gardens, birds sing in computer start-up sounds; in ad-land, a sleek copywriter becomes a kind of shaman. These are twenty-first century lives dissected with razor-sharp humour and curiosity, stories about what it means to live and love, together and alone.

    Seven short stories from bestselling author Tony Parsons, based on his week as Writer in Residence at Heathrow airport.Here is Heathrow as it has never been seen before – a secret city populated by the 75 million travellers who pass through every year, a place where journeys and dreams end – and begin.From the brilliant twenty-something kids who control the skies up in Air Traffic Control to the softly-spoken man who cares for the dogs, lions and smuggled rattlesnakes at Heathrow’s Animal Reception Centre, from the immigration officers who have heard it all before to the firemen who hone their skills by setting the green plane on fire, from the armed police who watch for terrorist attacks to the pilots who have touched the face of god – Heathrow teems with life.In Departures, his first collection of short stories, Tony Parsons takes us deep inside the secret city.

    They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.

    This collection also includes The Star, A Dream of Armageddon, The Cone, A Moonlight Fable, The DiamondMaker, The Lord of the Dynamos, and The Country of the Blind. Newly designed and typeset in a modern 5.5-by-8.5-inch format by Waking Lion Press.