Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    volume 1 of 3

    His major works were long visionary poems including, Alastor, The Revolt of Islam, Prometheus Unbound and the unfinished The Triumph of Life. Shelley was a strong advocate for social justice for the 'lower classes'. He witnessed many of the mistreatments occurring in the domestication and slaughtering of animals and he became a fighter for the rights of all living things. This collection contains On Love, On Life in a Future State, On the Punishment of Death Speculations, On Metaphysics Speculations, On Morals on the Literature, the Arts and the Manners of the Athenians, On the Symposium, or Preface to the Banquet of Plato, and A Defence of Poetry.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    He is best known for his novel Red Badge of Courage (1895). The novel introduced for most readers Crane's strikingly original prose, an intensely rendered mix of impressionism, naturalism and symbolism. He lived in New York City a bohemian life where he observed the poor in the Bowery slums as research for his first novel, Maggie: A Girl of the Streets (1893), a milestone in uncompromising realism and in the early development of literary naturalism. He became shipwrecked in route to Cuba in early 1897, an experience which he later transformed into his short story masterpiece, The Open Boat (1898). Crane's poetry, which he called 'lines' rather than poems, was also strikingly new in its minimalist meter and rhyme. It employed symbolic imagery in order to communicate at times heavy-handed irony and paradox. Other works include Active Service (1899), The Monster (1899), The Blue Hotel (1899), Whilomville Stories (1900) and Wounds in the Rain (1900).

    Turning the male-dominated literary world to her advantage, she happily exploits the attentions of four very different suitors. Will she bestow her hand upon the richest of them, or on the man she loves? Ethelberta Petherwin, alias Berta Chickerel, moves with easy grace between her multiple identities, cleverly managing a tissue of lies to aid her meteoric rise. In "The Hand of Ethelberta" (1876), Hardy drew on conventions of popular romances, illustrated weeklies, plays, fashion plates, and even his wife's diary in this comic story of a woman in control of her destiny.

    This volume is produced from digital images created through the University of Michigan University Library's preservation reformatting program.

    Most of the stories it includes had already appeared in the Civil and Military Gazette they were written before he reached the age of 22; and they show a remarkably precocious literary talent. His vignettes of life in Brittish India a hundred years ago give vivid insight into Anglo-India at work and play, into a barrack-room life, and into the character of Indians themselves.

    Katy is a tall untidy tomboy, forever getting into scrapes but wishing to be beautiful and beloved. When a terrible accident makes her an invalid, her illness and four-year recovery gradually teach her to be as good and kind as she has always wanted. Two sequels follow Katy as she grows up: What Katy Did at School and What Katy Did Next. Two further sequels relating the adventures of Katy's younger siblings were also published—Clover and In the High Valley. Also their father, Dr. Carr, a hard working doctor feature in a short story titled "Curly Locks” thus completing the entire Carr Family Chronicle.Susan Coolidge, pen name of Sarah Chauncey Woolsey (1835–1905), was an American children's author who is best known for her Katy Carr Series. The fictional Carr family of this series was modeled after Woolsey's own family and the protagonist Katy Carr was inspired by Woolsey herself; while the brothers and sisters "Little Carrs” were modeled on her four younger siblings.

    It came to little, being no more than that I should miss love and fortune in the sunlight and find them in the rain. The woman was a haggard, black-faced gypsy, and when my mother asked for more she turned on her heel and spoke gibberish; for which she was presently driven out of the place by Tarn Roberton, the baillie, and the village dogs. But the thing stuck in my memory, and together with the fact that I was a Thursday's bairn, and so, according to the old rhyme, "had far to go," convinced me long ere I had come to man's estate that wanderings and surprises would be my portion.It is in the rain that this tale begins. I was just turned of eighteen, and in the back-end of a dripping September set out from our moorland house of Auchencairn to complete my course at Edinburgh College. The year was 1685, an ill year for our countryside; for the folk were at odds with the King's Government, about religion, and the land was full of covenants and repressions. Small wonder that I was backward with my colleging. . . .

    A disused London Underground lift goes way beyond the bottom floor.A psychic boy discovers what terrors are buried in the fallow field.A handshake seals a midnight fate in an old farming dispute.A corpse must be buried by dawn.BLACK GATE TALES: Fourteen short stories of dread, hope, death and wonder.

    When her father is killed in an accident and her family evicted from their cottage, she hopes to leave her old life behind, to start afresh in the Blackburn cotton mills. But tragedy strikes once again, setting in motion a chain of events that will unravel her family’s lives. Their fate is in the hands of the Earl of Harrogate, and his betrothed, Lady Katrina. But more sinister is the scheming Marcia, Lady Katrina’s jealous sister. Impossible dreams beset Ruth from the moment she meets the Earl. Dreams that lead her to hope that he will save her from the terrible fate that awaits those accused of witchcraft. Dreams that one day her destiny and the Earl’s will be entwined.

    We were inundated with thousands of disgusterous entries! To discover our winners, we waded through burps, farts and rotten eggs; bogies, vile stew and goo to find the funniest and most revolting specimens. This eBook contains the crème de la phlegm-hand picked by children's author, songwriter and McFly frontman, Tom Fletcher, and Wales's Children's Poet Laureate, Anni Llyn.A huge thank you to our revolting partners Puffin Books, the National Literacy Trust, Literature Wales, Magic Light, and the Roald Dahl Museum and Story Centre for all their help and support!

    This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

    Colambre travels incognito to Ireland to see the country that he still considers his home. When he returns to London he assists his father to pay off the debts, on condition that the Clonbrony family return to live in Ireland. Maria Edgeworth (1 January 1768 - 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe. She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo.