Layla James, a recent graduate and budding photographer, never knew anything about her father except that he named her for the iconic song by Eric Clapton. Her mother--steeped in a political activism that Layla rejects--kept their past shrouded in secrecy, and when she dies of cancer, she leaves only an enigmatic letter--the first in a series that will lead Layla through a cross-country network of '60s radicals and closer to the bombshell at the heart of her parents' past. As Layla makes her way from the East Coast to a commune in the California desert, she discovers more about friendship, love, forgiveness, and the personal repercussions of political activism than she could ever have imagined. A stirring and panoramic story, viewed through the lens of the next generation, this exceptional debut novel brings the gestalt of the '60s into focus and sheds new light on the era's legacy in the new millennium.From the Back Cover"Celine Keating's deftly plotted novel takes readers on a gripping journey along the underground railroad of post-'60s radicalism. . . . Every adult has to reinterpret the story of her childhood. Keating beautifully demonstrates the courage it takes for each of us to face that bittersweet truth." --LARRY DARK, Director of The Story Prize "A beautiful book--at once nostalgic and fresh--that will go straight to your heart and lodge there." --ALETHEA BLACK, author of I Knew You'd Be Lovely " An] emotional page-turner. Layla's coming to terms with her parents' dangerous activism is heart wrenching due to Keating's delightfully drawn characters. This novel also serves as a compelling lesson in our values and how drastically they've changed. It serves as a better history than any essay or screed." --SUSAN BRAUDY, author of Family Circle "As Layla James drives cross-country, following the cryptic directions of her late mother, she meets a wide and sharply drawn group of veteran radicals who all play a part in the search for her mysterious father. . . . Keating keeps the pace fast and the suspense high . . . You'll want to ride with her every mile of the way " --ROBERT HERSHON, editor of Hanging Loose Press "A triumph of political literature . . . as informative as it is impossible to put down." --MARNIE MUELLER, author of My Mother's Island "Evoked in beautiful prose and telling details . . . Layla] brings to life the complexity of family dynamics, with all its conflicts, dangers and rewards." --NAHID RACHLIN, author of Persian Girls: A Memoir

    To those who didn’t know, the biscuit factory that towered over Carlisle might look like just another slice of the industrial North, a noisy and chaotic place with workers trooping in and out at all hours. For the biscuit girls it was a place where they worked hard, but also where they gossiped, got into scrapes and made lifelong friends. Outside the factory walls there might be difficult husbands or demanding kids, and sometimes even heartbreak and tragedy, but they knew there would always be an escape from their troubles at Carr's. Some, like Barbara, only applied because she needed the extra cash, until things got a bit easier at home. Her supervisor cross examined her about who would be looking after the kids while she was at work, but let her have the job. Like many of the women who joined up ‘temporary’ Barbara went on to stay at Carrs for 32 years.Beginning in the 1940s, these heartwarming and vividly-remembered stories have all been told by the women themselves to Hunter Davies.

    A paperback original from a superb writer whose first novel was enthusiastically praised by Khaled Hosseini, bestselling author of The Kite Runner and A Thousand Splendid Suns, Haji, an American of Indo-Pakistani descent, writes with grace, heart, and wisdom about the collisions of culture and religion, tradition and modernity played out through individual lives.

    At Henry's House on Isadora Island, Celia has created a faux-family homestead, a testament to tradition. Personally, however, Celia's unconventional love life has kept Isadora Island entertained for a generation.Married only once and widowed at twenty-two, Celia has spent a lifetime preaching (and practicing) Unfettered Love, preferring unions free of matrimony, free of the ties that bind -- and can just as easily strangle. Despite all the domestic upheaval, she has acquired a large extended family of children, stepchildren, partners, and ex-partners. Generous and spirited, but notoriously stubborn, Celia nonetheless draws people into her arms and her home.When, much to Celia's dismay, her daughter Bethie announces her engagement, Celia reluctantly agrees to throw a lavish celebration. To this party she must invite everyone in her whole overextended family: her steps and exes, their current partners and starchy in-laws, as well as a host of island eccentrics. As the big day approaches, Celia senses impending disaster. But nothing prepares her for the fallout when the nuclear family explodes and she must reconstruct the past in order to transform the future.

