His films touch on a wide range of topics rife with questions about human life, behavior, and emotions: love and sex, war, crime, madness, social conditioning, and technology. Within this great variety of subject matter, Kubrick examines different sides of reality and unifies them into a rich philosophical vision that is similar to existentialism. Perhaps more than any other ph

    Book annotation not available for this title...Title: .The Location Sound Bible..Author: .Viers, Ric..Publisher: .Ingram Pub Services..Publication Date: .2012/09/01..Number of Pages: .354..Binding Type: .PAPERBACK..Library of Congress: .2012016109

    Now including updates on the latest trends in the industry, writers-producers Kenneth Atchity and Chi-Li Wong tell readers everything they need to know to create an effective and saleable treatment, one that incorporates such key elements as conflict, likeable characters, plot twists, a climax, and visual drama.Using dozens of the latest examples from actual productions, Writing Treatments That Sell distinguishes between scripts designed for feature films, episodic television, and made-for-TV movies, and shows step-by-step how to prepare a selling treatment for each. Also included is essential information on copyrighting and acquiring rights along with a comprehensive glossary of industry terms. This book is essential for anyone hoping to get a foot in the door of the exciting scriptwriting business.

    Its fans tend to be fanatical, congregating at 'Lebowski Conventions' in bowling alleys across American and Britain, and even dressing up as characters from the film. Among the funniest films of the last twenty-five years, and one of the high-water marks of 1990s genre recycling and pastiche, The Big Lebowski is also littered with playful and subversive references to film history, especially to Raymond Chandler's world of hardboiled detective classics and the world of film noir. The Big Lebowski is the rarest kind of film, a comedy whose jokes become funnier with repetition. The same goes for its multitudinous jukebox-like references to other films, many of which open up vistas for intertextual interpretation. Underneath the film's breakneck pacing and foul-mouthed characters, a farcical collection of flakes, losers, and phonies, is a surprisingly humane account of what fools we mortals be. It is one of the oddest buddy films ever made, with extraordinary performances by Jeff Bridges and John Goodman. In this study, The Big Lebowski is set into the context of 1990s Hollywood cinema, anatomised for its witty relationship with the classics which it satirises, and discussed in terms of its key theme: the hopeless flailing of ridiculously unmanly men in the world of discombobulated, mixed-up, or put-on identities that is Los Angeles.

    But Gregor Muir knew them at the start; his unique memoir chronicles the birth of Young British Art. Muir, YBA’s ‘embedded journalist’, happened to be in Shoreditch and Hoxton before Jay Jopling arrived with his White Cube Gallery, when this was still a semi-derelict landscape of grotty pubs and squats. There he witnessed, amid a whirl of drunkenness, scrapes and riotous hedonism, the coming-together of a remarkable array of young artists – Hirst, the Chapman brothers, Rachel Whiteread, Sam Taylor-Wood, Angus Fairhurst - who went on to produce a fresh, irreverent, often notorious form of art - Hirst’s shark, Sarah Lucas’s two fried eggs and a kebab. By the time of the seminal Sensation show at the Royal Academy YBA had changed the art world for ever.

    Her loving parents were gunned down right in front of her eight year old eyes, leaving her alone and an unwanted child of the state of New York. The hot bullets that ushered her parents to heaven left her with a scar on her beautiful face and a broken heart. With the help of her new found brother Shabazz, Tiana managed to survive the group home for parentless children and reach her eighteenth birthday.Now all grown up, Tiana finds herself in new territory with new choices to make which will shape her bright future. On the surface, she’s the picture of poise and grace. However underneath her pretty exterior dwells a murderous spirit fueled by a thirst for blood and violence. Miss Brantz is destined for greatness, but, the question is…what will she be great at, breaking every law on the streets or enforcing the law in the courtroom as a talented attorney? The answer is both. Tiana takes no prisoners and shows no mercy in court or on the corner. She’s rich, fine, loyal, and intelligent. Along with Shabazz, the two of them set out to make a killing in the drug world rolling over anybody in their way.Most women wouldn’t dare get their nails dirty. Most women would back down from confrontation. Most women would avoid death at any cost. But, Tiana isn’t like most women. She’s a beast. She’s a monster. She’s built for the street life. Tiana Brantz is LADY SCARFACE!LADY SCARFACE 2 Coming soon!LADY SCARFACE by Divine Ortiz is presented to you by Shareef Jaudon, the author of the best selling TYCE series.