    Despite the intervening decades, the woman, known only as The Mother, is met with the same questions: Where are you from? No, where are you really from? The American-born daughter of Bengali immigrant parents, her truthful answer, here, is never enough. She finds herself navigating a climate of lingering racism with three daughters in tow and a husband who spends more time in business class than at home.The Mother's simmering anger breaks through one morning, when, during a baseless and prejudice-driven police raid on her house, she finally refuses to be calm, complacent, polite—and is ultimately shot. As she lies bleeding on her driveway, The Mother struggles to make sense of her past and decipher her present—how did she end up here?Devi S. Laskar has written a brilliant debut novel novel that grapples with the complexities of the second-generation American experience, what it means to be a woman of color in the workplace, a sister, a wife, a mother to daughters in today's America. Drawing inspiration from the author's own terrifying experience of a raid on her home, The Atlas of Reds and Blues explores, in exquisite, lyrical prose, an alternate reality that might have been.

    When the cremation rites are complete, Ronojoy is handed a letter from his mother that is not so much a farewell as a confession. As before, it is left to him to decide whether to share the disturbing contents with his brother, whom he has always sought to protect.Thus, begins another tumultuous cycle in the lives of the two brothers who already carry deep scars from their childhood; their fragile minds ever at risk of succumbing to the dark.Written in spare, stark prose, Dark Circles deftly weaves past and present, offering tantalizing glimpses of bottled truths buried deep in the recesses of repressed memory; brilliantly exposing the dark undercurrents that swirl under the seemingly placid lives of families.

    In an attempt to escape this legacy that binds her, Mukta is transported to a foster family in Bombay. There she discovers a friend in the high spirited eight-year-old Tara, the tomboyish daughter of the family, who helps her recover from the wounds of her past. Tara introduces Mukta to a different world—ice cream and sweets, poems and stories, and a friendship the likes of which she has never experienced before. As time goes by, their bond grows to be as strong as that between sisters. In 1993, Mukta is kidnapped from Tara’s room. Eleven years later, Tara who blames herself for what happened, embarks on an emotional journey to search for the kidnapped Mukta only to uncover long buried secrets in her own family.Moving from a remote village in India to the bustling metropolis of Bombay, to Los Angeles and back again, amidst the brutal world of human trafficking, this is a heartbreaking and beautiful portrait of an unlikely friendship—a story of love, betrayal, and redemption—which ultimately withstands the true test of time.

    unusually. Welcome to the world of THE LYON'S DEN: The Black Widow of Whitehall Connected World, where the underground of Regency London thrives... and loves.ABACAS WOMANLi-Na lives in a black and white world, painting her feelings onto canvas by day and counting money in the Lyon’s Den at night. She’s found safety in the dark ink and the heavy clack of her abacas, but it is really a life? MAN OF ART Lord Daniel can’t draw worth a damn, but he can sell what he finds. And what he finds is Li-Na, a woman of such sublime talent that he will go to extraordinary measures to capture her art. When she refuses to leave her safe cocoon, he conspires with Mrs. Dove-Lyons to bring her to Cornwall where she will have everything she needs to paint. And if her art requires a more personal connection, then he willingly offers up himself as inspiration. A SLOW SEDUCTION Li-Na will not give up her soul to this powerful man, no matter how many castles he owns. She paints him as a tiger hunting in the jungle. She feels him watching her, protecting her, and tempting her until her canvas is filled with his eyes, his mouth, and his caress. But she cannot surrender the only part of her still alive. Unless being consumed by him is the only way to bring color back to her heart.

    When Nadine learns that the Indian woman she thought her nanny is, in fact, her mother, she rebels against her English father and he arranges for her to be wed to an Australian merchant many years older. She is whisked off to her new husband's plantation in Malaya but as the Second World War rages throughout the East, Nadine is taken captive by the Japanese. She is held at a camp in Sumatra with other women and forced to entertain the soldiers and satisfy their desires. In the most unlikely circumstances, Nadine finds an ally and protector in a Japanese—American major caught up in the war. The two bond over their conflicted identities and gradually fall in love. But can Nadine survive long enough to find happiness? Don't miss this emotional and powerful saga about a woman's determination to beat the odds, perfect for fans of Renita D'Silva, Dinah Jefferies and Julia Gregson.

    At an age when most women worry about household finances and the responsibilities starting a family, she wanted to break the mould and follow her dreams. Sumedha was born with asthma and the hospital was her second home throughout her childhood. She started running to keep herself fit and to prevent asthma attacks, but it developed into a way of life. Then, in April 2012, she took up the challenge of running 1,500 kilometres from Delhi to Mumbai in thirty days. When the run began, it was purely a physical challenge which she had set for herself but, as it progressed, it became a mental struggle that took Sumedha to her very limits. And, as she made her triumphant way to the finish line, she overcame not just her physical shortcomings, but also the extreme prejudice of lookers-on who were convinced that she would fail miserably.An account of a gruelling adventure and a rousing story about finding oneself, Miles to Run Before I Sleep both inspires and delights.

    Then an influential woman from Kolkata takes Sabitri under her wing, but her generosity soon proves dangerous after the girl makes a single, unforgivable misstep. Years later, Sabitri’s own daughter, Bela, haunted by her mother’s choices, flees abroad with her political refugee lover—but the America she finds is vastly different from the country she’d imagined. As the marriage crumbles and Bela is forced to forge her own path, she unwittingly imprints her own child, Tara, with indelible lessons about freedom, heartbreak, and loyalty that will take a lifetime to unravel.In her latest novel, Chitra Banerjee Divakaruni explores the complex relationships between mothers and daughters, and the different kinds of love that bind us across generations. Before We Visit the Goddess captures the gorgeous complexity of these multi-generational and transcontinental bonds, sweeping across the twentieth century from the countryside of Bengal, India, to the streets of Houston, Texas—an extraordinary journey told through a sparkling symphony of voices.

    Ships That Pass tells the story of Tara and Shaan, near strangers to each other after fourteen years of being married, and Tara's sister, Radhika, recently engaged, almost on a whim, to someone she barely knows. Even as Radhika tries to understand how a once ideal marriage has come undone, and struggles with her own feelings for an older man, tragedy strikes: Tara dies in mysterious circumstances and Shaan is arrested for murder. In the aftermath, Radhika realizes that while life may seldom turn out as expected, the only hope lies in finding the courage to take one's chances. A meditation on the nature of love and marriage, this subtle novella is vintage Shashi Deshpande. '[A] mesmerizing writer. . .you can never walk away from her stories.' About the AuthorShashi Deshpande, daughter of the renowned Kannada dramatist and Sanskrit scholar Shriranga, was born in Dharwad. She studied economics in Mumbai, then moved to Bangalore, where she gained a degree in law. Her writing career began in 1970, initially with short stories, of which several volumes have been published. She is also the author of eight novels, the best known of which are That Long Silence, which won the Sahitya Akademi award and is considered a landmark in Indian writing in English; The Dark Holds No Terror; Small Remedies; Moving On; and The Country of Deceit.

    She takes care of her ill, widowed mother and her younger brother, Jahan. With the arrival of a summons for Rukhsana to appear before the infamous Ministry for the Propagation of Virtue and Prevention of Vice, the family’s world is shattered. The Minister, zorak Wahidi, has two goals in mind: to threaten the anti-Taliban news reporters and to announce the Taliban’s intention to hold a cricket tournament, the winner of which will represent Afghanistan in international cricket and give the brutal regime a cloak of respectability in the world.Rukhsana knows this is a ludicrous idea—the Taliban could never embrace a game rooted in civility, fair play and equality. And no one in Afghanistan even plays cricket—no one, that is, except Rukhsana.This could be, however, a way to get her male cousins and her brother out of Afghanistan for good. But Wahidi has a third goal in mind—to marry Rukhsana. The union would be her death sentence, wrenching her away from her family and placing her under Wahidi’s complete control. Forced into hiding and desperate to escape the country, Rukhsana realizes that Wahidi may have given her a way out, too. When her loyal, beloved cousins ask for her help, she sets about teaching them how to win their own freedom—with a bat and a ball.

    Stuck with each other for the night, they deal with their core prejudices, the walls that keep them from each other, and the discovery of their God-given humanity in one another.When talking about race, it helps to have something specific to talk about―a story we can all wrap our heads around. In Meals from Mars, Ben Sciacca provides that story: two men from different worlds forced by circumstance to see and hear and consider one another. It is a novel that demonstrates the social challenges and relational potential for racial reconciliation.

    One home? Ellie Laing has a very good reason to want to stay single: her last relationship put her in danger. And she’s worried that while the physical scars will heal, the emotional ones never can. So, travelling to Kansas for her best friend Sandy’s wedding, Ellie’s in need of some time alone. And Sandy’s brother Ben’s rural and idyllic ranch seems like the perfect place for it. Ben comes with his own baggage – a failed marriage in his past, and a big question mark over his future – and he knows the feelings he had for Ellie belong firmly in the history books. But, sitting on his porch with her, he’s never felt more at home. Both of them swore they were better off alone… yet is it possible that two broken hearts could come together to heal?Readers LOVE Maxine Morrey:‘'I’ve fallen head over heels for Maxine's writing style’‘I'm a big fan of Maxine's writing and I love how she is able to write lighthearted romantic comedies that have serious issues at their centre’‘I love Maxine Morrey's books’‘Hand on heart, I could read a Maxine Morrey novel every day of the week without getting bored.’‘I'm a big fan of Morrey's books’‘Maxine has this way of captivating her readers with charismatic and memorable characters’