    But hey, what do you expect from a secretary turned undercover detective? Enjoy the first two books in the Charlie Cooper Mystery Series: JAMMED: Charlie Cooper Profile: -Underpaid precinct secretary at the Boston Police -Grew up in Springston, 90 miles from Boston – but still not far enough -Weekend plans: toffee caramel ice cream, crime shows and the Laundromat -No friends, no pets, no hobbies -Special gifts: tripping over her own feet -Finding Mr. Right: negative -Healthy diet: cookies and all things sweet At age twenty-nine, Charlie Cooper’s life is not exactly a hit. Working as a precinct secretary at the Boston Police answering phones, making appointments and writing up crime reports means she might not be on the fast track to her ultimate dream job. And her living situation? She is the proud inhabitant of the most minuscule “master suite” she can afford to pay, where she can brush her teeth, get her clothes out of the dresser drawer and turn on the hallway light without getting out of bed. But when a job opportunity arises, she’s ready to take the bull by the horns and prove she is more than just a fast typist. Sure, she has to bite the bullet by returning to her hometown and living with her wacky family, but this is only the cover for her real assignment: finding clues involving a real big drug case. What starts out to be just harmless snooping turns into a pile of dead bodies, slashed tires and threatening notes. But Charlie is determined to solve the case and catch the killer before he catches her. Throw in two fearless waitresses and a hot fry cook who is not what he seems and you’ve got the perfect mix of a fast-paced and exciting mystery. PICKLED: Charlie Cooper Profile: -Underpaid undercover detective in her hometown, Springston -Living with her parents at the age of twenty-nine -Weekend plans: desperately looking for an apartment -2 new friends, still no pets, still no hobbies -Special gifts: hmm… -Finding Mr. Right: still negative -Healthy diet: more cookies and more things sweet Charlie Cooper begins a new life in her hometown, Springston. Granted, it’s not as glamorous as she thought it will be. Living with her parents and her brother again means waking up at 6 a.m. with the sound of rock music and putting up with her brother’s annoying video games. Still, she’s confident that a new apartment will bring her the peace and quiet that she needs. Only problem: lack of funds. But that should change soon! Together with her new companions, Marge and Celeste, she sets out to be the best undercover investigator the town has ever seen. When their first case comes rolling in, the girls have to bring an escaped red panda back to the zoo. It’s not exactly the dazzling detective work that Charlie had hoped for, but she’s determined to wrap up this case promptly. Things go south, when the girls not only find the panda, but also something else. Let’s just say it’s a body part that should definitely be attached to a person. The girls launch themselves into solving the missing body part mystery but what they get is more than they’ve bargained for. To top things off, Springston’s most handsome detective is constantly on their tail. Join Charlie, Marge and Celeste in this fast-paced, humorous and exciting mystery!

    in the USA) had influenced world's opinion about many interesting and important issues in the world: 9/11 event, ASPARTAM, FLUORIDE, HIV, the connection between USA authority and the media (esp. CNN), etc, through his careful research.

    This is "the forgotten story" of some of the people who came unexpectedly to be passengers in the ship on her last voyage, of their loves and hates, and how a young boy is drawn irrevocably into the centre of a gripping drama.

    Films widely disparate in subject, sentiment, and technique, they nonetheless shared one dual purpose: to provide the audience (of women, primarily) with temporary liberation into a screen dream - of romance, sexuality, luxury, suffering, or even wickedness - and then send it home reminded of, reassured by, and resigned to the fact that no matter what else she might do, a woman's most important job was...to be a woman. Now, with boundless knowledge and infectious enthusiasm, Jeanine Basinger illuminates the various surprising and subversive ways in which women's films delivered their message. Basinger examines dozens of films, exploring the seemingly intractable contradictions at the convoluted heart of the woman's genre - among them, the dilemma of the strong and glamorous woman who cedes her power when she feels it threatening her personal happiness, and the self-abnegating woman whose selflessness is not always as "noble" as it appears. Basinger looks at the stars who played these women (Kay Francis, Barbara Stanwyck, Joan Crawford, Bette Davis, Rosalind Russell, Susan Hayward, Myrna Loy, and a host of others) and helps us understand the qualities - the right off-screen personae, the right on-screen attitudes, the right faces, the right figures for carrying the right clothes - that made them personify the woman's film and equipped them to make believable drama or comedy out of the crackpot plots, the conflicting ideas, and the exaggerations of real behavior that characterize these movies. In each of the films the author discus

    Acclaimed biographer Patrick McGilligan re-examines his life and extraordinary work, challenging perceptions of Hitchcock as the “macabre Englishman” and sexual obsessive, and reveals instead the ingenious craftsman, trickster, provocateur, and romantic.With insights into his relationships with Hollywood legends – such as Cary Grant, James Stewart, Ingrid Bergman, and Grace Kelly – as well as his 54-year marriage to Alma Reville and his inspirations in the thriller genre, the book is full of the same dark humor, cliffhanger suspense, and revelations that are synonymous with one of the most famous and misunderstood figures in cinema.

    Mark Cousins’s chronological journey through the worldwide history of film is told from the point of view of filmmakers and moviegoers. Weaving personalities, film technology, and production with engaging descriptions of groundbreaking scenes, Cousins uses his experience as film historian, producer, and director to capture the shifting trends of movie history. We learn how filmmakers influenced each other; how contemporary events influenced them; how they challenged established techniques and developed new technologies to enhance their medium. Striking images reinforce the reader’s understanding of cinematic innovation, both stylistic and technical. The images reveal astonishing parallels in global filmmaking, thus introducing the less familiar worlds of African, Asian, and Middle Eastern cinema, as well as documenting the fortunes of the best Western directors. The Story of Film presents Silent (1885-1928), Sound (1928-1990), and Digital (1990-present), spanning the birth of the moving image; the establishment of Hollywood; the European avant-garde movements, personal filmmaking; world cinema; and recent phenomena like Computer Generated Imagery and the ever-more “real” realizations of the wildest of imaginations. The Story of Film explores what has today become the world’s most popular artistic medium.

    This empire dominates western Europe from 800 until 1806, when it is defeated by Napoleon. The Second Reich: All of Germany is united behind Prussia under the leadership of Otto von Bismarck, victor of the Franco-Prussian War. Only Germany's defeat in World War I can break the power of the second German empire.What was the Third Reich?In 1933, Adolf Hitler was appointed Chancellor of Germany after convincing other members of the Reichstag that the Nazi party was better for the country than their feared rivals, the Communists. Within the year, the President of the German Republic will be dead, and Hitler will declare himself supreme leader of Germany.But how did it happen?The Third Reich: Adolf Hitler, Nazi Germany, World War II and The Last German Empire takes you on a guided tour of German history for the last thousand years. You'll study the constitution of the Weimar republic and the Treaty of Versailles, and come to understand why Hitler believed it was crucial to build a new Nazi empire that was second to no one other nation in Europe in terms of military development. You'll learn how Hitler used the rhetoric of racism and nationalism to transform himself from a democratically elected member of government into a dictator whose word was law.Most importantly, you'll learn how those changes paved the way to World War II and the atrocities of the Holocaust.

    The Brat Pack and their contemporaries have grown up, but celluloid has them flickering forever, angst-ridden, haunted, guileless, cocky, stripped to their briefs, and all dressed up pretty in pink. 25 photos, 8-page color insert.

    The former is a psychological thriller set in the Hollywood of the 1940s, while the latter reinvents the 1930s gangster film.